âThe medieval warrior, realizing the consequences of his impulsive act, immediately approached the owner of the drone and offered to pay for the damage.
The owner of the drone was so impressed by the brilliant attack that he suggested organizing a competition for bringing down âdragonsâ with short spears next year.
Drone owners have another year to develop a unique âdragon-likeâ design for their flying machines.â (x)
I am 100% cooler with this knowing that the spear-thrower realized âoops maybe I shouldnât have done thatâ and tried to make it right, and that the guy who the drone belonged to was cool with it
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Babysitting a toddler is a lot like being the narration in a point-and-click adventure game. Watching him knock on the doors of empty rooms and saying "hmm. I don't think anyone's in there". Watching him attempt to use [spoon] on [cat] and saying "I don't think those things go together". Watching him throw a cup of water onto the floor and just commenting "the floor is wet now" when he looks up at me to see if I approve.
Reblogging again cause I tried this site last night and if you need background noise to focus this is perfect for that, I was locked the fuck in on a task. And itâs also just gorgeous to listen to
hi @ladyhoneydarlinglove, happy unbirthday gift! thanks for being one of the best brains in the zosan biz <3
The thing is, Zoro doesnât even mean to say it.
Theyâre already halfway to stupid when it happens, voices up in that too bright register that makes everyone else evacuate the galley. The storm earlier had left the deck slick and Luffy had slid in here on his face, tried to eat raw dough and got thrown out by the scruff.Â
âYouâre being insane about this,â Zoro snaps, kicking the door all the way shut behind him.
Sanji whirls on him so fast the cigarette nearly falls out of his mouth. His eyes are red at the edges, hair falling in his face, shirt rolled to his elbows like heâs about to gut somebody. âIâm being insane? You barged in here with your muddy boots and your hollow legs and you want to lecture me about ââ
âRelax, pretty,â Zoro cuts in, harsher than he meant to, reaching for the sharpest thing in his mouth and throwing it without looking. The word hits the air wrong, too heavy and honest and blatantly not one of the stupid honey or darling things Sanji tosses around like confetti. Itâs clean and accurate and rings in Zoroâs own ears like steel on steel.
Sanji stops dead, cigarette halfway to his lips and frozen on the pan handle. For a heartbeat his face is blank in a way Zoro almost never sees. Not angry, not flirty, not wearing anything but bare, sharp surprise, like someoneâs pulled a rug out from under him and he hasnât hit the ground yet. Zoroâs gut does something hot and ugly because he hadnât expected that. Heâd braced for an eyeroll, a filthy cuss, a you wish tossed back over one shoulder.
âWhat?â Sanji asks, very quietly.
Zoro should back off, he knows, should say misheard me, curls or youâre losing it and throw it in the usual insult pile. Let him rebuild whatever mask just slipped. But his spine has that awful, familiar lock in it now, the one that shows up when he smells an opening, when heâs half a step from overcommitting to a swing because turning aside feels worse than getting cut.
âHeard me.â He forces his voice flat, like his pulse isnât trying to punch out of his throat. âI said relax, pretty.â
Sanjiâs eyes sharpen like shutters snapping down: bam, expression sealed, surprise locked away so fast Zoro could almost convince himself he imagined it.Â
âOh,â Sanji drawls, slow and dangerous, like heâs tasting the word. âIs that it, Moss? Got a new nickname because youâre bored of hearing your own voice?â He steps in closer instead of away, heat rolling off him, until his shadow falls across Zoroâs chest. âYou pick that one out all by yourself or did you hear a real man use it in a bar once?â
Zoroâs pulse is doing something truly stupid, the same stupid itâs been doing for weeks now. âI donât need to hear anyone else say it. Iâve got eyes. Eye.â
Sanjiâs nostrils flare. Thereâs a thin, high-strung look in his gaze now, like heâs waiting for the catch, for the blade hidden in the compliment. Waiting for pretty to turn into a joke about dresses, about women, about everything he isnât but Zoro doesnât give it to him. He just stands there, jaw clenched, silently refusing to backpedal until Sanjiâs mouth curls, slow and sharp, all teeth and no softness.Â
âWell,â he purrs, stepping around Zoro so close their shoulders brush. âYou better keep them to yourself. Wouldnât want you to trip over your own tongue.â He throws it like a dart, trying to reclaim the ground and just like that the spell breaks. Zoro grabs a plate because his hands need something to do that isnât reaching, muttering something half-formed about seasoning and storms and stomping toward the door before his mouth can betray him again.
He manages five whole minutes and half a plate of food before the scene starts replaying in his head on a loop, the way Sanjiâs face had gone blank for that one second. The way his mouth tightened. The way his cheeks flushed, high and quick, not like when he flirts, but like heâd been caught naked in an open doorway.
pretty, Zoro thinks later, on the dark deck with his swords propped beside him and the sky full of stars. He said it once and his whole body feels like heâs hanging off the edge of something. His stomach does that slow, horrible drop like he missed a step sparring and is only now registering the ground coming up, and he thinks, crystal-clear and stupid as hell: oh.
He tells himself heâs imagining whateverâs happening because itâs both safer and easier to file under life being weird and move on. Hell, his whole life has been about not letting his head get in the way: see, decide then move. Feelings are usually just noise between him and the next cut, really.Â
The next week, though, it happens again. Nothing special, just the Sunny cutting steady through calm water, the air soft and lazy. Zoroâs halfway across the deck heading for the mast when Sanji comes the other way, tray in one hand, cigarette in his mouth, shirt loose at the collar. He brushes Zoroâs shoulder on the way past, a deliberate bump, the faint catch of cotton and warm skin underneath and drawls: âWatch where youâre going, handsome,â like heâs said it a hundred times before.Â
Zoro feels the compliment like a hand around his throat. His tongue gets there before his brain. âEyes on your feet, pretty,â he shoots back, sharp as a reflex.
Sanji stops just long enough for Zoro to see that flick, that internal flinch, surprise hitting first and getting buried under performance a second later before he laughs. Itâs bright and sharp and pitched just a little too high. âOh, weâre still doing this, how cute. Did you pick up a flirting guidebook in some village?â Â
His tone says game. point to you, mosshead, letâs see what you do with it.
His eyes say: what the hell are you doing?
Zoro has no idea which one heâs supposed to answer. Worse: he has no idea why that uncertainty makes his blood sing. All he knows is that he wants to take Sanjiâs thumb between his teeth just to see what sound the cook makes. Wants to slide over the ground, push him against the rail, put his hands on his hips and â he scowls and keeps walking, like his stomach didnât just do something awful and swoopy and like the back of his neck isnât hot.
The problem, though, is that the pattern keeps bloody repeating.
Sanji leans over him at breakfast to steal the pickles off his plate, the open collar of his shirt brushing Zoroâs shoulder, and Zoroâs brain notes, clinically, collarbones. The line of them. The way they stand out when he laughs and the faint shadow at his throat where stubble didnât quite shave clean.
Sanji ties his hair back on a hot day, fingers raking through blonde thatâs gone too long and Zoroâs hand twitches with a stupid, violent urge to do it for him. Just grab the hair, twist it in his hands, pull his head far back enough to kiss up the line of Sanjiâs throat.Â
Sanji kicks a cannonball in half showing off for Luffy a few weeks later, the muscles in his legs bunching and releasing under skin and Zoroâs brain offers, unwelcome and vivid: those could crush your skull, pin you down, pin you open and thatâs when he decides heâs actually going insane.
When Sanjiâs laugh does that low, involuntary dip that curls in Zoroâs gut, he tells himself itâs annoyance. When his chest does that tight, ugly thing seeing Sanji flirting with a random waitress, he blames indigestion. When he catches himself watching Sanjiâs hands while he chops, mesmerised by the speed and the scars and the effortless precision he mutters curses under his breath like theyâre an insult instead of a prayer. He pushes harder in training. Adds laps. Spars more. Sleeps less.
