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@corovera

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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for those unaware today india experienced one of its biggest protests in half a decade. there were protests all over the nation for various causes but the major one was in delhi. all we asked for was the resignation of the education minister because he's failed the students of this nation time & time again. but we were met with brutality, the police had barricaded the main site of protest (jantar mantar). metro stations were shutdown, the public was restrained from reaching the protest site and all the adjoining areas had signal jammers to make sure the crowd had no access to constant updates. they had us blocked from all the sides. they were lathi (baton) charging students from one side & releasing tear gas from the other. you couldn't walk 100 m on streets without having a tear gas shell thrown at you. there were many students, women & kids bleeding â some from their head. some couldn't walk anymore. the police had removed their nameplates & acted with full impunity to resort to unprecedented levels of violence. they were pelting stones at us, beating up people for no reason, forcefully detaining them and attacking us constantly with tear gas & rubber bullets. they wouldn't let you exit either. the crowd was peaceful & looking out for each other yet they were met with violence. i made a friend who was all alone & she asked to join me & my friend because a policeman wouldn't leave her alone. he constantly prodded her for personal info, invited her back to the jeep saying they have food there, wouldn't stop following her around. you couldn't call or ask anyone for help, we were left to fend for ourselves & be on a constant lookout if you did not want to be beaten up to death by police. all for what? asking a resignation? shame on this country.
Youth-led movement calls on education minister to quit in one of Indiaâs largest anti-government rallies in years
More than 10,000 protesters braved tear gas and baton charges in their largest challenge yet to PM Modi's government.
I think what really bothers me about video game difficulty discourse is the way that it equates "inaccessibility" with "artistic choices that may alienate certain disabled players."
like, okay, speaking as a musician and an autistic woman: there are certain sounds that I am simply not going to enjoy, right? I don't like music that's too heavy on the high end, because it sounds shrill. I've listened to music that had so much Stuff Going On at once that is literally made me feel sick from overstimulation. But that doesn't mean that music shouldn't exist, or that the creators should make a hypothetical pared-down remix just so I specifically can enjoy it. There's other music out there which I like! It's fine! I'll listen to that instead!!
and, idk, it bothers me because there are a lot of legitimate accessibility features that I think every game should have. there's no reason for a puzzle game to be inaccessible to colorblind people. there's no reason that an execution-heavy game shouldn't allow you to set up alternate control schemes. but the solution is not "make the puzzles easier" or "make the bosses do less damage" any more than the "solution" to a complicated piece of writing is "create a version where everything is written using simpler language." idk! it just feels like a refusal to engage with art as art and not Product.
That last bit about writing is particularly on-point right now, because this is take is going around:
So yeah there are people who genuinely believe that "accessibility" means only making things that are unchallenging. This is incorrect in any form of art, whether it's popular media or something more traditional. Accessibility in writing means printing in larger text, use of readable fonts and formatting, translation into Braille, and recording in clear audio. Accessibility in gaming should mean colorblindness filters, toggles to deactivate strobing in cutscenes and environments, scalable text, custom keymapping, and the ability to modify graphical settings including framerates, motion blur, fixed versus free camera, and so on.
To truly engage with any form of art, one must at least be willing to be challenged. To claim that challenge is by its nature inaccessibility is at best ignorance to the purpose of accessibility, and at worst a gross infantilization of people like me who actually have disability-related struggles that could be mitigated with some fairly basic control of settings.
I get in theory why people complain about het ships or whatever, I get wanting to watch queer media I really do, but I guess where yâall lose me is like. I saw some asshole on a post about Sinners complaining it was âhetslopââthis person was specifically doing so while also claiming Remmick was a queer character and thus they were justified in caring more about him than the Black protagonists. which is a whole other disgusting can of worms that has been well addressed by others at this point. but even in the absence of that part of the argument, like, no, i actually donât think that a hunger for queer stories is an especially good excuse to deride and dismiss a piece of landmark Black filmmaking, especially as a non-Black person. I have a post thatâs been going around encouraging folks to engage with more Native stories and characters, and I had someone come onto that post saying in the tags that theyâd need these stories to be queer in order to care. and I just think that, you know, sucks! like obviously as a queer Native I also want to see more of those stories too. but idk how else to put it other than to say that Black people and people of color shouldnât have to be like you in order for you to care about our narratives and experiences. and I think some of yâall are using this disdain for heterosexuality as a cover for your unexamined racial biases. itâs not okay to be racist to people just because those people happen to be straight, and you continue to be white before you are queer.
