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fwiw I think the reason why BOLAS 2 took so long to release wasn't because it took them two and a half years to write a single new book, but bc they at the very least also outlined a book 3, so I (perhaps harboring under deep delusion) think we're not going to get the same insane wait time for book 3
Or, the brief life of Iola Apostolous
Summary: A young woman considers the visions of the Goddess of Blood she's been plagued with.
Wordcount: 1,983
Rating: Mature
Content notes: Canon-typical violence
Read it on AO3
They must have taken her because she was in danger.
There were moments of her mother that Iola remembered. The warmth of an embrace. The smell of crushed sage and ceremonial incense, mixed in with something metallic and raw. Learning how to swim in the ocean. Laying outside, her head resting against her motherâs chest, looking up at the stars. Fingers brushing through her hair. A scolding because sheâd run outside to play on her own.
She remembered her father too. A man who could make her laugh, often joining in a lower, booming timbre. A man who would pick her up and swing her in circles until he got tired. A man who would sneak her dates, all donât tell your mother. A man who would carry her whenever she was tired. A man who loved her unconditionally.
And then, a fire. Screaming agony from burning bodies, the smell of smoky flesh, the pounding boots against the ground, getting carried onto a boat. When she was out on the water, begging the people who claimed they were taking her to safety to bring her back to her mother, she heard a piercing scream, haunted and broken.
There were other bits and pieces, things that didnât always make sense. She remembered a large stone room with a throne, stained with something rust colored. She remembered a spacious courtyard, grand parties full of laughter. The Sons of Ares had rescued her after The Goddess of Blood murdered her mother and father, and the memories of who they were, where they fit into Mydiea began to fade.
Iola always knew there was something different about her. People were wary around her. But she wasnât sure what made her different until the dreams started.
She was fifteen years old, ten years after her rescue. There were dreams of a striking, willowy woman with dark hair, tawny skin, and full lips, eyes glowing iridescent red. Sometimes, she swam in the ocean, traversing down to the bottom, just as Iola liked to do. Sheâd sit at the bottom of the sea and scream, the sound muffled by the water. Other times, it was snippets of conversation, between a tall, muscular man with long, dark umber hair and an infectious smile and an increasingly sullen, lanky man with dark curls and dark hair. A soldier and a prince. The womanâs soldier and prince.
They felt familiar somehow. She could swear sheâd seen their faces beforeâthe soldier carrying her on his back when she was three years old, the prince trying to mask his obvious discomfort with her.
It was impossible. She was trying to fill in the blanks of her past, trying to understand who she was before she was brought to a village on the Greek coast, adopted by a fisherman and his wife, taught to pray for the downfall of The Goddess of Blood.
But then the dreams began to change. There were visions of violence, of the woman tearing out soldiersâ heartsâSons of Ares soldiers. Visions of an underground cavern full of women in white. Sheâd bite into their necks, draining their blood until they died.
The Goddess of Blood. Iola wanted to tell somebody about her visions, but she knew she couldnât. She didnât know what it meant. Did the Goddess of Blood have a psychic connection with her? Could she control her? Worst of all, what would happen if Iola told anyone about the things she saw? Theyâd see her as a liability, tie rocks to her feet and drown her in the ocean. Her lungs would give out eventually. Sheâd rot at the bottom of the ocean until the end of time, if the creatures that lurked beneath didnât get to her first.
The most terrifying dream of all wasnât of carnage and bloodshed. It came to her a year after they started; a dream that began pleasantly. She was playing in the ocean, a child again. Not even a child. A baby. Her father, dark haired and smiling, lifted her up, arms outstretched.
She understood this was a memory. Not hers. Sheâd seen things through the eyes of the prince or the soldier or the Goddess of Blood in her dreams, things she understood to be memories. This felt like that, like she was simultaneously looking down and viewing the scene, detached from above, and like she was seeing this through her fatherâs eyes.
