"yeah i know it's bad for the environment but like so many things are so i just use it anyway" COOL I'M GONNA BITE THROUGH THIS TABLE
noise dept.
DEAR READER
Mike Driver

oozey mess
Aqua Utopia|海の底で記憶を紡ぐ
NASA

blake kathryn
styofa doing anything
Claire Keane

@theartofmadeline
RMH
Xuebing Du
Jules of Nature
Today's Document
Monterey Bay Aquarium

Janaina Medeiros
hello vonnie
ojovivo
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@couchtaro
"yeah i know it's bad for the environment but like so many things are so i just use it anyway" COOL I'M GONNA BITE THROUGH THIS TABLE

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I don't know I'm not done talking about it. It's insane that I can't just uninstall Edge or Copilot. That websites require my phone number to sign up. That people share their contacts to find their friends on social media.
I wouldn't use an adblocker if ads were just banners on the side funding a website I enjoy using and want to support. Ads pop up invasively and fill my whole screen, I misclick and get warped away to another page just for trying to read an article or get a recipe.
Every app shouldn't be like every other app. Instagram didn't need reels and a shop. TikTok doesn't need a store. Instagram doesn't need to be connected to Facebook. I don't want my apps to do everything, I want a hub for a specific thing, and I'll go to that place accordingly.
I love discord, but so much information gets lost to it. I don't want to join to view things. I want to lurk on forums. I want to be a user who can log in and join a conversation by replying to a thread, even if that conversation was two days ago. I know discord has threads, it's not the same. I don't want to have to verify my account with a phone number. I understand safety and digital concerns, but I'm concerned about information like that with leaks everywhere, even with password managers.
I shouldn't have to pay subscriptions to use services and get locked out of old versions. My old disk copy of photoshop should work. I should want to upgrade eventually because I like photoshop and supporting the business. Adobe is a whole other can of worms here.
Streaming is so splintered across everything. Shows release so fast. Things don't get physical releases. I can't stream a movie I own digitally to friends because the share-screen blocks it, even though I own two digital copies, even though I own a physical copy.
I have an iPod, and I had to install a third party OS to easily put my music on it without having to tangle with iTunes. Spotify bricked hardware I purchased because they were unwillingly to upkeep it. They don't pay their artists. iTunes isn't even iTunes anymore and Apple struggles to upkeep it.
My TV shows me ads on the home screen. My dad lost access to eBook he purchased because they were digital and got revoked by the company distributing them. Hitman 1-3 only runs online most of the time. Flash died and is staying alive because people love it and made efforts to keep it up.
I have to click "not now" and can't click "no". I don't just get emails, they want to text me to purchase things online too. My windows start search bar searches online, not just my computer. Everything is blindly called an app now. Everything wants me to upload to the cloud. These are good tools! But why am I forced to use them! Why am I not allowed to own or control them?
No more!!!!! I love my iPod with so much storage and FLAC files. I love having all my fics on my harddrive. I love having USBs and backups. I love running scripts to gut suck stuff out of my Windows computer I don't want that spies on me. I love having forums. I love sending letters. I love neocities and webpages and webrings. I will not be scanning QR codes. Please hand me a physical menu. If I didn't need a smartphone for work I'd get a "dumb" phone so fast. I want things to have buttons. I want to use a mouse. I want replaceable batteries. I want the right to repair. I grew up online and I won't forget how it was!
glad this post is resonating with the local populace fr
furthest we've ever been
"it's just stress" oh thank god, it's just the silent killer that slowly kills you, perfectly harmless, no need to worry
speaking of characteristics of old-growth forests, the cycles of great old trees living and dying create effects on the landscape that cannot be fully replicated once destroyed.
there are multiple ways for a tree to die, each with their own impacts on the ecosystem. Many trees die standing, becoming starkly bare pillars of standing deadwood with increasingly fewer branches and more sharply whitened surfaces as the bark falls off and the branches break, the smaller branches first and then the larger ones. Standing deadwood is vital for housing lots and lots of bird species and it also has an undeniable sexiness and charisma