on an even more basic level than that, also, I simply just think some of yâall NEED to learn how to interact with media and storytelling without ships and fandom in mind. like if not being able to write fic about two men kissing is genuinely going to be a dealbreaker for you I think thatâs actually something you need to work on within yourself because at that point I think youâre no longer really interacting with art and themes and narrative so much as just kind of playing with toys. which is, like, fine I guess. have fun. but it wouldnât kill you to disengage from that from time to time. especially if would allow you to actually appreciate rich and deeply moving cultural stories from communities of color that you desperately need to learn how to see as human
"We're not supposed to be honest when people ask us how we are?"
Uhm.. Actually, you can be. There's a lot of people who are honest when answering that question. They just do it in ways that don't come across so upsetting or depressing.
Many people sugarcoat their answers to be more palatable for a greeting, or for a start of a conversation. It can also just be a polite way of giving others an out for a potential depressing conversation they may not want to be a part of.
These responses usually come in forms like, - "How are you?/How's it going?" - "Could be better." "It's definitely going." "I'm still alive." "I'm getting there." "New day, new problems." "Well, I'm still here." "Same old." "It's not all sunshine." "It's moving along". "It is what it is." "Not great but I'll survive." "Hoping tomorrow comes quickly." And many more responses like this. These are all ways of basically saying "Things are kinda/very shit at the moment for me". But they just don't go into detail about it. They are being honest, without the extra information.
If the other person doesn't want to go further into this then they may just responed with something like "I feel you", or "That's relatable", or "Yeh, that's life". Which are basically ways of saying "I acknowledge things aren't easy right now", without having to go into a conversation about it. Not everyone has the emotional energy to deal with conversations like that in that moment and that's okay.
Honesty doesn't need to come with the extra information. A lot of people won't give the extra information and that's the difference.

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Writers, which software do you use?
Google docs
Microsoft word
Ellipsus
Libre office - writer
Notepad (the fuck is wrong with you lol)
Pages
Other (comment, please, esp if you recommend it)
Checking results
I used to use Google docs, but the white mode only was really annoying me (tires my eyes), so I swapped to Ellipsus (which I genuinely love and recommend), but it was bothering me a bit that I need wifi in order to use it, so now I switched to LibreOffice Writer, which I do like.
It very much has a Microsoft Word feel, but is open source and you need no accounts to use it. It's local on your device, so no AI can scan it, and no wifi is needed.
I still wish it had the Google Docs cards, because, bitch, that thing is so good for easy organizing.
unfortunately i dont think its queerbaiting if the creator is just so terminally heterosexual that they never remotely considered the same gender relationship their show is centered around could be read as romantic. it is deeply painful however.
Maybe accidental queer baiting? The way someone may not mean to say something rude, but it may come off rude, so it's rude. Frustrating either way.
Not being a dick, just a friendly clarification.
By definition you can't accidentally queerbait. Queerbaiting is specifically using a same sex pair from the show to market the show to queer audiences with no intention of ever following through on a romantic relationship.
There is officially licensed Destiel merch signed off on by Kripke. Teen Wolf had a commercial with the actors for Derek and Stiles draped over each other talking about being "on a ship." Both shows actively used scenes between them as marketing while actively mocking fans for wanting them together. Sherlock has multiple characters refer to Johnlock as a couple, including characters we're supposed to believe are never wrong about human behavior and pushed those scenes in marketing. Then they acted insulted when fans saw them as a couple.
That's queerbaiting.
Done on accident it would just be queer subtext. Done because they had no other choice due to censorship is queer coding.
The specific meaning of the word is really starting to get lost and it's a pretty important one to keep accurate. It describes a very specific phenomenon that was done repeatedly and maliciously for decades and is meant to examine that specifically.
Doing it on accident sucks, but it isn't a tactic of capitalism intentionally intended to suppress queer representation while making money from queer fans.
I think fanfiction as a medium is different enough from mainstream literature in the tools it offers writers that it's a shame that it's not talked about more often. And it's not me saying "fanfic is better than books xD" because that sort of mindset is a symptom of people who aren't particularly well read in either medium. I'm just speaking of like... The little things you get to do with a fanfic that you genuinely can't really do in an original story.