And then, she was reaching for somebody, a figure out in the distance, swimming towards them. As the figure got closer, she recognized her: the Goddess of Blood. She was smiling, at ease and happy.
She reached for Iola, scooping her in her arms.
âDid she cry at all?â The Goddess of Blood asked.
âNo. She was perfectly happy here.â Her father said. âSheâs just like you. She loves the ocean.â
And as The Goddess of Blood took her in her arms, cradling her close to her neck, Iola smelled that familiar scent: crushed sage and incense, something slightly metallic. Blood, she realized.
Her mother was The Goddess of Blood.
They must have taken her because she was in danger, Iola eventually concluded. The Goddess of Blood must have killed her father. She must have killed the other villagers too, feasted on their blood. The Sons of Ares had been lying in wait, and they intervened. The story added up. Sheâd tried poking holes in it, wondering if sheâd been kidnapped or rescued.
The Goddess of Blood may have birthed her, but she wasnât her mother. Something had to have happened to her, something that twisted her and made her into the monster the Sons of Ares and everybody within a two hundred mile radius of Mydiea fear her, not even dare to utter her given name. Iola was pretty sure was one of the only civilians who knew her true name, who had heard it hundreds of times: Rheya.
There were dreams and memories that altered this perspective; moments of peace, of the sort of domesticity Iola hoped she would have whenever she had children, but they were always starkly juxtaposed against visions of abject horror: a human sacrifice where The Goddess of Blood would rip out a heart, she would bathe in blood, she would terrorize innocent civilians and children. She would urge her soldier to do her bidding, telling him that he would have nothing and nobody if anything happened to her.
Eventually, Iola learned to live with these dreams, viewing them as nightmares. She tried to live a normal life, silently vowing to herself that she would never tell anybody about her connection to The Goddess of Blood, not even Ajax, the soldier sheâd found herself falling in love with.
He was the son of a merchant, descended from East Africans whoâd ended up in Greece several generations back. She didnât hesitate to say yes when he asked her to marry him. They were lucky; Iola would be well looked-after with Ajax, and she loved him. She could see herself spending the rest of her life with him. Her parents didnât have to worry about arranging a marriage.
They had Miranda nine months after their wedding. Iola thought she knew what love was when she met Ajax; she was wrong. She loved Miranda beyond reason.
She feared for her too. She hoped Miranda wouldnât inherent the same propensity for nightmares that Iola had. She was going to have to tell Miranda the truth at some point, explain what she was to her, where she came from. But until then, sheâd enjoy the fact that during the day, when she wasnât asleep, all was well.
Until it wasnât.
The Sons of Ares had anticipated this attack, had known that eventually, The Goddess of Blood was going to find them. It was why theyâd opted to set up their base of operations in a remote fishing village, far away from Mydiea. The key to their success was the way they were able to keep a low profile.
Theyâd had a plan in place in case they had ever happened: every few months, theyâd bring the civilians out of their homes, line them up in the village square, and remind them what they needed to do: run. First and foremost, run. Head to the docks. Get on the boats. Get as far away as possible.
And then, theyâd run through it, make everybody go through the motions of what they needed to do if she ever came.
But there were things they failed to take into account: first, her soldier and her prince were quick on their feet and bloodthirsty. Second, there was a difference between running because you were told to and running because you would get your spinal chord ripped out of your body and your heart devoured if you didnât.
It was chaos. The village streets were strewn with corpses and red with blood when Iola and Ajax came out of their home. Iola told Miranda to close her eyes and keep her head down. She had her face buried in Ajaxâs neck. She was only five years old, only a little bit older than Iola when the Sons of Ares had taken her. She didnât need to see these things.
âNo matter what happens, you keep running.â Iola said to Ajax.