Trees broken by wind, snapping off at some point up the trunk, are often hollow in the middle from heart rot fungi. I don't think the fungi actually kill the tree, since the center of the tree (the heartwood) is dead anyways, but they do structurally weaken it.
One of the most dramatic tree deaths is windthrow. This happens to large trees that are solid all the way through and not easily broken by the forces of wind; instead, the roots are wrenched violently out of the ground, creating a bowl-shaped hole in the ground with a huge mound of twisted tree roots standing 5 or 6 feet tall next to it.
The death of a tree by windthrow feels very sad, because the tree seemed to be thriving up until that point, but the effect on the ecosystem is very fascinating. The hole in the ground where the root ball was torn up creates a shaded, sheltered area, sometimes filling with water to become a small pool. The root ball itself, right next to it, becomes a tall pile of soil and decomposing wood.
When walking in the forest, I often notice strange mounds rising from the layer of leaf litter, covered in lush carpets of moss, like bustling moss metropolises rising out of lowlands that only have scattered moss towns. Elevated from the forest floor, the moss-hills do not become covered with leaf litter. In some cases, these distinctive moss-hills are still visibly connected to the fallen trunk of a windthrown tree; in other cases, the tree trunk has almost completely decayed, and only the mound created by the root ball remains.
I read once in an article that the creation of humps and valleys by the windthrown tree roots is characteristic of old growth forests. That is, the forest has existed so long, with trees living majestically and dying violently in it, that the ground is no longer a smooth plane, but humpy and bumpy and pitted and pooled from centuries of trees dying by windthrow.
My observations seem to agree that these windthrown-tree-humps have unique ecology, particularly in terms of their thriving moss colonies that remain even after the tree that originally died has rotted away. They would create a million little variations on light and moisture level, gathering leaf litter in some places and keeping it away from others. Variations create multiplying amounts of biodiversity due to the increased amount of niches to fill.
Not to mention that hills and valleys increase the total surface area of the forest floor, creating more forest per forest.
The humps and valleys are also called pits and mounds or pillows and cradles! For anybody that's interested in a pretty quick primer on the phenomenon, ecologist Tom Wessels talks about it in the first part of this 3-part series on youtube
This also leads to huge variations in forest structure depending on which tree species were present at different times in the life of that forest.
In my area, one of the first tall trees to shoot up after land is disturbed is the water oak (Quercus nigra. They get 50-70ft tall and 3 feet in diameter in about 50 years. They often have very, very shallow root systems. Because of this, they fall over faster than other trees. They are also more prone to disease, and hollow out from the center faster and more often, and are likely to have dead sections on loving trees, providing even more unique habitat.
So some of our forests that are only 50 years old have old-growth-characteristics because of these trees. And then they fall, or otherwise die, leaving room for our true old growth species to rise up. But the pits and mounds of these fallen early-risers are also shaped differently than those of more deeprooted species. They are shallower pools or valleys, and sometimes form a wall that is perpendicular to the forest floor - completely vertical to the ground.
This is just one example, but understanding it, we can see that the predominance of different species in a forest can drastically change its microclimates and topography! Different species rot in different ways, hollow in different ways, and form different shapes on the landscape. If there are lots of different tree species in your area, then the different proportions they grow in, die in, fall in, and the different timings at which they do so, offer an endless aboundment of variety.
This is why no two forests are the same, and no single wild area is ever truly replaceable, or interchangeable. Because each has developed entirely differently, with so many little factors playing in.
Photo id: 4 photos of a 6ft tall woman standing by an uprooted tree. The wall of roots completely is vertical and flat, perpendicular to the ground, and is several feet taller than her.
Hey op standing deadwood has an undeniable what now?
SEXINESS

