some people on the internet have only been on here for five minutes
i will never get over this one i’m afraid

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@dammit-jimm
some people on the internet have only been on here for five minutes
i will never get over this one i’m afraid

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Star Trek (2009) directed by J.J. Abrahms
VOY | Equinox pt. 1/2
Star Trek: Deep Space Nine I 4.07 Starship Down
We've been trying for hours. We need a break.

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#raise your shields #because you’re about to get wrecked
#this is the star trek i wanna see#like when somebody asked gene roddenberry why piccard was bald#because wouldn’t they have found a cure for male pattern baldness by then?#and he was like ‘no by the 24th century no one will care’#i wanna see that attitude with disability and neurodiversity#it’s not that we’ll have a magic cure for everything#there’ll always be something new#but disabilities and neurodiversity will be celebrated and seen as part of the norm#it will be accomodated#so blind people can serve in star fleet#and so can people in wheelchairs and autistic people and people with prosthetics and people with chronic illnesses (via @hunterinabrowncoat)
See, I actually really like the take that alien characters on Deep Space Nine (and also Discovery's first season) have that the Federation are basically like a sort of insidious, outwardly friendly, slow-motion version of the Borg Collective. I absolutely agree that it makes sense for certain outsiders to perceive them that way. But I also think that it's clearly not actually true; Earth is still Earth; Vulcan is still Vulcan; I assume that the other Federation world's would still be recognizably themselves if we had actually enough before-and-after data to compare them. You don't lose your culture just because it's only one of many.
I submit further than Michael Eddington, in particular, is just completely full of shit.
Oh man, can we talk about Mike Eddington and his extreme assholery for a bit?
So the Maquis are sort of selfish, belligerent assholes to begin with. Their entire deal is "we expected the Federation to prosecute a war with Cardassia to complete victory no matter the cost; FUCK your peace treaty and FUCK your border clarification. We're going to deliberately attempt to reignite hostilities in order to get our stolen land back."
It's not a very sympathetic movement except in one respect; "we don't want to live under the fascist boot of the Cardassian Union" is an understandable motivation, something you can easily see men killing, and dying, for. You understand why they're doing what they're doing and to an extent you can root for them a little bit, because who the hell likes the Cardassians?
But then you get Eddington, and with Eddington you get a portrait of a man who hasn't found a reason; he's found an excuse.
Because Eddington is himself a product of the decadence he claims to decry.
Eddington needs the validation of being a righteous, hunted fugitive, persecuted for his ideology by the corrupt, decadent Federation. Because Eddington is dissatisfied with peace, with plenty, with the basic functioning of the Federation as the utopian future it is presented as. The slow boring of hard diplomatic boards seems feckless and weak to him, what people without a strong moral compass do. Eddington wants the galaxy to be on fire so he can hurl himself into that conflagration with reckless abandon, proving he's right.
This is only a mindset that can grow up among people who have never known the turmoil of actually unsettled times, the sort of man who thinks "hard times make strong men, strong men make good times, good times make weak men, weak men make hard times" is a trenchant political insight. Of someone who wishes they had been born to fight in WWII or Vietnam because they haven't had a chance to "prove" themselves like the generations that fought those wars did.
I absolutely guarantee you that "core" Maquis, people who didn't defect after a long Starfleet career but the actual colonists who are having to deal with Cardassia, do not have well-developed dorm-room bullshit philosophy about how the Federation is a weak, decadent state that has lost its way because of replicators, and isn't it so much better and nobler and purer to eat food you've grown yourself instead of re-sequenced protein molecules. Those guys are going to be concentrating on things like getting weapons to blow up Cardassians with. They are going to regard the position that the food they're scavenging is somehow better than replicated food as weird; they would love to have some replicators.
Eddington also gives off a strong whiff of not liking Starfleet because its overly cosmopolitan. It's the part of the Federation where all its different member species have to come together and get along, and so their unique differences do end up sort of sandblasted off at the edges in order for there to be a common Starfleet culture.
Eddington looks at this and sees cultural genocide, I think.
You know what? I honestly think it's a lot simpler than even this. I agree that all this dorm-room edgelord-ism is how Eddington presents himself, but I don't think that's the real reason he betrays Starfleet to join the Maquis and then makes his entire identity a series of long speeches about why the Federation sucks and is honestly just like the Borg. I think all that stuff is downstream of something very simple: they stopped promoting him.
Eddington's career was stalled out at mid-rank. He was never going to get a command, never going to be put in charge of anything too special or exciting. Even on DS9 he's playing second fiddle to Odo, for all that they're nominally on the same level. His future options were to retire and do something else, or accept that he's going to spend the rest of his life being the guy who puts other people's plans into effect. Some Starfleet officers take incredible pride in being those guys - that's the essence of O'Brien, for example. For Eddington it's a burning insult, and I truly believe that all his criticism of the Federation only came into existence once he started looking for a reason why they, not he, are the ones who suck.
(The really dark part, of course, is that if Eddington had just hung around in Starfleet a little longer, he would have gotten his war. And then maybe the people who had previously looked at his promotion application and concluded that his rancid personality stew had reached the absolute limit of where it could be contained by senior officers would be making a different calculation. He might have gotten a command after all, though what he would have done with it is anyone's guess.)
earthside assistance
Star Trek is crazy you’ll look away for two seconds and then Kirk is suddenly shirtless in a harness and a shock collar
Fill yer boots, pals.
Make your own era-accurate Star Trek episode title cards in seconds. Boldly go!

