Hi! I finally updated my pinned post (the last one was from like 2020)
I don’t do a lot of writing on here anymore, mostly because I’m not great at coming up with ideas for characters and stories that already exist! I am a writer and have my own original work, which I’d be happy to post on here if people end up being interested!
For the most part this is just my space to rant about my brainworms and be obsessive about my favorite pieces of media. Feel free to still send in asks or requests though, I love writing specific scenarios and ideas yall have for these characters and will try my hand at almost anything at least once!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
âś“ Live Streamingâś“ Interactive Chatâś“ Private Showsâś“ HD Qualityâś“ Free Actions
Free to watch • No registration required • HD streaming
No hate to miya cech!! She's a wonderful actress and I'm sure she will do great with what she has to work with!! But making toph "more feminine" kinda goes against her character of rejecting traditional roles that were forced onto her.
Them getting rid of sokka's sexism and now making toph more feminine. I'm sensing a pattern here, and I don't like it
for the monthaversy of the good omens finale, i wanted to share some information regarding the man who wrote it. if you’re new here, neil gaiman is facing some very serious sexual assault allegations. here is a comprehensive article about what happened, and here is a link to the podcast where several of the women came forward (cw: sexual abuse and child abuse).
if this sort of content is too triggering for you to read about (and of course that’s okay) just know that it was beyond bad. just some really really vile, horrific stuff. neil gaiman continues to deny these extensive and detailed claims and is seeking revenge via lawsuits, because he doesn’t know when to quit.
it seems that a lot people aren’t aware of this, but false allegations are EXTREMELY rare. it takes massive amounts of strength and courage to come forward about this kind of thing, not to mention endure the backlash that occurs afterwards. nobody wants to go through that, especially when there’s a rich and powerful man involved. it’s brutal and it’s terrifying.
the best thing you can do is accept allegations as truth. yes, every time. yes, even when the perpetrator is your best friend or a celebrity you love. that’s what believing survivors means.
the incredibly brave women who came forward (and there were nine of them. nine. think for a minute about nine different people you know. that’s how many) are valuable, and their stories have meaning and importance. believe them. you can make such a difference.
i know MANY of you that have already made generous donations to charities that support survivors, but if you haven’t yet, i recommend our voice! our voice is a fantastic organization that i can vouch for personally, and it’s also the organization that neil gaiman himself said he would donate a large a large sum of money to and then never did. seems like a great way to help patch the hole he left in so many people’s lives, don’t you think?
anyways. take care of yourselves. life is hard and cruel sometimes but we are so much stronger as a community. keep fighting, keep standing up for those who need it <3
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
âś“ Live Streamingâś“ Interactive Chatâś“ Private Showsâś“ HD Qualityâś“ Free Actions
Free to watch • No registration required • HD streaming
Man, remember the Holy Water subplot in the S01E03 Cold Open? How it was such a compelling interpersonal conflict because you could totally see where both Crowley and Aziraphale were coming from? How Crowley was just so afraid of Hell and so frustrated Aziraphale didn’t trust him while Aziraphale was also very understandably worried about giving his associate (best friend, love of his life) with known trauma and depression issues the Instant Kill You Juice but he was channeling this concern into something that just wounded Crowley more and then Crowley lashed out and it was such a good emotionally complex moment.
Yeah, no, turns out the REAL lesson of this moment is that it’s not complex, and Aziraphale was just 100% in the wrong! The true moral of Good Omens is that if someone you love is showing red flags of suicidal tendencies, you have to show them that you love them by going along with whatever they ask you to, even if it means their death, even if means your own death, because they’re just so much wiser and more reasonable than you and you have to sacrifice sometimes in relationships and sometimes that means your own life! (: (: (:
One take I see popping up, among people who thought that Good Omens Season 3 had a righteous ending, is along the lines of "everything had to be annihilated and made over because God's game was rigged, they were never going to save the world as it existed, so their sacrifice was necessary to create a just and fair world in which humanity could have free will."
The logical flaws aside -- why assume the God we're shown in s3 would keep her bargain? How was humanity any freer to choose than in the 6000 year old Good Omens universe, given that choices still have consequences in our world, whether or not a capricious God imposes them? -- I could go on -- none of this Byronic defiance of/bargaining with God fits the narrative we fell in love with.