âButââ
âPromise me. Miranda is your priority. Not me.â
âIâŚI promise.â
They began to run, heading towards the fishing docks. They wouldnât try to get onto the larger boat that had been built for this very situation. Theyâd take Ajaxâs fishing boat. Ajax could navigate the waters, take them to safety. They werenât going to leave Mirandaâs fate in somebody elseâs hands.
They made it to the docks. Ajax jumped into the boat, Miranda still in his arms.
Just as Iola was about to get into the boat, she felt a hand on her shoulder, pulling her back.
âGo!â Iola yelled.
âButââ
âNow!â
She smelled crushed sage and incense, masked under layer upon layer of blood. She knew who grabbed her before they spun her around.
There she was, face to face with The Goddess of Blood. Her face was twisted into a mask of cruelty, her white, flowing dress stained with blood, clumps of flesh and gore clinging to her hair.
Iola froze. She wanted to ask her why she was doing this. She wanted to ask her what happened to her, why sheâd killed her uncle and all of those villagers. She wanted to beg her to stop. But her voice was stuck in her throat. She didnât want to be afraid. She shouldnât have been afraid of her own mother.
The Goddess of Blood seemed frozen too. She reached out, stroking her thumb along Iolaâs jawline, her eyes boring deep into her.
âPathetic human.â She murmured.
Iola found her voice. âWaitââ
Things would have played out differently if her mother had found Iola earlier in the night. She would have fed on her, and she would have recognized her own blood, realized how it tasted just like her brotherâs. She would have stopped then. She would have ordered her soldier and her prince to retreat. She would have held Iola in her arms. She would have spent eternity atoning for what sheâd spent the last twenty years doing.
But it was late in the evening. Her mother had gorged herself on innocent blood, and sheâd had enough. She was just killing now, trying to make the humans that occupied this small village feel the pain that sheâd had to live with.
It was over before it even began. Her mother swiftly broke her neck, nearly tearing Iolaâs head clean off. Iola barely knew what was happening before it was over. She didnât hear Miranda scream, the sound traveling across the water because at that point, Ajax was a hundred feet from the dock.
It was a quick death. A motherâs final act of unintentional kindness.
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The interesting thing though is the Empress' deliberate choice to not make Valax look like the rest of the Ashen. Like you'd expect that it'd be easier in every way if she looked like any other Ashen, and designing a whole new way for her to look is a lot of work, but she went through the trouble
I wonder what that's about. Apparently it's not so she can be easily identifiable by the rest of the Ashen, since the Ironbreach people didn't recognize her. Is it to set her apart, to make them fear her? Or is it to set her apart in her own mind? To remind her that she's not real, not a person, doesn't have needs or feelings, doesn't matter as much, exists only for a purpose and not herself? Did the Empress always fear that Valax would eventually grow to be her own person, and so made sure that she'd always be an outsider, so her condition as made would precede any interaction, be marked on her body? So she couldn't look at herself in the mirror and not remember? So she would never dare confuse herself with a real Ashen?
I am so fascinated by everything about her creation and existence, how she manages to be so real despite it all
Personally, I think the Empress most likely created Valax in her own image, especially since sheâs â[her] motherâs will made fleshâ. And if the theory about the Ash Empress actually being Nifara or The Mother of Grey is correct, then that makes even more sense to me because of what we know about the âold godsâ and how they created the elves. Valax does have some similarities to the elves after all
what do you MEAN valex wasnât born but created, forged as a weapon to carry out her creatorâs will, with no focus or purpose beyond the progression of the ash empire?! what do you MEAN finding you and harvesting your blood is her only purpose? what do you MEAN she has never experienced affection or intimacy from someone else, just fear and compliance?! WHAT DO YOU MEAN?!
the framing of this shot from saw x made it dawn on me that amanda and john's story almost perfectly mirrors joan of arc's and the king of france's in that she proved to him that she had a mission from some kind of divine power keeping her alive, cut her hair, and was left by him to die at the hands of somebody else when he decided her work was done. she was his best general and he left her to die. everything down to the stained glass it's joan and the king of france.
