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Not today Justin
I'd rather be in outer space 🛸
DEAR READER
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2025 on Tumblr: Trends That Defined the Year

if i look back, i am lost

shark vs the universe

ellievsbear
we're not kids anymore.
Mike Driver
occasionally subtle
YOU ARE THE REASON
d e v o n
almost home
trying on a metaphor

#extradirty

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Kiana Khansmith

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@clockwerksorcery-blog
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Liberty and Justice for All
In past years I posted excerpts from the Declaration of Independence on July 4. But I’m not feeling it this year.
I am old enough to remember the Bicentennial observations in 1976. There were celebrations and commemorative events around the country, not just in Washington. Most notable was the flotilla of tall ships sailing into New York’s harbor. There were historical programs, “Bicentennial minutes” on TV, and decorations on local public buildings and fixtures, right down to red-white-and-blue fire hydrants. At noon on July 4 we went out on the streets and rang bells.
The mood of the country is different now. There are fewer events for America’s 250th birthday and the crowds are smaller.
That’s not to say things were better in the United States 50 years ago. The divisions of the Vietnam War years had not healed. There were plenty of people who thought that some Americans should be second-class citizens based on the color of their skin or their gender. Gay, lesbian, and bisexual people could rarely live their lives publicly. Transsexuals (the term used at the time) were even more oppressed.
But in some important ways things are worse today. There are many who maintain that some Americans shouldn’t be Americans at all, based on where their ancestors came from, how they speak, or how they worship. The gains that racial minorities, women, and LGBT people have made since 1976 are uncertain and under threat. And there are still those who think their wealth buys them more privileges than everyone else.
When I quote from the Declaration, I have to omit the slur against the so-called savage Indians, which decries their cruelty in warfare, when in fact everyone is cruel in war. And I have to talk around the fact that many of the men who signed it were slaveholders and the rest condoned slavery. When they said that all men are created equal, they really meant free white men, primarily landowners. But they used broad, general terms for their stirring rhetoric. Later generations found inspiration in what they wrote that went beyond what they really thought at the time.
So this year I am quoting from a later and much shorter document, the Pledge of Allegiance. Its last line, “with liberty and justice for all,” has never been a true description of what we actually have in America. But it is a plainly stated, unqualified goal that we should strive for.
This Independence Day, I call you to join me in opposing anyone who wants to make liberty and justice available only to some.
The Black Sun, Bill Mayer, 2017
Gouache, with gold leaf, on watercolor paper
This is what I've been saying!!
The Big 3 - Original films, not remakes or sequels
Well, it seems we definitely have a Big 3 among horror fans in 26! Backrooms, Obsession, and Hokum are the contenders so far this year. We may have more yet, but this brought to mind the last Big 3 that I can remember 12 years ago when we got The Babadook, It Follows, and, my favorite of the 3, Starry Eyes...
I was a really good audience for all 3, but I nitpick so... I thought the electrocution scene in It Follows was kinda, "huh? Nahhh!" and the kid in The Babadook just irritates the piss out of me.
I didn't have any of those issues with Starry Eyes.
Still, even though it was def Big 3, I think it was the most underseen.
How about you?
Did you catch this one?
How do you rank the Big 3 of 2014?
Starry Eyes, Babadook, It Follows
Starry Eyes, It Follows, Babadook
Babadook, Starry Eyes, It Follows
Babadook, It Follows, Starry Eyes
It Follows, Starry Eyes, Babadook
It Follows, Babadook, Starry Eyes

