Just because youβre kind of pretty, andΒ well-proportioned, and great at fencing, and a professional modelΒ
trying on a metaphor

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Xuebing Du
Lint Roller? I Barely Know Her

Origami Around
Jules of Nature
I'd rather be in outer space πΈ
Sweet Seals For You, Always


Jar Jar Binks Fan Club
$LAYYYTER
todays bird
TVSTRANGERTHINGS

#extradirty
2025 on Tumblr: Trends That Defined the Year

titsay
cherry valley forever
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@erikkun
Just because youβre kind of pretty, andΒ well-proportioned, and great at fencing, and a professional modelΒ

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To the revolutionaries
Colour Painting Tips by slawekfedorczuk
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this is literally how it is

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I think about The Man of the Hole so often. 27 years alone. 27 years with no one to speak to but strangers to wave to. Survived a genocide, a massacre that killed everyone he had ever known and later, an assassination attempt. He still tried to warn researches about the traps he built. He was only about 60 when he died in 2022. The people who tormented him in life later desecrated his grave.
I do think it is important to share the stories of the Lone Woman of San Nicolas Island and Ishi and the countless other indigenous people who experienced the profound trauma of being the last survivor but it is important to remember that the last Aboriginal families in Australia to be contacted by Europeans were resettled in the 1980s and the Indian government has proposed a plan that will mean total genocide for the Shompen people. The total eradication of indigenous peoples, their cultures, their languages, their ways of life, is not something which occurred in a distant ugly past but an ongoing process.
Karin Hosono - Wind
(x)
Photography by Peter Solarz
untitled
from the archives
girl...
come ON

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duuuuuude you have GOT to come out tonight we're enacting cruelty upon those who have transgressed so badly that we can justify any act against them... and you KNOW we're interpreting our delight as moral righteousness... Yeah it's fucking crazyyyyyyy get an Uber
let me tell you a story about how not just gender roles but gender categories are highly culturally specific. in japan, in the 60s, there was a category called 'gayboy'; lots of people self-identified with it. what it meant was an AMAB person who dresses in a feminine way and enacts feminine roles. this can map onto a lot of stuff in other systems of understanding gender; actually, it was a pretty big tent. in the late 60s, a movie came out: half kitchen-sink drama and half documentary, Funeral Parade of Roses was a movie about life in tokyo's queer underground intercut with interviews with the cast and crew, themselves members of the tokyo queer underground, about their experiences of sex, gender, attraction, social roles, journeys of self-identification, and their similarity and differences with their characters. one of the questions that was asked, of many people, was 'why are you a gayboy?' the answers fell across a familiar spectrum, and again there's this temptation to place it on our own maps, which are ours because we prefer them and vice versa. for instance: 'i like being a girl', 'i like acting like a girl but only because i'm not a girl', 'i was bad at being a boy, and i found out that i'm naturally better at being a girl', 'i'm not exactly either a boy or girl', 'i'm a boy, this dress is just a fashion statement', 'i am not a gayboy, i am a traditional conservative woman with a birth defect'. now, the editor of japan's first gay magazine wrote a review of The Funeral Parade of Roses that took on a revolutionary tone, and afterward, the term gayboy fell out of favor and instead people refered to themselves as 'the rose tribe' -- as in, anyone who ever identified with something they saw in The Funeral Parade of Roses. the magazine pivoted to be the premire publication of the rose tribe, broadening its audience, but the old guard and the majority were gay men. in response to reader mail about gay male content crowding other stuff out of limited page space, the editor created a specific section called 'the lily tribe', which got guaranteed page space and was exclusive to femme-leaning content (while masc- and neutral- content could predominate elsewhere). this did not necessarily mean that the occasional lesbian or transfem article wouldn't make its way into the main body of the magazine if it was deemed of wide enough interest. the rose / lily categorization system seems to have remained the baseline in japan for a while (my direct knowledge of this part is very limited). today, our categories are more global and intersecting: anime will intentionally place trans flags or use bisexual lighting.
there's probably a better way of wording the last part but like come on it doesn't matter if we're all the same to fascists
No I genuinely don't think there's any better wording of the last part
The backrooms was interesting, but it would have been better if it was about a naive rich teen trying to learn the nature of the mysterious incident which ended his family and the golden witch Beatrice on a private island off the coast of Japan

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An analysis of posting trends on Tumblr suggests that the ideal form of the visual novel is a semi-linear murder mystery whose gameplay consists of solving middle-school "who lives in the blue house?" style verbal logic puzzles, except every time you guess wrong a mean bisexual MILF makes fun of you.
Worlds oldest haunted house has passed away at the age of 207
I think you have a fundamental misunderstanding of... maybe everything actually