ME3, as you head to the Normandy:
Anderson: "Grab some ammo."
I do appreciate that in ME3 BioWare gave up on in-universe justifications and just started calling heat sinks 'ammo'.
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@dragonflight203
ME3, as you head to the Normandy:
Anderson: "Grab some ammo."
I do appreciate that in ME3 BioWare gave up on in-universe justifications and just started calling heat sinks 'ammo'.

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ME3 opening, moving to join the Normandy:
Anderson: "We need to go to the Citadel. Talk to the Council."
Shepard: "The Citadel? The fight's here."
Anderson: "It'll be everywhere soon enough. You said it yourself... the Reapers will destroy everything if we don't stop them.
"The Council has to help us."
Shepard: "You sure about that?"
Anderson: "No, but you're a Council spectre, that has to count for something."
More generic dialogue.
This completely ignores that Anderson was a Councilor (or worked for one) a very short time ago.
He has a personal relationship with them! Good or ill, that should 'count for something'. If nothing else, he should be familiar with how they think.
This is also very confusing for players that picked Anderson for a Councilor. Why is he speaking like he won't be involved in the decision making?
But that isn't what BioWare was going for. They wanted the trope of the soldiers going for aide and to make it easy for new players to onboard, so that's what they wrote. Continuity be damned.
I'm impressed BioWare slipped the line about Shepard being a spectre in there. Very daring on their part to include world-building specific to Mass Effect.
ME3 meeting the Defense Council:
Shepard: "Stop them? This isn't about strategy or tactics. This is about survival.
"The Reapers are more advanced than we are. More powerful. More intelligent. They don't fear us, and they'll never take pity on us.
Alliance Council: "But... there must be some way."
Shepard: "If we're going to have any chance of surviving this, we have to stand together."
Alliance Council: "What do we do?"
Shepard: "The only thing we can. We fight or we die."
This is what I mean by generic. This is an awful opening.
Shepard's been in confinement for six months. They've known that a Reaper invasion is imminent the whole time.
And when asked how to stop the Reapers as the invasion starts, this is the advice they provide?
The Reapers are superior to us! We must survive! Fight or die!
This is not impressive. It's cookie cutter dialogue about the might of the enemy and how the underdogs must struggle to overcome it.
The authorities are useless. This lone hero is the only one wise enough to save the day, with their platitudes that have no actual applicability to the situation.
Nothing about this is compelling to me. If it were a book, I'd be skimming ahead to see if it worth continuing to read.
I love how the start of ME3 doesn't explain why Anderson is on Earth and being referred to as 'Admiral' if you selected him for Councilor.
That's a pretty major change in continuity that you think they could spare a line or two for.
Shepard: "Anderson! I heard you had stepped down as Councilor. Finally get tired of the politics and decide earn your pay again?"
There. Would that have been too much?
Ashley Williams' appearance in ME3 is a crime.
I didn't recognize her the first time I saw her.
What happened to my no nonsense soldier from ME1?
Heels. Hair in her face. A uniform designed to look like a skirt. (Does it limit her movement?)
This is not Ashley 'letting her hair down'. This is Ashley trying to get herself killed while looking fashionable.
Gaaah.

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Another unpopular opinion: I don't like ME3's opening.
It feels cliched and even more outright manipulative than ME2's.
The politicians are useless! There's no point in meetings! The only person who can save us is this one lone soldier! The authorities just get in the one way - you should just listen to this one person who is an outcast because they know what THEY don't want you to know.
Look at this child you never meet! They die! Aren't you sad?
Aliens are invading! Watch them destroy buildings and the military fail to stop them! Isn't it as terrible as every other time you've seen it?
It feels terribly generic and inspires no emotion in me beyond impatience to get the game actually started.
You could swap out the models and it could be the start of your average Alien Monster Invasion movie or game.
ME3 doesn't properly start for me until you hit the Citadel. That's when it finally starts to feel like Mass Effect.
what if this part of her won
do you think asari Have to say embrace eternity to make the meld work? like a magical girl activating a power?
It's 100% part of Asari Sex Ed. Melding without warning is too close to Melding without consent, so all the ones who go to Nice Schools get taught to say "Embrace Eternity" before they do the deed. Especially with non-Asari who may not be used to or expecting it.
And the really sheltered ones *coughLiaracough* take a bit to figure out that it isn't a Magical Girl Activation Phrase and they can do it just fine without saying anything. =P
Prim and proper asari before meld sex: Embrace Eternity.
Crass and hilarious asari before meld sex: Welcome to Fuck Town.
What would Mass Effect be like if Liara and Shiala were combined, I wonder. Like, now ‘Liala’ would be about 250-300 years old, had an interest in protheans and archeology in her youth, but joined the Commandos instead, to be close to her mother, perhaps, joining her entourage, and Benezia seeing that she’s unhappy and so she persuades her to go after her dream of prothean research. That covers all the bases of how to get Liara to where she is on Therum while still providing similar motivations.
