ed and baby nipper for @meanmisscharlesā ! i am so in love with her mpregĀ fic, it has so much heart, gentlebeard being in love, the much needed frenchie ed friendship and the ensemble cast being all around silly. its so much fun, thank you so much for sharing it with us šĀ
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hate to be a downer about weird medieval animal drawings but this one is not wonderful because allegorically in medieval christian bestiaries (from whence these images come, in large part) the owl represents Jews and not in a positive manner. and so replacing the owlās hooked beak with a hooked human nose is not fun in the way that the cats or sea creatures with human faces are
"Nappy Headed Slave." "I'm sorry, sir." It was supposed to be the call and response of my entire life. I had let Claudia lie to me about it maybe being different for me for so long, I stopped hearing it. "I'm a selfish bastard, sir." "Everybody knows that about me, sir." "Subject-verb agreement, sir." Smile, nod, "I was wrong for that, sir." They all come from the same organ inside me... a rib with slave etched on it. But I am not a man anymore. I am something less.
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people thinking louis lied or was "just joking" about being molested by his cousin- even though louis also being a csa/incest victim on the same show where claudia, armand and lestat are, and where claudia's rape by bruce was an original addition that isn't found in the source material is not remotely unrealistic- is directly related to the way this episode presents claudia as a malicious manipulator about lestat threatening her on the train btw. the framing in s3ep6 opens the door for mostly-nonblack antiblack and anti-survivor viewers to question and dismiss the black leads' victimhood and frame this as "objective" and "media literate" engagement- plenty of them are already talking down to and mocking viewers who take what louis said seriously.
and ofc people will say to justify the ghost claudia scene "survivors lying about specific things doesn't mean they aren't survivors/what they said about their abuse in general isn't true" or "why won't you let claudia be a monster same as the male characters are" and these are bad faith rationalizations bc the people who claim they love the idea of claudia lying about lestat threatening her are the same people who would be up in arms about the merest suggestion that lestat lied about anything his mortal family in auvergne or gabriella did to him. and wrt the point about survivors lying not invalidating the truth of their experience, yes, this is something that's true about survivors in real life, but that is real life and tvl is a fictional story written by nonblack people- you have to be honest and ask yourself if the writers were remotely interested in claudia's interiority or experiences as a survivor when they wrote her in s3ep6 or if they were only trying to backpedal about one of the worst things lestat has ever done in an effort to make him more palatable and use a black character- a black woman who was lynched, which makes the use of antiblack dialogue for claudia even more ghoulish- as a mouthpiece to spew antiblack vitriol at the sole surviving black lead on the show.
"claudia lied about what lestat said in the train scene bc she was desperate to leave and get louis to leave with her and she needed something to move louis into action" could've been pulled off as a survivor-centric plot choice if it had been foreshadowed properly and if it had been introduced during s1-s2, when claudia was still an active protagonist in the story, her pov was represented in her own voice and there were still black writers on staff. it could've folded into the thematic arc of louis' story wrt pursuing truth and been handled in the context where the focus was claudia's pain, claudia's entrapment and resolve to escape no matter what, and landed on a note that centered the fundamental truth of claudia's experiences as an abuse victim and how she outwitted lestat and freed both herself and louis from him. how this concept is addressed in s3ep6 is not that- to start with, the entire seance and the entire season are within lestat's pov. the idea that we're "finally hearing the real claudia" is false bc everything from what she says to her mannerisms to how she looks as a ghost are filtered through her abusive white father's pov.
