My Fanfiction can be found here:
Link to my Ao3
I am currently working on Family Trust, Business Meeting and Way to go, Tiger
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izzy's playlists!
he wasn't even looking at me and he found me

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titsay
dirt enthusiast
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@emletish-fish
My Fanfiction can be found here:
Link to my Ao3
I am currently working on Family Trust, Business Meeting and Way to go, Tiger

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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not to be insensitive but some of the salem witch trials were so funny bitches like “i saw her at the devils sacrament!!!” girl... what were YOU doing at the devils sacrament 👀
World Heritage Post
5 Tiny Writing Tips That Aren’t Talked About Enough (but work for me)
These are some lowkey underrated tips I’ve seen floating around writing communities — the kind that don’t get flashy attention but seriously changed how I write.
1. Put “he/she/they” at the start of the sentence less often.
Try switching up your sentence rhythm. Instead of
“She walked to the window,”
try
“The window creaked open under her touch.”
Keeps it fresh and stops the paragraph from sounding like a checklist.
2. Don’t describe everything — describe what matters.
Instead of listing every detail in a room, pick 2–3 objects that say something.
“A half-drunk mug of tea and a knife on the table”
sets a way stronger tone than
“There was a wooden table, two chairs, and a shelf.”
3. Use beats instead of dialogue tags sometimes.
Instead of:
"I'm fine," she said.
Try:
"I'm fine." She wiped her hands on her skirt.
It helps shows emotion, and movement.
4. Write your first draft like no one will ever read it.
No pressure. No perfection. Just vibes. The point of draft one is to exist. Let it be messy and weird — future you will thank you for at least something to edit.
5. When stuck, ask: “What’s the most fun thing that could happen next?”
Not logical. Not realistic. FUN. It doesn’t have to stay — but chasing excitement can blast through writer’s block and give you ideas you actually want to write.
What’s a tip that unexpectedly helped with your writing? Let me know!! 🍒
the banshees of inisherin (2022) dir. martin mcdonagh
sea shanty themes
hearing an old man saying something
Captain’s an asshole
Captain’s awesome (same captain)
first mate sucks
whiskey
the girls out here
the girls back home
ship is terrible
ship is great
Cape Horn
seriously why are we always running around Cape Horn this place sucks ass
want to go home
did NOT want to go home, somehow ended up there anyway
Sally and various sex acts we can do with her
beach party
rolling, heaving, hauling
where we’re bound
sea beasties threatening us and/or assisting us
stormy weather but we’re together
setting out to sea
coming in to harbor/taking shore leave
too much whiskey
punishing naughty crewmen
Let Me Tell You About This Guy
Goodbye!
Hello!
let us bother this fellow
oh man I should marry that one girl if I ever get back home
befriended an animal, call my parents if you don’t believe me!
you ever been to Place?
I have been grievously misled
sailors gotta sail
let’s get this bread, boys
don’t forget your old shipmate
faldee raldee raldee raldee rye-eye-doe

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Source ~ Neurodivergent_Lou
Alt Text added to each image.
Note: these are different ways these can show up. They can also show up in a stereotypical way. If you've met one autistic, you've met one autistic.
REALLY
FUCKING ALL OF THEM??!?!?!!
here's where to find it on windows 10
Ugh, it was in mine. It's off now.
IT GETS WORSE
I had to turn this off, but it's something that allows Windows and anyone using your device to generate text/images.
LOBOTOMIZE YOUR MACHINES
AI is a freacking plague, I share this for any windows user.
If anyone would like to read a thorough take down of Sparta as a state not worth emulating, then ive got just the series of articles for you!
Reblogging because pissing on Sparta is one of my hobbies. And yes, totally check out the link above. Brett has a lot of great discussion and scholarship on why Sparta was proto-fascist garbage, and he presents it with both snark and accessibility.
Holy shit. That’s… that’s worse than I thought it would be. Yikes.
Reblogging because more people should read the ACOUP Sparta takedown and fewer people should get their concept of history from fucking 300.
No one should get their concept of history from 300, and I say that as someone who enjoyed 300. 300 is a comicbookification of a legend, and legends are already exaggerations.
A Great Divorce has also done an audio version of the ACOUP Spart takedown if audio is easier for you!
The tweets (Fuck Elon it's still tweeting) fail to notice that the fucking marble is what endures. Sparta may have had men, but it's Athens that still stands as the seat of power. So who won after the dust settled? Athens. Be so fucking for real.
