The Spider (1992) dir. Vasili Mass
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The Spider (1992) dir. Vasili Mass

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Dishonored (1931) Dir. Josef von Sternberg
Henri Berssenbrugge - Artist Frans de Geetere and his wife, 1926
Das Blumenwunder (1926) Dir. Max Reichman
It took me until writing this column to fully appreciate just how much naivete is an intentional part of Rey’s characterization and not just the result of the screenwriters failing to make strong enough choices about her personality. Two moments really define Rey in The Force Awakens. The first is that, even after an exhausting day of scavenging has left her with barely enough for a single dinner, she still playfully throws on an old starfighter helmet while she eats. Even the toughest day on Jakku can’t rob Rey of her whimsy. (As Cinderella puts it, “they can’t order me to stop dreaming.”)
The second is when she’s finally headed towards her first-ever alien planet and earnestly marvels, “I didn’t know there was this much green in the whole galaxy.” Though Rey takes a second to warm up to strangers, she’s inherently open to the wonders of the universe most people take for granted. That’s a pretty clear explanation as to why she’s able to access the Force so easily. Back in A New Hope, Luke is so distracted by his yearning for glory and adventure that he has to be taught to “stretch out with his feelings.” Rey is nothing but feelings. Her yearning isn’t for adventure, it’s for connection, which seems to be what the Force is looking for. (In that way, her closest comparison is young Anakin in The Phantom Menace, who was also a bit of a Jedi savant thanks to his openheartedness.) THE WORLD WASN'T READY FOR REY by Caroline Siede

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I know you, I walked with you once upon a dream. I know you, the gleam in your eyes is so familiar a gleam.
SLEEPING BEAUTY 1959, dir. Clyde Geronimi, Eric Larson, Wolfgang Reitherman, Les Clark
Nichol Elliot • In the Forest of Vienna, 1919
“Dämon Weib” (Medusa) by German artist August Rieper, created around 1900.
AMADEUS 1984, dir. Miloš Forman
The Phantom of the Opera (1925)

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humiliating to be attracted to a conventionally attractive person. I thought I was a more sensitive and refined pervert than this
Eadweard Muybridge, The Human Figure in Motion, 1955
130 favorite horror movies: (58/130)
"you can fool everybody, but landie, dearie me, you can't fool a cat. they seem to know who's not right, if you know what I mean."
-cat people (1942) dir. jacques tourneur
THE WITCH
2015, dir. Robert Eggers
Jean-Pierre LARCHER - Claire Nebout, vers 1990

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John Gribbin, Weather Force, 1979
month starting on a monday we have no excuse guys lets get to work and lock the fuck in
yk its actually very chic and avant garde to start on tuesday the second
many claim theres nothing more subversive and revolutionary than starting on wednesday the third