crossed the Rubicon on the way to the ball.

"You know together we're glowing."

Finally finished the first part of my Rujinu fanart! Always wanted them to just have some more quiet scenes, just finding solace and unexpected peace in (somewhat) kindred spirits.

In 2017, American film researchers recovered “Something Good – Negro Kiss,” a short film depicting a playful kiss between a Black couple which had not seen the light of day for more than a century. A long-forgotten artifact from the earliest years of American film, the sweet, humanizing vignette, produced by the Selig Polyscope Company, makes a startling contrast to the overwhelmingly racist and blackface-ridden contempory portrayals of African Americans. Four years later in 2021, archivists in Norway, halfway across the world, identified a sister short in their collections—an extended alternate cut which reveals more of Chicago stage performers Gertie Brown and Saint Suttle’s vaudeville-like routine, a theatrical, hot-and-cold romantic dynamic between two lovers which parodies the popular and controversial short “The Kiss” (1896). Both films, which had previously been lost, were known from entries in old motion picture catalogs but had been assumed to be era-typical, anti-Black “race films” until their rediscovery in the 21st century. Together with its more famous sibling, which has since been inducted into the Library of Congress’ National Film Registry, this alternate version of “Something Good” represents the first-known instance of Black intimacy ever captured on-screen.

KPOP DEMON HUNTERS (2025)

But the kid are absolutely unfazed, arguing that "it's alright they will be together again soon". The normie are so sad for the "children clinging to vain hopes" until Morticia and Gomez get married again two weeks after the divorce.

In the meantime Mama and Uncle Fester fight about which one of them will go to whose custody.

They pretend to argue in court and at meeting with lawyers over the splitting of the properties but that's mostly Gomez insisting to leave more and more thing to his wife in an angry voice.

At home they decided not to talk to each other so Lurch has to (begrudgingly) transmit messages from one to the other, even when they are sat on either side of the table.