one of the underrated lessons from lotr's Aragorn is to avoid responsibility for as long as humanly possible, possibly in the woods, possibly without showering, until the small folk need you or whatever
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@dreamatmidnight
one of the underrated lessons from lotr's Aragorn is to avoid responsibility for as long as humanly possible, possibly in the woods, possibly without showering, until the small folk need you or whatever

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I GOT A FUCKING RAISE THE POTATO WORKED WTF
This potato works. Every. Fucking. Time.
Reblogging because it’s a damn potato and I want to encourage people to assume potatoes are magical.
imma do anything atp why not
Fuck it
screw it
Oh russet of fortune... Please just make the months go quickly and with no qualms.... And may all my fandoms be plentiful to help me cope.
yknow what if the potato works im officially starting spellwork next week
All hail the potato of luck, the sacred golden potato, ruler of all potatoes.
This year is coming to an end, and I want to thank all the fanfic writers for making my year a better year, I love you all
https://archiveofourown.org/works/65747500
Imagine me standing in the doorway crying and waving a handkerchief as my husband (AO3) departs for a war (maintenance) that will continue for god knows how long (20 hours) and from which he may never return

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They're opening the largest one from 1975 in like 19 months.
They’re opening the largest one from 1975 in like a month
They're opening the largest one from 1975 in like five days
what’s it called when you’re so disconnected from reality that cold water doesn’t feel like anything and you can barely taste food anymore
"it's all in your head" correct! unfortunately I am also in there
Mental illness is all in your head in the same way that prostate cancer is all in your ass.
this person wins everybody else go home
Have three (and a half?) ideas/sketches for the very beginning of the Two Idiots and a Temporal Incident Bleach AU. I made Ichigo a girl in this post because I have a deep-seated desire for more female Bleach characters that a) aren't constantly being rescued and b) aren't hyper-sexualized.
Snippet 1:
Two months after she killed Aizen, Ichigo came to the abrupt realization that she was ready to murder again.
“Grimmjow,” she said, “if you don’t eat that somewhere else, I am going to kill you.”
Grimm lifted his head to look up at her. The rotted arm hanging from his mouth twitched as he ground down, evidently severing some sort of muscle between his teeth. This was unfortunately the last straw for the limb’s integrity; a large chunk of slimy skin sloughed off, landing on the bare dirt with a horrifically wet plop.
Ichigo told herself she was not going to vomit.
The back of her throat tightened and her mouth filled with saliva.
She was not going to vomit.
Grimm locked eyes with her. Reached out a clawed hand to pick up the goopy chunk. Brought it towards his lips.
Ichigo contorted herself, leaning out over the side of the boulder she was sitting on, and heaved. Breakfast came up — a protein bar — and so did lunch — another protein bar.
Over the sound of her own gags, she heard him say, “And you think I’m disgusting?”
She gagged one last time, gave herself a second to be sure it really was the last time, and then reached out blindly for her sword hilt. Her fingers scrabbled over cold stone and found Zangetsu’s pommel, and then she was leaping down from the rock, fueled by the blood-thirst of someone a little too far past done with another person’s shit.
Grimm laughed as she crashed down on him, his breath powerful enough that she smelled the sound as equally as she heard it — but he had dropped the arm, and now she got to try and beat his face in, so it was a victory even if it was a Pyrrhic one.
Pantera caught Zangetsu’s edge (a brief connection, a split second of perfect understanding: grief pushed down and buried deep; a growing restlessness, born from the pointless question of now what; desperation to pretend the world remained as it was, before the war, before it was all broken, before they two were the last-) and Grimm shoved upward. Ichigo moved with the force of the block, springing backward and landing in a crouch. He grinned at her, more of a baring-of-teeth than a smile, and lunged forward.
And off they went, the two of them, playing pretend in a forest that was shrinking every day, the unraveling of reality itself closing in.
Snippet 2:
The sky was a perpetual, vibrant blue.
Ichigo hadn’t stopped to ponder the color of the End of Everything before, well, everything ended. But she thinks if she had, she would have expected it to be black.
Black, like nothing. Black, the color of absence.
But it turns out that the threshold of the apocalypse — where spacetime was being ripped apart, atoms and quarks torn open and destroyed — glowed.
Hat-and-Clogs had explained it before Aizen had killed him. In a twist of cosmic irony, blue was the color of sunny days and also nuclear fission. And so above them burned a spherical shell of brilliant blue, eating its way closer through the fabric of reality.
And beyond the shell, past the threshold? No color at all there, not even black, just a complete nothing.
There was a pun there, about moths and Aizen’s monstrous transformation and the destruction of fabric and possibly an emperor left wearing no clothes. If Renji had been there, he would have made it. Ichigo wasn’t drunk enough to do it for him.
Spirits, she missed him. She missed them all, with their stupid jokes and annoying —
“Can you shut up?” Grimm said. “I would, actually, like to fall asleep sometime this year.”
Ichigo stopped staring at the sky to roll over onto her side, squinting through decaying grass to peer at him. “I haven’t said anything?”
“But you were thinking. I know because I could hear you straining.”
Ichigo considered that, and then rolled over twice more, until she was close enough to Grimm to kick him.
Parallel to her in the grass, he tensed, bracing for a strike.
The joke was on him, though, that wasn’t her move. She let out a horrid, caterwauling wail, doing her best approximation of a drunkard trying to perform an aria. In her opinion, she managed the imitation quite well; the sound was positively, excruciatingly awful.
Grimm launched himself across the remaining ground between them, landing on top of her and desperately trying to muffle the noise leaving her mouth. “Shut up, shut up, shut up - ”
She laid off screeching in favor of employing a technique all siblings learn early in life: licking the hand trying to silence you.
Grimm recoiled, skittering away and frantically wiping his hand on the ground. “I hate you!” he cried.
Ichigo cackled, and he turned his head to stare at her, shoulders hunched and eyes wide, posture all offended-cat. But there was something else in his eyes, too — something a little self-satisfied, maybe.
She huffed. “Go to sleep, moron,” she said, and closed her eyes.
Snippet 3:
They stood over Aizen’s corpse. Just the sight of it was enough to make Ichigo’s hands shake with a mixture of fear and anger.
Soul King.
They had avoided this place by unspoken agreement, before now. Had wandered through what little forest remained, staying as far away from here as they could without getting too close to the boundary.
After all, why return? All it was was a reminder of how they had failed. How they hadn’t defeated him. Hadn’t killed him until he had already won in every way that mattered.
So, naturally, their return was prompted by nothing less than what Ichigo suspected was the stupidest plan to ever be created, synthesized from pure frustration, a deep lack of comprehension of kido theory, and the complete assurance that whatever they did, they couldn’t make things worse.
“The bastard didn’t even have the decency to rot,” Grimm said.
It was true. Aizen’s body lay there, perfectly preserved by the hogyoku, as the universe decayed around him instead.
“Looking at it makes me want to kill him again, you know?” Grimm added, kicking the side of the corpse. It was not a gentle kick. Something audibly crunched under his toe. “I feel like once just wasn’t enough.”
Ichigo breathed out. Breathed in. “Well,” she said, and her voice was as still and steady as Hat-and-Clogs could teach her, “if this works, we’ll get a second chance. Better make it satisfying, though, because I sure as hell don’t want to do this a third time.”
Grimm’s fangs glinted blue in the light of The End. “Oh, I have no doubt I will enjoy the opportunity immensely.”
He crouched down and put one hand over the spot Aizen’s heart should have been. “You sure you’re up for this?” he asked. “Your gargantas have always been shit, you know, and your kido is worse.”
“Oh, fuck you,” she said. “Just do it already.”
And so Grimm unsheathed his claws and plunged his hand into Aizen’s chest. With a series of crunching snaps, a wet sucking sound, and a tide of the stench of iron, he ripped the hogyoku out of Aizen’s chest.
He cradled the tiny ball of divinity between both palms. Ichigo’s hands wrapped tightly around his. The two of them dripped gore and power from their fingers.
Focusing together, with neither array nor incantation, they imagined a clock, spinning backwards, and wished.
The hogyoku glowed, awakening from its sleep.
Blue light turned blinding white.
And everything came undone.
Snippet 3.5ish:
In a shocking turn of fate, the two’s methodology was successful.
But there was one factor — one small but vital factor — that they both forgot.
The type of time travel they embarked on required so much energy because, at its heart, it required undoing. In order to write a different book on pages that have already been printed, the pages must first be erased.
Under normal circumstances, the energy required to do this to a whole universe would be so immense as to be prohibitive.
With a hogyoku, doing so became possible, but very, very difficult.
Doing so with a hogyoku, with the entirety of the universe already undone, save for few cubic miles?
Well. The energy for that, dear reader, is peanuts.
And so the two time travelers, who had poured all the energy they could into the hogyoku in the desperate hope of landing far enough back to make a difference, found themselves flung back not two months, not two years, not even two decades, but about two centuries.
… There was, perhaps, a reason, that when everyone was still alive, those two were never put in charge of strategy.
Kisuke having a devious mischievous plan to mess with hollowfied ichigo. He throws a large yarn ball past ichigo’s head hoping to entice his predatory instincts. His plan works spectacularly as ichigo bounds after it and starts playing with it like a giant cat. Slowly the ball becomes unraveled and ichigo gets tangled in the thick yarn, getting him stuck even further trying to escape the prison of yarn. Kisuke records the whole thing much to ichigo’s indignation. Kisuke eventually stops recording and flees, knows when ichigo finally does manage to escape the tangled of yarn, he’s going be be in a world of pain.

