Miss M. 👑

In these last years Lucky Luke lost his western aura, and so did the Daltons, now they get seen just as something annoying to the lonesome cowboy, not as a real threat. It's also really desolating that Lucky Luke became more childish and too cartoony. Daisy town remains the best product of the Lucky Luke franchise, also for the fact there's a parody of spaghetti western and Ennio Morricone's music.

Like here, just look at them, they look really cool, change my mind.

Anyways silly dudes, threatening criminals or whatever, I love my babies 🫶🥹💖

mais, si ça ne tenait qu'à lui, le boulot serait fait :

Parce qu'il est le plus bête, beaucoup pensent qu'il est le plus gentil. Pourtant, dans sa simplicité, il peut être plus impitoyable et plus expéditif que les autres.

Et son orgueil est aussi chatouilleux que celui de Joe :

do you ever think about Ray and how he probably carries a sense of guilt when he thinks about Henry because he realized during the finale that he did almost exactly what his dad did to him

do you ever think about Charlotte and Jasper and how helpless they probably felt watching Henry fall down this path of focusing only on being Kid Danger and skipping school and they couldn't really do anything about it because Henry just wouldn't listen

some people really don’t realize how privileged they are that they get fanfics for free. imagine having access to something for free because someone is kind enough to share it with you… and then being rude, entitled and an ungrateful pos to that person who was kind enough to share their creation with you for free

“almost 1 year is a lil too much for me” fuck off. fanfic writers don’t owe you anything. one of my favorite fics was updated after 13 years, and what I did is that I thanked the author for choosing to continue the work, I didn’t act like a spoiled toddler by asking why they didn’t update sooner. and even if a writer chooses to abandon their fic permanently with no explanation, that is their choice, their hobby, their decision. they don’t owe your entitled ass anything.

Live & Dangerous: took over Captain Man and Kid Danger's body to make them do weird things for views;

Captain Man-kini: Captain Man and him switched bodies (not a Frankini plan this time, he was forced);

Henry Danger Musical: he forced Captain Man, Kid Danger and the entire Swellview to sing and dance costantly.

He understands the concept of school yet probably has no idea how it operates on a functional level, so when Henry shows up and does his job he probably just assumes he has it covered. He never got an education and he doesn't see the actual extent of how that trapped him - he was never given a choice so he doesn't consider that Henry has one.

He was so distraught over Henry wanting to leave him because he deals with his own issues around loneliness and abandonment. Henry's years as Kid Danger were probably the best years in his life and now he's being told that he hates it all? That's gonna hurt. And yes, he's immature about it but considering no one was ever around to even teach him the concept of emotional regulation he's still playing catch-up.

Well, it kinda is

I love, love, love, LOVE Frankini (he’s my favorite villain no matter what anyone says), and my favorite episodes are the musical

Is it weird to say that I kinda see the musical as, like

Ray struggling with what it means to “do the right thing” for probably the badillionth time in his life?

Frankini’s already a character that pisses Ray off. He’s young and spunky, Ray is old and tired. Frankini does what he wants (usually shitty things) without consequence, Ray is constantly scrutinized by those around him (even though he tries his damn best to be a hero because it is all he was ever really taught to be).

Ray is used to just physically handling his problems (harassment, fighting, temper tantrums) until they go away. He is kinda still stuck as an 8-year-old.

And Frankini’s immature, too, but again, HE GETS PRAISE for that, because it’s probably seen as just being “quirky” or whatever.

Basically, I noticed that in the musical, Ray LITERALLY SAYS, “I can’t punch or kick my way out of this problem” after fleeing from Swellview.

And when Henry goes and gets him back and reminds him of all the times he’s won, he does it the most fitting way he can, THROUGH A DUDEBRO PEP-TALK FRIENDSHIP BALLAD.

RAY IS USED TO LIVING IN AN ACTION MOVIE WHERE THE ONLY EMOTIONS ANYONE SHOWS ARE ANGER AND CALLOUSNESS.

AND THEN BY THE VERY END, HE REALIZES THAT WHEN YOU GET PUT INTO A MUSICAL, SOMETIMES YOU JUST HAVE TO SING THE FINALE.

i think the musical definitely serves to give ray a lot more emotional vulnerability that we don't see in him often or at all before then; he's always used to being strong enough to defuse a problem with his fists but with feelings? ur practically speaking a different language because his upbringing caused him to be too emotionally distraught to even process that kind of an issue; his captain man facade only goes as far as his exterior but inside he's not buying himself at ALLL dawg

u also say how frankinis like opposites but not with ray and i also like that a lot because i hadnt rlly thought about it like that before!! theyre similar in their immaturity but theyre also different in the way they play it out and how it works out for them in the end and i think that, further than like his strength or whatever, makes him a harder villain for him to fight

frankini is weird and loud and singsongy and unapologetically himself, but how is someone who doesn't even know what his true self is (too clouded by expectations and triumphs to surpass and his own moral complexities in between) supposed to go against him? instead of being a genuinely hard villain to fight in general (in which i do NOT think he is, see s4 ep 13 captain man-kini for ref because frankinis fighting skills aren't great at all there.....), he's a hard villain to fight FOR RAY. he's everything ray ISN'T (except gay, theyre both that) and it's so so so interesting to me now that you put it like that

thank you so much @propranksterpropaganda (WHY IS IT NOT @-ING YOU CORRECTLY?? I'M GONNA TWEAK.) for this post because you got my feeble mush brain thinking about them in a different light YIPPEE!! #!!! $

Now I have to go rush to my phone and write it down before it's lost forever in the realm of forgotten thoughts 

So, I was overthinking again...

In the third axis, we have the adoption papers/birth certificates of the children, right? It is said that the twins are from April 23, 1877, but in forgotten hill disillusionment, in the family book it says that Owen and Agnes got married and had twins in the same year... Well according to my calculations, the twins would have to be 'made' at least the year before, right? Something between August or so in the year 1876, which was when Camille was born(August 25th 1876)...

What's my theory? Simple! Owen probably didn't like that his younger, weaker brother had a wife and heir before him (even though Camille was a girl and back then that wasn't a good thing) or maybe the twins aren't even his and he only agreed to get married because it would be a scandal in the family(a 28 year old pregnant woman without a husband in the 1870's? Not good) and also because he needs to get married soon and be better than his brother since he was the oldest and the authoritarian one.