it's a rubbish day, so here is Ncuti Gatwa looking beautiful with his ballet arms in rehearsal for The Importance of Being Earnest
📷: Marc Brenner

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he wasn't even looking at me and he found me

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@clarasteam
it's a rubbish day, so here is Ncuti Gatwa looking beautiful with his ballet arms in rehearsal for The Importance of Being Earnest
📷: Marc Brenner

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Remember when we said ‘oh Russell wouldn’t bury his gays’ cool cool now the whole show is in the hell dimension with our pookie 🤷🏼
Well, then.
The first time they meet Garak is immediately fantasing about taking Julian on a honeymoon to his beloved home country okay Garak
Good god who wrote that
Thinking about drink symbolism in Deep Space Nine. The most famous, of course, is root beer, and how it serves as a shorthand for insidious Federation soft power; but then there's also kanar, which gets used to symbolize Damar's moral degradation; raktajino, which symbolizes getting to work / business as usual; bloodwine, which symbolizes the bond between Klingon warriors, and between Worf and O'brien; red-leaf tea, which seems to have connotations of smug Cardassian feelings of cultural superiority; scotch whisky, which emblemizes the friendship between Miles and Julian; probably others.
Yum, very nice. Raktajino always symbolises multiculturalism to me. And a little of the accommodation of root beer. Rokassa juice is what kids drink when they’re off school sick.
Dont forget the gay symbolism and phallic imagery of that kanar bottle in 'The Wire'
Once seen never forgotten
Ive noticed this trend with queer characters lately where writers use martyrdom and self sacrifice as a way to use the bury your gays trope but at the same time say its not bury your gays because the character(s) chose it and i dont like it

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*sigh* fine, fine, i'll be the new doctor who showrunner. bring me two twinks, britain's tallest woman, and 1000 pounds worth of alumininamian foil
out: Cassandra of Troy speaking in mysterious metaphors and oracle verse
in: Cassandra of Troy talking like uncle Colm from Derry girls so she’s so boring that nobody takes anything in
im sobbing op
best joke in the episode, possibly one of the funniest lines russell t davies has ever written
I am so charmed by how tumblr-esque dorothy l sayers' way of expressing her fondness for her hero is. she truly was spinning that guy around in an anachronistic microwave and chewing on him and beating him with hammers and biting him biting him biting him and so on with the greatest affection imaginable fr fr. she may have been vastly more articulate and educated than I'll ever dream of being and I respect her writing skill immensely, but blorbo brain recognizes blorbo brain across the ages too. she literally starts out at 'he's like a little worm ❤️in a top hat :)' and only keeps going from there and it's glorious. tell me that descriptions like 'he looked, with his long, narrow face, like a melancholy adjutant stork', 'true, he is all nerves and nose --' and 'he was a colourless shrimp of a child' are not in the same literary tradition as, if removed in time from, the modern tumblr idiom for blorbo appreciation. you can't. I'm right about it. anyone can give their hero hard grey eyes and ptsd but it takes tumblrina instincts to also repeatedly liken him to a bewildered heron
I watched Our Man Bashir and, giving I wanted to make a drawing immediately afterwards, I really liked it