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sometimes I wonder why y'all are obsessed with specific characters and I'm like "why them" but then I remember that sometimes its literally not your choice you just look at them wrong and all of a sudden they're taking up your every thought forever
sick post i just found online. sorry i couldnt find the source
Mama Mia it’s-a Wednesday
WRONG FUCKING IMAGE
HAPPY MAMA MIA ITS-A WEDNESDAY WRONG FUCKING IMAGE WEDNESDAY
just looked over to find my cat had somehow crawled into the sleeve of my jacket ???? fucking wheezing. the baleful worm
help me mother

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I hope this photographer won a prize
had a fascinating english class that resulted in the notes header “the forcefeminization of victor frankenstein”
what the people want, the people get
you see
my professor’s take is that mary shelley is feminizing victor throughout the novel, as a way of flipping gender roles and putting a male character through female experiences.
evidence as explained:
victor is creating life. he is putting his health at risk (spends two years with little sleep or socialization) to bring life forth into this world
his illness after he is shocked by the creature coming to life is akin to both ‘hysteria’ and postpartum depression
he pretty much swoons, let’s be honest
henry clerval, a man who has been characterized as manly and heroic, has to chase after damsel-in-distress victor and care for him as he convalesces
afterward, he hides what he did and went through, for fear that others will label him crazy and emotional and not believe him. sound familiar?
Victor in general is more emotional than the other characters and is constantly tempering his reactions to not be seen as irrational
the book does not otherwise have central female characters
Also, Shelley’s mother died in childbirth. It’s interesting, then, that Shelley presents the creation of life as something horrific and damaging. She parallels Victor with her mother.
in conclusion, Frankenstein (1818) by Mary Wollstonecraft Shelley is one of the first examples of mpreg in English literature
I was not expecting that last line.