This is about the sexiness of The Golden Girls but I really feel the need to remind the world of how fucking progressive this show was.
In the episode 72 hours, we find out Rose may have contracted AIDs during an emergency gallbladder surgery.
Rose: Why me, Blanche? I'm tired of pretending I feel okay so you won't say, 'Take it easy', and I'm tired of you saying 'Take it easy' because you're afraid I'm going to fall apart. Dammit, why is this happening to me? I mean, this isn't supposed to happen to people like me. You must've gone to bed with hundreds of men. All I had was one innocent operation.
Blanche: Hey, wait a minute! Are you saying this should be me and not you?
Rose: No! No, I'm just saying that I am a good person. Hell, I'm a goody-two-shoes!
Blanche: AIDS is not a bad person's disease, Rose, it is not God punishin' people for their sins!
In Isn't it romantic? we find out Dorothy's childhood best friend is a lesbian who recently lost her partner. She confesses she has feelings for Rose. Rose turns her down but makes it clear that she still wants to be friends even though she doesn't return those feelings.
Sophia: Jean is a nice person. She happens to like girls instead of guys. Some people like cats instead of dogs.
Jean: Rose, about last night. I should never have said anything.
Rose: You only said what you were feeling.
Jean: It's just that this last year has been so difficult for me. Pat was the person I planned to spend the rest of my life with. And when she died, I just felt so terribly alone. Empty. I thought I could never care for anyone again. Until I met you. I just got very confused. I hope I didn't make you uncomfortable.
Rose: Well, I have to admit that I don't understand these kinds of feelings. But if I did understand, if I were, you know, like you, I'd be very flattered and proud that you thought of me that way.
Ebbtide's Revenge gives us Phil's funeral, and Sophia addressing him wearing women's clothes.
Rose: So what if he was different? It's okay that you loved him.
Sophia: I did love him. He was my son, my little boy. But every time I saw him I wondered what I did, what I said, when was the day I did whatever I did to make him the way he was.
Angela Petrillo: What he was Sophia, was a good man.
Sister of the Bride, where Blanche's brother Clayton brings his boyfriend to town, because they're planning on getting married.
Blanche: Oh, look, I can accept the fact that he's gay, but why does he have to slip a ring on this guy's finger so the whole world will know?
Sophia: Why did you marry George?
Blanche: We loved each other. We wanted to make a lifetime commitment. Wanted everybody to know.
Sophia: That's what Doug and Clayton want, too. Everyone wants someone to grow old with. And shouldn't everyone have that chance?
There are so many episodes I could sit here and quote but this show is still so important. It isn't perfect, there are jokes that definitely don't land that I will not sit here and defend, but in the context of when it was created? This show is a fucking masterpiece and deserves respect for that.
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yeah i like to give my blessing to the most pathetic looking weak little knight at the tournament. she can’t even look me in the eye when i give her my flower and she stutters out that she’ll do her best or something of the like. i think its funny when she has to cry and beg my forgiveness and i get to say “such a shame, i suppose my hand in marriage will have to go to someone else…” and then i get to hear her whimper like a dog. ive done this like 6 times alrea-
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This has been my main argument against "AI" from the very beginning.
OpenAI scraped the entire web. All of which had been a labor of love from humans. Wikipedia is the backbone of a lot of LLMs, and that was volunteer human labor. They stole it and now they're selling it back to us.
And worse, they're trying to destroy the free sources that they stole from. It's destruction of human knowledge on an unprecedented scale. The burning of the library of Alexandria has nothing on this.
Made this post about 15 minutes after the repair guy who fixed the pump on my dishwasher packed up his tools and left, as the dishwasher was whirring along doing my dishes from that morning.
He said the exact same thing, which I did not know before that, so spreading this knowledge.
Groundhog Day (1993) - Impressions, praise, and what fanfics writers can learn about writing time-loops from the OG time-loop film
Last night, I rewatched the "original" time-loop film, Groundhog Day (1993), and I couldn't help but admire the writing.
Though time loops have become a stock trope, especially in fanfic, there's a reason "Groundhog Day" is widely credited with launching the popularity of the trope in the first place because it is fun, fresh, and (at the time) original.
Yet while Groundhog Day is often credited as the inspiration for time-loop stories both silly and serious (like Supernatural's "Mystery Spot" episode, or Tom Cruise's "Edge of Tomorrow") when going back to the original, I noticed a few of its best beats are very rarely replicated in subsequent inspired works, and that's a bit of a shame, because a lot of those beats are what made the time loop story so fresh in the first place.