Heâd rather be exhausted than sit still long enough to notice that heâs started tracking Sanji on instinct.
Thereâs a moment â late, quiet, Namiâs map room lamplight bleeding under the door â when it finally clicks in a way he canât dodge anumore. Heâs on the lawn deck, doing push-ups under the stars because if he stops moving his brain might catch up. The door to the galley clicks open and Sanji steps out, cigarette tip flaring orange in the dark, swimming in a loose shirt and soft pants, hair down and shoulders relaxed in that particular way they only are when he thinks no-oneâs watching. He inhales, throat working with the drag, tendons shifting under thin skin. Smoke curls out past his lips in a thin stream, then catches the breeze and wraps back, ghosting over the angle of his jaw, dissolving into the dark.Â
âIf you stare any harder, Moss, youâll give the moon a complex,â he drawls, not turning his head.
Zoro jerks his gaze sideways so fast his neck clicks, heat prickling up the back of it. âIâm not staring.â
Sanji taps ash into the sea. âAh, just glaring at the stars. Very intimidating. Iâm sure theyâre terrified.â
Zoro scowls at the horizon until his eyes sting with the same horrified clarity as the day he first realised not all mountains are climbable. It hits him all at once, that this isnât just wow, those legs are flexible or hey, my idiot crewmate is weirdly competent, thatâs hot.
This is wanting to put a hand on that tired shoulder and leave it there, wanting to hear Sanjiâs laugh aimed solely at him, soft and unarmoured. Wanting to be the reason the lines around his eyes ease at the end of a long day. Wanting to kiss him so bad his teeth ache.
First time in his life he actually likes someone â really likes them, stupid, sticky, want-to-know-what-your-face-looks-like-when-youâre-sleeping likes â and of course itâs the chef with the mouth like a knife and a past full of ghosts and a flirty disaster of a public persona. Of course itâs the walking red flag who flings himself into danger for strangers and then limps alone to the sink to wash the blood off his hands. Of course itâs the one guy on this ship who is absolutely, one hundred percent, unquestionably not going to be a possibility.
âThe fuckâs wrong with me?â Zoro mutters into the grass, banging out another set until his arms shake. He tells himself itâs a phase, a weird patch, a side effect of near-death experiences and shared trauma and too many late night conversations and that if he ignores it surely itâll get bored and go away.
The next morning, though, Sanji slides a cup of tea in front of him without comment and Zoro has the absolutely suicidal urge to lean in, to close the gap between them and see what happens when Sanjiâs mouth is against his, when that thigh tightens around him because of something other than a kick.Â
âTry this,â Sanji says a few days later, a spoon appearing in front of Zoroâs face like a threat. Whateverâs on it is thick and glossy, dark brown with a sheen of fat. Steam curls off the surface, carrying up garlic and wine and something sharp and green.
âNo,â Zoro says automatically. âIâm not your poison tester.â
Sanjiâs eyes narrow like Zoro has insulted his ancestors. âIf I wanted to poison you Iâd use something more subtle than a bearnaise, you uncultured stump. Open your mouth.â The front of his shirt brushes Zoroâs forearm and the cookâs wrist bumps his knuckles on the bench, a brief hot slide of skin on skin that Zoro feels all the way to his shoulder.
âOpen,â her repeats, voice pitched low in a way that hits Zoro somewhere stupid. âBefore I pour it in your ear instead.â
Zoro could shove the spoon away or walk out or lean on instinct and turn it into a fight. Instead, his jaw unlocks and the spoon slides over his tongue. His mouth reacts before his brain can catch up, his tongue pressing up to chase it, teeth closing around the metal.
Sanji watches his mouth like heâs the one being fed. âYouâre supposed to taste, not fall in love with the spoon,â he mutters, but it comes out tight.
Zoro jerks back so fast he almost bites the damn thing. âItâs⌠fine,â he manages, heat creeping up his neck. âToo much green shit.â
âThat green shit is tarragon,â Sanji snaps. âAnd you licked the spoon.â
âDid not.â
Sanjiâs lips curve, sharp. âSure. The spoon just moaned on its own.â
Zoro grabs the sake with more force than necessary, just to have something to hold that isnât Sanjiâs stare. The sauceâs still thick on his tongue and his mouth keeps wanting to move, to chase the taste like itâs not about the food at all.
It only gets worse weeks later, when Sanji walks up the gangplank with Nami, both of them carrying bags heavy with the clink of bottles and the smell of spices. Heâs laughing, head tipped back, teeth flashing white while Nami bats at his arm. Thereâs a smear of red on his shirt, low on the side where the fabric pulls when he walks. Old enough to be drying but dark enough that Zoroâs stomach drops right through him. Heâs halfway down the steps before he realises heâs moving. âWhat happened?â
Three heads swivel before Nami sighs. âRelax, guard dog.â
âItâs nothing,â Sanji says at the same time. âIdiot at the market thought he could snatch Nami-swanâs purse. I disabused him of the notion. We got a discount!â
âHe had a knife,â Nami adds, amused. âSanji kindly kicked it out of his hand, but not before ââ
âItâs nothing,â Sanji cuts in, looking pleased. âIâve had mosquito bites worse than this.â
Zoroâs hand closes around his elbow without asking him, feeling the muscles jump under his fingers. Sanjiâs stride stutters for half a second. The cotton under his handâs stiff where the bloodâs starting to tack and the smear sits there, an ugly mouth over the curve of his ribs.
âChopper should look at it,â Zoro hears himself say.Â
âItâs fine.â
âItâs bleeding.â
Sanji twists, trying to yank his arm back. âThen stop staring at my side like that. Youâre not subtle, you know that?â
Zoroâs jaw grinds. He wants to say youâre not allowed to bleed without me there. He wants to say the sight of it makes his vision go white at the edges. Instead he drops his hand like heâs been burned. âWhatever. Get it on the floor and you know Usoppâll make you mop it.â
Sanji scoffs, nostrils flaring, and stalks off toward the kitchen. Zoro tells himself his hands are clenched because blood means danger and thatâs all this is.
They do end up mopping, ironically, the next day when the seaâs all hammered gold and shattered blue. Itâs deck chores hour, aka the part of the day Nami has marked out on her charts as labour from idiots (mandatory).
âSwab,â sheâd said, flicking a list in their faces. âTie down the barrels, coil the ropes. And if either of you chips a single plank with your macho training, Iâm docking your dessert for a week.â
So now thereâs a mop in Zoroâs hand instead of a sword and heâs offended at how much the bucket weighs. âWaterâs heavier than it looks,â he grumbles, hefting it.
Sanji rolls his eyes like heâs been personally wounded. Heâs barefoot, pants rolled to mid-calf, shirt sleeves hitched up. Foam and seawater lick at his ankles as he skims a brush over the deck with lazy competence and the sunâs painting his hair a ridiculous bright gold. Zoro has to force himself to focus on not fumbling the damn bucket because all his brain can picture is dropping to his knees right here, mouthing the stretch of Sanjiâs legs until the weight of his hands drop heavy into Zoroâs hair.
âThatâs because you filled it all the way, dumbass,â Sanji snips. âYou donât need to train your deltoids while youâre mopping. You just need the floor to stop smelling like Luffyâs socks.â
âI thought cooks liked full buckets. More water, less work.âÂ
Sanji makes a strangled noise. âThatâs not â do you even understand how anything works in this world? Thatâs not how cleaning, or buckets, or basic physics ââ He cuts himself off with a huff. âNevermind. Of course you donât.â
Zoro smirks. âI understand how to swing.â
âYeah, weâve all noticed,â Sanji mutters but thereâs a flicker of amusement at the corner of his mouth.
They fall into a rhythm despite themselves, Zoro sloshing the mop in wide, careless arcs while Sanji follows in his wake, his mop working in firm, efficient strokes that actually get the seawater and dirt out of the wood instead of just moving it around. Itâs stupidly domestic and if Zoro thinks about it too hard, his brain does something weird and hot in his chest, so he doesnât think about it. He just moves.
