RotTMNT Swimsuit Calendar but it's just Splinter (not young, not as a human, as the old fat rat we all love) in various bikinis posing seductively
2025 on Tumblr: Trends That Defined the Year
taylor price
YOU ARE THE REASON
Not today Justin
EXPECTATIONS
let's talk about Bridgerton tea, my ask is open

#extradirty

shark vs the universe
NASA

roma★

Game Changer & Make Some Noise
Doug Jones
sheepfilms
Aqua Utopia|海の底で記憶を紡ぐ

❣ Chile in a Photography ❣
Cosimo Galluzzi
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art blog(derogatory)
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@mad-phlegmatic
RotTMNT Swimsuit Calendar but it's just Splinter (not young, not as a human, as the old fat rat we all love) in various bikinis posing seductively

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The Goblin's Tarot — Coming Soon - BackerKit
September 15th, we're finally welcoming @charminglyantiquated and I's Goblin's Tarot into the world. The final Publishing Goblin tarot deck features an actually standard 78-card tarot deck for once!
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A lot of criticism of delivery apps focuses on the fact that they offer convenience and variety, which I find much less compelling than criticizing the fact that the apps often send their contractors on fetch quests from Hell.
There are real labor problems here. Base pay is often insulting. Customer tips carry too much of the burden. Workers need better protections, more transparent algorithms, protection from arbitrary deactivation, and actual recourse when the app or a customer screws them over. Car-dependent delivery is also an environmental and infrastructural problem, though in a denser city I’d still be doing this work; I’d just be doing it by bike.
But when people talk about delivery work, I rarely see them talk to actual delivery workers. I see a lot of abstract arguments about convenience, consumer decadence, “hustle culture,” and internalized neoliberalism. Meanwhile, when I’m out working and waiting in restaurants for orders, the other Dashers I meet are usually people who only speak Spanish, people who read as neurodivergent, visibly physically disabled people, or some combination of the above.
I have not met this mythical Disco Elysium poor ultraliberal hustlegrinder-wannabe people seem to be arguing with. Maybe that archetype exists somewhere. If it exists among any kind of gig worker, it would probably be rideshare drivers. But most of what I see looks less like “rise and grind” and more like “this is one of the few forms of work available to people who need flexibility, low barriers to entry, limited managerial surveillance, or a way to work around language barriers, disability, burnout, chronic illnesses and injuries with symptoms that come and go unpredictably, caregiving, résumé gaps, or discrimination.”
That does not make the current system good. It means the current system is filling a real gap that a lot of supposedly better systems do not even acknowledge.
As a disabled person who is burnout-prone and demand-sensitive, contracting as a delivery driver has given me an unprecedented level of financial flexibility. I can work when I have capacity. I can stop when I’m deteriorating. I can build my day around my actual body instead of being trapped under a manager who thinks “reliable” means “able to perform the same way every day no matter what.” That matters. It does not cancel out the exploitation, but it is also not fake just because it is politically inconvenient.
And delivery itself is not some inherently decadent evil. Sometimes people live alone. Sometimes they are sick. Sometimes they are disabled, exhausted, overwhelmed, grieving, overloaded, or recovering from something else - perhaps the stress and fatigue induced by their own job. Sometimes they need medicine, groceries, or a meal that will actually unplug their sinuses instead of whatever generic community-care slop someone thinks they should be grateful for. Humans are allowed to need specificity. “Food” is not the same as “the food I can actually eat right now.”
A serious labor critique would ask how to make delivery work safer, better-paid, less tip-dependent, less car-dependent, less algorithmically punitive, and less precarious. It would ask what kinds of flexible, accessible work should exist for people who cannot thrive in conventional employment. It would ask how cities could support bike delivery, worker cooperatives, public infrastructure, and real protections without simply replacing one bad system with a moral sermon about how nobody should ever want takeout.
But a lot of the discourse does not do that. It treats convenience itself as suspicious. It treats wanting flexible work as false consciousness. It treats the needs of disabled people, immigrants, and other people who can't fit into traditional employment structures as details to be swept aside in favor of a cleaner political image.
I guess the opinions of delivery workers only count when they are politically convenient.
I’ve had a scientific breakthrough
CORRECT
*gives you a sticker*