Things like:
The "Fuck Around" Stage
After discovering he's stuck in a time loop, Bill Murray's character Phil does something I have rarely seen any other subsequent time loop story doing - he fucks around and has fun with it.
Most subsequent time loop stories revolving around a single repeated day without consequence immediately treat the character's situation as a tragedy, or at least a problem to be solved. But the original Groundhog Day (which is admittedly a comedy) allows Phil to recognize the implications and enjoy them before the full cosmic horror of his situation sets in.
He goes and gets drunk without consequence. He messes with the local cops. He dedicates a few cycles to sleeping with a pretty woman in town, in a morally reprehensible but character-revealing way (Phil is a morally reprehensible asshole when we meet him, that is core to his character and the arc his character needs to presumably overcome).
This beat is important from a writing standpoint because during the "fuck around" stage we learn so much about who Phil is as a character. When stripped of any sort of consequence, how does this man behave?
I think the reason most subsequent time loop stories, especially in fanfic, skip this really important step in the time loop story, namely, "What does the character do once they realize there are in fact no consequence to their actions?" is because most fanfic assumes we already know the character. It feels like a waste of time to show us who they are when no one is watching and there are no consequences.
But skipping the "fuck around" stage loses the writer and the audience out on a lot of potentially fun moments, like the chance to see the character get rascally drunk, or eat their own weight in cake, or try and spectacularly fail at flirting with their crush a few times before they get it right. And these are great character-revealing moments!
I think the other reason subsequent time loop stories like, say, "Edge of Tomorrow" for original fiction, skip this stage is that they're too busy driving to the plot. The world needs to be saved, we don't have time to see the character try and fail to do anything but solve the plot. But what characters do when they're not solving the plot reveals who they are, it's what makes us care about them and relate to them as more than just machines designed for navigating the plot.
Fanfic is especially guilty of this because of how many jump immediately to, "How do I break this nightmarish time loop??" which again is solving the plot. But a real person probably wouldn't jump straight to, "Oh god, my life has become a horror story!" you probably would fuck around at least a little bit before locking in to solve The Plot and go back to normal life and its consequences, like hangovers, and jobs you have to show up for, and needing to eat healthy again. An important element of enjoyment and fun for the audience is inherent in the "fuck around" beat of the time loop story that Groundhog Day nailed so expertly and that so many derivative works skipped or ignored.
Phil is allowed to be smart
Not only is Phil allowed to fuck around, which shows us who he is (an asshole), but Phil is allowed to be smart about the time loop! This is in contrast with many, if not most time loops I've seen derived from this work since.
It only takes Phil one loop to figure out that he's in a time loop, despite just being a normal guy! This is in contrast to how many time-loop stories require multiple loops before the character will admit to their circumstance!
Yet this otherwise normal guy in the original story, who has no other known media to point to as how he figured it out even within the story (unlike say Dean in Mystery Spot) figures it out right away and does so with a pretty ingenious test of putting a broken pencil next to his alarm clock. Once he sees the pencil is magically mended the next day, he doesn't mess around with doubts any longer. He knows what's going on and accepts it, including accepting that it's not an elaborate trick.
Numerous derivative works waste an insane amount of time getting the POV character to admit what's happening to them and come to terms with it. It was astonishing to me that Groundhog Day wasted so little time on this. And it actually felt more realistic! Because of the depth of the world we're shown in the film, it quickly becomes obvious to any thinking human being that it would be impossible to repeat the day so perfectly, and it only take a couple conversations for Phil to dismiss the idea that this is an elaborate hoax. He accepts his circumstances and comes to terms with them in a remarkably short time which was ironically refreshing for the trope given that it's one of the original instances of the trope!
And by the way, speaking of refreshing takes on the trope despite the fact this is one of the first famous uses of it?
No Cause of the Time Loop is EVER Introduced - Which means no solution is handed to the character, either
The original Groundhog Day (bucking the trends of many a racist 90's flick it must be said) doesn't introduce a magical foreigner, or judgmental demigod, a prophetic fortune cookie, or any other reason why this is happening to Phil! No reason is ever given at all.
We, the audience, can guess that Phil is trapped in this loop as some sort of divine punishment for being such an asshole, but it's never confirmed! No one on-screen or off-screen ever winks at the audience or at Phil and tells him how to solve his predicament.
