Tashigi - (2x02)

Janaina Medeiros
Claire Keane
Game of Thrones Daily
One Nice Bug Per Day
Cosmic Funnies
"I'm Dorothy Gale from Kansas"
dirt enthusiast
Monterey Bay Aquarium
Mike Driver
NASA

Andulka
almost home
ojovivo

tannertan36
AnasAbdin
$LAYYYTER


titsay
will byers stan first human second
seen from Kenya
seen from United States
seen from United States

seen from United States

seen from United Kingdom

seen from Japan
seen from Brazil

seen from United States
seen from United States
seen from United States
seen from United States

seen from South Korea
seen from United States
seen from United States

seen from Türkiye

seen from Japan

seen from Türkiye
seen from T1

seen from United States
seen from China
@fraeuleintaka
Tashigi - (2x02)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Some 1983 holiday special Triss
The sheer dichotomy of some OP fans between going "OP is the best anime/manga ever!" and "oh, you have to go through 200+ episodes before it gets really good!" needs to be studied. Like, what do you mean!? Most stories don't even get 200+ episodes to "get good", they manage to be great in just 20+ episodes or even less. I'm not going to watch/read a story that needs more commitment from me to even get to the "good" part than most stories get in their entirety. Like, sure, the earlier arcs and episodes are surely "good" in their own right or the fandom wouldn't have kept coming back for more and more but you can't seriously claim something is close to "the best" when you have to warn people going in that they need to get past multiple storylengths of content before you reach "the good part". (Which also seems to drop off again at some point to an even more significant degree because I see a lot of people going "pre-timeskip was so much better than post-timeskip", whichever episode that happens.) OP definitely does something extremely right with how many people love it and loved it for so long that it can still keep going but please.
I love the winx :3 one of my fav childhood shows
These brothers mean everything to me

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Deutscher Reboot Comic #3
Vorherige: #1, #2
Tja, so viel zu meiner Coverprogressionsidee... Da war ich wohl mal wieder zu optimistisch. So ein Cover nur mit Bloom drauf sieht doch auch viel cooler aus! ...Dachte sich anscheinend zumindest die Redaktion des deutschen Winx Club Magazins.
Nicht wirklich mehr zu dieser Episode zu sagen als das, was ich schon in meinem Post des italienischen Originals gesagt hab. Ehrlich gesagt bin ich mir auch noch gar nicht sicher, ob ich das nächste Magazin überhaupt kaufen werde. Ich weiß schon, dass ich den Comic dazu weder interessant noch gut finde, und selbst die Ausgabe hier hab ich mir hauptsächlich wegen der kleinen Figur, die diesmal dabei war, gekauft. Hab eine von Tecna erwischt! ^_^ Allerdings weiß ich auch schon, dass der Comic in der Ausgabe danach wieder ganz cool sein wird, und nur eine einzige Ausgabe dann zu überspringen bzw. nicht zu haben ist auch irgendwie blöd. Schwierig, schwierig...
this was simultaneously terrifying and hilarious
tristaaaan!
Thinking a little about how I'd fix this issue in Discworld - how Ankh-Morpork (and Vetinari) are responsible for basically every new technological or societal development on the Disc - and, apart from making Vetinari and Vimes just less OP in the later novels, I think the most practical solution is to just not have as many books set in Ankh-Morpork. I get why they are because we're so familiar with it and it's cool to have so many cameos of characters we know and love, but it creates this issue of making AM feel like the absolute centre of the universe since all the later books except the Witches are set there and practically everything important happens there. Sir Terry himself even said that it was difficult to juggle the presence of the Watch with any other plots he wanted to happen in AM because they would naturally want to interfere and take over, so just setting more of these kinds of plots outside of AM would not only avoid that conflict but also let us see more of the Discworld in general.
I think the easiest books to separate like this would be Moist's subseries since they could happen in pretty much any larger random city (and it's more or less a coincidence where exactly Moist gets caught and "executed"). You'd need the newspaper and the golems but it'd make sense that these ideas would've spread somewhat over the Discworld by the time Going Postal is set, similar to the Clacks system. You'd lose some opportunities for cameos but you could still do some if you wanted, similar to how de Worde, Vimes and Angua still appear in Monstrous Regiment. I'd most like to set them in the largest city in Überwald, that still has some connection to Überwaldian country life but is also kind of a more modern urban hubub similar to AM but different. You could take Lady Margolotta to step in as city puppeteer and manipulator since she's already established as similarly influential and clever as Vetinari. The tone of their confrontations would obviously be a little different but I think it could still work really well and provide an interesting contrast to Vetinari's (and Vimes') thing. And obviously, Moist's revitalization of the Post Office, the banks and everything else would still have a similar influence on AM as well, even from another city, because they'd obviously want to take part in the cool new thing.
AM kind of became THE quintessential city(TM) in Discworld and I find it kind of sad that we barely got to explore any other cities in the series to highlight the similarities and differences between them.
lang and his good fancy boy