how the train scene is mentioned in the seance isn't presented in the context of claudia convincing louis to escape lestat and outmaneuvering lestat- it's in the context of humiliating louis for being gullible and easy to manipulate for *checks notes* believing his daughter when she told him her other father threatened to do worse than rape her. louis is constantly villainized by viewers for the bad ways he reacts to armand and lestat's history of sa and for how claudia had to push louis to leave once lestat's abuse escalated in s1ep5-s1ep7- but when louis reacts to claudia as a good, responsible parent should and believes her when she tells him lestat threatened her, that too is presented as a sign of louis' weakness, stupidity and passivity. (and people are being willfully obtuse about this bc everyone largely agrees "except he just threatened me with it" "nah doesn't sound like him" in s2ep4 was one of louis' worst moments ever.) this decision can't be separated from the nonblack writers also choosing to have claudia volley explicitly antiblack, bioessentialist vitriol at louis and framing her as possessing an internalized antiblackness she never expressed in her own diaries ("bleak, black life" where her white companion was the only good thing about it.) when claudia compared herself and louis to lestat's slaves in s1 (back when the show had black writers) her words about herself and louis being lestat's slaves from the book was adapted as a incisive comment about lestat's oppressive control and white supremacy- lestat and his behavior were the focus of her mockery. but when ghost claudia calls louis a slave bc he has a mark on his ribs in s3, it plays into the white supremacist idea that was reinforced through decades of enslavement in the states where enslavers and their enablers argued black people had inherent, biologically ingrained passive traits and needed the white race's superior guidance to control and protect them.
and regardless of what in-universe reasoning people buy into to explain ghost claudia saying that, the problem is the all-nonblack writers choosing to write that rhetoric for a black woman who was murdered in a lynching (that the show refuses to call a lynching) and the white showrunner gleefully calling arguably the most antiblack scene of the show the best scene they ever wrote for their dead black fem lead (yes s3ep6 is worse than all of s2ep7 or s1ep3 or anything else the white supremacists in nola or the kkkoven did, bc in those scenes the focus was on the evil of the white supremacists while in s3ep6 the antiblackness is metatextual, reflective of the writers' biases and uncritically framed)
claudia could've called louis out for putting hands on her same as lestat had done- she could've pulled on the stories in merrick's mind from her family to call louis out for profiting off the backs of working class black women and then tryna make claudia, one black girl then woman among many, the symbol of his redemption at the expense of her pain. hell they even could've explained claudia's rage mainly being targeted at louis and not as much at lestat by having the seance be louis' idea, giving louis a several-episode arc of interacting with merrick then convincing her to call on claudia's spirit so claudia would be angry at him for wanting to yank her into the world of the living again to assuage his own guilt, instead of nonblack writers thinking the primary way to wound and call out a black lynching survivor is by having a black woman who didn't survive that lynching use antiblack language. it didn't feel incisive or truly cutting or had anything to do with louis' canon flaws unless you already thought the worst of him (as many viewers do) and fanon'ed him as the kind of eternally passive, navel-gazing patsy he was in the source material. louis in the show is not that character, and it exposes the thoughtlessness and antiblackness of the all-nonblack writers that they adapted the merrick scene without considering how louis and claudia's show characters and dynamic would modify the scene. the only change they seem to have made based on louis and claudia's blackness is by throwing in antiblack dialogue. it's such a tarantino (derogatory) move where the white showrunner knows he can't say certain things about black characters as himself irl, so he uses a black character as a mouthpiece in a fictional script to express that racist impulse.
when you take all of this into account, it's completely unsurprising that a large number of viewers who watched this scene and saw nothing wrong with it or even reveled in the antiblackness of it bc they've been feening for louis to be humbled and humiliated and taken down a peg for 4 years now (he's too arrogant and uppity you see) have also decided louis isn't telling the truth about being molested in the same episode, and he was just being provocative or he was just joking bc they can't conceptualize that louis is a victim of csa/incest like the other main characters are- they need to maintain this image they have of louis as "the most privileged black man in america", an inherently sexually predatory eternal pimp, and play into this either/or idea of sexual abusers and victims as discrete categories with no overlap in order to continue rationalizing their lack of empathy for him. (even though the framing of the entire bar scene is unserious and the tone it aims for undercuts the severity of lestat's reaction on the sidewalk and grinds that emotional momentum to a halt too.) and it's so predictable that so many antiblack viewers would be emboldened to deny louis being a survivor after watching s3ep6, saying he was never molested and it didn't happen even when louis says it did, bc this episode in its narrative framing is built on denying a black woman her depth and interiority in service of her abusive white father's arc.