âMissed a spot,â Sanji says eventually, toeing at a smear of something suspicious near the rail.
âLuffy,â Zoro says darkly and cuts himself off as his foot skids and the mop slides. The bucket sloshes awfully and water arcs exactly where he doesnât want it to go, straight at Sanji. It hits mid-thigh, splashing up his shirt and making him squeal like a boiled kettle.
âYou absolute cabbage!â He splutters, staring down at himself in outrage. âDo you have a concussion right now? Did a seagull drop you on your head as a baby?! Youâre supposed to move with the water, not wrestle it.â
Zoro glances down at the path heâs mopped, chaotic swirls and drag marks and overlaps where heâs gone back over the same patch because he bloody forgot what heâd already done. He nods at the clean, neat arc of boards Sanjiâs done. âYou move with water, I move with blood.â
âThatâs the worst line Iâve ever heard,â Sanji says flatly. âDo not ever say that to a woman.â
âI wasnât talking to a woman,â Zoro points out and thereâs a beat â very small, very sharp â where the air changes and he doesnât really think about the next words before theyâre out. âI was talking to you.â
Sanji goes very still before he looks up, slow, like heâs wary thereâs a punch coming. His hairâs fallen in his eyes a little and thereâs a droplet hanging from his jaw, catching the light. He looks stupid, frankly, and Zoro still wants to kiss him so, so badly. Can picture it, almost: the way Sanjiâs hair would feel between his fingers, the way his mouth would open.
âCongratulations,â Sanji says finally. âYouâve discovered how pronouns work.â
Zoroâs mouth quirks. He props the mop against his shoulder, slouch-lazy. âYou move with water,â he says again, nodding at Sanjiâs bare, wet feet, the easy way he shifts his balance with the sway of the deck. âYou cook like it, you fight like it.â
Sanji squints. âYou writing poetry at me, Mossy? Go on, then. Enlighten me. Tell me more about my elemental prowess, oh great swordsman.â Heâs expecting a joke: Zoro can see it in the angle of his mouth, in the way his hand shifts on the mop handle like heâs ready to flick water in Zoroâs face if this gets too earnest.
Zoro scratches at his chin with the heel of his hand, suddenly aware that his pulseâs too loud in his ears. âYouâre just⌠good at⌠moving around people. Around the ship. Around the plates in your hands. Like the deckâs something you decided to dance with instead of fall off.â
Sanji blinks and for that single second his expression goes open, vulnerable, like someone just took a knife to the laces holding him together. Then he snaps it shut, fast. âCareful,â he warns, whacking the mop against the rail to dislodge a stubborn bit of grit. âTalk like that and Iâll start thinking you actually watch me when I walk.â
Zoroâs mouth runs ahead of him, says: âI do,â and thereâs no fucking way he can miss the way Sanjiâs whole posture freezes, changes.
The mop squeaks against the board. Sanji stares at him, eyes too wide, colour high in his face. âYou ââ
âObviously,â Zoro barrels on, because god knows stopping now would be even worse. âYou stomp around like a wounded flamingo when youâre pissed off. Kinda hard to ignore.âÂ
Sanjiâs mouth opens, then twists. He lets out a short, startled bark of laughter that sounds like it clawed its way up past something else. âA wounded flamingo. Thatâs the best you could come up with?â
Zoro shrugs, a grin tugging at the corner of his mouth. âCouldâve said giraffe. Youâve got the legs for it.â
Sanji actually chokes. âWhyâre you â you donât just say that to a man, you absolute chunk of driftwood!â
âWhy not?â Zoro smirks. âYouâre the one always yelling about your beautiful legs. Thought youâd be happy someone noticed.â
âI say that to women! To lovely, kind, undeservingly subjected-to-your-presence ladies. Not to you.â
Zoro scoffs. âRude. I can appreciate a good pair of legs.â
Sanji looks like heâs seconds from spontaneous combustion. His ears, Zoro notes distantly, have gone bright red, even as he stabs the mop at the deck. âWeâre mopping, Moss. Thereâs nothing romantic about algae.â
âDidnât say there was,â Zoro says easily. âJust saying youâre good at moving. And youâve got nice legs.â
Sanji makes a strangled noise, drops the brush in the bucket with a splash before straightening up so fast the world might as well have lit a fuse under him. âI need a smoke and to never hear your voice again for at least fifteen minutes.â
Zoro keeps mopping, jaw tight to keep the grin from breaking loose. His chest feels like he just ran laps with Luffy on his back and after mopping they end up sparring because thereâs nothing better to do, and because theyâre both horrifically allergic to being still. They start with kicks against the flat of sword blades and banter sharp enough to sting but not quite draw blood.Â
It devolves fast, the way it always does, footwork tangling and timing slipping from controlled patterns into something messier. Sanji closes distance to get inside his guard and Zoro lets him, keeping his swords sheathed a heartbeat too long which Sanji takes full advantage of. The neat lines of their training fall apart into shoves and grabs and the occasional half-pulled punch. Zoro sweeps for Sanjiâs leg, a clean textbook hook behind the ankle and Sanji goes with it, because of course he does, twisting his hips mid-fall. His heel catches the back of Zoroâs knee on the way down and yanks. They hit the lawn together, hard enough that the impact punches a grunt out of both of them.
For once, Zoro doesnât manage to roll away clean: he ends up half on top of Sanji, one forearm braced in the grass by Sanjiâs head, the other hand splayed uselessly on his waist. One knee slots, disastrously, between Sanjiâs thighs. Their ribs are so flush together that Zoro can feel the rise and fall of Sanjiâs chest against his own, quick and sharp. Sanjiâs breath catches, hands fisting in Zoroâs collar with bruising force, knuckles jamming against his collarbone like heâs either about to shove him off or haul him closer and hasnât decided which. His voice is not steady: itâs all teeth and adrenaline and something else that curls low and hot. âAt least buy me dinner first.â
Zoroâs mouth goes dry.
âYou already make me dinner,â he hears himself say, which is definitely not a safe answer. His hips are suddenly very, very aware of where they are and every fibre of training heâs ever had starts screaming emergency orders up his spine: donât move, donât press, donât you dare.
Sanjiâs pupils are so wide the blue has shrunk back to storm-dark rings around black and from this close Zoro can see himself reflected there â tiny, warped, hovering on the edge of something he doesnât have a name for. This should be where the game ends, the part where he rolls off with a scoff, tosses an insult over his shoulder, resets the board. This is where Sanji should swear, shove him away, pretend none of it landed.
we could just kiss, Zoro thinks, raw as an open wound and heâs not sure if the thought belongs to him or to some other, hungrier version of himself that only shows up when Sanjiâs too close.
Sanji looks like heâs thinking the same thing, his gaze dropping fast to Zoroâs mouth, then snaps back up like he got caught. Thereâs a bright, terrified look in his eyes, a kind of reckless want strangled halfway into self-defence and Zoroâs heart lurches violently as he thinks: oh. he wants this too.
Then Sanji shoves him, hard, and he nearly falls the fuck over, saved only by years of training.Â
âAre you ââ
âYour guardâs sloppy,â Sanji says, rough, too sharp. His mask drops back into place: disdain, boredom, irritation, all painted on quick and messy over the rawness underneath. âYou always leave your left side open when youâre distracted.â
Cowardice and care collide in Zoroâs chest so hard it almost makes him nauseous until he canât even bring himself to respond. They peel away in opposite directions, like magnets flipped to the wrong poles. The air between them feels too thin; the rest of the deck feels too wide. Zoroâs ribs ache like he took the fall wrong.
coward, he thinks savagely, stalking to the far side of the lawn and dropping into push-up position like his muscles did something wrong and need punishment. what, youâll throw yourself in front of a yonko without blinking but you canât move your stupid mouth a few centimetres?
