after a couple hours chopping dried sea urchins into tiny pieces with a razor blade you start referring to the razor blade as yourself in your thoughts. a little while afterwards you'll inevitably think something along the lines of "i'm getting a bit dull, i'm going to have to throw myself out & get myself a new self" at which point your internal monologue has pretty much returned to baseline
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after a couple hours chopping dried sea urchins into tiny pieces with a razor blade you start referring to the razor blade as yourself in your thoughts. a little while afterwards you'll inevitably think something along the lines of "i'm getting a bit dull, i'm going to have to throw myself out & get myself a new self" at which point your internal monologue has pretty much returned to baseline
This happens with mobility aids too. I bump into shit with my forearm crutches and say "ow" before I realize those are not, in fact, More Legs. Then when I get up and try to walk without them for a second there's a moment of feeling like a dog walking upright
My first time operating CCTV cameras I was handed control over what was essentially 50 independently moving eyes that collectively covered an area about the size of a football field and from that experience I now know that
Suddenly having 50 moving eyes can make you disoriented and barfy and the adjustment period sucks ass
It takes both more and less time than youโd think to figure out what the structure as a whole looks like and where those eyes ARE
After you get used to it the entirety of the structure itself and all of the eyes you can see from feels like an extension of your nervous system in a very bizarre way. Like I have dreams now from the perspective of A Building and Iโm not sure how to describe that.
Once you are aware of an unreachable blind spot it nags at you constantly and you can feel it like a hard little lump under your skin you need to poke and scratch at and itโs ardghgguychgghhbhhhbhhh
And on top of that, having operated CCTV at multiple locations now- my favourite and most comfortable one having excess of 60 cameras- it can be REALLY hard to suddenly jump to a different operating interface and display configuration, because all the muscle memory is wrong
On my COMFORTABLE system, the one I spent the longest time on, I never had to think about what code I needed to punch in. If I needed to watch a specific person, I could follow them all over the site without thinking about it.
Now at a different location, all the manual equipment and codes and lag and resolution are different, and it feels like going from playing the piano to driving stick shift on the left side of the road with my feet
The closest I imagine I can equate it to is like. Getting really really good at painting with a pair of prosthetic hands, and then suddenly having them swapped out with someone elseโs
Discourse topic #137: if I write a story about a human and a space alien having sex, but the space alien's version of sex is so esoteric that the human is literally incapable of understanding or experiencing it as such and therefore cannot meaningfully consent, do I need to tag for noncon?
Is the sex an activity comprehensible to humans, that the human doesn't experience as sexual? E.g. sex is some kind of elaborate ritual that involves walking behind a waterfall 3 times with a sacred flame and then whacking each other with pool noodles. In that case, it's a matter of whether or not the alien discloses that it's a sex thing.
Or, is it an activity that literally can't be explained to the human beforehand because there is no human analog for it? In this case, the human can't consent to the activity because they can't comprehend what it is.
I think it could be further subdivided based upon whether the problem is an inability for the alien to explain/communicate the activity itself, or an inability for the alien to explain/communicate what the activity means.
Wait, is that a further subdivision, or did I just say the same thing twice?
I mean okay, I think "inability to explain/communicate what the activity means" might refer to a couple things as well: either the inability to communicate that the thing is a sex thing from the alien's POV, or the inability to explain/communicate what it will or might feel like from the human's POV.
The first one would be like the pool noodle situation above, but the second one would be like, something incomprehensible happens that is experienced as intimate or potentially violating.
I think you can consent to something that can't be fully explained in advance.
If the alien says "This is a sex thing to me, and i cannot describe how it will feel to you/in your language, but it is intimate/intense/potentially violating", then it's perfectly valid consent to say "Go ahead anyway, I'll stop you if I don't like it."
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Forests are sacred things. As humans, many cultures have grown up side by to side our local forests, creating an extensive connection we hold to the wilderness, whether it be the biodiverse rainforests of the Americas, or the twisting wetlands of the United Kingdom. Despite how much of our history is tied to the woods, many of us now grow up completely detached to the environments that still find their place in our everyday life.
I love worldbuilding forests. The forest is a liminal space. It is the entryway to the world of fairies, the dark and mysterious home to the wolves of old fairytales, and a source of life to Native American tribes that looked upon the stars and told stories to one another with the forest animals as their characters.
To this day we rely on forests all around the world. Despite the fact, that they're diminishing in territory, without the forests our planet would die, depriving itself of oxygen. We would have no paper and no wood. We would lose a variety of food sources. We would lose precious shade that protects our dirt. We would lose the anchors that keep our waterline cities from flooding.
These are things I think of when creating a fantasy forest, because I am possibly creating the source of life to a civilization, or the stage to a great story.
A Source For Everything
Compared to certain sections of deserts, mountains, and plains, the forest has more unique resources to human needs. Rivers, bayous, lakes, springs, and wetlands provide water. Trees provide a versatile material. Berries, fruit, herbs, and even certain roots provide forgeables. Lots of animals provide food (or even show potential for domestication). The forest canopy provides shelter, although not perfect.
When worldbuilding think about what resources are found in the forest you're building.
Food for thought
Animals to hunt
Valuable prey animals
Berries
Hanging fruit
Edible roots
Edible seeds
Rivers
Lakes
Cave entrances
Herbs
Flowers
Thatch/Weaving Material
Wooded Trees
Fish
Birds
Insects
House/shelter integration
Local tribes
Trails/Trade Routes/Nomadic Locations
Danger Lurks
It's reasonable to see why so many forest-savvy cultures have passed down tales that tell of mystery, terror, and danger in the woods. I mean listen to the stories that Slavs, Scandinavians, and Native Americans have to tell. The Appalachians and Russians have posted plenty of videos in the pitch black of night seconding this.
Don't get me started about central African cryptids and folklore puh-lease.
Obviously, the wilderness is dangerous. It's easy to get lost, and its easier dying while lost than most would assume. Where there's prey there is predators, both animal and human.
Food for thought
Dangerous Fauna
Folklore & Fairy Tales
Trade Routes
Dangerous Flora
Environmental Dangers
Temperature
Seasonal Weather
Megafauna
Aquatic Predators
Apex Predators
"Do Not Enter"s
Monsters, Legends, & Cryptids
Hostile tribes/villages
Outlaws & Bandits
Magic in the Woods
The woods is a liminal space, a place to pass through, brimming with the magic of the natural wilderness. Because of this, we related to the forest to mystery and fantasy.
Food for thought
Does the forest have any magical properties?
Do people frequently go missing?
Are there any legendary beasts or monsters residing in the forests?
Are there any infamous people/families in the woods
Do adventures go on quests here
Is there any abandoned buildings?
Is there any dungeons or ruins hidden in the forest?
Do merchants pass through frequently?
How dangerous is travel through the area? Does it change seasonally?
Do magical creatures liv in the forest? If so what role do these creatures play?
Does anything protect the forest?
Nymphs, fairies, druids, treants, gnomes, pixies, sprites, elves, satyres, deerfolk, any other classics?
coworker and i were going back and forth with inappropriate, grimderp 40k humor. i mention kriegers under the bed. he shows me this, waiting expectantly for my soul to crumble. it was on my mind all day. amazing story, just fucking devastating. fucking salamanders, what did you do to my heart?
it's funny, with just the first 2 panels it can still be played for laughs by keeping the emotion at a distance. then the rug is pulled out from under you and you're beaten not with the rug but a hammer.
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