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@erraticgrimoire

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some of my writing and collages i hope someone enjoys

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my hot take is that tumblr should have a bookmark function as well as likes
never fear, i am alive and still reading. i did analyze book 2 on the day i said i would, i just also got knocked out by a major headache for 1-2 business days.
but we’re good now! so onto the discussion:
okay, i’m saying this once more and then never again, else i complain about it every single time—the repetition is driving me physically insane. i recoil, internally, every time i set my eyes upon the words “telemakhos, sensible lad” or some variant.
and i know mendelsohn is very proud that he stuck with the epithets since most translations don’t repeat them verbatim every time, and that’s actually a win for him, but i am dying. on the floor. resisting the urge to throw the book down.
that aside, book 2 did feel like it dragged a bit. i think it’s because it’s very speech heavy, but the speakers spend most of it rehashing what the other said. i think antinoös’ speeches held the most original thought, which made his the more appealing and the more exciting to read.
but hands down the funniest line, in mendelsohn’s translation specifically, is when antinoös says to telemakhos: “you big talker, you’re out of control”. and he says it twice.
one, the deep irony of who’s saying that, but two, it jumps out so hard from the rest of the text that it’s like it was bolded, italicized, and made two font sizes bigger. i have never been more delighted by a singular phrase of ancient poetry in my life.
i think wilson’s was the more enjoyable for me for this book, mostly because it felt very brisk and forward-facing. while hers isn’t as detailed as mendelsohn’s, i do feel the more compact language offers its own benefit.
(i realize that reading the same thing two times over can make the second seem more like a drag, so i’ve been alternating which i read first to try and mitigate that.)
If you see this you’re legally obligated to reblog and tag with the book you’re currently reading
I like the Emily Wilson translation of The Odyssey. It’s so easy and simple and really does a nice job of introducing the text and histories of the world through the philology and culture of Ancient Greek. It got me into the other translations, which I also love and enjoy as much, but Wilson’s as a stepping stone is such a nice breath of fresh air from the idyllic prose of the other translations. To each their own, but the controversy around a translation of an oral tradition written in a language most readers do not speak and this uproar of “faithfulness” is so banal and boring. Bc if faithfulness was the real concern, then why does Chapman rhyme? The original Greek doesn’t rhyme and yet Chapman rhymes and people scream faithful of it. Yet, Wilson attempts an accessible, introductory version of the odyssey that neither dilutes nor deviates from the texts original meaning.
Anyway that’s it on my two cents. Seeing the movie Thursday. ;p
i will sit with you in a darkened room, a hundred of our peers around us, all waiting with bated breath. the last trailer will fade, the screen will go inky black, and we will lift our hands together, palms up
“tell us about a complicated man, muse, TELL US HOW HE WANDERED AND WAS LOST” we will roar, and as the title card drops, we will be one with the audiences of centuries past, nothing more or less than the newest link in a long long chain

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By David G Fode (1968-2022) {via}
its probably a normal sign for the economy that all of my adulthood fantasies are like "imagine having your own kitchen living room and bathroom to decorate" "what if i could get on a train" "maybe one day i could purchase a sturdy pair of shoes" "i should save and invest in a single bicycle"

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A summer evening, fireflies, and an annoyed doe wishing I would get out of her territory is about as great as it gets.
"Windswept", photographed by Sam Ferris (2020)