He drops, presses up, drops again. The image keeps replaying anyway, Sanji under him, jaw tight, eyes caught between come on and donât you dare. The way his fingers had clenched in Zoroâs shirt like heâd needed an anchor.
He waits until the heatâs so heavy on the ship he could cut it, before he goes to where the galley feels like the inside of someoneâs mouth: wet, hot, full of breath and spice. The window is cracked but the breeze that squeezes through is absolutely useless, warm as exhale. The stoveâs a damn wall of flame and Sanjiâs right in the middle of it, right where Zoro knew heâd be.
Still barefoot, pants slung low on his hips, steam rolling around him and catching in his hair. Heâs got one foot braced on the oven door, body bent low as he peers into the back of the lower rack, checking on something. The hem of his shirt rides up, baring a strip of skin and the top of a tattoo Zoroâs only ever caught glimpses of.
Heat punches through him so fast he actually sways for a second.
âYou staring at my ass or do you need something, Moss?â
Zoroâs tongue feels thick. âWater,â he manages. He grabs the glass and brushes past Sanji toward the sink, close enough that the heat rolling off the other man grazes his side. His brain helpfully catalogues the damp weight of Sanjiâs hair, the smell of sweat and garlic and smoke, the exact curve of his hipbones visible.
âDonât drip on my floor,â Sanji says, turning a pan, flame licking the sides. âI just cleaned.â
âI can tell,â Zoro forces himself to say, even though he canât tell shit. His heartâs beating a tattoo against his ribs, his mouth. âYouâve always been good with your hands.â
Sanji goes still for half a second before he straightens, slow, his spine rolling up vertebra by vertebra. His profile cuts sharp in the heavy light, all cheekbones and eyelashes, the small smear of flour near the corner of his mouth that Zoro suddenly, violently wants to lick off. âYou growing a praise kink, Moss?âÂ
Zoro watches the line of Sanjiâs throat when he talks, watches his mouth shape the words and he just â he canât pretend, anymore. Heâs tired, heâs hot, heâs been circling this for weeks, months, waiting for it to make sense, wishing heâd just fucking kissed Sanji three hours ago on the lawn because he knows, now, that Sanji wouldâve let him. âMaybe I just like what Iâm looking at.â
Itâs the clearest, most honest thing heâs said all day, in two fucking months, and it hangs in the air between the sizzle of oil and the thud of his heart.Â
Sanjiâs eyes cut to him, sharp. âYou like my hands that much, huh?â Testing. Daring.
Zoroâs pulse roars in his ears as he steps closer, just half a pace, but enough that the heat of the stove and the heat of Sanji mix together into one suffocating band across his front. âMaybe I do.â
Thereâs a brief, wild flare in Sanjiâs gaze, like a door cracked in a house thatâs supposed to stay locked. Shock and want and fear, all tangled, all there and Zoro thinks: oh, thank god. The thought hits like stepping off solid ground and finding out youâve been over the drop the whole time. Vertigo. Heat. Something greedy uncurls low in his gut, stretching claws.Â
He does the stupidest thing heâs done since swearing his life to a rubber idiot in a pirate hat and he commits. Leans in, close enough that if either of them breathes wrong there wonât be room for air between them at all and for one single beautiful second Sanjiâs whole body lists toward Zoro in turn, like gravity recalibrated, the almost-inevitable lean of someone whose bodyâs already answered a question their mouth hasnât dared form.
Zoro feels the answer in himself, too â a snap, a click, like something finally dropping into the groove it was carved for. Then everything slams shut and Sanji jerks back like the air between them turned to live flame. He hisses and turns away so fast his hair whips his cheek, grabbing the nearest pan as the pressure in the room snaps like a rope.
âWow,â he snaps, tone landing sideways, brittle. âTry flirting with some poor villager first before you come for the cook, yeah?â
Zoroâs brain stutters. âI wasnât ââ
âRelax, Moss.â Sanji doesnât give him the angle. Heâs already moving, words coming quick and sharp, like heâs throwing them at his own feet to keep from slipping. âYouâll give yourself a nosebleed if you keep trying to think and talk at the same time.â
He reaches for the salt, for the spoon, for anything that isnât Zoro. The pan hisses as he tosses something in harder than he needs to. âDrink your water, go hit something, go fuck someone, go get â whatever this is out of your system.â
Zoro frowns, heat burning up the back of his neck. Embarrassment, anger, and something softer and uglier, all twisted together. âWait ââ
âDinnerâs in an hour,â Sanji cuts across, still not looking at him. âI donât have time to babysit you while you work out whether youâre joking or not.â
Itâs flat and awful and slices so neatly what just happened into a category Zoro sure as hell didnât put it in and wasnât even aware of: a joke. A stumble. An inconvenience. The implication curls inside the words like a hook: you donât know what youâre doing. this doesnât count. this isnât real to you.
Zoroâs grip tightens around the glass until a crack spiders, instinct roaring up to lunge, to grab his shoulder, to spin him and to snarl say that while youâre looking at me. But the image of that split-second flinch â Sanjiâs body running from the moment like it burned him â hits just as hard.
âIâm not joking,â he says before he can stop himself, rough and unguarded.
Sanjiâs shoulders twitch but he still doesnât turn. âCouldâve fooled me. Now get out of my galley. Youâre in the way.â
Thatâs it. No kick, no raised pan, no storm. Just a wall dropped between them so clean and fast Zoro can almost hear his own skull ring from the impact. He stands there a heartbeat too long, glass in his fist, the back of his neck burning. The galley feels suddenly too bright, too hot, every clatter of metal magnified.
Heâs bared something, he realises. However clumsily, however small, and Sanjiâs response has been to slam the door on it so hard the frame shakes. âI said I wasnât joking.â
For a long moment, Sanji doesnât move. Then he lets out a single, sharp sound that technically counts as a laugh and has absolutely no warmth in it. âSure.â
âWhat the hell does that mean?â
âIt means,â Sanji says, finally cutting him a quick, slanted look. âYouâve never taken anything seriously in your life except your swords and Luffy and Iâm not stupid enough to think Iâm suddenly the third thing on that very short list because you went and got heatstroke in the kitchen.â
It hits harder than the tone. The words slot into something raw under Zoroâs ribs. âI wasnât ââ
âLook,â Sanji barrels right over him. âYou donât have to do⌠whatever the fuck that was again. I get it, all right? You were bored, you saw an opening, you were lonely or horny, whatever.â
Zoro jerks like something bit him. âThatâs not what ââ
âItâs fine,â Sanji cuts over him faster now, words turning inward like blades. âIâve been the opening act before. You donât owe me a follow-up performance.â His shadow flares and collapses with the roll of the ship. âNo need to make it weird.â
âYouâre making it weird,â Zoro snaps before he can stop himself. âYouâre acting like I set you on fire.â
âThatâs âcause youâre playing with matches you donât know how to hold!â
Zoro stares at him, anger flaring clean and bright, right in line with the incredulity. âYou flirt with anything that moves. You shove it in my face every damn day how easy this is for you, and the second I ââ
âThatâs me, Mosshead,â Sanji bites out. âThatâs my mess. I know how to clean it up. You using that on me is different.â
âUsing what?â Zoro snaps. âMy mouth? My eyes? Whatâs the problem, here, because this has been going on for weeks now and I know you thought about it on the deck, we both ââ
âDonât,â Sanji says, sharp as a knife. âDonât rewrite it like that.â
âI donât have to rewrite it,â Zoro growls. âYou leaned in too. You think I didnât feel you breathing on my mouth? You think I imagined that?â
Sanjiâs jaw locks hard enough that Zoro hears his teeth click. For a second the truth of it flares right across his face â guilty, wanting, caught â and then itâs gone, slammed behind something meaner. He barks a laugh that sounds like scraping metal. âSo, what, I slip up and you thought hey, the cook flirts with everyone, he wonât mind if I use him to see if I like the feel of it?â
The accusation hooks into the exact place he doesnât want it to and Zoro feels it catch under old scar tissue and just fucking tear. He grits his teeth, hisses: âMaybe I wanted to see what happened if I stopped pretending I donât notice you, ever think of that?â
Sanjiâs laugh this time is softer, worse. âDonât say things like that, not to me. Pick someone else. I canât afford you screwing around with me because youâve decided youâre bored of fighting with just swords.âÂ
The way he says afford lands with horrible clarity and Zoro sees it then, all of it: the exact shape of his panic, the ugly script running behind his eyes. Not that he doesnât want this but that this isnât even real â and if itâs not real then itâs a trap. Another test. Another way to prove he was stupid for wanting anything in the first place.