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Friendship is magic!!
Never seen a betentacled, suspendered gentleman and a wooden man in a clown suit poorly spin and spit fire while a burlap pumpkin masked serial killer plays the bongos behind a bloody mannequin torso? Well watch this and you won't ever be able to say that again!
This is a clip from the now defunct Dark Carnival Film Festival. Like its name suggests, we put on side shows between the screening blocks. In this video, Basement Boy plays the bongos while Woody and Dr. Calamari (yours truly) of the horror host show Atomic Age Cinema! play with fire and endanger the audience in a decrepit theatre... ok, a nice theatre, but go with me here.
I was just digging through vids for other purposes, found this, and thought I'd reminisce and share with y'all. A handful of others and myself ran the fest, which was international, for 10 years. I got to see a few thousand horror films, shorts and features, from all over the world. There was a lot of shit, but I'd be lying if I said we were able to have enough time to screen all the ones we wanted to. That's incredible to me. I'm so grateful to have had that opportunity.
We had multiple days and multiple venues the first few years. Some of those places are gone, some have restraining orders against us, and the rest would never let us do today the things they let us do back then.
Some other time I'll tell you about the Brenna Lee Roth - David Lee Roth - Ron Jeremy - Starlight Drive-in debacle. Right now I really ought to finish what I was doing in the first place.
North American Cryptid Museum.
Plano, Texas.
Just look at them!
North American Cryptid Museum.
Plano, Texas.
Road trip!!
The people have spoken! Thank you to everyone who participated! I'll post an update when he gets cleaned up from his current situation...