Mostly, I’m thinking about this in how just… unlikely and improbable Liara seems in 1. She’s 106, studying the protheans for fifty years, considered barely more than a child in asari terms, and yet she’s somehow managed to come up with a theory on the protheans’ disappearance that no one else believes. AND SHE’S RIGHT. She’s hit on the reason for the protheans disappearance and the existence of the cycles exactly, and yet no one in the scientific community gives her any credit or accepts that she might be on to something? While her age is an understandable reason for why she isn’t taken very seriously, how is she the first person to come along and piece all of this together? The Citadel races have had like two thousand years to figure this all out, yet it’s only when Liara comes along that anyone actually does? Sure, the pieces had to be found and put together, but I find it credibility straining that she’s the first one to ever do it.
And then there’s the fact that, as is, she stays on the Normandy for plot reasons, not character reasons - she’s an archeologist, not a soldier, and, though she has great biotic potential, how often has she really had to use her biotics in combat? Realistically, she should be sent back to the Citadel to be under C-Sec guard, because she’s a civilian. Combine her with Shiala, give her a history with the commandos, now she explicitly has the skills to expect her to go into a combat situation and survive, and to justify her low levels in ME’s leveling system, she’s gotten rusty from a few decades out of active duty. Her commando history could also replace her youth as reason for not being taken seriously - the old ‘brain versus brawn’ debate, with assumptions that she’s seeing patterns that aren’t there because she’s still thinking like a commando, or even drawing on the fact that she’s Benezia’s daughter, that they disbelieve that she COULD come along and, with only a few decades of experience, come up with an explanation that none of them have (to at least show that the narrative understands that, yeah, actually, her being EXACTLY RIGHT about the protheans and being the first to come up with this idea is a little farfetched).
It would also be a good launchpad for her later characterization - the narrative currently makes her so many things seemingly at the same time, it confuses her character. She’s the shy and book-smart introvert, she’s the prothean expert, she’s the badass information broker, she’s the super-commando able to take down the Shadow Broker… Her development from simple archeologist to the Shadow Broker over the course of three years seems questionable at best from where I sit, because who she is in 1 doesn’t connect well to who she is in 2/LotSB, even with a few handwaves in place.
I don’t know, I’m just thinking out loud at the moment. Anyone else have any thoughts on the subject?
i still think liara and shiala should have been one character. imagine if liara's own mother betrayed her and gave her over to the thorian.... the drama!!
I had some thoughts on this YEARS ago (according to the timestamp on the post, it was like twelve years ago, dear god, I've been here forever and I'm dissolving to dust...), at least partially because of how improbable Liara comes across in her character development.
As I say in the linked post, Liara's youth is emphasized so heavily in the first game, and it just makes her trajectory so confused - she emphasizes in the first game that her youth is why her theory on the cycle of extinction is not given much credence (which, by the way, also means that she is championing a fringe theory that turns out to be right, so the equivalent to someone roughly considered a grad student has a theory that bucks the accepted theories is able to put together what no one else had - even with the later reveal of the asari government hiding the beacon, it's still something that the scientific community is said to discount, not just the government), yet two years later, she is a respected information broker (a complete change of career from archeologist between those two years), and then the third game features her as a government contact, while trying to hinge that more on her status as an information broker, rather than her as Benezia's daughter.
Plus you can throw in the Paragon Lost movie having the asari, Treeya, claim Liara as having been her mentor before becoming "obsessed" with the Reapers (since it's set shortly before ME3, so before the Reapers become public knowledge), again, despite Liara's youth being emphasized in the first game.
And, as I say in that post, Liara, circa ME1, is not really combat ready. She's an archeologist, and not even the Indiana Jones style, but the kind who just has maybe basic combat training, if that. Realistically, it's a valid question to ask why she joins the Normandy crew, rather than, say, settling in on the Citadel, under guard, particularly in the case of reasonable mistrust that the daughter of Matriarch Benezia is acting to assist her? At least in combining her with Shiala, she has combat training reasonable enough to make her a squad member.
At the time, I didn't even factor in the impact of the idea of Benezia betraying her own daughter by giving her to Saren to dispose of like that, but yeah, that would absolutely be a major source of angst and character conversations - while I tend to think that BioWare "cleans up" Liara's feelings about Benezia for the sake of not having those interfere with the romance, I think that there's A LOT about the use of Benezia as an enemy and Liara as a squadmate that could see further development.