A paragraph from the second article in the series that feels especially relevant to the original post:
"Put in more blunt language: armies that abuse and beat recruits or junior soldiers in training and in peacetime will tend to abuse and murder civilians in occupied territory and in wartime. Violence also rolls downhill, it turns out. Soldiers who are abused by their superiors tend in turn to abuse their subordinates, both as a learned behavior, but also as a transference mechanism (they repair the humiliation of receiving violence by inflicting it on someone even more powerless than them). This relationship is best documented in the Imperial Japanese military (e.g. S. Ienaga, The Pacific War (1978), 46-54); but also observed in the German Imperial Army (I. Hull, Absolute Destruction (2006), 93-103 – though I should note that Hull focuses largely on the failure of command and political structures to apply the brakes to this tendency; see also for the Wehrmacht in WW2, O. Bartov, “The Conduct of War: Soldiers and the Barbarization of Warfare” (1992)) – and hey, what do you know, two other armies that somehow gained a reputation for ‘badass’ military effectiveness despite a comprehensive inability to achieve strategic objectives resulting in the complete annihilation of the state they were supposed to defend. It’s almost like we have a pattern."
Sorry to bug you again, but I find what you said here super interesting:
“because if you give Gwi-Ma the reaction he's looking for too much, he'll probably torture you more, since he likes the reaction.”
Which leads me to ask, and forgive me if it’s too dark of a question, but what do you reckon is the “right” reaction, the safest reaction Jinu/anyone should give if they’re being tortured by Gwi-Ma? Obviously, at least part of the reason GM tortures demons is just to be cruel, but it’s also for control, and the one time we see him torture someone, GM stops on his own volition, Jinu too tensed up to even say anything at all. Do you think there’s some reaction that Jinu would’ve learned is “right” to give, even if he can’t give it in the moment?
Hmm... I mean, I think if you're being tortured by Gwi-Ma, it's already sorta too late? Gwi-Ma seems to hate losing face (as most dictators and abusers do), so no matter what you do, he's not going to want to stop what he's already started. In terms of why he stopped of his own volition when he was torturing Jinu, I think it's because Gwi-Ma needed Jinu after that point. He was never going to kill Jinu--he just wanted to torture Jinu into submission so that he'd carry out the rest of the plan that was already in place. I think Jinu is valuable to Gwi-Ma (I'll get to that in a second), so Gwi-Ma is maybe more reluctant to actually put him out of commission for a long time. Jinu is too useful for that.
But in terms of the lead-up, like how to deal with Gwi-Ma so that he doesn't decide to torture you... I do think that Jinu has a general strategy that seems to work fairly well. Which is to say, Jinu leverages what Gwi-Ma wants. He promises to deliver on what Gwi-Ma wants in order to avoid punishment and in order to get what he (Jinu) wants. It seems like he's realized that, in general, if Gwi-Ma finds him useful and indispensable, he won't hurt him as much (heavy on the "as much." I mean, it's all relative, you know?).
We see that in the broad strokes of his character as well as in small moment after small moment. In terms of broad strokes, it seems to be the thing that sets him apart from other demons: Jinu's entrance is literally him singing a song that mocks Gwi-Ma right after Gwi-Ma killed a different demon for not destroying the hunters. And yet, Gwi-Ma's immediate response is not anger. He gives Jinu a warning, but he also hears Jinu out. He waits. And I think that's because Gwi-Ma knows that if Jinu is coming to him like this, it means Jinu has something that Gwi-Ma wants. He's used to Jinu being the useful one, the one who gets Gwi-Ma results in exchange for little scraps of non-torture.
That's what I think.
We see Jinu doing this on a smaller level as well--he tends to dodge Gwi-Ma's verbal attacks and traps by reframing whatever Gwi-Ma said to make it so that Jinu is the useful one who's going to get Gwi-Ma what he wants.
Stuff like this, would be some good examples of specific moments where Jinu taps his own usefulness while talking to Gwi-Ma:
I gave you that voice, Jinu. And you dare to mock me with it? "I'm not here to mock you. I'm here to help you..."
Surprisingly, your plan is working. "I know. And that soul is just a starter. So let me get back to work, and you'll be feasting in no time." (Request to leave the conversation disguised as appeal to Gwi-Ma's own desire to feast)
One of the hunters bears my mark, but I have no control over her. "This is good. This means she has shame. I'll find out what it is, and we can use it to destroy her and the hunters for good." (Trying to avoid the question of why he helped Rumi/is interested in Rumi by framing it as part of a plan to help Gwi-Ma)
So, yeah, I think that's the general strategy: stay one step ahead of Gwi-Ma's torture by being useful. As long as he's getting Gwi-Ma what he wants, Gwi-Ma probably won't torture him, because a tortured Jinu is not a useful Jinu (I mean, we see him after the one torture session--he seems to really shut down. Given that Jinu is mainly an idea/strategy guy for Gwi-Ma, we have to assume that torture is not usually conducive to Jinu thinking up good plans for Gwi-Ma). And as much as I think Gwi-Ma likes (and needs) to torture his demons, there are plenty of demons around that he can torture. In comparison, demons who can actually deliver on Gwi-Ma's broader goals seem to be rare. As long as Jinu is delivering results, it would be a waste of a good demon to torture him.