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Small Fandom Summer 2026!
For the fourth year in a row now, it's time for Small Fandom Summer! Join me for Small Fandom Summer! It's real easy to play:
Make a fanwork for something that has fewer than 1000 English-language works on AO3
Post it to AO3
And then you've done it! You've made a thing and you've diversified the fandom ecosystem! You're basically a hero.
Q: The fandom I want to create for has more than 1000 English-language works on AO3, but the specific pairing I want to write for has fewer than that. Does that count? A: Yes! Q: What if it has more than 1000 English-language works on AO3, but, like, just barely? A: Okay! Q: What if it actually has a lot more than 1000 English-language works on AO3, but it still feels small? A: Sure! Q: What if I don't want to post it to AO3? What if I don't even have an AO3 account? Can I post it somewhere else? A: Wherever! Q: What if-- A: Just do a thing, friend. Make a thing. Share the thing. This is not meant to be restrictive; this is meant to be inspirational. Create the fanworks you want to see in the world. Make a stranger happy by appealing to their niche interests. Bring joy.
And if you want to give yourself some silly little Steam-like achievement badges to commemorate your accomplishments, well, you're in luck! I've made a bunch of them right here! You can grab the ones that apply to your work and paste them wherever you like and feel good about what you've done. Here's a few of my favorites:
So you see? This is meant to be silly and fun.
There's nowhere to sign up. There's nothing to commit to. There's zero pressure. You just do it if you do it, and don't if you don't. But if you do want to play (yay!), tag your stuff with #small fandom summer so we can all swoop in and appreciate everyone else's efforts.
Here's to creativity!
Images are white text on a black background with a coloured icon taking up the leftmost third of the image. They are as follows:
Green icon of a magnifying class over a beetle. Who's That Boy? (wrote for a character that previously had no AO3 tag)
Orange icon of a tape measure. Size Matters (wrote the longest fic to date in the fandom)
Grey icon of two women holding hands. Lesbifriends (wrote the first F/F fic in the fandom)
Yellow icon of a smiling face surrounded by hearts. My Special Person (wrote something because you knew that one person who'd appreciate it)
Blue icon of an elephant and a mouse. Lorge and Smol (wrote a crossover between a fandom with more than 1000 works and a small fandom)
Grey icon of handcuffs. Testing the Waters (this had better not awake anything in you)
Yellow icon of two fish approaching a hook. Hooked! (wrote something for the first time and are already planning on writing something else for it)
Green icon of a bag with a leaf on it implying soil or plant food. A Brand-New Bag (wrote for a fandom so small you had to teach AO3 what it was)
thinking fondly of this meme I made for a coworker years and years ago
this is going around again and the tags are full of people talking about printing it out to put in their breakroom or cubicle or sending it to their coworkers, which fills me with great joy. vast diversity of professions represented also. zoos. labs. summer camps. restaurants. garden centers. libraries. schools. many reports from the brave warriors of assorted retail. a truth universally acknowledged: if there is a sign a customer will not read it <3 and they don't read emails either <3
Pigeons! Some of our oldest friends 💚
And if I said Megamind is one of the few movies that understands Superman.
And if I said Megamind through its three subversions of Superman shows a deeper understanding that the point of Superman is that he was loved and taught to love by good, present parents, and because of that he is able to return that love to a world even if it doesn't always accept it, and he is not corrupted by his power, than many other films either subverting or playing the superman story straight.
Megamind has three Superman subversions. One is obviously Megamind himself. He was not raised loved by the world, but rather was loved by those hated by the world. Because he was still raised with love, he does care about other people, hence his character development. But because he didn't receive wider love growing up, his own is misplaced at first.
Metro Man was not loved growing up in a way that mattered. His adopted father was clearly very absent, and while we don't know much about his family, their relationship seems superficial. Because of this, his sense of duty to the world is also superficial, hence his boredom.
Hal wasn't raised with power. He gained it and was shown how to use it by a 'space dad' who only taught him power and not love. Hence, he sees it only as a grasping means to an end.
All three of these subversions, in their negative space, create the silhouette of the superhero that they are parodying. That silhouette is of a space child that came to earth and was cared for very deeply by the world, and taught love through his experience of love, and because of that holds fast to his duty to the world. Which is Superman.
think about it long time

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How is it that people who make ads can pretend they’re not evil at this point. Pretending there’s something on your screen so that you engage with the ad while trying to get it off? How is this tolerated and not considered malicious manipulation
I don't care if they're the highest grossing movies on planet freakin Earth, you say "Avatar" and everyone and their mom still thinks that bald little bitch and his magic cow. Soggy James can keep his millions, he'll never have the streets.
Over the Garden Wall has done irreparable damage to my vocabulary because I now say "Ain't that just the way" in response to basically everything
The most basic, intractable fact about mental illnesses is that you simply cannot willpower your way out of them. The only exceptions to this rule are the ones I have, which continue to disable me due to lack of determination and other grave personal flaws

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I think part of getting better is complete ego death. Like you’re not above setting a timer for 5 minutes and focusing on a task. You’re not above doing a very simple 3 minute workout to start. You’re not above reading for 10 minutes a day when you first get out of your reading slump, even if you used to read for hours. You’re not above starting slow and then building up to where you want to be/where you once were. What you are above is total inertia. Doing something really is better than doing nothing. Radically accept where you are, radically accept your limits, and go from there. Don’t let your ego get in the way.
"what is this BABY doing in space!???"
-Rocky, probably