they really did rip so many black people off this site with that "russian bot" bullshit and people still repeat it like it isnt racist xenophobic bullshit
OK I keep seeing people refer to the Michigan parasite outbreak and then others will chime in āitās in my state too!ā so to clarify this for everyone it is a NATIONWIDE outbreak reported in 31 US states as of today, July 12th 2026. There is no reason to assume it is not present in the rest of them
NBC Newsā tally shows at least 26 states have reported cases of the parasitic stomach illness, as health authorities race to find the source
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You know, when I've remarked that a lot of the responses to my posts feel like people are just plucking out keywords they think they recognise based on the shape of them and replying to what they imagine the post says based on that, the possibility never occurred to me that this is actually how many American schools are currently teaching kids to read.
Like, my assumption this whole time has been that when folks go "I misunderstood this post that says [thing] as saying [unrelated thing] because I mistook [word] for [completely different word that happens to start with the same letter]", that was a bit. What do you mean they're teaching kids a reading method that's tailored to produce this exact error?
rolin should die for this. putting your black and brown actors in a position where they have to explain and/or break down your racist writing choices...yeah the whole team needs to go actually.
occurred to me that Jacob said he wanted Louis to garden then he asks what flowers grow at night in the last epā¦which is nice I guess but itās just another example of Louisā dialogue being in service to showcase lestatās knowledge and openness over him. then he asks if birds are in the desert??
I kinda feel that way about the Nola references - apparently in season 1 the background of Louis accepting Lestatās powers was because he knew witches and a scene where he visited one was cut. So this new thing where he is skeptical of witches is a retcon. Then we have Merrick hate him and him being a victim of familial incest - more distancing from his own home. while Lestat has a book club in Nola and is friends with Merrick.
They also cut Louis interacting with Black artists in Paris and now he has no creative interests.
the writers are so childish idk itās not even just the removal of Louisā personality and culture but the appropriation of it really is just another layer of resentment
"Louis the artist" -> "Louis the capitalist" and the writers' digust for either is palpable. They're like white dudes that bring up Beyonce when people are discussing the evils that are Bezos and Musk.
I also think it's telling that they're playing the "EVEN BLACK PEOPLE LIKE LESTAT BETTER" game, completely ignorant of the fact that Black viewers are more experienced in having to connect with white characters, in addition to it just being a middle finger to being drawn to the story because of the deliberate Blackness that was a part of s1&2.
The whole damn writers room is mad and I feel like time was wasted on them trying to attempt some getback (always the petty slights with you, Rolin Jones).
I'll stop. I already have vented about this multiple times, but I see what they're doing.
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Hello have you heard of the wonderful ARPG rougelike "Hell clock"?
No?
Well you should!
Hell clock is a beautiful game with amazing art, very stylized. Banger music. Really great Portuguese voice acting. A cool story. Fun gameplay loop. And you should check it out right now
Forge powerful builds with endless loot in this relentless combination of Roguelike and ARPG. Blast through dungeons and unleash inhuman pow
I kinda don't wanna say anything about this game cuz I want you to experience it but it's just a fun game where you descend dungeons, fight enemies, loot better gear, battle bosses, die (or the time runs out on your clock), come back stronger. Do it all over again.
If you enjoy ARPGs or Rougelikes do consider checking it out
How did you feel about Lestat and Louis talking about the Sofia or Gabriella incest? It was more than I expected kinda. But I don't know if it's good?
For me, it's a complicated moment.
I've said in a couple of posts that I find it upsetting (and telling) that the show only slows down enough to give us connection between Lestat and Louis again for the sake of shock value with the revenge porn / Claudia ghost aspects of the episode.
And to me, it demonstrates a HUGE problem with how Rolin Jones is doing this show... he doesn't want to commit to the duality of the gothic subgenre of vampirism, where seduction and abuse, disgust and desire, life and death co-exist (I spoke about Eggers' Nosferatu in comparison to TVL recently for more on that) but he also doesn't want to commit to making things 1:1 vampiric abuse = real world abuse. He wants to create violation and violence and per incident decide what he wants you to think about a character. Which is why the addition of Lestat dropping Louis like he did, and the reveal that Louis does antagonize and push Lestat, has had absolutely no revisitation or pay off this season. He doesn't care about the trial at all.