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i'm about to sound like a john apologist but i need you all to look past that first impression and consider this post as written by a john understander. it sort of ties into what i said here, also.
the reason amanda was tested again in saw iii wasn't because john lacked love for her, it was precisely because he loved her beyond "rational" bounds. she was tested because she was loved. that's all there is to it. this absolutely isn't normal in any circumstances other than theirs and if someone irl is putting you in saw traps they probably Don't love you btw. but with john being the way he is... or was, rather, it must be the other way around. think about this: no one has ever gotten more than one (non-rigged) test; no one has ever enjoyed the privilege of quite so many second chances. no one has ever had john praying they'd pass/succeed.
john relentlessly testing her was the equivalent of your bff taking her gross bf back even after the 7th time he's cheated just bc he promised it'd be different this time, and you're rolling your eyes bc you know better, but she's in love and deluded. not that john was. in love. sorry. you get my meaning. he was so desperate to balance his fucked up little belief system with the genuine care he felt for amanda. he was continually at a crossroads, struggling not to stray away from the jigsaw ideology (bc if he did, he'd have nothing at all except blood on his hands up to the wrists and some tough pills to swallow) and trying even harder to find a loophole that'd allow him to keep amanda around despite the fact that the aforementioned ideology very clearly would not permit her a place in this world.
(john is its god and its disciple and the disciple pleading with the god and the god denying that plea.) picture a heartbroken owner trying every avenue just to avoid putting down their dog with bite history.
and amanda did deserve better is the thing. she did deserve better than to be loved by a fucking serial killer, because no one else could, and she did deserve better than being inadvertently killed by the very same serial killer, she deserved so much better in every sense! but the fact remains that better has never been in the cards for her; she got the most bottom-of-the-barrel love there is, she got the most worthless, useless, dangerous, thankless love there is. but it is love. was love. do you get me
just came in and dropped that bomb ass bb fanfiction king shit???? your writing and understanding of their fucked up relationship is delicious, 12/10. stick around for a while :)
Summary: A mysterious stranger changes the course of a nomarch's life forever.
Word Count: 3,536
Rating: Mature
Pairing: Gaius Augustine x Kamilah Sayeed
Content Notes: Canon typical violence.
Read it on AO3
It was as though he wanted it to hurt, wanted her to earn whatever it was he claimed he was going to give her.
Kamilah feared Gaius when she first met him, hated the arrogant glimmer in his eyes, wanted nothing more than to plunge a dagger deep into his chest. She had plunged a dagger deep into his chest, relishing in the way the crimson liquid spilled at his feet, into the sand, onto her dress, staining it.Â
Pity it hadnât been enough. It didnât stop him from grabbing her by the wrists, sharp, elongated teeth tearing into her neck. She hadnât remembered screamingâthough she was certain she had. But it didnât matter. His hand clasped over her mouth, and he drank. It was pain unlike anything sheâd ever experienced before, hot knives sinking into tender flesh. It didnât subside. It was as though he wanted it to hurt, wanted her to earn whatever it was he claimed he was going to give her.Â
I donât want it, she wanted to yell. There is nothing you could give me that will help me reach what I truly want.
What she truly wanted was for her brother to come back. Deep in her bones, with every Roman army she took down, every fleet she attacked, that was what she was working towards. She cognitively understood that was impossible, illogical, so she was willing to try to settle for thousands of dead Romans at her feet. She meant it when she said she would not stop until she no longer drew breath; most likely, Marc Antony would whisper into her cousinâs ear to have her executed as a traitor in order to stop her. If he hadnât come along, that was how it was going to end.Â
Sheâd been told the story of Helen of Troy a few times when she was a child. She didnât care for it, but as she began to lose consciousness, either from the pain or the blood loss, as she heard the sound of soldierâs feet thundering against the sand,  she thought of it again. How many ships would they launch to avenge her? How many ships would he launch if she tried to escape from his grasp?
