head of the bus seat fan club

By Langston Hughes

Let America be America again.

Let it be the dream it used to be.

Let it be the pioneer on the plain

Seeking a home where he himself is free.

(America never was America to me.)

Let America be the dream the dreamers dreamed—

Let it be that great strong land of love

Where never kings connive nor tyrants scheme

That any man be crushed by one above.

(It never was America to me.)

O, let my land be a land where Liberty

Is crowned with no false patriotic wreath,

But opportunity is real, and life is free,

Equality is in the air we breathe.

(There’s never been equality for me,

Nor freedom in this “homeland of the free.”)

Say, who are you that mumbles in the dark?

And who are you that draws your veil across the stars?

I am the poor white, fooled and pushed apart,

I am the Negro bearing slavery’s scars.

I am the red man driven from the land,

I am the immigrant clutching the hope I seek—

And finding only the same old stupid plan

Of dog eat dog, of mighty crush the weak.

I am the young man, full of strength and hope,

Tangled in that ancient endless chain

Of profit, power, gain, of grab the land!

Of grab the gold! Of grab the ways of satisfying need!

Of work the men! Of take the pay!

Of owning everything for one’s own greed!

I am the farmer, bondsman to the soil.

I am the worker sold to the machine.

I am the Negro, servant to you all.

I am the people, humble, hungry, mean—

Hungry yet today despite the dream.

Beaten yet today—O, Pioneers!

I am the man who never got ahead,

The poorest worker bartered through the years.

Yet I’m the one who dreamt our basic dream

In the Old World while still a serf of kings,

Who dreamt a dream so strong, so brave, so true,

That even yet its mighty daring sings

In every brick and stone, in every furrow turned

That’s made America the land it has become.

O, I’m the man who sailed those early seas

In search of what I meant to be my home—

For I’m the one who left dark Ireland’s shore,

And Poland’s plain, and England’s grassy lea,

And torn from Black Africa’s strand I came

To build a “homeland of the free.”

The free?

Who said the free? Not me?

Surely not me? The millions on relief today?

The millions shot down when we strike?

The millions who have nothing for our pay?

For all the dreams we’ve dreamed

And all the songs we’ve sung

And all the hopes we’ve held

And all the flags we’ve hung,

The millions who have nothing for our pay—

Except the dream that’s almost dead today.

O, let America be America again—

The land that never has been yet—

And yet must be—the land where every man is free.

The land that’s mine—the poor man’s, Indian’s, Negro’s, ME—

Who made America,

Whose sweat and blood, whose faith and pain,

Whose hand at the foundry, whose plow in the rain,

Must bring back our mighty dream again.

Sure, call me any ugly name you choose—

The steel of freedom does not stain.

From those who live like leeches on the people’s lives,

We must take back our land again,

America!

O, yes,

I say it plain,

America never was America to me,

And yet I swear this oath—

America will be!

Out of the rack and ruin of our gangster death,

The rape and rot of graft, and stealth, and lies,

We, the people, must redeem

The land, the mines, the plants, the rivers.

The mountains and the endless plain—

All, all the stretch of these great green states—

Source

Slavery is literally happening now. Police never stopped being slave catchers. People are supporting it now just like they supported it then.

The grimy, unpatrolled streets of Laket are a dark and dangerous place. Inspector Levok of the Ministry of Justice is one of the few men standing in the way of total anarchy.

When the industrialist and philanthropist Pravet is found brutally slain in his opulent mansion in a room locked from the inside, it is just one item too many on Levok’s docket. In a city full of drugs, gangs, theft, and mysterious disappearances, the murder stands out because of its victim’s prominence. His civilian supervisor advises him to close it quickly, but the deeper he digs, the less the case makes sense.

The wealth on display in the family's townhome doesn't match the numbers in his account books. His grieving widow is desperate to protect the family's reputation. His eldest son stands to inherit a fortune but from where? His younger daughter harbored a bitter feud against her father, while the man's ambitious brother insists his business is above reproach. The missing nephew is not mentioned at all.

Worse still, Levok's on-again, off-again lover, a streetwalker named Saraol, was with the industrialist the night he died, but despite leaving while he was still alive, Saraol confesses to the murder the moment she's brought in for questioning.

As contradictions mount and powerful interests close ranks, levok finds himself trapped between family secrets, political pressure, and a crime behind a locked door that should be impossible.