So tempted rn to process trauma by writing a fucked up mother daughter relationship, where the only reconciliation left at the end is to just honestly acknowledge their mutual hatred and the fact that their relationship could never have healed…

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So tempted rn to process trauma by writing a fucked up mother daughter relationship, where the only reconciliation left at the end is to just honestly acknowledge their mutual hatred and the fact that their relationship could never have healed…

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if you ever see me cackling in the corner it's 'cause im writing dark academia murder mysteries with a snarky omniscient narrator. pay no mind
(or it could be that im laughing at something i saw on pinterest. 50/50, really)
Coming up with backstories in AUs is fuuuuuun.
For everyone but this character of course....but detailsssss LMAO
Speaking from a surprisingly large amount of writing experience here: No reader likes being in the middle of the Bad Times when the climax that the Bad Times are leading up to hasn't been published yet and the reader can finally see what it was all for. Oh man, how the reader will thrash and scream about being stuck in the middle of a story where Bad Times are happening and there's no recourse because the story has been both pre-planned and not yet published. There are few things that a reader hates more. But it is unavoidable in a chapter-by-chapter publishing format.
Why yes, this is about the Warframe Frontiers & Fables KIM chats and why I'm fully activating my zen about it.
Characterization & Quote Farming
~ a writer's discussion ~
I had this thought a couple of days ago, based on a tiktok video I saw. The video asked viewers to drop quotes they enjoyed from their own pieces of writing. It had one comment that shared a pretty long quote that seemed almost...forced into it's quotable-ness.
I specifically wanted to talk about this sort of forcing of quotable sentences/passages in terms of dialogue.
There's often talk of needing a character's dialogue to sound like it comes from them, to make each of their lines unique enough that we know who's talking. While this *can* be good, I find it sometimes feeds into the quote farming behavior.
Not every sentence a character speaks has to be something that they alone would say. Not every sentence needs to have their tag line, a nickname, etc that only they say. It doesn't need to be profound and thought provoking. It doesn't need to pull at our heart strings. It only needs to drive the plot forward.
Real people don't have time to perfect all of their sentences so they sound a certain way--at least, not all the time and not without reason. Neither do your characters.
I thought of this like a cup of coffee. Your character is just the coffee and the cup, a blank slate. Everytime you add something to them/their dialogue, you add a dash of sugar or a pump of cream.
Maybe your character has a habit of using "y'all" instead of "you all" or some other word. That's a spoonful of sugar. But if they use it for every sentence, everytime they speak, your cup of coffee becomes less coffee with sugar and more sugar with coffee.
Same goes for more quotable or profound passages. When they are scattered throughout your text and come naturally, you end up with a balanced cup of coffee with cream and sugar. If you force them into every paragraph, you end up with a cup overflowing with mostly sugar milk.
As always, balance is best. Enough of something to show readers who your character is, without making them a walking cartoon or stereotype.
Same goes for those "quotable" passages. Too many and they take over the text.

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Finishing chapter 1 of my spicy fic be like
Need to give your characters trauma for your latest original work? Give their parents trauma involving the birth or how they were conceived and bam, trauma. Bonus points if your character doesn't even know there's trauma around them until parent's close friend tells them because the parent who birthed them died before they could be told and their other parent(The worst monster possible) is Not In The Picture.