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The reason I reached for genre romance novels for Star Trek is Ive read so so so many of them and I know roughly how most of them convey something about the culture that produced them, in content and structure and what it means for what a culture values in a partner, and in themselves. It’s somewhat easy to use the scaffolding I already know to use existing genre conventions to explain something about the aliens in Star Trek.
I have not read enough murder and thriller novels to articulate what the genre is establishing about culture and values so I can’t be like ‘this is the dime airport novel about women getting sexy murdered but in Vulcan’ because I don’t know which genre conventions are load bearing and which are just more traditional. The murder mysteries i HAVE read are literally just Agatha Christie and maybe a handful of others that are directly inspired by her. I’ve watched a lot of murder television, but that is nottttt the same medium.
Bringing out those tags because so, so interesting, perhaps one of my favourite things, to mess around with patterns of story*. When I sat down with Spock to transcribe his autobiography, we came up with a form for what Vulcan memoir might look like, which he subverts. (There’s some of Sarek’s poetry too.)
Meditations on a Crimson Shadow is described as being set during a future war, so is a Cardassian sf novel. I figured it would surely, at least superficially, tell the story of Cardassian supremacy and permanent conquest, like Orwell’s boot stamping on a human face forever. Except maybe if you were reading it in the basement of your father’s home as your whole civilization implodes around you. Then I thought it might read differently. Or at least you would start the previously unimaginable work of imagining differently.
If historical fiction tries to reconfigure what we think was possible for people in the past, sf tries to configure what we think can be possible to us in the future. They feel very close, in my mind. Can we find sources or traditions in the past that give us succour or hope? What visions of the future are available to us, or do we need to imagine, and how do we map our way there? I think about these things all the time.
Walter Benjamin, On the Concept of History, VI
* Patterns of Story was the title of my MA creative writing module where we read 6 novels and mucked around with them in as many ways as possible. This week we’ll go through one scene in Madame Bovary and see how meticulously it’s constructed. This week we’ll read some post-apocalyptic Kentish dialect and I’ll do my party piece from Ulysses. This week I’ll tell you why Moll Flanders is like the Doctor Who Hartnell-era story “The Sensorites”. This week I’ll explain what I think are the two distinctive modes in the crime novel. And this week we’ll read a modernist novel that you’ll doubt at best or hate at worst but ten years later you’ll email me to ask the title because you haven’t been able to get it out of your head. I loved teaching that class. What an amazing technology novels are. I really do like them, probably nothing nicer than novels.
Oh, just to add that if we go with Harold Bloom (wait! come back!) and read Shakespeare as "inventing" the human, then Garak's blustering that Shakespeare is rubbish and pointless can of course be taken as yet another crock of performative bullshit - not only does he QUOTE HIM TO TAIN (let me throw words learned from my beloved in your fucking face), but Shakespeare represents his encounter with humanity by which we mean Bashir by which we mean the crumbling of Garak's belief in Cardassian supremacy. Shakespeare by which we mean the human by which we mean Bashir rewires (see what I did there) Garak's brain to such an extent that I would not be surprised if Garak regularly catches himself thinking in blank verse.
I feel like we have to consider the fact that when it comes to Cardassian art, Garak might be an intensely unreliable narrator.
Cardassia is a fascist state with state-sanctioned art with a clear ideological thrust, and Garak, at the time he is introducing the "generational epic" to Bashir, still considers himself a Cardassian patriot, a loyal son who is duty-bound to promote his cultures superiority and shining examples of science and art. He is presenting to Bashir mainstream, sanctioned, SAFE Cardassian art.
But the thing with regimes like that is that they ALL have burgeoning underground arts scenes.
The Soviet Union had a robust network of underground musicians, whose recordings were passed hand-to-hand on really shitty copies of copies of copies made by fans. China had a whole genre of speculative fantasy and science-fiction writers whose work is largely lost now but were, again, passed from hand to hand among fans. It was considered "acceptable" for young men who were proper paid-up party members to be exposed to some of this stuff in their youth (you will note that even the fictional totalitarian society shown in 1984 has a place for bohemian poets that the state doesn't crush) and what would happen is that yesterdays underground artist might become tomorrows icon as a generation of fans exposed to him at a young age took their places within the power structure and decided he was now acceptable.
Garak is showing Bashir the public, approved face of Cardassian art, which he finds dull because of course he finds it dull, its state-sanctioned nonsense meant to uphold the tenets of "your first loyalty is to the state, the second is to your family, which serves the state eternally." I absolutely guarantee you there's a bunch of banger shit being hand-coded and played in filthy back-alley holosuites that Garak was exposed to as a young man (Tain would have made sure his son had a broad education and exposure to what passes for the liberal underground on Cardassia so he could better understand and fight it) which he would never show to Bashir.
Mmm yes this is all delicious. It is my headcanon that Garak wangles himself a gig in the Order that involves assessing writing for sedition. You know, to better serve the State.
Happy birthday, Judy Garland (b. 10 June 1922)
Was Julian Bashir robbed for the Carrington?
Yes, his work on biomolecular replication was both audacious and groundbreaking
No, his nomination was premature
Other answer
Give the boy his prize
Fumbling Ncuti is actually so upsetting he should be put in show runner jail for a bit
I want a gay Sherlock Holmes. Like actually gay. Not gay in the sense of "your welcome to view John and Sherlock's relationship that way ;)" I want slow build over a season with a passionate love confession in the pouring rain and then a long kiss. I don't want fanfic. I want canon it's on the screen and impossible to deny.
It doesn't need to be Sherlock, it can be two gay detectives that are cute and soft while solving murders. I want one to make breakfast as the other goes over nasty crime scene photos and eat their oatmeal like they are browsing the morning paper and the other joins in with their eggs and toast.
I just want two gay people solving crimes and being wholesome, is that too much to ask for?
It is pride month and I am once again making my demands.

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This was on a post about how it's ignorant and privileged to wear headphones in public and I fear its already become a part of my vocabulary. Must everything harbor a moral failure.
Cold Heaven
This man has his own agenda when it comes to people like us. He’s more likely to recruit you… Garak and Bashir, on Starbase 375. Set during 'Favor the Bold'.