âYou think IâdâŚâ Zoro actually has to stop, because his stomach roils. âYou think Iâd do that to you?â
Sanjiâs mouth twists, old habit, old hurt. âWhy wouldnât you?â he says, almost mild, and somehow thatâs worse than a shout. âEverybody else has.â
The world tilts under Zoroâs feet and he has to put the glass down before he shatters it completely. âYou think Iâd work up to saying that shit if I didnât mean it? You think I like feeling like this? My brainâs a bloody mess, my trainingâs shot to hell. I look at you and my first instinct is to fight and my second is to fucking kneel and I donât know what to do with that except tell you, and now youâre acting like itâs a damn joke?â
Sanjiâs staring at him like Zoroâs just peeled his own skin off and handed it over. He says, slowly: âIâm going to stand here and hand you a knife and ask you to see how deep you can cut before you get bored.â
âThatâs not what I ââ
âYou looked at me like you wanted something youâd realised you could have,â Sanji talks over him again, voice fraying. âDonât think I missed that. I know that look, Iâve seen it on people who walked away two days later once they realised Iâm not as easy as they thought.â He laughs once, harsh.Â
âThen what the hell am I supposed to do?â Zoro demands. âPretend I donât want you? Pretend the galley never happened? Pretend my brain doesnât go sideways every time you breathe near me? I know youâre not easy, I donât want you because youâre easy, asshole, I want you because ââ
âStop,â Sanji snarls, stepping back so sharply he cuts the distance like a blade. âJust. Leave it alone. Go back to bitching about my smoking and stop â stop looking at me like Iâm something youâre thinking about keeping.â
âBecause you are,â Zoro snaps and the admission hits him as it comes out; he feels it land in his own chest as hard as it hits the air. âYou leaned in, Curls, you wanted it too. Donât pin that only on me because it scares you.â
Sanjiâs voice goes cool and dead. âYouâre good with swords, youâre shit with hearts. Donât practice on mine.â
Before Zoro can answer, before he can say that heâs not fucking practicing Sanjiâs already got a foot on the ladder, already climbing, and Zoroâs gut drops at the retreat. He doesnât look down.
Zoro stands there with his fingers dug into the bench so hard his knuckles ache, watching his own breath plume in front of him in little white bursts. He stares up at the ceiling for a long, long moment, chest gone horrifically tight, like someone wrapped bandages around it too hard.
Heâd always thought, before today, that the worst outcome was Sanji not wanting him. And now he knows thereâs something far worse: Sanji wanting him so badly heâd rather carve himself open than admit Zoro might actually be serious. The pit in Zoroâs stomach doesnât feel like rejection. It feels like standing at the bottom of a collapsed training ground, looking up at a cliff he didnât even fucking know was there. He drags in a breath and goes back to the lawn, because right now the only thing he knows how to do with wanting this bad is swing until his muscles scream louder than his heart.
x
For the next two days, Zoro lives in his own skull. The Sunny moves the way she always does but something in her rhythmâs off, like a song played half a beat too slow. The horizon feels wrong, meals feel wrong. Hell, even breathing feels wrong.
Sanji is⌠fine. He isnât louder. He isnât quieter. He isnât putting on some big dramatic show. He doesnât slam plates like they insulted his mother and he doesnât flirt extra with Nami or Robin. Heâs just smooth and cool and professional. Polite, like Zoroâs a customer he vaguely recognises and not the idiot heâs been yelling at across tables for years.
Breakfastâs the first test and Zoro walks into the galley like heâs stepping into an arena, with his shoulders squared and jaw braced for impact. The smell hits him first, waffles burning just a little around the edges in that way that always makes Luffy go feral. The rest of the crew is a blur around him, Luffy hovering like a starving seagull and Usopp whining about how early it is, Chopper standing on his seat to stir something in his little mug. Nami coolly ignoring all of them as she plots their incoming destination.Â
Sanji stands at the stove with a tea towel tucked into the waist of his pants, moving with that easy, knife-singing grace: pan tilt, wrist flick, plate slide, all sharp efficiency and zero wasted motion. For a heartbeat, Zoroâs memory lies to him and he half-expects the usual: Sanji turning just enough to shoot him a smirk, some bullshit like ah, good morning, seaweed-brain, i see youâve crawled out of the swamp. Maybe a casual kick into the back leg of his chair just for fun. Instead, Sanji glances over once, quick and flat, eyes skimming over Zoro like heâs checking for fire or spilled soup.
âFoodâs ready,â he says. To the room. To everyone. To no-one in particular.
Zoro drops into his usual chair and the ship hums her good mornings the way she always does under his boots. His swords rest against the table leg like they always do. A plate appears in front of him as if by invisible hand, rice steamed just right and eggs soft but not runny, fish seared in a way that makes the skin crackle when he pokes it with his chopsticks. Thereâs even the pile of greens heâs learned not to complain about because Sanji will only double them out of spite.
âThanks,â he mutters, because something in him refuses to let that silence sit. Thereâs a noncommittal hum, not even directed at him because Sanjiâs attention is on Luffyâs overflowing plate like Zoroâs chairâs just an empty space. The spot where their stupid morning routine usually lives â the barbed hello, the snap about table manners, the automatic, easy fighting â feels like someoneâs ripped out a floorboard and left a hole.
Luffy frowns, blinking between the two of them. âZoro didnât even say something rude yet.â
âEat your food, captain,â Sanji replies, light and bright. âBefore I decide youâre on a diet.â
Everyone laughs. Even Luffy, because thereâs food in front of him and Zoroâs jaw aches with the effort of not grinding his teeth. He shovels rice into his mouth and it tastes amazing and it tastes like nothing. He watches the way Sanjiâs shoulders move, easy and fluid, none of the tiny hitch heâs used to seeing when Zoro mouths off. Afterwards, he throws himself at training like itâs a life raft because this part has always been simple. Move or fall, swing or get cut. The sun climbs up the sky, brutal and white, until the air shimmers against the deck and the lawn turns into a hot, green blur under his feet.
Sweat stings his eyes, runs down his back in itchy trails, soaks the cloth at his waistband. The muscles in his shoulders burn, that good, cleansing ache that usually clears his head but today his thoughts cling like wet clothes. Wado whistles through hot air, ghosts of opponents in every arc. Instead of faceless enemies, though, his stupid brain keeps pasting in Sanji: Sanji in the galley, eyes blown wide. Sanji saying why wouldnât you, everybody else has in that casual voice that hid a fracture line down the middle.
He changes stance so the old ache in his side flares, the ghosts of Mihawkâs strike and every wound since singing under the strain. Forces his focus down into his feet, into the feel of the deck under his soles, the give of the boards, the singing line of his swords in motion and then he thinks about the way Sanjiâs expression had shifted and his next swing goes a hair off-centre. It wouldâve cost him skin in a real fight.Â
âShit,â he breathes, teeth grinding.Â
youâre good with swords, youâre shit with hearts.
âFair,â he pants, under his breath. âDidnât sign up for this part.â
When lunch is called, he nearly stays put but skipping food would be stupid. Not going would feel like losing something he doesnât want to admit heâs fighting for, so he goes as the others crowd in, the noise bouncing off the walls. Sanji moves through it like he always does, weaving between hands and plates, a blur of sharp elbows and sharper tongue when Luffy grabs early.
