Tsukihanemon/Mooncrest System | Mid 20's (though rarely mid~) | Transfem pansexual & loves it | Fixed on Ace Attorney, Pokemon, Sonic the Hedgehog (+ .exes), Deltarune, OMORI, animals & nature, etc. | Writing & Computer Science interest | Learning the rhythm of our own heart and girl it is the weirdest jazz we ever heard
It feels like every year we need to re-introduce ourself. We don't really mind though; in a way, it's like we can see the rings of this tree we call "us". Makes it easier to keep track of our history.
So let's get the pleasantries done and dusted one more time, shall we?
Hi there, our name is Mari!
You can call us "Mooncrest" or just "Moon" if that suits you.
This page is primarily run by our hosts Jwdi Kizuki and Carys Naberus. Others might pop in from time-to-time to share their thoughts - you'll see our names under poses like this:
"#~[headmate name]"
We'll introduce you to some frequenters under the cut! Otherwise, we wish you the best!
Jwdi "Fukyuu Miki" Kizuki (she/it/toy)
"Hi there! I'm one-half of our host, the fast-acting social rabbit who likes to run around and say hi to people! If you're a new person interacting with us it's probably me you'll be talking to. I'm partnered with Carys more often than not!"
Carys "Celeste" Naberus (she/it/dragon)
"Nice to meet you! I'm the more patient and observant one between Jwdi and myself. Usually I steer her towards more long-term action, delayed gratification, and ways to navigate more complicated or otherwise intensive interactions."
Kokoro Kizuki (she/her)
"Guten Tag, Bonjour and Ciao!!! Kokoro Kizuki, android and emotional regulation centre at your service! I'm also the one who often talks with new systems that we meet out there. Let me know if you need to talk about anything - I love doing what I do here, including for others!"
Mori Gamiyuu (she/they)
"Good tidings. It seems we've had a shift since last we met. My purpose is to protect and balance the rambunctious Kizuki rabbits, though it seems Carys has Jwdi sorted for the most part. Things are much more lax as of late, so feel free to approach me if you so wish."
Ruby Naberus & The Sisters
"Oi oi. Ai'm not gunnae be speakin' much on this shite-arse website but mah daughters maight. I'll save us tha trouble o' switchin' one too manae times for this bollocks an' introduce them meself. If they wannae change somethin', they can do it whenever."
Hope Tsuki (she/her)
"A braight girlie. She's the eldest sister an' offen 'andles makin' sure the other two are calm enough to soldier on wit' things. Bit of a silleh one but she'll appreciate the chats ya end up 'avin' ai'm sure."
Kibou Tsuki (any)
"Middle-child and a tetchy one at that. It usually shows whenevah somethin' pisses us off an' needs a composed type a' anger to approach. Doesn't mean she ain't willin' to drop by for the shite of it all. Dannae be scared unless she's got a reason to give YOU an earful."
Narcissus Poeticus (she/her)
"Ai'm not typin' her full fockin' name out but this one's tha youngest of the lot. Clever bird, keeps a collection of all our memories in 'er own space in 'ere. Cannae shut up when she starts talkin' - she's quite a bloody verbose one, this lass."
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
This is a comment someone appended to a photo of two men apparently having sex in a very fancy room, but it’s also kind of an amazing two-line poem? “His Wife has filled his house with chintz” is a really elegant and beautiful counterbalancing of h, f, and s sounds, and “chintz” is a perfect word choice here—sonically pleasing and good at evoking nouveau riche tackiness. And then “to keep it real I fuck him on the floor” collapses that whole mood with short percussive sounds—but it’s still a perfect iambic pentameter line, robust and a lovely obscene contrast with the chintz in the first line. Well done, tumblr user jjbang8
I went back to dig up this post because I was thinking about poetry.
This is one of those non-poem things that are among my favorite poems.
As the OP stated, the use of alliterative consonants is aesthetically just great, especially the placement of the strongest use at the end: “fuck him on the floor.” The use of “chintz” is indeed great word choice.
Because I’m insane, decided to scan the poem:
Not only is the second sentence, indeed, perfect iambic pentameter, the entire poem is perfectly metered, though the first sentence has four iambs rather than five.
There are further things I love about this poem, though: I like the casual connotations of “keep it real” juxtaposed with “chintz.” It causes me to interpret the “chintz” more strongly as meaning something fake, a facade. There is also of course the coarseness of “fuck,” which is a contrast with “chintz” but a different kind of contrast, gutsy and carnal where “chintz” is flimsy and inanimate.
And then there is the storytelling: there is SO MUCH storytelling in just these two lines. To break it down: The speaker is having sex with a married man, in the house he shares with his wife, which is “filled with chintz”—something that here connotes fakeness, in contrast with “keep it real.”
The illicit encounter in the poem takes place within a house filled with facade, the flimsy construction of the wife’s marriage and domestic sphere, but the encounter itself is a taste of something “real.” That’s a story, and it’s just two lines.
This is EIGHTEEN SYLLABLES, y’all. The amount of meaning condensed into these eighteen syllables is stunning, and it is so elegantly done.
From a technical standpoint (and ive taken 300- and 400-level poetry classes so I can say this) this is damn near flawless as a poem.
Ah dang to go further; the floor is framed as a refuge. As if there is literally no other space in this house that hasn't been populated by his wife with flimsy inanimate fakery. There is no space for this man in this house save for the floor. There is no space for him on the sofa, oon the counter tops, and most notably, no space for him in the marital bed.
I’d also like to point out the use of the word “has.” The wife has filled the house with chintz. She isn’t filling the house with chintz. She doesn’t fill the house with chintz. She has filled the house with chintz. Use of the past-tense makes the wife a subtly removed element in the story, someone whose presence we see in the environment, but who is blissfully distant during the actors throes of passion. There is an element of physical as well as emotional separation from the wife that is catalyzed by being fucked on the floor. Use of the past tense is an end to the wife presence in the actors life, a carnal catharsis amid cold fragility and emotional distance.
Recently completed my 2nd playthrough of chapter 4 and wanted to draw the fun gang in their respective equipments for the final fight. It’s not the most optimal setup, but it’s fun!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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