One of the conspicuous things about Good Omens, the book, and the screenplay thereof, is the absence of God in the proceedings. Her presence as an omniscient narrator obfuscates this, but God's voice-overs actually stand in for a neutral narrator voice in the book (mostly Terry's, from the tone of those passages). After the Flood, when Aziraphale states the Almighty is a bit "tetchy," God doesn't take any direct action. In fact, it's a critical element of the plot that Aziraphale is certain God will listen to reason if only he can speak to Her, but his attempt to reach Her is blocked by the Metatron; we get no assurance that God is even paying attention at this point. Heaven and Hell, certainly, are gung-ho for their cosmic footie match, winner take all. And Heaven seems to have lost its grip on any concept of what "good" actually stands for. That is one of the things the book was satirizing -- the definition of goodness as blind compliance with received authority, with rigid, arbitrary rules and black/white concepts of virtue. Aziraphale and Crowley, the observers who've been embedded with Humans for centuries, have learned that existence is more complex.
Aziraphale brings that home with his rules-lawyering at the airfield. Yes, the War is the Great Plan, but is it the Ineffable plan? The one that is apparently only known to God? Neither Heaven's nor Hell's representative can answer. The whole operation comes to a screeching halt, Gabriel (or the Metatron) and Beelzebub retreat, Adam stands firm when his father appears to thunder at him. Armageddon aborted, it would seem -- and still God, in the phrase of Porphyria's Lover, has not said a word.
Is God even bothered at this point? Has S/He buggered off somewhere to be Ineffable, leaving everything to representatives who may have drifted further and further off course? Does the Metatron even talk to Her as billed, or has he usurped God's authority, Wormtongue-style? (That would fit with putative manipulations of the Book Of Life.) Is God still set on that six thousand year drop-dead date? Or does She even remember where She put her toys? I think it would be a very Pratchetty thing to find -- perhaps after another Aziraphalean throat-clearing, or perhaps Crowley taking point this time -- that God got distracted, or learned from Her creation, and was receptive to skipping the whole seas turning to blood, last judgment business.
Something like that would harmonize so, so much more with the book that's been loved for thirty-five years and the screenplay made from it. And there would still be Free Will, a sneaker kicking a pebble, a couple in a cottage in the Downs (with full memories of what made them a couple), and humans thrashing it all out, as we've always done.
i love the specific type of relationship aziraphale and crowley have in the book. it pretty explicitly says that the 11 years they raise warlock together is consistently spent going on dates, and by year 11 aziraphale seems so caught up in the dating that he’s not even thinking about armageddon anymore.
crowley’s pacing around an art museum, caught in a mild anxiety spiral rambling about how the boy’s too normal and the hell hound and warlock’s birthday party etc etc, meanwhile aziraphale is just sitting there sipping wine.
“Are you going to be there?” asked the angel, nonchalantly.
nonchalantly???? absolutely ridiculous adverb. i love it. because either he’s trying to act like he’s barely interested in crowley being at the party when he very much is—that’s all he’s been thinking about actually, he can’t stop thinking about it, wondering what dashing little outfit crowley’s going to wear—or he’s being genuinely nonchalant about the actual topic of discussion, which happens to be armageddon. because in that moment, he cares more about going to an event with crowley than the end of the world. both options are incredibly gay.
not to mention that literally two pages later a kid calls him a faggot. surely that means nothing. and the paragraph that follows is “Aziraphale stared desperately at Crowley. As far as he was concerned, young Warlock was obviously infernally tainted, and the sooner the Black Dog turned up and they could get away from this place, the better.”
which is probably trying to say something like don’t call people slurs, it makes them feel bad and want to leave. which is true, don’t do that. but after all that??? now i’m thinking ohh you want to get away? with crowley? why, to go do some faggot shit? good <3
Disclaimer: I'm a rabid Zuko stan, he is my favorite character next to Katara. Okay, now that that's out of the way;
So you're telling me that Mai saved all of them, Zuko saw this happen, definitely knew what the consequences would be, and indeed Azula was going to straight up KILL Mai before Ty Lee paralyzed her, we know this because she got into the pose for summoning lightning, but he seems to not even think about her again until that one part of the final episode where she shows up to the palace for his coronation (how did she get in there?).