Every bite is exactly what his muscles need and he can feel the strength soaking in, that heavy, grounded satisfaction. His brain sits in the corner with its arms crossed, glaring at the wall. Foodâs always been one of the ways Sanji taken care of them. Taken care of him, quietly and stubbornly, with that furious insistence that everyone be full.Â
Now it feels like being tended by a stranger with Sanjiâs hands.
That night, sleep doesnât come so he lies on the deck with his arms folded under his head, staring up at a scatter of stars the light glow canât quite erase. In the distance, Brookâs violin sighs a slow melody and Usopp laughs from where heâs losing badly at cards with Nami.Â
Zoro closes his eye but that just makes it worse: the reel plays over and over in his brain, just Sanjiâs eyes going huge when Zoro leaned in. Sanjiâs voice cracking on afford.
He flips onto his side, restless and for the first time in a long life defined by sharp choices, he doesnât fucking know what move comes next. He could walk back into the galley and pretend none of it happened, sure. Go back to insults and glares and the endless, stupid war over whoâs more useless and bury the want deep enough that even he forgets the shape of it. He could stop listening for footsteps that always sound different from everyone elseâs. Stop tracking Sanjiâs position on the ship the way he tracks his swords, stop feeling the galley door like a pressure point in the air. Heâs good at that, at cutting things off, at shutting doors and never opening them again. Heâs been doing it since Kuina fell and never got back up, since Mihawkâs blade carved a new map into his chest.Â
You put the pain in a box, you put the box somewhere deep, you train until your muscles forget how to do anything but obey. He could shove this in there too and go back to what they had because at least he knows that terrain, every rut and pothole.
He turns the idea over in his head like a sword heâs not sure he wants to draw. On one side: relief. No more late night reels of everything he said wrong, everything he didnât say at all. No more wondering if Sanjiâs silence is anger or fear or both knotted together. On the other: an emptiness so big it makes his throat hurt. He tries to imagine watching Sanji put that flirting to real use and watching him fall asleep on someone elseâs shoulder in some smoky bar, building some other life on some other deck. Walking away because yeah, it was messy, yeah, they hurt each other, yeah, it was easier to shrug and say guess it wasnât meant to be.
His stomach lurches. His fingers dig into the grass until the blades crease against his knuckles. Heâs been in fights he knew he couldnât win and stayed anyway, because walking away felt worse than losing.
He likes him, he wants him. Not just his mouth or his hands or the way his hips move â though, god, those too â but the temper and the tenderness and the way he pretends not to care while feeding everyone like itâs a religion.
The thought of standing at the rail, shoulder-to-shoulder, and knowing what he knows now â that Sanji flinched from him not because he didnât want it, but because he did and that terrified him â makes Zoroâs chest ache in a way he doesnât have words for.
He drags a hand over his face and wants to tell himself to shut up, that itâs just a stupid crush and itâll pass, that heâs watched people on islands fall in love with a smile and forget each other by the next port but fuck if his chest doesnât feel like that. His chest feels like something got lodged there, sharp and bright and heavy, and every breath scrapes past it. He tries to picture it gone, waking up one day and realising that he doesnât give a shit who cooks breakfast, who leans on the rail at night, who lights their stupid cigarettes with stupid long-fingered hands. The idea leaves him oddly hollow. Like imagining losing a sword and pretending he wouldnât notice the shift in his stance.
He knows, intrinsically, this isnât just heat. Heat, he could run off with push-ups and extra laps around the deck, he could sweat it out, laugh it off. This is the way Sanjiâs laugh hits him in the ribs and the way it physically irritates him when Sanji doesnât sit down to eat. The way heâd rather take a kick than let Sanji keep standing in front of an enemy.
Whatever happens next â whether they fix this or break worse â heâs already crossed some invisible line inside himself and thereâs no damn version of the future where Sanjiâs just the cook again. Heâs never going to be just a loudmouth, just a sparring partner, just a guy he bickers with over chores.
so this is heartbreak, he thinks, vaguely disgusted and almost fucking laughs at how stupid it is, how awful it is.
He tries, once, to corner Sanji the next day and itâs not the kind of smart, planned out talk that Nami would tell him to try. He just⌠sees Sanji coming out of the pantry with a crate of onions and his body moves before his brain can veto it.
âIâll take that,â he says, stepping into his path. âYouâll wreck your back.â
The hallwayâs narrow enough that Sanji has to stop or plow right through him. He stops, one curled eyebrow jerking up. âYou saying Iâm weak?âÂ
âIâm saying you cook for eight idiots three times a day. Your arms are already overworked. Give me the crate.â
Sanjiâs mouth curves, in something thin and edged, like a knife laid flat. âYou flirting or picking a fight? Hard to tell with you.â
Zoroâs heart does that stupid uneven thing again, tripping over itself just because theyâre standing too close in a too-small space. âBoth, apparently.â
Something raw flashes across Sanjiâs face â not the usual irritation, not lazy mockery but something unguarded, like Zoroâs just kicked open a door he hadnât even seen and behind it thereâs fire.
âCute,â he says, the word too sharp to be anything but a cut. âYou rehearse that?â He shifts his weight and slides around Zoro like heâs sidestepping a rock in the road, precise and practiced, no contact. The crate passes a breath from Zoroâs chest. The smell of raw onion and cigarette smoke and Sanjiâs soaked-in soap follows him, a brief, dizzying wave. Then heâs gone, disappearing through the galley door without a backward glance and the air rushes back in around Zoro like someone took a boot off his chest.
His fists ache with how hard heâs clenching them around nothing. The words pile up behind his teeth â i wasnât rehearsing, you asshole, iâm improvising, iâve never wanted anything like this before, iâm doing this without a map â and go absolutely nowhere. He stands in the empty hallway a beat too long, listening to the muted thud of the crate hitting the table.
Then he does the only thing he knows how to do when his head is dangerous: he goes to the lawn, draws his swords, and carves his frustration into the air until his shoulders scream.
x
The second day is objectively worse.
The first day hurt, sure, but the second one starts to feel like a new normal trying to settle over the ship and thatâs the part that makes Zoroâs skin crawl. Sanji feeds them on time, every time. Plates appear, perfect as ever, meat cooked to the right bleeding shade, vegetables sliced so even itâs almost insulting.
He scrubs pans until they shine, stacks plates with geometric neatness, sweeps the galley floor in lines so straight Zoroâs eye twitches. He smokes on the figurehead at odd hours, one hand braced on Sunnyâs mane, silhouette knifed against sky and sea. He does not look at Zoro, not once. Not accidentally when passing a cup. Not when Zoro dumps a bucket of fish by the sink. Not across the table when Luffy does something so stupid it usually makes them both yell in unison.
Itâs like Zoroâs been edited out of his peripheral vision and he knows everyone can feel it. Robin watches the space between them with that unreadable little curve at the corner of her mouth, eyes soft and sharp all at once, like sheâs reading a sad book ahead of the rest of them. Usopp squints back and forth like heâs lining up a shot on two skittish animals and canât decide which one is more likely to bolt. Brook plays louder. Franky tinkers noisily. The ship herself seems to creak more.
Luffy just looks⌠offended. Confused and low-key betrayed that his favourite channel seems to have been cancelled without his consent. At one point, as Zoro stretches on the lawn, Chopper tiptoes up, hooves muffled in the grass.
âDid you guys have a fight?â he whispers, big eyes even bigger, like Zoro might snap in half if he speaks at normal volume.
Zoroâs first instinct is to reassure him with no, of course not, this is just how we are. Instead, he hears himself say: âSomething like that.â
Chopperâs little face crumples. âAre you going to make up?âÂ
Zoro exhales, slowly. âWorking on it.â
âOkay,â Chopper says. Then, fierce as he gets, eyes suddenly blazing. âYou better.â He stomps off, as much as someone that small can stomp and Zoro tips his head back and squints at the sky.Â
Working on it is generous. Mostly, heâs thinking. Testing words the way he tests new combinations of strikes. Any phrases he comes up with clang against his teeth when he mouths them silently, too big for his mouth and too heavy in his chest. He canât imagine saying them without choking, without his voice betraying him.