As a result, Phil is entirely alone within the time loop. He has no guidance on how to get out and, by the way, never voices that he thinks there's something he needs to do or solve before he gets out!
He somewhat intuits it, I would argue, and maybe off-handedly mutters about it, but it's not dwelt on. Certainly there are loops that show but don't tell that he tries "getting the loop right" to solve it, or helping people, or having the perfect date, or saving everyone in town. But he never really stops and looks at the camera and voices the idea that he thinks he needs to solve his way out of this aloud, it's not really brought up as an avenue of resolving the plot, we just see the result of his actions (a great example of show-don't-tell by the way).
Which leads to the other thing that impressed me about the film from a time-loop trope perspective:
Getting the first loop "right" doesn't free Phil - and we never find out what actually freed him!
Going on that first "perfect" date with Rita, while selfishly motivated, doesn't break him out of the loop, even when there's a pause as if to imply he expects that. Saving all the people he can in town doesn't stop the loop. Learning to play the piano, or care about others, or stop being such a raging asshole doesn't free him from the loop. Killing himself over and over in a variety of increasingly unhinged ways doesn't break the loop.
At every beat when we are shown what could be the loop breaking, we are instead shown it not breaking. To the point where we, like Phil, are pretty much lulled into a sense that it will never break.
And by the time Phil does break the loop in the final scene, he's done so many things differently from the person he was at the start that we don't really know what broke him out!
Presumably, finally having a truly selfless night with Rita does it, but it could be learning how to be a good man in the town, it could be finally truly learning to care about someone other than himself.
But the narrative doesn't tell us! It's left to our interpretation, which I would argue is far more clever but much more fiendishly difficult to write than a simple "If this, then that" time-loop plot where a character is meant to learn a single cosmic lesson and check all the boxes before they can be set free again, usually in fanfic by saving their significant other, learning to let them go, or otherwise mending some sort of interpersonal relationship.
Groundhog Day really doesn't get enough credit for not only launching the time-loop trope in the popular zeitgeist but also to this day having one of the most clever and intricate takes on the trope and indeed, most subsequent derivations are weaker because they miss out on just sticking to beats that the original story included. I would definitely recommend at least one watch of this classic for anyone flirting with the idea of writing their own time-loop.
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please wear sunscreen!!! I've seen "fuck the beauty industrial complex" posts about complicated skincare regimens and am 100% with them except sometimes they mention sunscreen and no. no. absolutely not. sunscreen is a wonderful supportive friend who wants to keep you safe, and you should let her do it. throw out all your other cosmetics and skincare products if you want, but keep your sunscreen. and if you're not wearing sunscreen, start wearing it!!!! this is not about terror of aging, this is not about every tiny imperfection our fucked-up culture has made you feel insecure about, this is about protecting yourself from skin cancer. wear the damn sunscreen.
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Nature Documentary: these deep sea creatures can withstand crushing pressures of thousands of pounds per square inch!
Me: they’re not withstanding a goddamn thing. The pressure is a part of them. Their interiors and exteriors are equalized. Just because your respiratory system is built around a pair of fragile poppable bubbles-
Your wife changes her hair color every season and her personality adjusts slightly. You’re secretly only in love with Autumn wife. She just came home sporting her Winter color.
it’s my fault. it’s just that when we met it was autumn; her red-orange hair and crackling laughter. there’s a little spooky in her, a lot of play. and what a better time for falling?
i didn’t realize it for the first few years - something shifting, something so subtle. the winter makes us all cold, the summer makes us all a little out of our minds. i just loved her, because she was incredible, and i was the luckiest person alive.
it’s just that i realized that spring came with sudden bursts of cold. it’s just that summer frequently raged in with fire sprouting from her lips. it’s just that winter was the worst of all, her eyes dead. it’s just that autumn loves me different; throws herself into it without the clingy sweat of summer. i used to love that summer girl, you know? i loved how wild she was, the way in summer she took every risk she could. but i carried her home drunk one too many times, cleaned up one too many of the messes she made for no reason than to enjoy the sensation of burning. and winter was worse; the shutdown, the isolation. how she became distant, a blizzard, caught up in her own head, unable to tell me what was wrong and unable to think i actually wanted to listen.
she comes home, her hair bleached white. a dark smile on her lips. the shadowy parts of her are back. they loom like icicles overhead. she kisses me with her body held at a distance, a peck on my cheek that feels like an iceberg. she makes polite conversation and we go to bed early, our bodies untouching.