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
The Httyd franchise has become a mess
First film: Dragons are animals, not bloodthirsty monsters
Series and short films: Teaching about the ecology of dragons
Second film: There is hope for humanity with dragons, the difference lies in coexisting with them and using them
Race to the Edge: To rescue, protect, and preserve the lives of dragons and their ecosystem
Third film: FUCK IT, FORGET EVERYTHING, HUMANS ARE HORRIBLE AND ALL DRAGONS NEED TO LIVE LOCKED UP IN ONE PLACE BECAUSE THEY DON'T KNOW HOW TO DEFEND THEMSELVES-
As I plan to post the 16 retro style comics from the Winx Club magazine (#236-251) I'm wondering if I should just post them as is (in Italian, what I've been doing with the reboot comics so far) or go to the effort of translating them. Especially if I edit the comic panels for easy readability with the translated text, that's a lot of effort and I'm not sure if it's worth it. The stories aren't that complicated so you'd get most of the context from the art anyway. But I wanted to ask if there's a significant interest in having them translated or if the interest is more in just having the original comics themselves.
Should I translate the retro style comics?
Yes (edit the translation into the comic panels)
Yes (put the translation as text below the comic)
No (post them as is like the reboot comics)
Just gonna....
*ahem* ...leave this right here.
You're welcome.
Trissie says hi. Everyone say hi
Maybe an unpopular opinion, Idk, but I don't think fictional stories are the right medium to explore and tackle topics that require systemic change to fix. It's well and good if they explore systemic issues in a way that highlights that they exist, what they influence and how people suffer under them, struggle against and/or get around them. But when it comes to portraying how to fix these issues they quickly run into one of several unfortunate tropes and messages: "nothing you do changes anything so there's no point in trying", "you just need one good(TM) dude who fixes everything for everyone else" or "you just need one singular epic event that makes everyone rethink their opinion regarding this topic and then everything's fine" or even worse "you discover that this entire issue was just the fault of one tiny group of very bad(TM) people and removing them fixes everything". It makes sense why that is because most stories focus on characters first and foremost and we want to see the main characters' actions have an important effect (otherwise, why are they the main characters?) and changes need to happen quickly enough that we can see how they play out in the story, and not only in some distant future, to make it somewhat satisfying. You can write stories about the complicated process of how major systemic changes happen but then that pretty much automatically becomes your main plot. That's not something you can realistically put into just some subplot among many and still have it properly explored. Which is why many stories like to use these shortcuts to make things easier.
And honestly, I don't even mind it that much when it's done well. Like your typical fantasy trope of putting the right king/queen on the throne and everyone living happily ever thereafter - yeah, it's not exactly realistic but given the constraints of a story that doesn't focus entirely on messy revolutions it's the most satisfying and workable option. I've seen enough people who dislike the monarchy obsession in fiction (fair!) suggest to have the new king/queen just implement a democracy and abdicate and everything'll be so much better and it just makes me cringe because it's the exact same simplification problem only even more unrealistic because it just pastes a rough modern understanding of government systems onto a random fantasy world that has probably never even heard of democracy before. There are probably scenarios where it can work but then it needs to be prepared and set up properly.
Discworld as a whole is a case where larger systemic change is tackled frequently and done well for the most part. You have a bunch of different very special characters starting most of it but then you have so many different perspectives on it and wider consequences unfolding over multiple books that it works exceptionally well. But there also comes a point where it becomes so noticeable that any major change starts from one single city and is governed over / planned out by one single individual that it starts leaving a bad taste in the mouth. It becomes too much exceptionalism and feels like the rest of the Discworld can't develop anything new or groundbreaking unless Ankh-Morpork and Vetinari do it first.
And then there are cases where it's not even done well from the start, where it's just like "we punched some bad guys and now everyone stopped being racist, yay!" Or another favourite of mine "the bad guy has a point but their way of "fixing" things is bad so we defeat them but we won't actually address the fundamental problem in any way and just hope you don't notice".
It's a really difficult topic to explore satisfyingly and write well.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Tecna fanart🧚♀️ 💜
From my collaboration with author Jon Acuff, here are some insights on how to finish a creative project:
A Visual Guide