I had a big fanfic in a previous fandom where one of the big reveals was the involvement of a kind of infamous villain, whose presence was built up to and foreshadowed through the whole fic until his reveal without ever mentioning his name, so that the name drop would be a gut punch. It worked especially well because of who the villain was and his presence in that fandom space specifically (it's very complicated) and if it was an original story this reveal wouldn't work at all the way it was written in the fic. Because if you don't have a predisposition to think about that character and his relationship to the hero in a very specific way, then just seeing their name won't do much to you; the reveal and the recontextualisation it pushes upon you hinges on your previous knowledge of the source material.
I think it's an interesting tool fanfic authors are given. One of my favorite fanfic of all time is partially a re-imagining of its source material's canon, and something it does is introduce antagonists much earlier in the story or deepen npcs' stories. It then works to evoke a tragic irony that again wouldn't work if you didn't know the source material, and it's something the author obviously has a lot of fun with.
You could call it cheap or a crutch and I mean, yeah, sure, it is a little bit: the fanfic relies on previously established emotional bonds and stakes to achieve its goal, and in some cases it saves the author from having to 'properly' build up its stakes. But I think it's INTERESTING that it has that tool at its disposal. I think it's a fun thing to play with and I think these built in expectations and emotional bonds are especially why I find story driven aus in particular to be fascinating in the amount of ways you can play with them. You know??
as much as everyone loves "the power of love won't save us, we need the power of incredible violence" i'm sorry to rain on your parade but we've actually tried that about ten million times as a species, and you'll be shocked to hear the power of incredible violence, without the power of love behind it, is just brutality. the power of incredible violence has been ruling (various parts of, and then the entire) world for the past 5,000 years. ours is not that damn special.
like yes use that gun you found but WHY are you using it? on who are you using it? what would make you stop using it? is your goal to live in a world where every problem is solved by violence, or is your goal to do the violence necessary to live in a world where that necessity is unthinkable?
THE GOOD PLACE (2016â2020) cr. Michael Schur

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breaking news! new beautiful photo of the best species of frog in the world just dropped
cochranella euknemos, đ¸ nuqui_herping on instagram
for everyone in the notes lamenting that this guy is poisonous: they are not! they're just pretty :) since they're a glass frog, their major defense mechanism is being translucent and hiding their blood while they sleep so they look extra translucent and blend in with leaves <3
functionally suicidal character saying âI would die for youâ to their significant other and its like. I get the sentiment, honey, but if a hot dog vendor told me heâd sell hot dogs for me, I wouldnât feel very moved now would I
Now a functionally suicidal character saying âI will live for youâ. Now thatâs a dynamic I can sink my teeth into.
now how about a functionally suicidal character saying "I will sell hot dogs for you"
Hotdog vender lays down their life to protect their suicidal partner, who then takes over the hotdog stand to carry on their memory...
It's like talking to a 2010 Old Spice commercial with you people
during pride month??????
Great news: after being banned from Night Power Tools, my wife has taken up whittling and is making me a spoon
One thing I find particularly interesting about the dragons of FFXIV is that they are very much beings of intent. How they mature is based on how they choose to grow, meaning that a group of sibling dragonets could all take on vastly different forms when they grow up
Even having babies at all is a choice! One that any dragon can make, with or without a consort in their lives, thanks to them reproducing asexually and also off of vibes
And let's not forget about how this power of intent affects their very blood. Not just any dragon blood will cause the changes into aevises, syrictae, or diresaurs that those descended from the surviving members of Thordan's twelve knights are capable of. It must be willingly and deliberately given for the purpose of transforming themâthough while the dragon offering it must choose to do so, there is no such choice on the part of whoever consumes it, as we see in the Heavensward dragoon quests
(BTW, this is why it's safe for people to consume the dragon blood used in the various draconian potions we can craft)
Nobody is doing it like the FFXIV dragons, man
personally I'm annoyed by the socioeconomic conditions that made words like "unalive" necessary but simultaneously impressed by the linguistic adaptations young people have made to continue talking about important things while subject to those conditions and I think if you can't hold both of those thoughts in your head you might just be old man yelling at cloud

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i will be honest i am so torn about the m/m shipping thing. i see m/m shipping as a refuge from the misogyny perpetuated on women both in real life and in fiction, so i write a LOT of fanfiction for m/m ships. i sometimes write f/f or f/m side ships, or even main ships (i've written a lot of female dragon age characters, for example). i just write for m/m a lot more. writing f/f or f/m means reckoning with whatever misogyny they experience in their canons, like imagine being a fan of the women in The Pitt and wanting to make fanworks set in the canonverse but not having to deal with its misogyny. R-I-fucking-P, my condolences. and canon or not, writing f/m is even worse than f/f because tropes that aren't inherently unequal in a same-gender ship suddenly look a little different with the lens of real world gender based discrimination and violence put over them. fandom is my escape and my refuge, so i just plain don't want to reckon with the forces making my real life worse daily in every fic if i can avoid it. it would suck all the joy out of it.