it is a lonely season, i think on the ninth day of this. winter is cold. winter is known for the death of things. when i look at her, i see the girl i fell for, inhabited by an alien. she was the first women i loved so much i felt it would kill me. i can’t leave. when i wake her up with my crying, she tells me to shush and go back to sleep. she’s different like this, quiet, doesn’t eat.
three days later i stare at myself in the mirror. i wonder if it’s me. if the fat on my body or something in my face or the wrinkles and she doesn’t love me. i try prettier lingerie, lean cuisine, i try different hair, more makeup, try harder. it doesn’t work. she looks at me the same; that empty gaze that neither loves nor condemns my actions.
somewhere in februrary i lose it. we’re fighting again, from car to restaurant to car to home again. we fight about stupid things, small things; i tell her i feel she doesn’t love me, she says i’m not listening. the circle goes around and around, old pain peeling back, new pain unhealing. i sleep on the couch.
i wake up when i hear her crying, white hair around her all messed up. the kind of sobbing that only comes at two in the morning, heavy and thick and hurting. my winter girl. my heart is breaking. she looks up at me like i’m her anchor. “i’m sorry i’m like this,” she says. and i start saying, it’s okay i’m here we’re married, but she just shakes her head and says, “I know this isn’t the real me.”
i hold her cold hand. she stares at the blankets. “i am different in winter,” she whispers, “i know i am and i’m sorry.” she looks at me. “why do you think i dye my hair? cut it off? get rid of the old me?”
i tell her it’s okay. we’re together and it’s okay, and then she whispers, “i’m sorry you married four of me.”
we lay there like that, her head on my chest. she falls asleep. i stare at the ceiling, thinking of the way she sounded when she was crying. how i helped put her in that pain. how i promised in sickness and in health and everything in between.
the next day i spend at the library. there aren’t enough books on how to love someone with seasonal affective disorder so i make my own, notes and pages and little ideas on post-its. and i take a deep breath and make myself a promise.
she comes home to her favorite dinner and we kiss and she’s uneasy but that’s okay. the next day i bring home flowers and the next day she finds little love notes in her pockets. i love her quiet, the way winter demands, understand her sex drive is faltering; spend more time just cuddling. we drink wine and we kiss and some part of her starts relaxing.
the truth is there is no loving someone out of their mental illness. the truth is that you can love someone in despite of it; love them loud enough to give them an excuse to believe they can make their way out of it.
and i learn. i remember the rebirth of spring, when she starts thawing. we kiss and have picnics in pretty dresses. i remember her joy at little birds and her rain dancing. i fall in love with the flowers in her cheeks and the little bursts of cleaning. i fall in love with summer’s slow walks and milkshakes and shouting to music playing too loud on the speakers. i fall in love with her dancing, with the sunfire energy. and when winter comes; i am ready. i remember that snow used to look pretty. i fall in love with the hearth of her, with the holiday, with the slow smile that spreads across her face so shyly. i fall in love with how she looks in boots and mittens and every day i find another reason to love her the way she deserves - they way i always should have.
she comes home with her white hair and dark smile and a package in her hands. i ask to see what it is and that small shy grin comes creeping out. it’s a sunlamp packed in with medication. she looks at me with those wide eyes and that beautiful winter blush. “i’m trying to get better,” she whispers, “i promise.”
recovery doesn’t look immediate. sometimes it isn’t neat. i can’t say we never fight or that we’re suddenly complete. but each day, that tiny girl’s strength gives me another reason. i love her. i love her while she tames the roller coaster of spring; i love her for reigning in the summer storms; i love her for taking her winter and trying to be warm. it is hard, because everything worth it is hard. she spreads out her autumn leaves; mixes the best parts of her into everything. learns to take winter’s silence for a moment before yelling in summer. learns to take autumn’s spice and give it to spring. we are both learning.
one day she comes home and her hair is different, but it’s a style i don’t know. i kiss it and tell her that she’s beautiful and the inside of me swells like a flood. i’m so glad that she’s mine. every part of her. the whole. i am the luckiest person on earth. and i always have been. but she’s hugging me and saying, “thank you for helping me,” and i can’t explain why i’m crying.
this is what love is; not always an emotion but rather your actions. the choices we make when we realize our lives would be empty if the other was absent. this is what love is: letting them grow, helping them find their way in out of the cold. this is what love is: sometimes it takes work to see how the thing you planted together actually grows.
this is what love looks like in an autumn girl: it is winter and she glows.