If I look at the moment for what it is, Sam Reid and Jacob Anderson have wonderful chemistry. They're both excellent performers who clearly trust each other and can be vulnerable with each other both in character and as actors. Denial and disgust fighting each other, getting defensive, lashing out, these are natural trauma responses. If they were two men doing a scene in front of me as some kind of audition or showcase, you know, great job. But unfortunately, it has this season of TVL behind it.
More under the cut, don't want to risk incest discourse escaping where tumblr does or doesn't truncate now bc this is a very sensitive topic.
Gabrielle has been reduced to a cartoon villain. The focus of the mother / son incest was not on its emotional impact on Lestat. All of it was focused on the show's man eater by way of Mario Brothers Gabrielle and the embarrassingly pointless specter of Jarda the body double. The show hasn't been grounded enough to put us in Lestat's headspace. We haven't felt the push and pull of enmeshment. There's no real emotional incest, which is always an aspect of physical incest and can exist without it, because Gabrielle is so... ridiculous. And the show's refusal to explore gender in the ways Anne Rice did does it no credit here. Sure, you can say that but in scene x Sam Reid looked sad, in scene Y he was bothered by her leaving... but there are no stakes and we're not immersed in what that feels like, so truly what is the point?
Cartoon Gabrielle weakens the entire fucking season (seriously, she's here all the fucking time when the wound is ultimately neglect and abandonment for Lestat, the point is that she USES him, even if you do a cis crime against the text) but there's also Cartoon Magnus Music Video Sexual Assault and Louis Claudia Diary Monologue that isn't even the focus or its own scene and reminds us once again that they aged up and untragedied Baby Jenks to make her an empty headed honey pot. Lestat just... wakes up in Marius' cellar, so we have no greater structure of cults/religious crisis/cultural control and we don't get any early Armand or even a reminder of what we got in the Louvre before it so ???? Also Akasha was in this season for ??? This and the throwaway reveal that Louis is molested, echoing a line I hated in s1 about a man who watched Claudia pee in the boarding house, is ??? Sexual assault is, at best, seasoning to this show. Salt and pepper. At its worst, it's a fucking joke. They seem to think it's camp to depict rape.
I think the presentation of the revenge porn leak, even if I could get behind it and tbh there's probably not a world where I do, but if I could... idk, to me that's the final nail in the coffin of Daniel Molloy's character assassination. There's nothing journalistic here, not even the bend of journalism into the interpersonal. We aren't even asked to process that he's violated so many ethical points and blown up his long career by doing this and it wasn't his discovery. Armand just told him. And Armand is... you know, there.
And outside of having to try and process this scene in that context, how am I meant to think about it AT ALL when it's followed by one of the most racist things I've seen on modern television in a long fuckkng time. Like I can't express to you how scary it is to me that this white man and his not Black writers had nappy in their vocabulary like that. For Claudia to call her life bleak because she is Black when these motherfuckers let Santiago have a little too much charm and screen time and then didn't even call it a fucking lynching!
And then to punctuate that with the beheading WHO CARES and Armand and Daniel and for SOME REASON A BAND MEMBER I DO NOT CARE ABOUT OH MY GOD I DON'T CARE ABOUT THESE PEOPLE in little Halloween masks set up to be villains of some kind for some unknown fucking reason...
It's just... it's all too unserious. The show as a whole is so ridiculous and intentionally offensive that I can't even pluck up a scene and go, wow, the great acting here made this a Good Sceneā¢ļø. Even top shelf liquor tastes weird as fuck if you pour it into my mouth after you force feed me sour milk.
And I'm not even getting into how, despite my love of how Jacob Anderson approaches the tender side of Louis and Sam Reid's ability to juggle Lestat trying to keep up the facade even as he melts for Louis, the writing is full of micro aggressions and ret cons.