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speaking of volcanology i am at my LIMIT with people thinking that yellowstone is "overdue". Its not fucking pregnant. if it ever erupts again we'll have decades if not centuries of warning. whenever theres "increased activity" there it means something vibrated a bit more or something.
and while we're on it the eruptions happening rn are also not out of the ordinary. what kilauea is doing is not a cause for alarm. volcanoes erupt all the time its a part of our planet I am losing my mind
They aborted the Yellowstone super eruption because of woke
this is true
#fun fact: yellowstone has to replace their roads fucking constantly because of how much the magma shifts!#they rise and fall like frost heaves except much more extensive and it cracks any concrete or asphalt all to hell#i only lived there for like two years and the road was repaved twice#this is why so many roads in the park are gravel. they might be annoying but at least they don't have to rip it up every summer.#anyway.#my point being that we have kind of a good eye on the yellowstone situation because that kind of fuckery happens all the time#if/when it blows we're probably going to have lots of notice#science!
something delightful about a national park actively resisting being paved at all. fuck em up girl, be free
My Neighbor Demon-Tiger
i still think liara and shiala should have been one character. imagine if liara's own mother betrayed her and gave her over to the thorian.... the drama!!
do you think asari Have to say embrace eternity to make the meld work? like a magical girl activating a power?
It's 100% part of Asari Sex Ed. Melding without warning is too close to Melding without consent, so all the ones who go to Nice Schools get taught to say "Embrace Eternity" before they do the deed. Especially with non-Asari who may not be used to or expecting it.
And the really sheltered ones *coughLiaracough* take a bit to figure out that it isn't a Magical Girl Activation Phrase and they can do it just fine without saying anything. =P

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I'm easily moved by everything Liara so I always react strongly to her distress, I hate seeing her like this. But I'm also a fan of the way those two are positioned in those two scenes, because I feel like the more distance they have between them, the more Liara feels okay to open up.
In the first scene, Shepard uses a Paragon interrupt to try to reassure Liara, and she says: "You're here to help. Just like always." Shepard asks her if it's not a good thing, and she replies: "When we first met on Therum, you saved me from the geth. You fought a krogan battlemaster while I cowered. Now you're doing it again. And I'm still leaning on you for help." Shepard replies that this is what friends do, and Liara walks away, doesn't reply.
So the distance is there as they face each other in the conversation, but I believe this is the closest they can be to each other at the time, at least emotionally. Because Liara is basically confessing her truth: she needs Shepard and Shepard has become THE savior in her life. Need and guilt and self-hatred are all over her in this scene. At least, that's how it feels like to me, and I understand perfectly why, because those feelings can easily appear when you love and need someone that badly. But there's not just that, there's also the idea that Liara is unable to save herself, that without Shepard she feels she's a mess and a coward.
In the second scene, when they are so close to each other and Shepard is basically telling her to calm down and that they need to talk, that Liara has changed, Liara goes on a rant about Feron and how it would be an insult to him to stop and enjoy the scenery. It feels frantic and disconnected. Fear surrounds her. So they're close physically, but the distance is back again, as Liara is closing herself off, no longer wanting to talk. But she does say she mourned Shepard, and I think the mission shows the grief and guilt that she has been carrying with her for far too long. And that's one of the many reasons I say a lot of characters mourned Shepard intensely, they just all had different ways of expressing it.
It's clear to me that Liara worked herself to death and took no time to deal with her feelings in a healthy way. She's not okay, and hasn't been in a very long time, since Shepard died. And obviously, she has a duty to Feron, but this is like a giant mix of everything that Liara hates about herself in this mission, so duty/responsibility is associated with cowardice/failure. And I think she's starting to believe that her intense need for others or the intense way that she loves is dooming her, because she can't save people, she can't save herself, she will let people down in a way. Liara easily gets into those cycles in her head. (and this is why her becoming the Shadow Broker matters a lot, but that's another topic!)
And again, this is only my interpretation, but even in her frantic ways, she fully acknowledges how thankful she is that Shepard is helping her and the full meaning of their presence in her life. But that is the sweet part. The bitter part is that she is also fully aware that her need is not just a want. It's overwhelming.
Needing someone like that, I believe it does say something about who you are and how you feel, regardless of the person needing you back or not. And once you know, you know. You now have to deal with that need while also finding ways to come back to yourself, to save yourself. To me, it's the only thing that matters.
(It reminds me of the poem "The Journey" by Mary Oliver, which ends with the idea that there is a voice in our head that is our own and it tells us, as we strive "deeper and deeper into the world" that we should be determined to save the only life we could save. It can also be interpreted as not carrying a burden that shouldn't be ours to carry. To many of us who work in healthcare or who worry about closed ones, it can be good to remind ourselves of that, even if it hurts.) Anyway. Liara has a long way to go and the context doesn't make it easy on her, but I just want to tell her that she hasn't been a coward or a failure or a mess, but rather very brave while suffering deeply. Just want to give her a hug and tell her it's going to be okay, eventually.
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