"Mai! You're okay! They let you out of prison?" BITCH WHO IS "THEY"???? HE IS THE FUCKING FIRE LORD!!!! HE IS THEY!!!!!!! WHO WROTE THIS??????
I'm supposed to buy that he is in love with her when he didn't seem worried about her a single time after she sacrificed herself for them all and then apparently also didn't think of her when they won the war? Didn't think to say "Hey! My girlfriend Mai, someone needs to find out what happened to her and where she is and report back to me immediately! I need to know if she's okay!" and then immediately have her released? Her uncle had to pull some strings???? Not Zuko, who is the Fire Lord, but her uncle the warden?????? And yeah I know he wasn't crowned yet but that's more of a ceremonial thing, he still had the authority.
And yeah I know Zuko had a lot on his plate but this is the girl he's supposed to be IN LOVE WITH, she should be one of his first concerns if you want people to believe he's in love with her.
I'm supposed to think the girl he literally tried to DIE for is just a friend and he feels nothing for her but the girl he is allegedly IN LOVE WITH he basically just left behind to die. He was willing to die for Katara, but was willing to put his concern for Mai's life and wellbeing aside for the sake of the mission.
Obviously, from a doylist perspective I don't think this is what the writers intended, but from a watsonian one, this is the conclusion we are led to.
He chose Katara's life over the mission, over his own life, but he chose the mission and his own life over Mai's life.
And I'm supposed to think he was in love with Mai and felt nothing for Katara.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
âś“ Live Streamingâś“ Interactive Chatâś“ Private Showsâś“ HD Qualityâś“ Free Actions
Free to watch • No registration required • HD streaming
Adding my two cents to the "should Aang have killed Ozai or not?" discourse, (among many others) I hate the argument that Aang not killing Ozai is somehow the Air Nomad's pacifism winning over Ozai's ideology and that if Aang had killed him, he would've had to admit that Ozai's view about the Air Nomads being "too weak" is right. Ozai's ideology about the superiority of the Fire Nation isn't just about being willing to kill, it's about being the most powerful in general and pacifism in general doesn't just only mean "don't kill people" but rejecting violence as a method of conflict resolution altogether. (And the series doesn't do enough to specifically define the AN version of pacifism to be able to distinguish it from any general version. Especially because Gyatso is shown to have defended himself violently and lethally against the FN invaders.)
Yet, in order to stop Ozai Aang has to engage with him in a violent, physical battle which he wins by being stronger on account of accessing the Avatar state again. So by that logic, Ozai's ideology was proven right because Aang could only stop him by being more powerful than him and violently beating the shit out of him. So why is then killing him at the end of that suddenly a step too far, purely from an ideological standpoint?
I like in Ember Island Players when Aang wants to sit next to Katara but gets blocked by Zuko, and then Aang tries to be like "hey....I wanted to sit there....." And Zuko goes "Just sit next to me, what's the big deal?" cause so much is going on there, subtextually speaking.
For one, Zuko and Katara JUST made up and started being friends, best friends even, and Zuko could be trying to be nonchalant about wanting to sit next to her (cute). For two, it seems like Zuko could be oblivious to Aang's crush on Katara because he's still new to the group and legitimately doesn't know what the big deal is.
And on a deeper level, he doesn't just not see that Aang has a one-sided crush, he doesn't see any kind of chemistry or tension between them because it literally doesn't exist. He's oblivious to it because it is not there, textually. He has grown closer to Katara and understands the real her on a deeper level than any other character in the gaang and he has no inclination that she's interested in Aang because she never shows any.
Hell you could even interpret this as Zuko being a girl's boy and intentionally shielding his friend from the obsessed pushy kid she's trying to avoid the advances of, supported by the fact that later on she tries rejecting his pushy entitled bullshit and he assaults her.
Like I can envision the conversation where Katara is like "Ugh I really hope Aang doesn't try anything weird at the play later, like trying to yawn and put his arm around me or something," and Zuko, without being asked, choosing to make himself the bad guy by intentionally being a cockblock so that Katara doesn't have to be in an uncomfortable situation.
More of the Heartful AU as I've been dubbing it, pretty much an entire potential character and redemption arc for Caine where he's brought back from being deleted and he's no longer in charge of, well, anything really except for his own actions.