I think that's the logic.
After seeing a fanfic where Jinu has an older dialect, I would have loved for them to incorporate that into the movie, where Jinu speaks in a more antiquated way (and this could be adapted in the dubbing, where he would always maintain this older language).
The same with Gwima.
It'd add an interesting dimension to his character, for sure.
For me, I feel like part of Jinu's character is that he's very adaptive? And he seems to know a lot about modern life, for someone born 400 years ago, which implies that he has some sort of interest in keeping up with the times (whether it's personal or just professional). So it makes sense to me that he's shifted into speaking in a more modern dialect.
It would've maybe been cool to see him speaking in an old-fashioned way in, like, the scene he's introduced in? Since he's talking to Gwi-Ma in the demon realm, and they've known each other since the Joseon Era. I'm torn on the scenes he has with Gwi-Ma after that, since after the first scene he starts wearing his human glamour even in front of Gwi-Ma, which to me sort of signifies that he likes pretending to be a human kpop idol. So maybe he'd speak a bit more modern as well, to reflect that. But maybe not ¯\_(ツ)_/¯ idk, it's interesting to think about either way!

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Sorry to bother you again and apologies if it’s been asked already, but: what do you think of the take/opinion that Jinu’s death is tragic and even in bad taste due to him being killed by his abuser?
Hmm, so like... narratively or metanarratively?
I think it's pretty complicated, but let me try to break it down.
I do think that there's an element of tragedy to Jinu's death. I don't think it's the only thing going on with Jinu's death narratively speaking, but it is one of the things that the narrative is pushing. Jinu's death is meant to be sad. Even though it acts as a solution in many ways--he saves Rumi from Gwi-Ma, his soul gives her a boost, he's able to have a moment to apologize to her and do something selfless for her, and he is, in a sense, "freed" from Gwi-Ma--it is not the ideal solution.
Bluntly, K-Pop Demon Hunters is a kids' movie; they're not exactly subtle with the themes and messaging they're trying to put across to the audience. And one of those themes that to me feels obvious (and that you know I've beaten a dead horse about, lol) is the theme of "self-acceptance is good and self-hatred is bad".
Like, I could go through and point out all the moments in the movie where the narrative portrays Jinu having hope that he can turn his life around as good, and portrays Jinu believing that he deserves to suffer as bad, but like... do I need to? I would just be repeating the entire arc of the movie (and many of my previous posts, lol). He delivers the theme of the movie when he says "if hate could defeat Gwi-Ma, I would've done it a long time ago," he is blatantly wrong when he tells Rumi, "You're a demon, just like me, all we get to do is live with our pain, our misery... it's all we deserve".
--Which, I know Jinu antis hate to hear it, but I really do think that a part of the movie that requires consideration when we're analyzing it is "as Rumi, so Jinu." The two of them are character foils, and it seems to me to be a very consistent pattern that if something is true for Rumi, it must be true for Jinu as well. If she is doomed, he is doomed. If she can have hope, he can have hope. The narrative seems to agree with this, I mean.
Yes, Rumi projects onto Jinu and Jinu projects onto Rumi. That's obvious, and there are times when they're clearly wrong about those projections. But from a narrative perspective, the reasoning for the two of them continually talking as if their fates are linked is because these two are being compare-contrasted against each other (as narrative foils usually are) to help the audience realize that despite Jinu doing bad things that Rumi hasn't done, he and his struggles are not that different from Rumi's own, and they do not have a markedly different solution. Which is to say, if acceptance of flaws is the solution for Rumi, it must also be the solution for Jinu. And vice versa.
("But Maia," you say, "How do you know that's the reason Rumi and Jinu are being compare-contrasted? Couldn't the movie be pointing out how they're different and Rumi is wrong about the two of them being the same?" --To which I say, the movie could be pointing that out, but if that were true I think they'd be framing different things as bad and different things as good. Again, Jinu believing Rumi and having hope that he can change is continually framed as a good thing. Framing, framing, it's all about framing. When the two of them empathize with each other it is framed as a good thing.)
