the miracle of life

@theartofmadeline

titsay
macklin celebrini has autism

★
Monterey Bay Aquarium
YOU ARE THE REASON
will byers stan first human second
Noah Kahan
The Stonewall Inn
Fai_Ryy
Sweet Seals For You, Always
NASA
EXPECTATIONS

oozey mess

Origami Around
Cosimo Galluzzi
sheepfilms
RMH

bliss lane
seen from United States
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seen from Brazil

seen from Kazakhstan
seen from United States
seen from Bangladesh
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seen from Germany
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seen from United States
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@cosasystuff
the miracle of life

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I miss when ads were a single click and then they’re gone. Now every ad has a minimum of three phases where you watch a video, exit the still frame of fake gameplay, and then exit the app download. That doesn’t even touch on the ones that forcibly take you to another app after opening a tab in safari without you ever touching the screen.
I hate advertising. I hate that you can’t do anything without companies jumping down your throat with mostly bullshit ads. I hate that billboards exist. I hate that every company unanimously decided to make their ads longer and longer. I hate that ad blockers try to charge you money and there are in app purchases to remove ads. I hate that my attention has become commodified. I hate that there’s nothing I can do about it.
Wh-what do you mean it’s from a birthday cake
We could have been eating him
This man nearly died to create this for us. The least we can do is watch it from start to finish and then share it immediately.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Tonight, on DnD
"It's not a whorehouse. It's a whorehome."
-@vaelus-malewife
life could be so much easier if i could oscillate between a pussy and a dick at will but im sure many people feel this way
Calico out there putting tuxedo on the mats

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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oh no i will lose my !
Slowly reuploading my wolrianger stuff on tumblr from twitter
ouuaghh
thank you journalism
[ID: 2 screenshots of interview text. The first reads
PLAYBOY: Do you ever get tired of talking about your friendship with Matt?
AFFLECK: I understand the questions. Ben Affleck and Matt Damon, they're friends, they're pals, they grew up together, isn't it great and cute? I get all kinds of questions, like, "So how's Matt?" or "What's Matt like?" And I don't know what sort of answers are expected.
Instead of saying Matt's fine and he's doing his thing, I'II be like, "Well, let me tell you about Matt. Matt can give a blow job in a way that's incredible, really special." Most of the time it's like Entertainment Tonight, and they can't air it. But then sometimes you think you're safe, but someone writes it down and it ends up being taken out of context in Out magazine.
PLAYBOY: Does Matt ever get pissed off about that?
AFFLECK: Matt gets it. We have a similar sense of humor, which I think is the main reason we're compatible as friends and in terms of writing. He always thinks it's funny. It's just a question of the rest of them.
PLAYBOY: Let's see if you've learned your lesson: What is Matt Damon really like?
AFFLECK: [Laughs] He gives a really great blow job.
The second reads
PLAYBOY: In his 1999 Playboy Interview, Affleck jokingly said of you, "He gives a really great blow job." Care to return the compliment?
DAMON: I do give great head. I definitely give a better blow job than Ben. I mean, I'm not lucky enough to be able to blow myself, but if I could, I'd never leave the house.
/end ID]
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.

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reblogs were off
Disney is doing crazy things in the japanese mobile game sphere rn
you may be familiar with disney twisted wonderland, the gacha game in which various disney villains are used as direct inspiration for handsome anime boys. well that game was so successful that disney is trying to do it again but this time they're just animeboyifying whatever
here's mickey, goofy, donald, and chip & dale. yeah they turned mickey & friends into anime boys. they're an idol unit or something. they're technically not anime boy versions of the source characters, they have different names. mickey's guy is "Neo Michel". not michael, michel, like he's french. chip & dale are "Ruska Moncrief" and "Ranka Monk", they have different last names, they're not brothers anymore so that they can be yaoibait instead, anyways this post isn't actually about these guys I'm just setting the stage for the actual humanizations I wanted to show you
They also did monsters inc. And. Well it's obvious from the designs who mike and sully are. but you will also notice. the blonde one on the left. with glasses. monsters inc is kind of famously about just the two guys so they didn't really have a lot of other non-villain characters to take anime boys inspiration from, I guess, so, well,
Yeah it's her. they made an anime boy version of the mean receptionist slug. her name is roz btw, as all of boygachagame twitter has become extremely aware of in the past 3 days as we speculated prior to the release of the full image who tf the third guy was. the anime boy's name is "noah slugger". at this point no parody of the types of things gacha games will make gijinkas of will ever be able to live up to what disney is officially spending their own real money on designing