On this day in fiction, Dr. Seward was astonished to discover that Jonathan Harker, an English solicitor, was a nerd, instead of a Winchester-toting badass like Quincey Morris.

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@kelseyridge13
On this day in fiction, Dr. Seward was astonished to discover that Jonathan Harker, an English solicitor, was a nerd, instead of a Winchester-toting badass like Quincey Morris.

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I see a lot of posts mocking or complaining about Tedâs Broncoâs speech. Yes, thereâs an inappropriateness to comparing a sportâs team to an immutable characteristic (though considering Colinâs grandma never spoke to him after Cardiff City FCâs relegation maybe not as much as we would otherwise expect). Thereâs still something in the speech that deserves more attention: joy.
Saying âI donât careâ to people about their identity is a) rude and b) means that the person saying it will likely be unable or unwilling to acknowledge that personâs identity-based problems. After all, itâs hard to fix a problem if youâve decided you âdonât seeâ or âcare aboutâ the issue at hand.
Ted Lasso has previously emphasized the importance of community in hard times: âThereâs something worse than being sad â and thatâs being alone and being sad. Ainât nobody in this room alone.â (The show goes out of its way to emphasize that the team mourns Richmondâs defeat in community, while Rupert, whose girlfriend doesnât care about football, is left alone.) Refusing to care that Colin is gay would mean refusing to acknowledge that he is hurt by homophobic fans or a teammate saying âsounds a bit gay, bruvâ in a way that others arenât. Everyone in the audience knows that, and it would be easy for Ted to make sure the team knows it too.
That, though, is not where the show stops. Because the story Ted tells about his friend isnât about someone alone in a hard time. Itâs about someone alone in triumph. This guy is watching his team win back to back Super Bowls. This should be awesome. But itâs not -- or not like it should be -- because heâs alone. Think about how happy we are shown the fans in the pub are when Richmond is going up. Itâs joy for the team but also joy in and with community. Tedâs friend didnât have that, because people at best âdidnât careâ about what he cared about.
Tedâs point is that they care about who Colin is and how his identity affects his experiences. Colin does not have to be alone.
What is the ache Colin has inside? When they win, he wants to be able to âkiss his fella the way the other guys are kissing their girls.â He wants to have equal access to shared joy. Homophobia in football means he canât have that on the pitch or in front of the press. At least with the acknowledgement of the team, he can now have that in the locker room, the team Christmas party, and team dinners at Olaâs. Queer joy is also important.
This is a reminder to us in the audience that when we âdonât careâ about what makes people different, we arenât just leaving them alone in pain, we leave them alone in joy, which diminishes that joy, and that is also wrong. While the speech may be a âfumbleâ in its own way (very on brand for many of the characters), it is an important defense of queer joy.
I get poking fun at Ted for the Broncos speech in âLa Locker Room Aux Folles.â Itâs easy to feel that an inappropriateness to comparing an immutable characteristic to a sporting affiliation. After all, one can choose not to be a Broncos fan, no?
But people take sports and sports rivalries very seriously. Think about what we see characters in Ted Lasso do. Mae twice throws people about of the pub or declines to serve them because âthis is a Richmond pubâ (âBig Weekâ and âWeâll Never Have Parisâ). Fans on Tumblr have praised that behavior in her. Colinâs own grandmother effectively disowned him when Cardiff City FC was relegated (âThe Hope That Kills Youâ).
So maybe, just maybe, itâs not the worst comparison Ted could have reached for.
I feel like Iâm seeing a lot of fans accept as a sign of Jamieâs former self-centeredness that he had to grow out of that in âWeâll Never Have Parisâ he admits that he initially thought Keeley was with Roy to get at back him. But weâve been following the showâs events from the Richmond characterâs point of view. So we know things other characters donât. In season one, that means we know a lot that Jamie doesnât know. Canât know.
In âDiamond Dogs,â Keeley admits she âfucked [Jamie] to get back at [Roy] for something [he] didn't even know [he] did.â As far as we know, thatâs the last time Jamie and Keeley hooked up. But from Jamieâs point of view, that would look pretty much like his ex invited him in for sex and then straight away jumped over to his nemesis. You know, like, maybe, she fucked Roy to get back at Jamie for something Jamie didn't even know he did.
We as the audience, who see her and Roy a lot more than Jamie possibly could, know thatâs not true. But why is Jamie wrong for having to work out from context clues that sheâs treating him differently than we see her treat Roy?
You know what would make a GREAT plot twist? Fidelity.
And yes I mean in the context of romantic relationships, but not only in the context of romantic relationships. Or did AND ROHAN WILL ANSWERÂ mean nothing to you?

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The plot of Henry V
Every Single Character in Much Ado
Who's that girl? Background: Lucifer Text:Â âWhoâs That Girlâ by Hilary Duff
I have identified the new GOP slogan
No, I'm not her Background: Lucifer Text:Â âIâm Not Herâ by Clara Mae

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Let beauty come out of ashes. Background: A Million Little Things Text: âAshesâ by Celine Dion
I wanna kick myself for fallin' so hard Mama, can you die from a broken heart? Background: Much Ado About Nothing dir. Kenneth Branagh Text: âDie From A Broken Heartâ by Maddie and Tae
Pennsylvania:
Donât Forget To Vote
And now you're cleaned up with a hair cut, nice tie and shoes If things were different and I had a choice, which would I choose? Background: Lucifer Text:Â âI Got The Boyâ by Jana Kramer

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True love ain't always easy Background: Lucifer Text:Â âShe Ainât Meâ by Sophia Scott
Show up by surpriseâ¨At the back door. Background: Romeo + Juliet dir. Baz Luhrmannâ¨Text: âBack Doorâ Music & lyrics: Kaitlyn Davis Additional lyrics: Emma Grimsley