having explained my reasoning, i still feel like a hypocrite. i have a lot of opinions about female characters and ships and the way they are so poorly treated, and i want better for female characters and female ships - but i rarely am the one to put my money where my mouth is and make stuff for them.
i don't know how to reconcile this. i'm sending this ask because i bet i'm not the only person struggling with this issue, and i wanted to support anyone else who feels the same way. loving female characters can be tough no matter how genuine.
look. no one is telling you not to write m/m fics if that's what you enjoy. this is fandom, it's for fun, and this blog is not about making people feel bad for things they like. with that said, i personally really don't agree with the argument that m/m is the only possible refuge from having to deal with misogyny.
writing about women doesn't have to be about misogyny if you don't want it to be. i mean you could make a similar argument that because m/m is about queer men, you necessarily have to deal with homophobia if you write yaoi. but a lot of people don't do that because it's fanfiction. you can write about whatever scenario you want and deal with whatever issues you're comfortable dealing with. you gave the pitt, as an example, right? write about mel and santos having crazy omegaverse sex after singing karaoke together; write an au where aliens exist and mohan and mckay go on a date in a spaceship (look we all have our crack ships, this one's mine, leave me be); write about dana missing collins so much that she moves to portland to be with her. get creative, go crazy. i just really dislike the idea that it's impossible to write women in a fun escapist way.
another issue i have with this idea is that often the male characters being shipped in popular m/m ships are themselves misogynistic. so, for example, the two most popular ships for the pitt, at least according to ao3 numbers, are robby/whitaker and robby/abbot. now robby is a character that i personally really like and enjoy, but i don't think there's any denying that he's sometimes casually misogynistic (and a little racist) in a condescending old liberal white guy way. so when you say writing m/m frees you from writing about misogyny, what do you do about robby or dean winchester or any other beloved male character who is pretty obviously misogynistic. do you only have to deal with misogyny if a character experiences it, but not if a character perpetuates it? i don't really get that logic.
also, i understand if you turn to fanfiction for escapism from real world issues, but speaking for myself, i sometimes like seeing characters deal with misogyny in fic. i think it can be pretty cathartic to see people actively confront the systemic ways they're mistreated. i totally understand that not everyone enjoys that sort of thing, but i must assume that at least some m/m shippers do actually enjoy it, because i know a lot of m/m fic does actually address how homophobia affects its characters. so if we can do that for homophobia, why can't we also do it for misogyny and racism and ableism and other kinds of bigotry?
again, i'm really not trying to call you out or anything, anon. like i said, if m/m is what you enjoy writing for, then the last thing i want is to make you feel bad about that. but i do think that there are plenty of ways to engage with f/f and f/m without having to deal with misogyny if you don't want to, in the same way that people write about m/m without really engaging with homophobia (or misogyny for that matter). and i kind of resent the idea that the presence of women in a story necessarily sucks the fun out of it.
The Most Tumblr Punchline
I've noted before that my favorite punchline on Tumblr is "hang on, gotta look something up/okay that's funny."
Let me explain why:
It is a way to say "I don't get it" without blaming the joke or the teller.
It is a tacit admission of ignorance without shame or judgement.
It assumes responsibility for acquiring the knowledge the respondent doesn't already have.
It cues other people who Don't Get It to do the look-up themselves, allowing them to get that full impact of Getting It without derailing the post with explanations.
It gives subsequent readers, whether or not THEY got the joke, a little frisson of good feelings when they realize that someone else is now In On The Joke.
It not only makes the original joke funnier, it gets funnier the more often it's used.