Heâs not good at this? Fine. He wasnât good with three swords at first either. He bled for that until the grip felt natural, until the balance stopped feeling wrong and heâll do the same here because he keeps circling the same conclusion like a ship tacking into wind it doesnât quite want to face.
That if they werenât so fucked up theyâd be good. They already fight like two halves in the battlefield, already balance the crew, perfect mirrors. Sanji wouldnât hold back in the way he loves: heâd turn the same obsessive attentiveness he uses on his ingredients onto Zoro, needling him, arguing him back into his body when he wanders too far into his own head. Heâd hold Zoro to his word, drag him out of his own bullshit, refuse to let him hide behind training and booze and iâm fine. Zoro wouldnât let Sanji starve himself to keep everyone else full. Heâd drag him away from the stove. Heâd physically remove the knife from his hand if he had to, dump him in a chair, lean on his shoulders until he sat still. Heâd make him rest, make him admit heâs been hurt. Hold the line when Sanjiâs instinct is to sprint straight off the nearest cliff for someone elseâs sake.
They already do half of that by accident. If they could just pull the poison out from underneath it â the fear, the scripts, the old scars â theyâd be fucking devastating. The thought is dizzying. Itâs also⌠hopeful, which is almost worse.
He spins his swords one more time, feeling the resistance in his sore muscles, the catch and release of old scar tissue. Then he plants them in the grass and leans on the hilts, breath rough in his throat, sweat cooling on his spine.
âFigures,â he mutters. âFirst time I want something that isnât a fight itâs the most complicated thing on the damn sea.â The wind slides past his ears, blissfully unaware that his ribs are busy trying to rearrange themselves around a blonde idiot who wonât look at him.
âBrooding doesnât suit you, Mr Swordsman.â Robinâs voice comes from just behind his shoulder, calm and amused and Zoro doesnât startle, exactly, because heâs a trained warrior and master of his surroundings, but his hand does jump back to Wado before he recognises her shadow on the deck.
âDonât sneak up on people,â he mutters, letting go of the hilt.
âI walked over here,â Robin says mildly, coming to lean on the rail beside him. The sea wind ruffles her hair as she tucks a strand behind her ear with a gloved hand. âYou were simply⌠elsewhere.â
âYeah, well.â He rolls one stiff shoulder. âHad stuff on my mind.â
âMmm.â She looks out over the water. âBlonde? Long legs? Terrible language?â
Zoro chokes on absolutely nothing. âI â what! Are you spying on me now?â
âI donât need to spy.â Her mouth curves. âYouâre both quite loud.â
Heat crawls up the back of his neck, under the collar of his shirt. âWeâre not â itâs just ââ He stops, because thereâs no word ready. Friends is wrong. Enemies is wrong. Rivals fits only if you ignore the way his stomach drops when Sanji laughs with him instead of at him.
Robinâs eyes stay on the horizon. âMay I ask you a question?â
âYouâre gonna even if I say no,â he mutters.
âCorrect.â Her eyelashes lower. âWhat, precisely, do you think youâre doing?â
He snorts. âSparring. Eating. Sleeping. Getting lost. Same as always.â
She actually laughs, a soft, low sound that fits the night. âWith Sanji. What are you doing with him?â
His first instinct is to say arguing. His second is to say training. The third is just jumping overboard and letting the sea sort it out. What comes out, dragged up from somewhere he doesnât like looking at, is: âMaking a mess of it.â
Robinâs profile tilts, birdlike. âThat, Iâve observed.â
He exhales through his nose, slow. Thereâs a part of him that wants to tell her that sheâs misinterpreting this but he knows thereâs no point. The whole damn crew has been forced tro watch this farce unfold, so thereâs no sense in lying. Thereâs a smaller part of him that feels almost⌠grateful, maybe, to let the cut bleed a little. âIâm not⌠good at this,â he admits and the confession feels like pulling teeth without a sword. âWhatever this is.â
âWanting someone?â she asks, not unkindly.
His jaw tightens. His hand curls on the rail until old scars tug. âYeah. That.â
âInconvenient when the enemy is internal, isnât it?â
âIâd rather fight a hundred Marines,â he mutters. âOr a Sea King. At least you can stab those.â
Her eyes soften, dark and sharp all at once. âMay I say something he would never tell you himself?â
He grunts something that means go ahead, because god knows heâs already in too deep to pretend he doesnât want to hear it.
âHe is⌠careful about where he puts his heart. Heâll throw his body into danger for a stranger on the street, but his feelings?â She shakes her head, earrings glinting in the lantern glow. âThose he hides. Under flirting. Under jokes. Under that awful suit.â
Zoro stares at the distant line where sky meets sea and thinks of Sanji leaning on the rail, blowing smoke and saying ladies in that lazy, sing-song voice. Thinks of that same voice gone raw in the kitchen after Thriller Bark. Thinks of a cigarette burning down between tight fingers everytimeâs Sanjiâs shoulders shaken and heâs pretended it was from the cold. His chest feels tight. âI know,â he says quietly.
âI think you do.â A second, spectral hand appears and pats his knuckles once before dissolving, a ghost of comfort. âAnd I think thatâs why youâre so scared.â
He scowls at the waves. Somewhere below, the Sunnyâs figurehead cuts through a swell with a soft hum and the night presses close, thick with all the things he hasnât said. âYou think Iâm gonna hurt him.â
âI think,â Robin replies, steady as bedrock.âThat you already have, many times over. And that heâs hurt you back just as equally. And that you are both somehow still standing, which is⌠promising.â
The memories come in a rush, uninvited: Sanjiâs voice, hoarse from smoke and yelling, snarling that he didnât need a babysitter. His own retort, sharp and ugly, then stop fighting like you want to die. Sanjiâs bleak, shuttered face after Thriller Bark, eyes flicking over his bandages and then away, spitting out do what you want, just donât drag us down on a night when everyone was too tired to notice the way it cut. Sanji limp in his arms, blood and rain and broken bones on a cold, hungry island, and Zoroâs own heart trying to tear out of his ribs because if he dies if he dies if he dies â
He swallows hard. The taste of iron is phantom but sharp. âHe deserves somebody who knows what theyâre doing,â he mutters. âNot⌠me. Not some idiot who doesnât even know how to talk.â
Robin tilts her head. âYou know how to talk to him.â
He snorts. âYeah. To fight.â
âTo tell him to eat, to sit down. To stop bleeding on the floor and let Chopper work. To stop pretending heâs fine when he clearly isnât.â Her gaze skates over him, gauging, weighing. âTell me, Zoro. How many other people on this ship does he obey on the first command?â
He opens his mouth to argue, then shuts it as images shuffle in his mind, lining up with sickening clarity: Sanji barking at Luffy, being ignored until he bribes him with food. Sanji waving off Usoppâs fussing, batting his hands away with a muttered excuse. Sanji arguing with Nami over course changes and rationing, losing more often than not but never quietly. Sanji, jaw clenched, lowering himself onto a chair because Zoro said sit down, eyes blazing but body obeying anyway.
Robin hums, like sheâs just watched a piece slide into place on a board. âYou already have a language. Itâs just⌠sharp. You may need to learn the softer version.â
âI donât do soft,â he says, knee-jerk, and it comes out almost a snarl. Soft gets you killed. Soft is the moment you flinch and the blade comes through.