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hello! Your art is wonderful, and I was wondering if you could do a tutorial on how to draw RoTMNT characters if it’s not too much trouble
Hello! Thank you so much <3 and ofc!
Mikey:
facial expression example: winky wink
[difficulty: easy] although his cheek can be a bit difficult to get right.
Leo:
artist mikey pt 2 🌀🌀😴
(these are all based on my own experience as a college art student lol)
disclaimer: I am east asian. if anyone who is not white sees anything wrong with my phrasing, inaccuracies, or insensitivity, or something I missed, please feel free to add on. I’m just one person with one perspective; none of what I say should be taken as The Singular way to draw an Asian character. if you havent done so already, please take the effort to expand your view of Asian culture outside this one tutorial.
if a white person reblogs this and adds something stupid I’m going to bite and kick you like a wild animal
I LOVE this post and wanted to add some additional info, cause I see a lot of people who assume that drawing asian hair is the same as drawing white hair. This is not the case! There’s more to it than just the color.
Image description for the original post and my addition are underneath the read more at the end.
Thank you for reading! Once again, image description for my images and OP’s images are under the cut.
Just like OP, I’m only one single person, so if anyone wants to correct me or add something I missed, then go for it. And further disclaimer, there are exceptions to everything I’ve said in this post, and it only applies to East and Southeast asian people who are either not mixed or white-mixed, as those are the hair types I’m most familiar with.
Keep reading
I’d like to add that there are Black people of non-African decent in Asia. We exist. So the whole “I won’t draw Black people in anime because it’s set in ~Asia~” is absolutely bullshit (besides the fact that those of African decent also live there). The so called “negrito” ethnic group is comprised of many different cultures throughout south and southeast Asia and are considered Black (they have dark skin and coiled ‘Afro-texture’ hair) Additionally, the Moluccan and Papuan people of southeast Indonesia are Black.
Also regarding hair, naturally curly hair absolutely is a thing in e/s/se Asia. Our hair runs the gamut from loose wavy curls to tight, kinky coiled hair.
Blonde or red hair and blue eyes are also possible in Maluku and Papua, due to genetic quirk that has nothing to do with having white heritage.
On to types of curly hair Asian people can have:
[A picture of Sandra Oh with a long, curly shag haircut, wearing a pink blouse against a white backdrop] Sandra Oh is a great example of an east Asia person with curly hair. She has wavy/curly hair.
[A picture of Aarti Sequeria, an Indian woman with medium skin tone, shoulder length medium curls, wearing a green blouse against a colorful background]
Curly hair is also common in south Asia. This is Aarti Sequeria, an Indian person with tighter curls.
Then we get to the tightest curls.
[Three pictures of young people from Maluku or Papua Indonesia. The first shows two boys in blue shirts with dark skin and curly hair. The boy on the left has loose, dark curls and the boy on the right has dark red-blonde tightly coiled curls. The second picture shows a child with very dark skin with red undertones. They have tightly curled dark red-orange hair. The last one shows a boy with dark brown skin, dark ash blonde hair, and dark grey eyes. He is not wearing a shirt. End description]
These are all people from Maluku and Papua in southeast Indonesia. This is their natural hair color and texture. Also note how warm their skin tone is. As a note, the reason these are all pictures of children is that more often than not, those with blonde hair as children will have their hair darken as they get older. Additionally, note how the roots are much darker than the ends. This is because most of the blonde hair comes from sun bleaching rather than it coming out of the scalp blonde.
My family is from Maluku and I have cousins with the same bright red hair, and both of their parents have dark brown/black hair. I also have family who have blue eyes, but both of their parents have brown eyes. So while it’s very, very uncommon, it is possible for an Asian person to be blonde. However, unless you are depicting someone from these areas, the blue eyes/blonde hair is still very much a don’t do this, especially if you are a white artist.
There are so many ways to look Asian. So many hair textures, so many skin colors. Asia is a lot more diverse than the west depicts it to be.
also i never posted this here ?!?! I LOVE SOLO DUO!!!!
YAYY SOLODUO

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is that woman character actually “not well written” or are you just not paying attention to her. is that woman character actually “less interesting” or do you just not care about her.
This is about as unrelated as it gets, but I was once on a cooking competition show as background. I had a prep list, and while the contestants were front-stage, I was in the back of the shot, doing the prep list, looking chef-y, alongside some other BG. The prep list was double-duty, it was also making stuff for the contestants to use later, but our main job was just to make the kitchen look busier. I imagine that in most shots I was in, I was at best an out-of-focus blur behind the main shot. So at the beginning, the contestants are showing off their knife skills and making little fruit sculptures or whatever, IDGAF, and they were being interviewed at the same time. "What does cooking mean to you?" and that kind of stuff. I . . . was not supposed to be interviewed. I was BG. The interviewer apparently, did not know who was a contestant and who was BG, so they came over to me. And after all of these eloquent long-winded philosophy-and-dream guided answers, they come to me, and go "What is cooking?" And me, deep in focus on looking professional and getting the prep list done and not listening to the interviews, aware that I'm not supposed to talk or be talked to (I'm not paid for speaking lines!), but also aware I am the focus right now, but also aware that they will cut this out of the televised part and I can relax and shrug him off, but also suddenly aware there's still a live audience and I can't just shrug him off, but also confused because I didn't realize he was fishing for a deep philosophical answer: "Cooking is making food". Well. I got a laugh out of the live audience, and they must have decided to keep the line because my pay was upgraded from "SSE" (Special Skills Extra) rates to "Speaking" rates.
best answer
I think making character playlists is good for you and connected to analysis skills in a very fun way and low investment way. I know its seen as quite trivial but to me it operates the same way looking at a lot of art builds ur skills passively. Yummy enrichment activity
Thought it could be nice to compile all of the halfbody and fullbody drawings for artfight I did/ (kind of a reason why I didnt do that many this year on top of me being busy hh/)

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Last year I had the honor to draw a banner for Aron Schaub's personal website!
It it inspired by hydroponic systems and the general solarpunk vibe. 🌞🌱🌻
website link: https://aronschaub.phenjara.de/
brooding men who cannot communicate their feelings if their life depended on it are only hot when they're fictional. if i have to deal with one in real life i will curse him and pray for his downfall every night before i go to bed
It's because the writer communicates their feelings for them. If people wanna pull that off in real life they need to hire a guy to walk around behind them narrating.
#can i be the guy#ill narrate SO incorrectly#theyll all learn how to talk for themselves just to shut me up (via @cirrus-grey)
i'm loving the implication that this isn't something they hired you for, but something you'd do as some sort of public service.