Keyboard monster wants to TYPE and he WILL NOT BE STOPPED
I'd rather be in outer space šø

Cosmic Funnies
Cosimo Galluzzi

JBB: An Artblog!

titsay
Acquired Stardust
todays bird
šŖ¼

ā
"I'm Dorothy Gale from Kansas"
Not today Justin

Product Placement
RMH

pixel skylines
cherry valley forever
Jules of Nature
$LAYYYTER
styofa doing anything

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@columba-does-stuff
Keyboard monster wants to TYPE and he WILL NOT BE STOPPED

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i CANNOT stop thinking about this job ad. i am absolutely losing it over the implication that someone is going to apply to this job who 1) loves chasing birds and 2) is disturbingly competetive about it
oh, so when other people go outside itās āgood for their healthā and āhighly recommendedā, itās only when i do it that itās a ācontainment breachā and a āhigh-level threat to public safety and securityā, huh?
Moving!
Hey, yāall (all eight of you, lol,) for the sake of having all the benefits of being a primary blog, Iām transferring over to @TimeTravelingPigeon.
And because of this, Iām just going to clear out my drafts so I can RB them to the new blog. INCOMING!
Keetahās guide on bug out / get home bags.
LIKE I PROMISED, here is a bug out bag I designed using Amazon wishlists. Get me one of these and I will be forever happy! HOWEVER, the main purpose is to show you guys what things you may need if you ever want to put together a bug out /get home bag!
A bug out / get home bag is a bag designed to keep you alive during some sort of disaster that can be easily grabbed and carried. A wildfire is approaching out house, civil unrest is in the street, you are somewhere else and you need to get home on foot, or travel somewhere on foot. You need to grab your things and get out!
KEEP IN MIND, THIS BAG IS DESIGNED FOR TEMPERATE FORESTS AND STEALTH. Please keep in mind the environmentĀ in which you live and plan accordingly! For example, if you live in the desert, you are going to want to carry extra water. If you live in a tropical rain-forest, you are going to want mosquito nets and rubber treated supplies.Ā
If you want to be found and rescued, choose colors like SHINY SILVER and ORANGE. Both are bright attention grabbers. If you want to remain unseen, choose colors like olive drab and dark brown.Ā
Now without further ado, check the cut below to read up!
Keep reading