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Being critical of your interests is sooooo fun when you have the critic gene & then you sound kind of insane to the average tv watcher when you're like "this is my favorite show, It's Racist" & then you try to clarify what you mean & get that [Speech (legendary) - FAILURE] "the racism is really interesting though"
[Speech (legendary) - SUCCESS] I find the sociopolitical context of pulpy old sci-fi born circa the civil rights movement really fascinating to analyze especially when it was progressive for its time but still reveals the writers' unexamined biases in the subtext
Them: So you're saying its bad and I shouldn't watch it?
Me: I mean depends on your tolerance for this type of racism, but like I said it's my favourite show, it def has some great parts if you're up for it.
Them: Oh so it's not racist.
Me: It absolutely is.
Them: So you're saying racism is ok??
Me: No.
No! I don't want contemporary masculine insecurity and toxicity, I want period accurate masculinity and insecurity. I like the story for it's horrible horrible politics from a different time!
quarterly reminder that if i reblog something ai-generated it is 110% and always an accident and for the love of god please tell me so i can delete it from my blog
Well, this should help.
data: i have no emotions
data, later: hello, geordi. i have created a portrait of us as terran cats. this artistic technique is known as pointillism. it became popular during the late nineteenth century. i selected an american bobtail to represent you, and an oriental shorthair to represent myself. after researching feline behavioral characteristics and common humanoid-to-animal artistic associations, i concluded these were the most statistically appropriate choices. of course, it is not possible to determine which cat breeds we would actually resemble unless we experienced a transporter malfunction or a similar form of energy fluctuation leading to an unexpected physical transformation. i also adjusted the composition to accommodate your VISOR’s perceptual processing. you have previously informed me that faint details tend to blend into surrounding imagery. because of this, i used a high level of contrast to better define the silhouettes. the cats' whiskers and ocular details were rendered in pure white to improve clarity. i additionally incorporated bright violets, cyans, and saturated blues to the main color palette of the piece, as these wavelengths appeared more distinguishable within your visual spectrum. what do you think, geordi?

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No matter what the future holds, no matter how far we travel, a part of us, a very important part, will always remain here...on Deep Space Nine. - Star Trek: Deep Space Nine (1993 - 1999)
Leonard Nimoy and William Shatner - Star Trek (1966)