//
Gaius brought Kamilah a gift when she woke up. He presented it to her after the worst of the shock had worn off, when she was no longer focused on the tangy, sweet, metallic taste lingering in the back of her throat, the newfound length of her canines, the hunger boiling inside of her.Â
She was too weak to fight him when he helped her out of the hole heâd dug for her in the desert sand, too weak to struggle against his grasp as he carried her back to her tent and set her on her feet. And worst of all, she was too hungry to react when she saw the Roman soldier chained to the chair, his mouth gagged, hatred and fury in his eyes, struggling against his bonds.
âAs I promised,â Gaius said. âA gift for you.â
âOne of your own men?â
âOctavian wonât miss him.â Gaius said. âAnd who am I to deny you such a simple pleasure?âÂ
He didnât have to tell her what she needed to do, what the soldier was for. She already understood, from the way the hunger turned into an ache, a demand, the way she felt her canines elongate again. She was upon the soldier before she even understood what she was doing, her fangs ripping into his throat. He must have screamed, but she didn't hear it. The taste of his blood in her mouth was better than the sweetest fruits, the finest wines. Nothing could compare to it.Â
But then, when the soldier slumped forward in the chair, dead and depleted, reality hit her. Sheâd killed plenty of roman soldiers, but never in such a grotesque way. Sheâd never enjoyed it the way she enjoyed this. She was scared, not because of what she had done, but because what she knew she was going to do: she would kill like this again. She would enjoy it immensely. And may the gods help whoever tried to stop her.
Kamilah tackled Gaius, hands wrapped around his throat, squeezing as hard as she could. âWhat did you do to me?â She demanded. She was startled by how desperate and ragged and scared her voice sounded. âWhat did you do to me?!âÂ
She wished she could kill him. She tried to, squeezing down on his windpipe, hoping brute force would finally get the job done. Despite the sound of bones breaking, despite the fact that she was choking him harder than sheâd ever choked anybody in her life, it didnât matter. Because all he did was laugh.Â
âI made you better. Stronger.â
âYou made me into a demon. Like you!âÂ
His eyes glowed a deep, bloody red. âI made you into a god.â He grabbed her by the shoulders, easily pushing her off of him. He got back onto his feet, cracking his neck back into place.Â
âA god of blood.âÂ
âLook me in the eye and tell me you didnât enjoy draining the life out of that soldier.â Gaius said. He looked down at her, knowing full well she couldnât. When she didnât answer, he smiled.  âYouâre scared. Angry. Confused. I understand.â
He knelt down in front of her. âBut I chose you for a reason. I need someone like you.â He ran his thumb along her jaw. She jerked away from him.Â
âDonât touch me.âÂ
âApologies, my queen.â
âAnd donât call me that.âÂ
Gaius laughed. âI like you already.âÂ
//
Centuries later, when people asked her about it, Kamilah framed it as a sort of amusing story. The story of two perfectly matched people who had no idea what theyâd come across yet. Centuries after that, long after Gaius was gone, sheâd be at a business dinner or something of the sort attended by humans where there was always at least one happily married couple. Inevitably, the story of how the two of them got together would come up. It always made her heart thaw and ache, not because she was particularly prone to get emotional over that sort of thing, but because of how much it reminded her of the way she used to talk about him, which deeply alarmed her.Â
The story of their love began with a deal. Kamilah didnât want to be anywhere near Gaius. She wanted to run as far away as she could. Sheâd take her chances out in the desert. No, sheâd feast upon the Romans, making her way all the way to their capitol, making the streets run red with blood. Gaius had other plans for her, of course.
She tried to point out the obvious to get him to let her go: she was a nomarch. Her men were all dead. People would go looking for her. Not to mention, she had no desire to go anywhere with Gaius. So, what do you intend to do? She demanded. Force me by your side until you break me?