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This is an article I wrote in 2018 that I just thought some of you might enjoy. Some of you might not. I've seen some AHS posts recently so... seems relevant...
HORROR FILMMAKERS! PLEASE STOP DOING THIS!
Veronica Critique, AHS Coven Critique, Advice for Filmmakers
The short rant: If you are going to use a magical symbol that you did not create yourself, don't assume your audience won't know what it is. If you are still going to use it, do your research and use it in the correct context.
The long rant: The following are my honest reactions as an occultist to three different scenarios involving your horror movie:
1. You've made up a cool demon, created your own lore, and designed your own symbols.
Me: This is really thought provoking. I've never heard of this being. I want to know more.
2. You've chosen to use accurate representations of existing magical elements in a reasonable context.
Me: Wow! Something so rare! Wonderful!
3. You've chosen to not care if your symbols match your spirits because magic symbols = spooky demons, right?
Me: Damnit! Who are these assholes?
Don't misunderstand, I love a lot of 20th Century horror movies that misuse occult symbols and/or turn demons to purposes antithetical to their mythology. It's cheesy. It's fun. It's fucking quaint. Here in the 21st Century though, access to nearly all the knowledge that has been recorded in human history is at our fingertips. Traditional books of the Occult aren't really even occult anymore. They're available to anyone with the technology to download a pdf.
Now, horror filmmakers, I ask you, what demographic of people is likely going to be the most interested in googling that shit?
I'll give you a second...
That's right. Your specific audience. The horror fan.
I will say I love Satan, always have, but I'm pretty sick of seeing him around. I mean, bad ass villain, but also the most played out in all of horror history. Oh man... look at that... this is really interesting... I wonder if... nope, it's Satan again. Aw Christ! I'm always glad when it's not Satan.
But when it is Satan, it's ok to call him Satan. Although, you could probably get away with more by just saying 'The Devil'.
Still, there are plenty of other demons and arcane spirits out there that could be perfect for the job, if you don't want to make up your own. Also, it's fine to have eclectic sources or to mix cultures and magical systems together, but once you've set the rules for your film, stick to them.
As an example, I just watched that Spanish film, 'Veronica' that was getting the hype. Pretty decent, maybe not up to the hype, but what is?
For this film, they used a Norse Vegvisir, for protection, and an altered seal of Asmoday from the Goetia (Lesser Key of Solomon) for a demon 'named' Rossiaxp (maybe?) (not an actual goetic demon name) in a booklet that comes with an Ouija board. A 15 year old girl buys it and accidentally conjures a demon (Rossiaxp?) that sort of possesses her. Would it have been better if they'd just made up their own symbols for their own made up demon? Probably, but it's not that important here. It has its problems, but this is not one of my grievances against it really, because context. They could have used a bit more background, but the only thing close to purporting expertise in occult knowledge in this film is a 20 page booklet from a Spanish gaming company. It's not some dusty, ancient tome.
It's not the same as say, a semi-immortal, lifelong practitioner of Vodoun trying to call you with someone else's phone number...
I admit that it is a somewhat disgruntled fanship that sparked me into writing this. It's been bugging me for months since I watched the most egregious offender in recent memory.
Season 3 of American Horror Story: Coven.
Man, I was into it. They had a great 'historical characters in a fictional setting' thing going. Then they show Marie Laveau busting out the veve of Maman Brigitte all over the damn place and I'm like oh shiiiit! How perfect for this! I can't think of a time when she's ever even been brought up in a film!
(Well, maybe Serpent and the Rainbow, but they didn't call her by name – which was confusing because like who's this zombie bride chick with the snake shooting out of her mouth supposed to be?)
But now they are going to do it in this show with its excellent, largely female cast and they've done such a great job with the design of the show and she's gonna be so fucking boss when we see her! Stoked I tell you!
Oh wait... who is... ok, well that's an interesting take on Bawon Samedi... kinda cool, I guess, but I wasn't expecting him... I mean, he is her husband and all that, but then why didn't they just use one of his veves in the first place?
Papa what?
Papa Legba?
That's not Papa Legba.
What the shit is this? I thought you were going for authenticity. You're telling me that no one caught this? No one did a google search?
Damnit. That's really irritating.
It didn't have to be this way. You clearly looked up 'voodoo symbols' and picked one with a heart in it because girls. 10 more minutes of research and it might all be different.
This is not even the sort of thing you would even call Papa Legba for.
YOU might call Papa Legba if you needed some permission or an introduction to another Loa, but, absolutely in this context, Madame Marie Fucking Laveau certainly would not.
Are you trying to offend actual practitioners or are you trying not to? Are you trying to make sure you don't conjure any real spirits? Or is this some appeal to a nostalgia for the way 20th century occult movies usually fucked shit up? If that's the case, I gotta say that I think you're trying for too many levels of intellectual and stupid at the same time.
Is there something I'm not getting? What are you saying? Why did you do this? It could have been so cooooool!!
Now, if you're a larger production like AHS with a guaranteed market, maybe you feel most people aren't going to know the difference and, for now, you're probably right... but if you want to keep on making that cheddar, you're gonna have to do better.
To my indie fam, please listen... when you do it wrong, you run the risk of not only alienating or disappointing the viewer, but even worse, lessening the credibility of your tale and all your hard work.
Unless you think the internet is just a fad or that people are soon going to lose their desire to criticize, do your fucking research.
Hell, if you're just not sure after you've made a serious attempt, ask me.
Spindlebone is taking on a few new band members for the next album.
Currently conjuring this beast. Kind of a cross between Leadbelly, Tom Waits, and an ant who doesn't believe in colonialism.
He'll be dressed in jazz finery... good suit for a swamp shack, stylin, but tattered... maybe a fedora or a bowler... not a trilby...
Wuddya think? Also...
What's his name?
Van Zant
Bugsy
Durant
Durant Durant
Sly Chain
Snout Thompson
Boku Nux
Other
How could I not?
Y'all know about Channel 42?

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Art by Luo Li Rong
Stunning!!
Frog's Breath from Spindlebone's Video Decay: An Experience Which Will Seem Completely Real. The original version of the song appeared on our 1st album, Beats In The Witch House
The video utilizes degraded footage from educational films on the life cycle of frogs, as well as pieces of La Grenouille (The Frog), a 1908 silent short film directed by Spanish filmmaker Segundo de Chomón, known for its pioneering hand-colored cels, stop-motion effects, and surreal scenes, heavily influenced by Georges Méliès. We're told the overall effect of the pairing is rather unsettling.
Were you familiar with La Grenouille before you saw this video?
YES!! I love old, silent, experimental films!! Especially put to new music!
Yeah, I think... didn't this inspire Lady Gaga to do something or something?
NO!! Thanks, Spindlebone! The more you know, y'know!?
Nope and I didn't watch the video so... raspberries to you, you old witch!