damageunknown.

I mean that’s not how Indigenous people view lands.

They’re not big fans of arbitrary borders or even capitalistic notions of success (i.e. GDP). Indigenous people generally do not view land as property or something one should profit from.

When you’ve dedicated your life to words, it’s important to go out eloquently.

Ernest Hemingway: “Goodnight my kitten.” Spoken to his wife before he killed himself.

Jane Austen: “I want nothing but death.” In response to her sister, Cassandra, who was asking her if she wanted anything.

J.M Barrie: “I can’t sleep.”

L. Frank Baum: “Now I can cross the shifting sands.”

Edgar Allan Poe: “Lord help my poor soul.”

Thomas Hobbes: “I am about to take my last voyage, a great leap into the dark,”

Alfred Jarry: “I am dying…please, bring me a toothpick.”

Hunter S. Thompson: “Relax — this won’t hurt.”

Henrik Ibsen: “On the contrary!”

Anton Chekhov: “I haven’t had champagne for a long time.”

Mark Twain: “Good bye. If we meet—” Spoken to his daughter Clara.

Louisa May Alcott: “Is it not meningitis?” Alcott did not have meningitis, though she believed it to be so. She died from mercury poison.

Jean Cocteau: “Since the day of my birth, my death began its walk. It is walking towards me, without hurrying.”

Washington Irving: “I have to set my pillows one more night, when will this end already?”

Leo Tolstoy: “But the peasants…how do the peasants die?”

Hans Christian Andersen: “Don’t ask me how I am! I understand nothing more.”

Charles Dickens: “On the ground!” He suffered a stroke outside his home and was asking to be laid on the ground.

H.G. Wells: “Go away! I’m all right.” He didn’t know he was dying.

Johann Wolfgang von Goethe: “More light.”

W.C. Fields: “Goddamn the whole fucking world and everyone in it except you, Carlotta!” “Carlotta” was Carlotta Monti, actress and his mistress.

Voltaire: “Now, now, my good man, this is no time for making enemies.” When asked by a priest to renounce Satan.

Dylan Thomas: “I’ve had 18 straight whiskies…I think that’s the record.”

George Bernard Shaw: “Dying is easy, comedy is hard.”

Henry David Thoreau: “Moose…Indian.”

James Joyce: “Does nobody understand?”

Oscar Wilde: “Either the wallpaper goes, or I do.” 

Bob Hope: “Surprise me.” He was responding to his wife asking where he wanted to be buried.

Roald Dahl’s last words are commonly believed to be “you know, I’m not frightened. It’s just that I will miss you all so much!” which are the perfect last words. But, after he appeared to fall unconscious, a nurse injected him with morphine to ease his passing. His actual last words were a whispered “ow, fuck”

Salvador Dali hoped his last words would be “I do not believe in my death,” but instead, they were actually, “Where is my clock?”

Afrofuturism: Why black science fiction ‘can’t be ignored’

One study of the top 100 highest-grossing films in the US showed that just eight of those 100 movies had a non-white protagonist, as of 2014.

Six of those eight were Will Smith, according to diversity-focused book publisher Lee and Low Books.

The long-term exclusion of people of colour from science fiction offers up an interesting paradox.

How can a genre that imagines a future of infinite possibilities be seemingly unable to imagine a future where black people exist - or at least have any relevance?

Herein lies the power (and importance) of afrofuturism, and while you may not have heard of the term, there’s a good chance you’ve been introduced to it already.

Afrofuturism is perhaps best summed up by the queen of contemporary afrofuturism herself — Janelle Monae.

Her futuristic music videos and radical aesthetic (she even calls her fans “fAndroids”) are seen by some as a key force for pushing afrofuturism into the mainstream.

“Afrofuturism is me, us… is black people seeing ourselves in the future,” she explains in a 30-second video clip for Spotify.

It’s effective because especially for children, who don’t have enough historical context to understand much of the concept, you can still fully grasp the idea.  

There was nothing wrong with Jack seeing the beauty and differences in Christmas town, it’s when he tried to take what is unique about Christmas town away from those it originally belonged to without understanding the full context of Christmas things is when everything went wrong.

Magie created multiple versions of The Landlord's Game, with the purpose of teaching the economic theories of Henry George. It became popular in universities, both as a leisure activity and a teaching tool. It's assumed Charles Darrow (Monopoly "inventor") learned the game from friends. He made some changes and sold it to Parker Brothers.