...So back to Jinu's death: he doesn't deserve it. The narrative doesn't believe that he deserves it. That's the tragedy, the sadness undercutting all the solutions that his death provides. Rumi's first instinct is to say "No, I wanted to set you free," and we are narratively meant to agree with her because Rumi has figured out the solution to the entire movie at this point. She has gotten to the place where the narrative wants her to be. She is, in this scene (not just Jinu's death, but the entirety of WISL), correct, and we're supposed to understand that. She wanted to set him free. So it's a tragedy that he dies.
Do I think it's in bad taste? I think it's tragic. Bittersweet, maybe, but there's definitely that strong element of tragedy in there. I don't think it's very much "in bad taste" because I don't think the narrative is trying to say that what happened was fair. If they had pushed that angle, yes, I'd think it's in bad taste. But I just don't see it, given the themes and messaging of... the entire movie, lol.
There's also--I've mentioned this before, but I think that Jinu coming back will resolve this concern pretty neatly. And I do think he's coming back. I mean, you know that. I don't like to speculate in general, but at this point, I really do think he's coming back, given the way his death was left so carefully open, the way the team behind kpdh talks around the possibility of him coming back in interviews, given the dokkaebi motif on Rumi's new sword, given... everything. So with that in mind, if we consider this as a stepping stone in his journey instead of the ending, it comes across differently, you know?
Anyway, I do think that the way some fans of kpdh talk about Jinu's death is in bad taste. It's something I've alluded to before on this blog, but... haaa it can leave a very bad taste in my mouth, sometimes. Saying that a person who made a bad choice due to being in poverty and starving, who was then entrapped under an abuser for hundreds of years and given incredibly limited agency, "deserves" to die at the hands of the thing that ruined his life and drove him to make every bad choice he did in the first place... ooh it makes me mad. I've said it before, but Jinu's not a dog, people ought to stop talking about whether or not he was far enough gone to put down. I also think it betrays a refusal to think critically about how people who are marginalized and ostracized by society are, structurally, given limited agency and are often forced into making difficult and sometimes poor choices. Which makes the statement "he deserved to die for what he did" come across to me as classist, bluntly. Did Jinu have choices available to him? Yes. Did he have any good choices available to him? No. He made choices that enabled him to survive--not even thrive, just. survive. And I think that many Jinu antis are entirely unwilling to sit with the full weight of that fact.
made with love. I love u rujinu argument scene
immortality as theft (you have to steal life from something else) immortality as parasitism (there is something else inside You that is keeping you alive and you become less of yourself more and more the longer it stays in you) immortality as violence (everything is trying to kill you because everything is supposed to die and the universe will always try to find a way to right the wrong that is You) you understand
This is a big, giant list of Youtube tutorials that will teach you all the basic life skills you need to know in order to be a functional adult. There are a lot of important skills that aren’t included in this list, but this should be enough of a basic guide to get you started and prevent you from making a total mess of yourself. Happy adulting! Household Skills:
How to unclog a toilet without a plunger
How to fix a blown fuse
How to fix a leaky faucet
How to clean soap scum from your tub and shower
How to escape from a house fire
How to make a budget and stick to it
How to sharpen a knife
How to clean a self-cleaning oven
How to clean red wine stains from carpet
How to clean blood stains from fabric
How to clean grease stains from fabric
How to do a load of laundry
How to iron your clothes
How to test your smoke detectors
Cooking Skills:
How to tell if produce is ripe
How to know if food is expired
How to properly sanitize a kitchen
How to cook an egg
How to make rice
How to make pasta
How to put out a kitchen grease fire safely
How to use a gas stove
How to use a convection oven
How to cook meat safely
How to use a stand mixer
How to use kitchen knives properly
How to make mashed potatoes
How to make grilled cheese sandwiches
Health Skills:
How to stop bleeding
How to treat a burn
How to do CPR (on an adult)
How to do CPR (on a child)
How to do CPR (on a baby)
How to help someone who is choking
How to save yourself if you are choking alone
How to read a nutrition label
How to treat frostbite
How to recognize when someone is having a stroke
How to maintain a healthy sleep schedule
Mental Health Skills:
How to calm down during a panic attack
How to help someone who is suicidal
How to meditate
How to stop self-harming
How to recognize problem drinking
How to choose a therapist
How to deal with disappointment
How to cope with grief
How to raise your self-esteem
Relationship and Social Skills:
How to apologize
How to cope with a breakup
How to accept criticism
How to deal with bullying
How to argue in a healthy way
How to ask someone out
How to break up with someone
How to recognize an abusive relationship
How to rekindle a damaged friendship
How to speak in public
Job Hunting Skills:
How to tie a tie
How to write a resume
How to write a cover letter
How to dress for a job interview (for women/femmes)
How to dress for a job interview (for men/masculines)
How to properly shake hands
How to nail a job interview
Other Skills:
How to sew on a button
How to hammer a nail
How to change your oil
How to put gas in your car
How to jump-start a car
How to pick a good password
How to back up your files
How to write a cheque
If there’s ever anything you want that isn’t on this list…youtube it. Everyone always comments on my handiness, but everything I know comes from an old guy and his iphone.
