tag flashing lights. tag pulsing lights. jesus chr
@clemmington
[header id: a line of cutesy or floral stamps with lighter colors. /end id] [icon id: trainer rosa smiling with hearts around her with the trans flag overlayed. /end ID]
[ID: two stamps of trainer rosa from the pokemon bw2 quiz book showing her excited with hearts around her. in the first she's hugging an abra. /end ID]
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[ID: various low opacity pride flags edited to say "i don't know how to explain to you that you should care about other people," with each word capitalized. the flags are: trans, intersex, transmasc, transfem, nonbinary, and xenogender. /end ID]
[ID: Digital art. The first panel shows black tree branches framing the full moon and white stars in a dark blue sky; the second shows dandelions with golden cores, the white puffs almost glowing against in a dark field. End ID]
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Grace and Rocky, giving a tour of the Hail Mary to fascinated Eridian scientists and diplomats.
Pointing at things and explaining what they are and how the ship works, lots of awed and appreciative noises are made.
Until one of the visiting Eridians points out a specific item. “And that?”
It’s a strange, circular thing, a xenonite disk mounted upright on some sort of pivot so it can spin freely, but around the edges it has… spokes? Pegs? Sticking out of it, that hit against a stiff flap that would slow down the spinning.
It is also separated into sections decorated with crude etchings of a human and an Eridian.
“Ah,” Grace says.
“That,” Rocky says.
“That’s. Um.” Grace seems somewhat embarrassed. “That’s the sacrifice wheel.”
The Eridian visitors clearly do not know what to make of that. “We think we misunderstood Savior Grace’s word,” they say, apparently hoping this is a vocabulary mix-up. “Explain (question, polite)?”
“Didn’t misunderstand,” says Rocky, sounding very sheepish. “That is sacrifice wheel.”
“So. While we were on our way to Erid, we might have gotten… anxious about each other’s well-being,” Grace says, which everyone is already very aware is a wild understatement. “And, well, you heard what happened at Tau Ceti, and after. There were a lot of unexpected dangers for the whole trip that required a lot of, at least, attempted self-sacrifice to solve. We ended up almost dying for each other several times. And we had an argument about what we’d do if another crisis like that came up. And we couldn't agree.”
“Grace argued that Grace already was unlikely to survive long-term on Erid, so he should be the one to do any potential deadly but necessary maneuvers to make sure I was able to bring taumoeba back,” Rocky says.
“Which made sense.”
“Did not make sense! Grace already sacrificed so much for me and for Erid, wouldn’t be fair to make you do it again—“ Rocky cuts himself off with a huff. They have obviously had this conversation before. “So sacrifice wheel was compromise.”
“Yeah,” Grace says. He spins it to demonstrate; it whirls around in a blur and a rattle of the flap hitting the pegs, then eventually slows down, and stops—pointing at the segment depicting a very bad but very clear image of an Eridian. “Rocky made the wheel, I spin the wheel, and whoever it lands on, that’s who gets to sacrifice themself to save the other and the other person does not get to argue. This way, we wouldn’t waste time debating who does the self-sacrifice and who survives, it’s just a plain fifty-fifty chance. Or, eighteen-eighteen chance in base six. But the point is it could be either of us and we would have to accept the outcome.”
Rocky started fidgeting while Grace was explaining. When Grace finishes, proud of the equitable solution they came up with to allow them to die for each other fairly, Rocky says, “Now that we are back and we don’t need sacrifice wheel anymore… I have confession to make. About the wheel.”
“What about the wheel?”
Rocky doesn’t answer. Grace frowns, first confused, then suspicious, and spins the wheel again.
It lands on Rocky again.
He spins the wheel again, and again, and again, and it lands on Rocky every single time.
“Rocky!”
“I weighted the wheel,” Rocky admits.
“Rocky the whole point was that it was equal, that was why we even made it—“
“Never was necessary so doesn’t matter anymore!”
“But you WOULD have!”
“And you never noticed because you were hungry and cranky and distracted and so would have done bad job on heroic self-sacrifice anyway!”
“I would not! I would have done fine!”
(The Eridian scientists and diplomats are still here watching this btw. Slowly dawning on them that 1) these two are extremely not normal about each other 2) if Erid ever does another space mission they NEED to send a therapist aboard because this is what happens when they don’t)
I don't know how to articulate this well, but I really fucking hate the way a lot of thin writers write fat characters. Like how men write women "breasting boobily" there is something so dehumanizing about how fat characters are often written. "He waddled", "he lumbered", the writer of the book I'm reading always mentions this characters "fleshy hand" when he does something with his hand. Like, we already know that he's fat. There is no need to describe everything he does as "doing it fatly".
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[ID: Acrylic painting of teal and blue clouds in space, spattered with lots of gold-glimmering stars. A shooting star is in the center as the focus of the piece. Artist’s signature reads “Antonio Tonelli - 04”. End ID]
[ID. A photo of a white t-shirt being worn by a person. It has a graphic of the world map on it with text underneath reading “the world’s greatest planet on earth”. End ID.]