âYou reject what I have to offer before you youâve experienced it.â Gaius replied.Â
âI donât want what you have to offer.âÂ
âYou donât want power? You donât want to be respected?â
âI am respected.âÂ
âYouâd be a vizier if not for your sex.â Gaius said. âEgypt still wouldnât have been able to defeat the Romans under your counsel, but you wouldnât be part of such a humiliating loss.â
âHow dare you.â
âYou donât hold a deep love for your nation. You seek vengeance.â Gaius continued. âAnd I can give that to you.âÂ
âNot when you fight for the Romans, you canât.âÂ
Gaius shook his head. âI donât fight in human conflicts because I believe in their causes. I fight for my security. And as it stands, the Roman empire has offered me comforts that the Egyptians refused. But Iâve no true loyalty to their soldiers.â
Gaius let out a breath, moving away from Kamilah. âI know how it feels to lose somebody who means the world to you. Somebody who you canât live without. And I take it that is whatâs happened to you.âÂ
âYou donât know the first thing about me.âÂ
âSorrow sings in your blood.â Gaius replied. âYou seek to destroy those who destroyed whoever you lost.â He turned back to Kamilah. âI will give you what you want if you will give me what I want.â
âAnd what is it that you want?âÂ
âAs Iâve said. A queen. Somebody by my side. Somebody who can fight alongside me. Somebody who can help me enact my vision of the world.â
âIâve no interest in sharing a bed with you.â
âI never said that.â Gaius said. âBut Iâm not finished. I can give you what you want if you stand beside me. We can look for whoever took the person you love. You can do whatever it is you wish with him.â
âYouâre trying to trick me.âÂ
âAnd what makes you so sure of that?â
âItâs an empty promise.â Kamilah said. âItâs a promise of searching, not of finding.â
âI donât intend to trick you.âÂ
âAnd why should I believe that?â Kamilah said.
âYou donât have a choice.â
âI always do.âÂ
âThen what will satisfy you?â
âA month.â Kamilah said, surprised by her certainty. âI will be by your side for a month. You will find me the man who killed my brother. If you canât, I will leave, and you wonât stop me.â
âAnd if I do?âÂ
Kamilah let out a breath. âThen I will be your queen.âÂ
âThen you have a deal.â
//
It only took two weeks to find the man who killed Lysimachus. Perhaps Gaius was motivated to prove a point. Perhaps he only made the initial proposal because he knew it was a promise he could easily deliver.Â
Lysimachus had been a general, which meant that his death was news amongst the Romans. It was a victory that a cunning and strategic man had been disposed of. The man that killed him boasted about it, which meant that he had a name, a face, a location. They expected heâd be in Alexandria, which would have complicated things, but no, he was stationed in an outpost several miles outside of the city, among a fleet of men holding off on as many Egyptian soldiers as they could.Â
They dragged him out of his bed, deeper into the desert. He fought the entire way there, screaming and begging, tears running down his face, all whyareyoudoingthisimaninnocentmanimjustoneofoctavianssoldiersletmego.
Kamilah didnât dignify it with a response. She always thought if she ever had the chance to kill the man who killed Lysimachus, she would tell him about the person whose life he snuffed out, how she grieved, how everything sheâd done since then was building up to this moment.Â
But this man no longer seemed like a being who changed her life. He was pathetic, ordinary. His entire life had been building up to this moment, the moment that she would kill him, and he was too stupid to realize it.Â
She tore into his neck, blood splattering, making no attempt to preserve his life for any longer than necessary. She drank eagerly, hungrily as he thrashed against her. She bit harder into his flesh, tearing out his throat with her teeth, not caring that he would bleed out in less than a minute because of what sheâd done. She didnât want to give him a quick death, but sheâd given him a painful death. And that was enough.Â
When she was finished, she looked over at Gaius, who sat atop a dune, a smile on his face. Kamilah noticed that he smiled a lot in the last two weeks, but there were seemingly infinite reasons as to why he smiled. Sometimes, it was out of arrogance, of knowing heâd bested someone. Other times, it was out of thinly veiled annoyance. Other times, it was out of amusement.Â
But this was out of pride. Proud of the creature heâd created. Proud of  being right about Kamilah. Proud of what theyâd pulled off in two weeks.