I always imagine kdrama writers to work in a team.
They sit around a big table with sketch boards around them and brainstorm. They have their writing tools with them. What's the intro? Where does it take place? What conflicts & motivations do the main leads have? They all come up with crazy ideas & the craziest are all merged together:
A three star cook - gets transferred into the Joseon era - and falls in love with the tyrant king?! Perfect!
A race car driver who remembers all her previous lives goes to work in a hotel in order to meet her former childhood crush? Fine! Let's add some Mafia- themes! ...
Hey, let's transfer the mid-time-show-kiss right to the first episode! Yes!!! (*Giddy giggling*)
Hear me out: she pretends to be a robot bc her ex created a robot looking like her and the guy is deeply traumatized and has a human allergy. Let's add some business intrigues.
Then there is someone with the trope bingo cards: they randomly pull a card and the others have to include the trope immediately. Piggy back ride! Wrist grip! Childhood trauma reaction (to rain? Driving a car? Seeing certain paintings?)!
Then they spice it up with some drama in episode 13/14/15. Death, illness, break up, found mothers, amnesia! You name it...
They are like crazy cooks mixing all sorts of tastes & dishes & surprising us every time!

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sword and bipa artwork by mod @dayeongi
✨3 DAYS TILL RUJINU THIS OR THAT!✨
RuJinu This or That is on June 19-21. Come celebrate the 1st anniversary of KPop Demon Hunters by celebrating RuJinu!
See our master post (linked) for prompts and more details, and post to our ao3 collection (linked).
An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 61/70 Fandom: KPop Demon Hunters (2025) Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Jinu/Rumi (KPop Demon Hunters), Mira & Rumi & Zoey (KPop Demon Hunters), Jinu & Mira & Zoey (KPop Demon Hunters), Celine & Rumi (KPop Demon Hunters), Celine & Third Sunlight Sister (KPop Demon Hunters), Mira & Zoey (KPop Demon Hunters) Characters: Rumi (KPop Demon Hunters), Jinu (KPop Demon Hunters), Celine (KPop Demon Hunters), Mira (KPop Demon Hunters), Zoey (KPop Demon Hunters), Bobby (KPop Demon Hunters), Derpy the Tiger (KPop Demon Hunters), Third Sunlight Sister (KPop Demon Hunters), The 70s Hunters Additional Tags: De-aged Rumi, Jinu tries to be good, Tiny Rumi is a menace to all demons, Rumi Needs a Hug (KPop Demon Hunters), Rumi gets an emotional support tiger, and an emotional support demon, Jinu Loves Rumi (KPop Demon Hunters), Eventual Rumi/Jinu, Celine is Trying Her Best (KPop Demon Hunters), Age Regression/De-Aging, turning enemies into friends through accidental kidnapping, Protective Mira (KPop Demon Hunters), Protective Zoey (KPop Demon Hunters), Zoey and Mira love Rumi so much, Rumi-centric (KPop Demon Hunters), Literal growth for Rumi, Emotional Growth for Rumi, The Third Sunlight Sister and The 70s Hunters, Mira Zoey and Jinu commit crimes together when not supervised by a competent 9-year-old, Emotional Hurt/Comfort, Rumi Loves Jinu (KPop Demon Hunters), Mira & Zoey & Jinu friendship, Jinu Whump (KPop Demon Hunters), Jinu Needs a Hug (KPop Demon Hunters), Emotional Support Animal Sussie the Magpie (KPop Demon Hunters), Emotional Support Animal Derpy the Tiger (KPop Demon Hunters), Sussie magpie wants to gouge eyes, Almost Kiss, Dorks in Love, Idiots in Love Summary:
Rumi turns the honmoon gold.
The golden honmoon repays her by turning her back into a nine year old.
No one is pleased with this result.
Rumi is de-aged, on stage, right after singing Golden at the Idol Awards. Bobby has to spin it. Mira and Zoey have to hide it and fix it. Jinu tries to help but makes everything worse. Celine questions the wisdom of her decision to never pick up a parenting book, all while Tiny Rumi runs amok.