BRENDA WALSH

 Eris, Hades and his triple doggo + a ton of other arts I’ve drawn in the past couple of years Hades and Eris: chillin’ like a villain  - a new art for the collection >:)

I wrote this on Reddit and have been meaning to bring it over here. But commenting on @elizacinnamon's tumblr is what convinced me to do it. Buckle up because it's a long one!

Okay so, looking at all of the easter eggs in the episode, to me, it's heavily coded that Betty and Archie do end up together and that Jughead and Veronica end up together. The first thing that should be acknowledge is that everything in this episode is done with a purpose. They couldn't definitively say who Archie ended up with because Archie comics is predicated on the unanswered question of "Betty or Veronica?" so they had to make things "ambiguous" so people could come to their own conclusions.

When we hear of Veronica's life, Jughead says that she was known for her "impeccable taste" and "produced some of the most iconic movies of our time". So, right there, that's huge. That's a lot of heavy lifting. While he is complimentary and sensitive to everyone else's ending, the way he describes Veronica's life is just more. Take Fangs, he doesn't describe "Pixie Girl" as a "timeless" or "iconic" song. He just says that Midge and their daughter were taken care of and that his gold record will hang as long as there is a Riverdale High. He doesn't mention if Kevin or Clay won any awards for their work, but he says that Veronica won two Oscars. He goes out of his way to note the importance of Veronica's achievements.

The scene at The Babylonium is where I've found the most clues to their shared future. Jughead says "I always loved this theater". He doesn't say that about any of the other places they visit. Throughout the show, they regularly used characters to represent overarching themes. For example, Archie = Riverdale. I take Jughead's declaration to be a euphemism for Veronica. It's not that farfetched to believe that they fell in love while in high school. They were together for a year and a half before graduation. So, in the scene, he says "I always loved this theater. But it had a good run." At this time, in reality, both Veronica and Jughead have passed. Their run ended. He then lifts the seat and HIS CROWN is drawn under it! Why? This is a quick visual cue that he and Veronica are connected. If the Babylonium is a physical representation of Veronica (which is what the episode frames it as) then she essentially has a Jughead tattoo on her (a bit of a dramatic way of putting it lol). But, also this is not the first time something like that is in the show. In season 1 and 2, Betty wears a sweater with a yellow three pronged crown. It's universally recognized as Jughead's crown (she wears it on his birthday and in the Heather's musical episode). So, he makes his statement and BAM Veronica appears. Every time we see a character that isn't in the "relived day", it is a clip of them in the future. Veronica is the only character to essentially be an apparition. They didn't have to include her, but they did. And seeing as it's Narrator!Jughead (the real/angel Jughead is in the Pop's in the Sweet Hereafter, and the show literally ends with typewriter sounds) telling Betty all of this, Veronica's appearance can be taken as a clue that she is ever present in his mind/life.

When we see her in her office, she has four "The Comet" posters behind her. Hanging posters of the movies you made is very common. What isn't common is that one franchise has such a place of honor, so that means it's incredibly significant to her. Her clothing is in the style of the early 80s (the creators had an idea to bring everyone through time with each episode but it wasn't feasible so this is kind of a nod to that. Cheryl is seen in the late 60s, Betty in the 70s, and Veronica is the early 80s). We know that Jughead adapted The Comet into a comic book, and he was the one that introduced her to WEB DuBois' people. The artwork of the posters is the same as the comic he created. Making movies at that time was very time-consuming. Also, franchises like that were not common. The whole "Saga", "Trilogy", and "Universe" collections of today were not done to the same extent back then. So, not only was "The Comet" incredibly popular (because it got four movies) but it spanned over a large time frame (again, she still has the posters up decades after graduation via her clothing style), meaning that there was a consistent dialogue between Jughead and Veronica.

Outside of the Babylonium is a poster for "The Big Sleep" (It's also on the Marquis). This is a direct reference to the episode "The Red Dahlia" (3x14) where Veronica enlists Jughead's help. It is one of the main "Jeronica" episodes of the series. In that episode he says that he'll be her "Philip Marlowe". In The Big Sleep, Philip Marlowe is the main character played by Humphrey Bogart. In the same episode he says "Nice hat... Bacall." Lauren Bacall is the female lead of The Big Sleep. Bogart and Bacall were a huge draw for audiences. They were a power couple of their day (and they were also married... hint hint lol). They were the Bennifer and Brangelina first.

Now, moving onto Jughead. He doesn't talk much about himself. Everything that Betty says can literally be read on screen in his obituary. There are two main takeaways from this scene. The first is he barely talks about himself. When he does, he focuses on talking about his career and there's no mention of his personal life. This is a parallel to Veronica's description. He only describes her career and not her personal life. What is also a parallel is that in his summary of Veronica's life he says that she was known for "taking risks on young, raw talent" ie Jughead. Jughead tells Betty that he "put all of his eggs in one basket". That turn of phrase is to mean that you did the riskiest thing possible. When Betty asks if he ever regrets not getting circled he says 'sometimes'. It's a very ambiguous statement. BH shippers will say that he is talking about Betty. But his relationship with Betty ended in high school (both times) and were never rekindled later in life. It doesn't have to be that regrets not marrying Veronica, but it can be taken that way.

The second is on the artist easel in the Madhouse offices. There is a picture of Veronica. It is not a photograph it is the canonical comic book portrait of Veronica (Pep Comics IS Archie Comics). And it is smack dab in the middle of the easel. This is another parallel to Veronica's future. She has "The Comet" posters and he has her portrait. Remember, his first comic book line that he created was "Veronica: The Teenage Witch". So this is a clue that he has used Veronica's likeness IN his magazine for most, if not all of, the run. There's no picture of Betty or Archie. Why still have Veronica's portrait and use her likeness if they weren't still connected in real life?

Now we come to the final scene. So, throughout all of Riverdale (with a few exceptions) the milkshakes that the core four drink all correspond to their hair color. Betty = Vanilla, Archie = Strawberry, Jughead and Veronica = Chocolate (double chocolate to be specific - which can be extrapolated to represent them. It's a stretch but it can be made). In the final moments, we see that this formula has been flipped. When Betty sits in the booth, Archie is drinking a Vanilla milkshake and he hands Betty a strawberry one noting it's "her favorite". What are Jughead and Veronica drinking? Double chocolate milkshakes. If in the Barchie Endgame theory Strawberry being Betty's "favorite" is to mean "Archie" then we can apply that same logic to Jughead and Veronica. Then there is their seating arrangement. The girls on one side and the boys on the other. Betty is sitting directly in front of Archie and Veronica is sitting directly in front of Jughead. Again, because they had to keep the "Who will Archie choose?" answer ambiguous they use this blocking technique to show the pairings without the pair sitting right next to each other. (Couples either sit next to each other or across from one another.)

“I thought the earth remembered me, she took me back so tenderly” -Mary Oliver