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For artists who have problems with perspective (furniture etc.) in indoor scenes like me - thereās an online programm called roomsketcher where you can design a house/roon and snap pictures of it using different perspectives.
Itās got an almost endless range of furniture, doors, windows, stairs etc and is easy to use. In addition to that, you donāt have to install anything and if you create an account (which is free) you can save and return to your houses.
Examples (all done by me):
Hereās an example for how you can use it
Great find, thanks!
OMG HEAVEN!!
Bless you!!!!
Correction⦠the account is free but as soon as you head in to create a room they tell you that you have to pay.
Maybe I can help :ā> Iāve used this website several times before I signed up! I do have a premium account so I just logged out to see if they changed something about their policies, but it seems you can still use it for free even without logging/creating an account.
If you go to the website roomsketcher.comĀ and click onĀ āget startedā it leads you to the next surface where you click āstart designingā and it leads you to your first apartment - which is already generated - that is inconvenient I know but you can just delete everything and start all over with your own ideas.
There it is.
The little green camera is you and it points to the part of your flat a picture will be taken from. You see in the black right upper corner the counterpart, first sign the camera - if you click it, it generates a picture with the correct depth and perspective.
Concerning rooms you can just get creative and ad as many as you want on the level that you are on - if you want to create an entire other project you can just ad another level (floor) which is still free.
Hope that helped <3
A googledoc resource for writers arranging common words for emotions by mild, moderate, or severe intensity!
āhow can you be intimate with someone if youāre aromantic??ā
sharing secrets, trusting them with your life, telling them about that stupid thing you did when you were 14 and havenāt told anyone else since, being there for them any time day or night, talking til three in the morning, letting yourself cry around them, sharing grief, sharing joy, getting excited about the things theyāre excited about just because you love to see them so happy about something
an aro positivity post ššš that lists ways to be intimate with someone ššš that doesnāt alienate the touch averse ššš and people with no/low empathy ššš
Mosquitoes are grossly overlooked as a threat during a zombie apocalypse.
Q&A: Nature Abhors a Vacuum
timelordwerewolf said to howtofightwrite:
Hi there, Iām trying to write a comic set in a dystopia, and your āfeel good violenceā post has really helped. BUT!! is there a way around the ākilling your way to the topā trope? I canāt think of any other way for my heroes to complete the main story arc. the thing about dystopias is that they donāt change for anything less than a total kill-out, right? Thank you!
This somewhat depends on what you want to achieve.
Thereās a real attraction to, ākilling the bad guy,ā to make the world a better place, it doesnāt really work. That doesnāt mean no one tries. Itās still perceived as a legitimate approach to getting rid of problematic organizations. The issue is, it doesnāt usually get rid of them.
So, letās work with this in a few less abstract scenarios.
Youāre a special forces operator from a first world nation with (nearly) unlimited resources and have been tasked with eliminating the a criminal organization that has overrun a nearby country.
Anyone you kill will be quickly replaced. If you wax someone, everyone below them gets an instant promotion. So simply assassinating the head of the organization would just mean his (or her) lieutenant takes their place. This may result in subtle policy shifts with the organization, but itās still going to be there, doing whatever it was doing before. You havenāt removed the criminal syndicate. Theyāll still be operating unaffected.
Ironically, the best you can hope for in this scenario is to weaken the syndicate. If you were able to sufficiently reduce their capacity (their ability to actually affect change) to the point where theyāre no longer functional, you would actually kick off a power struggle with nearby syndicates moving in and trying to pick up their territory. If the leader you picked off was sufficiently prominent, you might be able to provoke this with one bullet. Unfortunately, youād end up with a gang war in the streets and countryside of this hypothetical nation.
If you wanted to destroy this syndicate, the best route would be to cut off their financial support. That may mean destroying their supply lines, or production supplies. It may mean picking off their logistical experts, to reduce their efficiency. That said, even this approach isnāt 100%, and some of the most crippling blows you could inflict would be at a policy level, legalizing and regulating the behavior theyāre exploiting to make money.
If the goal is to āsend a message,ā and your nation is seeking retribution for some previous harm, then the goal of assassinating the person who issued the order is⦠I donāt want to say, ālegitimate,ā but, killing them will achieve your goals. Unfortunately, it wonāt discourage future violence. The people youāre killing are already under threat from their competitors, by joining the fray, youāre not doing something they werenāt prepared to deal with.
So, new scenario: same background, but youāre dealing with a warlord in a failed state or feral city. Ironically, a lot of the same issues apply. If you assassinate them, youāre not going to bring order back to the place. That would involve a full occupation, and a prolonged campaign to rebuild the local government.
Again, simply killing a warlord would mean their lieutenant would take control, or if they had multiple lieutenants and no clear line of succession, it may result in further violence as they fight with one another in an attempt to assume control. Again, if there are competing warlords, theyād be inclined to move in and try to expand their territory.
Now, itās worth noting that not every nearby warlord would look at this situation and say, āyeah, donāt I want a piece of that,ā however anyone who did would simply ramp up the bloodbath.
Again, this is a situation that can be handled with force, but itās going to involve years of concentrated work, and a lot of troops operating as domestic police, while you rebuild the civil government. Thereās some debate if this is even a possible solution.
Okay, new scenario: Youāre tasked with suppressing a political movement. It has a clear, prominent, figurehead. Killing them is probably the worst possible solution to the problem. For one thing, it wonāt remove the organization. The actual followers will still be out there, believing what they did (more or less), before the bullets started flying. So the organization will go on. At best nothing has changed, except the person rallying the people. You created a martyr who is now immune to character assassination. Good job.
However, itās far more likely that the actual organization will radicalize. Youāll have members from that organization operating covertly against your interests. This could range from their own assassinations to bombings targeting civilians.
Using violence to suppress politics only leads to stronger, more aggressive, and often violent opposition.
If youāre wondering how that makes sense, when I just said engaging in violence will empower your foes, but lead your own faction to violence, itās worth remembering that this is behavior that can easily consume both participants in a conflict. Once either one abandons discourse and turns to force in order to push their ideals, they encourage reciprocation.
To quote Babylon 5:
āYou donāt have to respond in kind.ā
āOf course we do. Thereās a natural law. Physics tells us that for every action there must be an equal and opposite reaction. They hate us, we hate them, they hate us back. And so, here we are: victims of mathematics.ā
This is a pattern youāll see frequently in sectarian violence and civil wars. There may have been political disagreements or grievances, but once the knives come out, the violence become cyclical. There is also a constant, direct, risk of escalation, and itās often the civilian population that bears the greatest costs in these conflicts.
New scenario: Youāre dealing with the CEO of a megacorporation that has marked your characters for death because of an off hand comment in a chatroom six years ago.
Yeah, killing him will remove him from the planet. Youāre also now going to be going up on murder charges in a highly corrupt system, assuming corporate security doesnāt simply execute you on the spot. So, good job hero.
Killing him wonāt take down the company. It probably wonāt even change the companyās policies. You may have even done the board of directors a favor, allowing them to use the corpse as a scapegoat for any politically questionable choices they may have engaged in, while still keeping their hand firmly in the cookie jar. Not that said favor will buy your characters any clemency. Theyāre still looking at 25-life for murder.
Does any of this matter?
Yeah, kinda. If youāre going to use those characters or that setting again. Even if youāre just wrapping up the story, itās probably worth remembering that surgically removing people from an organization doesnāt mystically cleanse it of all evil.
That said, people do look at this as a solution, and it makes perfect sense for someone to think, āyeah, thatās all we need to do.ā It also creates a rich tapestry of interconnected consequences, which can really help if youāre setting stories further down the line in that setting, (regardless of if you intend to use your original characters or not.)
I mean, did they turn around and try to take the place of the crime lord, or warlord they waxed? Itās certainly possible, and they may well have become as bad or worse in their goal of doing something noble.Ā Did they turn a politically unstable metropolis into a feral city? Is that someplace you want to go back to, with new characters, because they need to get something, or rescue and extract someone?
There are a lot of potential ways to play it, and many of those could prove very interesting.
Itās also worth remembering your characters may not care what comes afterwards. If this is a personal vendetta, then the goal is to kill the guy. God, bad, doesnāt matter, they need to die. Everything that comes afterwards is unimportant to that motivation.
Also worth remembering: A lot of people genuinely believe this approach works. āJust go in and kill the dude, how hard can it be?ā Only to be confused when the resulting consequences start kicking in. This applies to people who are relatively well educated, and know what theyāre doing, so itās not just some trap for the uneducated getting out of their depth.
If thatās the end of your story, so be it, but, Iād honestly recommend you keep pushing past that, and play with the aftermath. Probably with a new cast of characters, and after a few months or years, to let the new mess fully ferment.
-Starke
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Q&A: Nature Abhors a Vacuum was originally published on How to Fight Write.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
The lottery was invented to catch time travelers
Iām, Iām at my capacity,Ā
things abuse survivors think/say
maybe my trauma wasnāt bad enough
maybe what happened was just my fault??
but what if I canāt hold that person accountable? what if they meant well
what if I donāt have the right to be angry?
but what if they didnāt know they were hurting me? maybe its my fault for not saying it
itās my fault, iāve always been hiding how badly things hurt me
iām just weak and pathetic and everything hurts me itās not their fault iām like this
hey this this thing actually happen or did i make that up
if i ask abuser theyāll tell me i made it up that must be true they do say iām delusional
maybe if Iāve done something differently this wouldnāt have happened
guilt guilt guilt guilt
what if abuser is right tho? what if theyāre telling the truth and itās okay to tell it in insults then?
iām garbage, i knew it
yeah everyone deserves compassion and comfort but me? no.
I am the sole person who is just bad enough to deserve everything that has happened to me
no this person didnāt mean to hurt my feelings iām just too sensitive!!!
maybe someone else wouldnāt be hurt by this, this means its my fault
i hate myself
how long until everyone realizes iām just a fake and thereās nothing valuable inside of me
yeah they like me now but iām going to fuck it up and theyāll hate me like everyone else
was that abuse? no it canāt be. its my fault. if I wasnāt the way I am it wouldnāt have happened
everything people do to me is just what I deserved
what this person is doing bothers me so I have to try harder not to be bothered by it
this person is wrong but everyone believes them so it must be okay
yeah they hate me but i donāt want them to leave me maybe i can get them to hate me less
yeah this person is hurting me but i still need them in my life maybe if i change myself
it doesnāt matter if they hurt me, iām used to it
what if everyone abandons me and I die alone
this person scares me but I canāt let that affect me
I shouldnāt be feeling this way, I need to get over my feelings
I canāt let anyone notice how I feel or they will hate me
how does everyone just stay calm? why canāt I do that
Iām a burden on everyone, I bet theyād all be happier if I wasnāt there
if I disappeared right now wouldnāt everything be better?
*these are not truths, this is after-effect of long term abuse
A useful guide for people writing about abuse survivors!
the best revenge is living well. the second best revenge involves a hell of a lot more explosives
Itās not easy making friends. (via miminaonao)
@warducky @milk-hooney

