MUSTRUM RIDCULLY FAT NATURALS

Misplaced Lens Cap
"I'm Dorothy Gale from Kansas"

shark vs the universe
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❣ Chile in a Photography ❣

#extradirty

titsay

tannertan36

roma★
Mike Driver
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Andulka
Sweet Seals For You, Always

Origami Around
macklin celebrini has autism
Cosmic Funnies
One Nice Bug Per Day
art blog(derogatory)

Kiana Khansmith
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@onetobeamup
MUSTRUM RIDCULLY FAT NATURALS

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the locked tomb is simply a story about everyone fighting over who gets to be the dead wife
imagine you’re leia organa and you spent the last three years denying your very obvious feelings for han solo and sticking to it even when said han solo straight up calls you out on it and then it looks like he’s almost certainly going to die and you realise this is the last chance you’re ever going to have to tell him how you feel and you waited so long and for what FOR WHAT you should’ve told him every single day. and then. And Then. han solo tells you you don’t need to regret it because he already knew. nobody on letterboxd understands that i know is about RELIEF!!!!!!!
ANJANA VASAN as Mary Aldin ⟶ Towards Zero, Episode 2 (2025)
TOWARDS ZERO trailer Based on the novel by Agatha Christie
Coming March 2 2025 on BBC One and BBC iPlayer!
Source: BBC clip

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Morfydd Clark as Bridget Conway David Jonsson as Luke Fitzwilliam
MURDER IS EASY (2023)
Fauns bathing Mermaids by Omar Rayyan.
Every so often I'm struck again by what an incredible job Whoopi Goldberg does playing Guinan. She was 33 when she first played her yet I have never once doubted that Guinan is a mysterious alien who is hundreds of years old. The effect even holds in screengrabs. How does someone manage to do that with their face.
CHARLES GESMAR Mitty et Tillio, 1920s

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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having a hometown is such a fucked up concept. i grew up here so i do not want to stay here anymore. i miss it when i am away but once i am back i realise why i wanted to go away as far as possible from it. i am familiar with every corner of this place i did not realise when it slowly changed into something unrecognisable. i would probably like to be buried here but i'd rather die than live here
Star Wars would be SO good if it was good
There really is the potential for something brilliant in the prequels.
We are told that knights were chivalrous slayers of dragons and rescuers of princesses. In reality they were groomed from birth to be shock troops. We are told that samurai were paragons of honor and duty when they were really mercenaries happy to change allegiances. We are told in the original trilogy that the Jedi were honorable mystic warriors and then in the prequels we see them use their mystical Jedi mind powers to try and save a couple bucks.
There's a seed of historical resonance to the Jedi: a message about the whitewashing of historical legacies, the way ideological and mystical movements are co-opted and corrupted by the state, the heroic tales of swords and sorcery meeting the daily humdrum of trade disputes and blockades, the kind of frankly clever and highbrow theme that you very rarely see in big-budget cinema. Unfortunately, the caretaker of that seed was George Lucas.
in the Egyptian wing of the museum and my boyfriend is like "what are all the time periods of ancient Egypt" and I'm like predynastic, early dynastic, old kingdom which is when the pyramids were built, first intermediate, middle kingdom, second intermediate, new kingdom which includes amarna period and yugioh, third intermediate, and then all the late period stuff and macedonian and roman eras. and he's like run that by me one more time
Star Trek TNG (with DS9 sprinkles) incorrect text posts part 8

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Im glad they made up romance for stories and music but can you imagine how scary it would be to deal with all that for real
this is a certified AROMANTIC POST!!!!!!!!!!! NO yearning on my shit..... GO ON . GET
official aromantic post
It was so very clear for the first time, all of it...It was a village square in a green with trees and an old white-washed Spanish church with a cloister. Across the green, there was a big gray wooden house with a porch and shutters and a balcony above, a small garden, and next to it a livery stable with old carriages lined up inside...At the end of the green, there was a white-washed stone house with a lovely pepper tree at the corner.
— VERTIGO (1958), dir. Alfred Hitchcock