Chen Chen, Your Emergency Contact Has Experienced an Emergency
Monterey Bay Aquarium
2025 on Tumblr: Trends That Defined the Year


Kiana Khansmith

if i look back, i am lost
I'd rather be in outer space 🛸
TVSTRANGERTHINGS

#extradirty
Aqua Utopia|海の底で記憶を紡ぐ
Three Goblin Art
almost home

祝日 / Permanent Vacation
styofa doing anything
Sweet Seals For You, Always
YOU ARE THE REASON
Alisa U Zemlji Chuda
Misplaced Lens Cap

tannertan36

roma★

seen from Malaysia
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@ding-a-linguistics
Chen Chen, Your Emergency Contact Has Experienced an Emergency

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something either is or isnt happening to me
Btw I loooove starting a post like "also" "by the way" "and another thing" when there was fully no conversation or preceding thought. U will experience my posts en media res
Jenny Holzer, Selections From Under A Rock 1986

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(said completely devoid of context) you know how it is
august 1, 2008
i’ve decided to completely dedicate myself to symbols and patterns

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oscillogram and spectrogram of the sentence "Where were you a year ago"
“I am, like everybody else, a product of my time and my culture. And I remember, there’s a really beautiful commencement address that Adrienne Rich gave in 1977 in which she said that an education is not something that you get but something that you claim. And I think that’s very much true of knowledge itself. The reason we’re so increasingly intolerant of long articles and why we skim them, why we skip forward even in a short video that reduces a 300-page book into a three-minute animation — even in that we skip forward — is that we’ve been infected with this kind of pathological impatience that makes us want to have the knowledge but not do the work of claiming it. I mean, the true material of knowledge is meaning. And the meaningful is the opposite of the trivial. And the only thing that we should have gleaned by skimming and skipping forward is really trivia. And the only way to glean knowledge is contemplation. And the road to that is time. There’s nothing else. It’s just time.”
— Maria Popova
The development of Lynch's body of work is informed by a realist's optimism that there is an exit from the linguistic labyrinth and that this exit is richly available to us [...] His use of language—and of cinematic vocabulary—suggests that, once we understand that we ourselves have created cultural forms and that they only have the meaning we give them, we are free to understand the forces in the universe that are truly larger than we are and how they connect us to a greater reality.
Martha Nochimson, The Passion of David Lynch

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i swear to god that social cue wasnt there before