Proud that heâd won.Â
//
For the first three decades they shared together, they were partners, not lovers. He was her king, she was his queen, but what that really meant was that she was his second in command. His other progenies turned to her authority in Gaiusâs absence. His other progenies bowed to both of them.Â
They grew close. Of course they did. As time passed, she began to develop a fondness for Gaius she hadnât expected. He was quick witted and sharp-tongued, charming when he needed to be.Â
It was odd, the things he did that she found endearing. The way heâd always let her make the first kill, the way he began to select people to feed on based on what he discerned to be her taste, the way he was almost loving towards his victims, the way he told stories of battle, the way it changed depending on who he was talking to. He was braggadocios with most of his progeny. With her, he was detailed, once he figured out that she was more interested in strategy than glory.Â
In the beginning, he was vague about his past, about who he was before he became what he was. But slowly, he began to reveal more and more about himself. Gaius told her the story of the one before him, the Goddess and Mother of All Vampires, Rheya. Sheâd been taken from him just as Lysimachus had been taken from Kamilah. He never wanted to discuss how it happened. He preferred to focus on her life, on who she was.Â
âShe was a force of nature.â Gaius told her once. âNot unlike you.âÂ
âIs that why you chose me? Because I remind you of her?â
âIn a way.â Gaius said. âBut itâs different. I stand beside you. I bowed before her.â
She knew it was something she couldnât possibly understand, and she didnât try to. From the way he described Rheya, she wasnât his goddess the way Kamilah was his queen. Rheya was quite literally a goddess. Kamilah was never going to compete with that, and there was no reason to try. Though, part of her wondered why that had been her instinct, why the more he spoke of Rheya, the more she felt twinges of jealousy rearing their head.Â
She wasnât expecting the fondness she had for him to grow into something else entirely. It crept up on her in the right at the very end of their first thirty years together.Â
They were back in the Roman empire. What began as a brief stint in Pompeii that ended in a hundred people dead and countless others whispering stories about demons cloaked in beauty who only came out at night festered into owing Tiberius several favors, which included assisting him in his conquest of Bohemia.Â
Thirty years ago, Kamilah would have refused. She would have run, deal with Gaius be damned. But things had changed. She viewed human conflicts similarly to Gaius now; it wasn't about what was right. It was about what would guarantee their survival. An allegiance with the Roman Empire meant they could do whatever they pleased on most of the continent.Â
Besides, Kamilah missed it. She was a skilled tactician as a human. With Gaiusâs charisma and strength and her strategy, Bohemia would be Tiberiusâs in no time.Â
In the beginning, it was victory after victory. This was where she truly learned how to fight. Gaius gifted her with a set of daggers and taught her how to use them. They fought back to back on the battlefield, covered in the blood of their enemies. She often found herself taken with his visage in the moonlight, the glimmer in his eyes as he played with his prey. There was a strange part of her that almost wished heâd look at her like thatâ
It was a distraction, and she began to consciously pay as little attention to Gaius as possible when they fought alongside each other, save for the occasional glance in his direction to make sure he didnât need backup. He never did. It was an excuse, really.  Kamilah knew that.Â
Their only drawback was a group of Bohemians that kept slipping out of Gaius and Kamilahâs grasp. Their strategy was similar to that of Kamilahâs when she fought the Romans thirty years before. When they struck Roman fleets, they took no prisoners. They attacked supply drops, taking whatever they could for themselves. They moved constantly. They had an advantage that Kamilah didnât all of those years ago: they were used to being outside, used to the elements. Unlike the Roman soldiers, they could endure the worst of natureâs ills, which was just as well, because it was the middle of winter.Â