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Iām not saying I fucked up, Iām just saying that maybe, I didnāt think this shit through. Thereās a big difference.
Half the characters in this damn book
I think a big part of why I read way more fanfiction than books is that thereās just a hell of a lot less exposition
the first 10 pages of most books are always āthese are the main characters and hereās some background on each of them and this is the setting etc etcā and itās such a fucking hassle getting to the plot sometimes
fanfic is just like āfuck it you know all of this already letās goā
Thatās a really good point.
Same here but thereās actually a point here of well written exposition. Take AUs for example. Even in the most complicated, as-far-removed-from-canon settings we get at mostĀ a single paragraph before the actual fic where the author gives us a quick rundown of the rules for that universe. The rest we are left to figure out on our own and it works. Weāre not spoon fed every trivial detail when all we want is to get to the plot. Everything thatās important is said at the moment it is important, not sooner not later. Especially in long fics characters often take on such a unique characterisation that you get to know them all over again but the readers do so organically, in the situations that define those characters as they happen. Same with looks. The fic author generally assumes the readers know what the characters look like and donāt spend paragraphs describing them, and only bring it up when it fits the plot. Iāve read a few fanfics from fandoms Iāve never been in and surprisingly it still worked out. I had generally a good idea of who these people were, what they did where and why and how they worked together.Ā Point is, if youāre a writer writing original fiction, pretend itās fanfic and everyone knows your setting and characters already. That way youāll only have to add a few details if and when your beta readers mention needing more information and chances are they wonāt need a lot.Ā
Point is, if youāre a writer writing original fiction, pretend itās fanfic and everyone knows your setting and characters already. That way youāll only have to add a few details if and when your beta readers mention needing more information and chances are they wonāt need a lot.
Bolding this fantastic advice.Ā
Reblogging for the next time I write something original.