On August 10th these prints will be retired from the shop, so if there are any you'd like for your walls, grab them while you can!
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On August 10th these prints will be retired from the shop, so if there are any you'd like for your walls, grab them while you can!

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hi, i recently followed and i love your art. i like how (ar least the recent things you posted recently) are pretty simplified and pack a punch visually
and i wondered if you use/have learned any particular techniques for compositions? i've tried studying how rule of thirds/golden triangles/whatever the hell apply to compositions i like, but i didn't learn from it in a way i could reliably use
Thanks! When it comes to composition, the main things I think about are bias and how to lead the eye.
Our brains like bias in images. Something that splits the canvas 70/30 is more visually interesting than something that splits it 50/50. That's why we often aim to divide the canvas into big, medium, and small shapes, and why those shapes look better when there's significant difference/bias in their sizes. The image on the left below has more contrast between the size of its shapes, and so feels more visually interesting than the one on the right:
When it comes to leading the eye, it tends to move along lines/edges, and it tends to move towards the points where lines converge and intersect. You can use this to guide the viewer's eye through your piece to your focal point. For the same reason, having too many lines pointing in random, unrelated directions, can make the piece feel disorganized and unclear.
For example, you can see how much clearer the location of the focal point is in the upper composition here than it is in the bottom one:
It's true that the upper one is pretty unsubtle, but you gotta know how to make it work unsubtly in order to make it work subtly because the subtle stuff is just the unsubtle stuff in disguise.
I'd also recommend keeping catalogues (folders on your computer, powerpoint presentations, however you like to store images) of art that you like so that you can use them for reference, inspiration, and studies. I keep a composition catalogue and a color catalogue among others.
Sidenote, Edgar Payne's book, Composition of Outdoor Painting, is a great resource for learning about composition:
Hope this helps!
Hello! This is my first time doing an ask. I just wanted to let you know that I absolutely adore your work. It’s very yummy! I love the balance of detail and simplicity!!!
Your consistency in dailies has lowkey helped motivate me to try and be more consistent in my own work. I’m trying to get better at having 3D scenes cause modelings not my strong suit. Are you ok with people referencing your works to try and use as like the reference for a 3D scene? I would obviously include your info and like which piece it was that was being referenced. If not no worries, I totally get it! Just thought it wouldn’t hurt to ask cause I find it best to try and talk to the original artist first!!
Thank you!
I'm for sure okay with my work being used for 3D reference when credit is given, thanks for asking and thanks for this lovely message!
These prints and more from this May are now available in the shop!
05.12 - Parallel

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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05.31 - Starry Eyed
05.30 - Beacon
05.29 - Blue Blade
05.28 - Nebula
05.27 - Curvature

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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05.26 - Wild Wizard
05.25 - Golden
05.24 - Vein
05.23 - Sparky
05.22 - Green Bridge

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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05.21 - Fireflies
05.20 - Waverider