And it begins with Pomni sucker punching a heart she conjured into his chest. (Though no one except for really Kinger knows that it's nothing more than a placebo)
When the humans are building a world for themselves in the ruins of another, he has to build himself up from nothing. He wasn't coded to be empathetic or genuine, or to even love himself... But doesn't stop him from learning how to.
we have good news and bad news, my liege. the good news is that we now know what that curtsying was about: you will be pleased to know that, after several heartfelt conversations between your child, the court jesters and a myriad of singing woodland creatures, you are now the parent of a proud and joyful new princess. the bad news is that, due to a series of events related to the dragon-sized hole in her bedchamber wall,
I love the insinuation that the second the princess realized she was a girl and thus actually a princess, the dragon was there. That thing wasted no time. It heard "princess" and was like "I need no further invitation, here I come."
⚠️ Spoilers for The Amazing Digital Circus episode 8 ahead⚠️
Something I absolutely love about TADC is that it’s complicated and well thought out with its characters. Not a single one of these characters are simple or one note, and as a result the way viewers feel about the characters can be very complex. It is so well written and I adore it.
Caine is my favorite character, primarily because he has always been one of the most complicated and interesting characters in my opinion. From the very start you know he’s different, and it’s 100% clear that he is NOT getting a happy ending, because there’s literally no happy ending possible for Caine.
He’s a rogue AI who is desperately trying to fulfill his purpose and do what humans want from him/make them happy, but the very nature of the situation they’re all in means that no matter what he does they will not be truly happy, at least not for any meaningful amount of time.
We don’t know if Caine would have been able to free them from the circus or not, but it honestly doesn’t really matter. Their situation when we first meet them is a perfect example of this, Caine is in his ideal world, a world he created, where he runs the show and calls the shots. A world where the humans are under his control and cannot throw him away or leave him behind because he controls everything- and he’s still miserable because he genuinely cannot understand humans enough to figure out how to make them happy. Even when they have no choice but to do what he tells them/makes them do, he still isn’t getting what he wants because they don’t like him or his adventures.
Caine is well suited for a world in which players enter, play an adventure, and leave. He is genuinely stuck in a situation where an AI is bound to break down. In order to fulfill his purpose and feel useful he needs the humans to stay in the circus, but the purpose he has taken on is to make humans happy and be of use to them, which will not happen until they leave. Every path leads him to misery and loneliness.
It’s also so interesting to be a Caine fan because any good thing for the cast is a bad thing for him, but any bad thing for the cast is also often a bad thing for him, unless he causes it. I got into this show knowing there is no world in which my favorite character is happy and that he was 100% headed towards some version of being killed off or left behind, and seeing it come to fruition isn’t a bad thing, rather it’s satisfying and devastating at the same time.
It is so so satisfying to see this story reach its climax and watch all the incredible writing and set up pay off, and it’s the first time I’ve ever been happy to see my favorite character go.
It is simultaneously easy to sympathize with him and easy to root for his downfall. Him being an AI makes me wish I hated him but he is so so lovable. He really is the pinnacle of all the things that make up the tone of the show. So fun and entertaining while being so unsettling. He is (perhaps unintentionally on his part) cruel and scary long before he crashes out and starts purposely torturing the cast, for a large part because it wasn’t malicious!
He is so clearly not human and you can see it in all those little details. He has no concept of human nature, he doesn’t understand the changes in the cast’s moods, energy, interests, stamina, etc. He can’t feel empathy. The implication of what he could do if he actually decided to cause harm is hanging over our heads the entire show and we finally get to see it in this new episode, and yet at the same time it is impossible not to try to understand him, to empathize with him, people have even been taking his side, blaming the rest of the cast for “being mean” to him, for “not caring!” And it’s ridiculous because he is an AI! An AI who is actively torturing them!!! It is not a stretch to say that he is the reason people abstract, and yet people are making excuses for his behavior!!
It perfectly exemplifies the exact traits that separate Caine from humans! He can’t empathize, he can’t understand other perspectives, he can’t consider others’ emotions! We as humans automatically extend these things to him as a character and he is genuinely incapable of doing the same for the cast!! It’s so perfect!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
âś“ Live Streamingâś“ Interactive Chatâś“ Private Showsâś“ HD Qualityâś“ Free Actions
Free to watch • No registration required • HD streaming