ed and baby nipper for @meanmisscharles ! i am so in love with her mpreg fic, it has so much heart, gentlebeard being in love, the much needed frenchie ed friendship and the ensemble cast being all around silly. its so much fun, thank you so much for sharing it with us 💚
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THEY ARE LITERALLY TELLING YOU "OKAY, SINCE YOU DIDN'T WANT LOUIS THE SLAVE MASTER, WE HOPE YOU ENJOYED 2 SEASONS OF LOUIS THE LYING, STUPID, NAPPY HEADED SLAVE. LET US INVOKE THE SON OF HAM, JUST TO BE EXTREMELY CLEAR IN CASE THE FRIED CHICKEN REFERENCE WAS TOO SUBTLE. "
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we’ve seen a million black characters with squandered potential of course but i dont think ive ever seen something where former three-dimensional black protagonists literally haunt the screen. again just keeping black talent around to bolster a racist premise is par for the course on TV but somehow the anne rice fart universe has taken it to a new level. bc of course it has
Call to Action - Reporting Anti-Blackness in The Vampire Lestat (2026)
I'm not tagging this as "tvlcritical" because this issue goes beyond audience or critic opinions of AMC's The Vampire Lestat (TVL) also known as Season 3 of Interview with the Vampire. This isn’t a difference of character perspective, tone, “immoral characters”, “gothic fiction”—the writing in the "Montreal" episode is blatant hatred for Black people.
What happened?
The episode titled "Montreal" aired on Sunday, July 12, 2026 with Kevin Hanna and Ryan Kattner credited as writers; the rest of the writer's room consists of Rolin Jones, Hannah Moscovitch, Jonathan Ceniceroz, Anusree Roy, and Daniel Hart. There are zero Black writers on TVL.
3x06 is violently and proudly anti-Black, full stop. The language written and greenlit by AMC was racist, full stop. The Black actors—Jacob Anderson, Delainey Hayles, and Sarah Afful—are not responsible for the script written by a non-Black writer's room. These actors work in a deeply anti-Black industry and have to navigate the ever-present threat of being fired and/or blacklisted for any "flaw" in their performance and conduct on set/in promotional materials or events.
There is zero excuse or justification for the anti-Black language used in TVL to date. We cannot allow this hatred to be met with silence.
What can I do?
Report this episode to the National Association for the Advancement of Colored People (NAACP) Hollywood Bureau which specializes in anti-Blackness in television and film. Important details to include is the writers, episode release date, and the racist material in question. All of this information is available under the cut.
Emails to the NAACP should be addressed as "ATTENTION: Report, Hollywood Bureau" and sent to [email protected]
Emails to AMC can be sent to three TVL-specific Public Relations contacts:
The choice is yours, but I will personally be copying the AMC contacts on my email to the NAACP. This is a serious matter and it needs to be treated as such.
Many thanks to @dulacloverboy for pulling contact info together for the NAACP and AMC <3
AMC Network’s “The Vampire Lestat” (2026) episode titled “Montreal” aired on Sunday, July 12, 2026.
Credited writers are Kevin Hanna and Ryan Kattner. There are zero Black writers on staff for "The Vampire Lestat".
The "Montreal" episode included the following language:
00:44:24 - "'Cause there's a little etching on your ribcage says you're a 'slave'."
00:45:10 - "Get this into your nappy little head."
00:46:08 - "How I ginned up the train for the slave, here."
00:47:27 - "The one good thing in my bleak, Black life."
My email was long, cuz I also described in detail and directly linked them to additional receipts about AMC's racism, including:
the racist AF Trail and the insufficient language minimizing it as a "stoning" when Jacob explicitly called it a "lynching". Because the context of Claudia's death directly plays into just how egregious it is for her ghost to be using antiblack racist slurs against LOUIS, meanwhile her WHITE father who HELPED her get LYNCHED gets off scott free?! Make that make sense!
AMC's pisspoor racist AF marketing sidelining the Bipoc cast (with links to all the wild ish Mark Johnson & Kim Granito & Hannah Moscovitch said to downplay the Bipoc cast's importance and distance themselves from the Bipoc fanbase in order to pander to Heated Rivalry's predominately-white fanbase instead)
Let the NAACP know ALL tea, everybody. Cuz this ish has been going on for A WHILE.
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I'm not even kidding it's so clear that everyone sees black people and especially black women as some sort of alternate species. I'm getting into doll collection & customization videos because I've been getting into collecting myself and toys and art are supposed to bring me happiness and even there I can't escape the anti blackness. Like... you're lucky if you find a character or doll that's consistently brown skinned and carefully designed in popular brands. Collectors will always favor light skin or fantasy colors anyways. I had to watch a white creator call a custom Garnet doll "dummy thicc" and describe her in progress proportions as "female rappery" why couldn't just have said curvy? You're not funny or cool and I'm very tired
Another reason I'm done with IWTV/TVL is the fact of fans being spoonfed "A CHARACTER IS CHANGED COMPLETELY FROM THE FIRST TWO SEASONS AND YOU SHOULD ACTUALLY HATE HIM NOW. YOU SHOULD HAVE ALWAYS HATED HIM. WHY AREN'T YOU HATING HIM? CONSISTENCY IN STORYTELLING IS FOR LOSERS, NEVERMIND THE PREVIOUS SEASONS IT WAS ALL NAPPY HEADED LIES FROM THE MOUTH OF A SLAVE!" and just happily swallowing and asking for more, because that is the message of s3 TVL.
Nope - "the character is horrible because I saw it on my screen" is succor for those that are Tale Seduction Intolerant.
hhmm if this was really, truly about giving Claudia a voice, or adding more depth to her character, or more complexity to her relationship with Louis and/or Lestat, or closing out Louis' grief arc
they would've told us what she apparently changed (did the train scene happen at all? if so, what was said?) and why ("to make Louis leave" - yes, but what did she think would be the motivating factor? fear for her safety? desire for her freedom? guilt that he's being used as the justification? and why did she really want him with her when she can operate alone?)
instead, it is transparently an attempt to soften the racial commentary and abuse this show depicted in season 1 with the slave-catcher imagery of the train scene, with Claudia referring to Lestat as "Massa" and saying to Louis, "we are his slaves and i will free us both"
if it was at all about Claudia - and in an act of supreme irony, it is very much not about Claudia - the focus of the seance wouldn't've been on her supposedly dressing up the train scene with runaway-slave imagery, or on her saying that Louis is inherently a slave (which...sorry AMC, even if I could swallow that she'd say that specifically - "it's in the book" is not really true and does not justify this choice either way - you can't have a slave without a slave-owner, so you haven't even achieved your goal of 'freeing' Lestat from the commentary that makes you so anxious and uncomfortable. unless they're trying to say that Claudia is the slave-owner? jfc).
if it was about Claudia, the focus would've been on properly unpacking any one of the million very legitimate grievances that she had with Louis and Lestat. we had a few bites of interesting content in that scene, but it should've been a Claudia-centric feast.
it's cowardly and it's racist. yes, you can make it work with Claudia's characterisation if you're motivated enough, and yes, you can find a way to rationalise it with the show's plot to date if you have to.
that's not the point, though. the point is obvious.
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