But she would destroy them, if only to prove that even they couldnât best the roman empire.Â
The idea came to Kamilah after sheâd attempted to Turn a Roman soldier who was a particularly skilled fighter, an asset to their conquest. Heâd been run through with a spear and was already dead by the time Kamilah found him. The Turning didnât take. She had to stake him as soon as he emerged from the ground, his skin grey and cracked, his teeth long and jagged, his eyes glowing a sickly red.Â
Gaius told her it happened sometimes. It wasnât her fault.Â
âBut what happened to him?âÂ
âTurning a dead person is risky.â Gaius said. âWait too long, theyâll emerge broken and hungry, shells of what they once were. All theyâll want to do is drink bloodâany blood. Vampire or human.â
âBut you couldâŚâ Kamilah trailed off. âYou could do it intentionally. Couldnât you?â
âWhat are you getting at?âÂ
âThat one fleetâŚtheyâre tricky, slippery. Weâve spent weeks trying to get rid of them. But maybe weâve been going about it all wrong.â
âHave we?â
âTheyâre trying to tire us out. Donât you think? But if weâŚâÂ
âA surprise attack is a redundant suggestion, my queen.â
Kamilah rolled her eyes. âNot quite. We have to keep them in one place. Contained. Which means we need to create the illusion that weâve given up. Theyâre going to overpower the other soldiers if we strike. But if weâŚif we made more of those things, set them lose on wherever theyâve settledâŚâÂ
âWeâll get rid of them.â Gaius finished.Â
âAnd sunlight will take care of the rest.âÂ
He took her hand.Â
âI love the way you think. Have I ever told you that, my queen?â
Kamilah smirked. âPlenty of times, my king.â
âThen I apologize for the redundancy. But I love the way you think.âÂ
The Romans didnât ask questions when Gaius gave the order to gather as many of their dead as possible after a battle in which theyâd nearly been overpowered. They hauled the bodies around in a caravan for a week, all the while trying to lull their target into a false sense of security. Kamilah and Gaius tracked them down to a village deep into Bohemia, far from where the Bohemians and the Romans waged most of their battles.
âItâs perfect.â Gaius said. âWeâll strike tomorrow night.â
And so, they returned to the bodies they gathered, doing the disgusting work of Turning fifty dead men. They buried them in the woods by the village in the cover of darkness. They waited, exhuming them and getting out of their way, watching as these feral vampires headed straight in the direction of fresh, human blood.Â
It was a beautiful sight to behold, the chaos of it all. They sat atop a hill, Kamilahâs head resting against Gaiusâs shoulder, watching as the ferals tore the village apart, watching as a fire broke out in the chaos, watching as not a single human was left away, watching as Romeâs victory over Bohemia was secured right before their very eyes.Â
Gaius took Kamilahâs hand. âI never had any doubts about you.â He said. âBut now, Iâm certain. We were always meant to cross paths. I was always supposed to find you.âÂ
Kamilah rolled her eyes, mostly out of habit. âAre you going to tell me we were written in the stars?âÂ
âYou mock me, but you know Iâm right.â He gestured at the burning village below him. âYouâre cunning in a way that I am not. We need each other. Or rather, I need you.â He laughed. âAt this point, Iâd be concerned if you switched allegiances. You might actually be able to beat me at my own game.âÂ
âYou neednât concern yourself with that.â Kamilah said.Â
âI shouldnât?â
âI find myself growing more and more devoted to you with each breath I draw.âÂ
âDo you, now?â
Before she could stop herself, she closed off the space between them, pressing her lips against his. He responded in kind, pulling her closer. He smiled against her mouth.
âDo you have any idea how long Iâve been waiting for you to do that?â He murmured.
âI think I can guess.âÂ
As the village below them burned, they were wrapped up in their own world, enveloped in one another. And just as much as he was hers, Kamilah realized, she was his.