âYou didnât,â she corrects gently. âUntil now.â
He thinks of the word pretty catching in his throat and coming out anyway, hanging between them in the galley air like a drawn sword. Thinks of the way Sanji froze, mask gone for half a heartbeat, like he hadnât decided yet whether to fall or fly. The sea wind stings his eye. âAnd if I fuck it up?âÂ
Itâs the first time heâs said anything this close to the truth out loud. The first time heâs admitted â to anyone other than his own idiot reflection â that this is real, that it matters, that heâs scared in ways he doesnât have words for. The question hangs between them, heavy, more terrifying than any challenge heâs ever shouted across a battlefield. Robinâs answer, when it comes, is soft enough the waves almost steal it away. âThen you apologise. You try again. You fight for it, instead of around it.â
The horizonâs just a line until he stares at it long enough that it starts to crawl. Black sea, black sky, a smear of dying orange where the sun went down. The shipâs wake hisses softly behind them, foam catching what little lightâs left. The airâs cool enough now that sweat dries on his spine in itchy patches.
âHow do you⌠know?â he asks finally. The word scrapes on the way out, like it doesnât want to be spoken. âWhen itâs worth it. To say it out loud.â
Robinâs quiet for a moment. He can feel her there without looking, steady and unbothered by the sway, hair lifting in the wind like seaweed. When she speaks her voice has that far-off quality, like sheâs explaining a constellation to someone whoâs never looked up before. âWhen the regret of not saying it starts to feel heavier than the fear of losing it.â
regret / fear / losing run laps in his brain, all words he hates. All weights heâs already bloody carrying, banded around his ribs like extra training belts no-one can see. The thought of adding more feels impossible. The thought of not adding this one feels worse. He manages: âAnd you think Iâm there already?âÂ
âI think you wouldnât be standing out here trying to glare a hole in the sky if you werenât.â
He snorts, sharp and humourless, and finally looks down at his hands, at the knuckles, busted and healed and busted again. The rope burns. The thin white line crossing his left thumb from some forgotten knife slip. Hands that know how to catch sword-hilts and broken crewmates and falling comrades. Hands that absolutely do not know how to hold something as stupid and fragile as this. âThis is going to be a disaster.â
âOh, undoubtedly,â Robin agrees, perfectly serene. âYouâre both terrible at this, but at least youâll be terrible together.â
Something awful and warm curls under his ribs, tight and hot, like the first breath after a near miss. The idea of it â of being bad at this thing with Sanji instead of alone â terrifies him in a completely different flavour than battle does. He runs a rough hand through his hair, fingers catching on knots, a physical distraction from the panic crawling just under his skin.
âI donât know how to start,â he says, the admission dragged out of him like a blade from bone. âJust walk in and say hey, cook, I want you, please stop biting my head off and bite my ââ
Robinâs shoulders shake once, very slightly. âColourful, but perhaps a touch⌠advanced for a first draft?â
He grimaces, staring hard at the dark water. His heartâs pounding like heâs about to jump off the mast instead of just talk. His palms are damp on the rail and his stomachâs doing this horrible swooping thing he associates with the moment before a fight, not after. âIâve never â I donât⌠say things. Not like that. What if I open my stupid mouth and it comes out wrong again? What if he laughs? What if he still thinks Iâm just messing with him?â
Robin doesnât rush to fill the silence. The waves do that, slow and relentless, knocking against the hull in a familiar heartbeat. âYou walk into storms you canât see the end of. You step into fights you know you might not walk out of.â
âThatâs different. That stuff that I know how to do.â
âAnd this,â Robin says gently. âYouâll have to learn.â
x
Unfortunately for everyone, before Zoro can get his shit together they get absolutely battered by some bounty hunter bastard with a devil fruit that makes the air go thick as tar. It feels like trying to breathe through wool, like gravity has hands and every single one of them is on Zoroâs shoulders. Everytime he tries to move the weight slams him back down, pinning him to the deck like an insect on a collectorâs board.
Sanji cuts through it, a half-blur in the downpour, coat snapping, hair plastered to his forehead. Lightning keeps catching on the arcs of his kicks, making him look like something the storm coughed up and then lost control of. Heâs the only damn thing on the deck that seems to remember how to move.
It goes badly and then it goes worse, which is pretty typical for them.
The bounty hunterâs power finally falters under a combination of sheer Luffy strength and tactical Nami until finally the pressure vanishes all at once â Zoro lurches forward, body suddenly his again. The timingâs shitty: heâs mid-step when one of the enemy grunts, panicked and sloppy, swings wild. Steel bites deep along his left arm, shoulder to wrist. Pain flares so hot his fingers go numb, Wado dropping to clang against the deck. He switches grip, keeps fighting with the others because itâs either that or watch someone else take the hit meant for him, and the world narrows to the usual red and muscle memory. By the time itâs done, by the time the last bastard hits the water and the storm staggers off to harass some other idiot ocean, Zoroâs left arm feels like itâs been peeled open and rehung wrong.
Itâs not deep enough to kill him but itâs deep enough that when Chopper rips the shredded sleeve away he squawks something high and furious, hooves already bloody. Deep enough that Sanji, standing one step back and to the side, looks at the gash like someoneâs snapped his favourite knife in half and left the pieces on the floor.
They patch him up in the infirmary, Chopper stitching as fast as his hooves can go, Nami swearing about carelessness, Robin quietly handing over rolls of bandage. Sanji moves like a ghost along the edges, getting clean towels before Chopper can ask, bracing Zoroâs shoulder when he has to sit up, saying absolutely nothing. He gets a sling for all his troubles and a stern lecture, and tries very hard not to seek out Sanjiâs tight gaze.
They still eat afterward because thatâs what they do, because bodies need fuel and because Luffyâs somehow still hungry. The yelling from Usopp and Chopper is sharp and stupid and comforting in its own way: youâre an idiot, you scared us, donât do that again. The storm noise fades into a steady, exhausted hush.
One-by-one, the crew bleeds off into their beds and hammocks but Zoro canât fucking sleep. The stitches in his arm throb with every beat of his heart, the sling pulls when he shifts and the infirmary bed has never been the most comfortable. Chopper told him to lie on his right side but his body keeps trying to roll out of habit and his brainâs a mess of replayed sword arcs and what-ifs and the memory of Sanjiâs face when he first saw the cut.
He lasts ten minutes staring at the ceiling before he gives up, slipping out of the bed to pad barefoot to the galley, using his good hand to push open the door. He finds Sanji exactly where he half-expects: at the bench, one hip cocked as he dices herbs. Sanji speaks to him without turning around. âYouâre supposed to be lying down.â
âAnd youâre supposed to be off your feet. Weâre both shitty patients.â
âYou fought like you were trying to die,â Sanji says finally, voice casual in the way knives are casual on a table. Laid down, not put away.
Zoro shrugs, then regrets it as the motion tugs his stitches. âYou kicked like you were trying to stop me. Seems even.â
Sanji flicks ash into the sink, the ember swinging away and vanishing. âYouâre not funny.â
âYou were scared.â
âI was pissed,â Sanji snaps. âYou canât swing a sword with one arm, idiot. You try that shit again and Iâll knock your ass out myself.â
âI knew itâd be okay.â He means it as a weird, sideways compliment: you came through, i saw you but it lands wrong, earnest. âYouâve always got my back.â
Sanji spins on him like the shipâs tilted, losing the careful slouch until suddenly all that focus is on Zoro, pinned sharp and bright. His eyes are too clear in the dim, the whites standing out against the smudged shadows under them. âYou think thatâs funny? You think this is a game?â
Zoroâs back hits the door and he realises, belatedly, that Sanjiâs walked him backwards with nothing but volume and fury. If this were anyone else Zoroâs body would already be moving, chin tucked, weight shifted, angles calculated. Heâd be shrugging the arm off, stepping sideways, making room. With Sanji, he stands very, very still.
âI told you to knock it off.âÂ
âI would if you didnât have it so fucking wrong,â he scowls and, god, his voice doesnât even sound like his; itâs rough and a little raw and he doesnât know if itâs from injury or exhaustion or the past few days of hell. âYou think Iâm messing with you for fun.â
âWhat else am I supposed to think? You donât do whatever the fuck you think this is. So yeah, Iâm waiting. For the part where you get bored and take the knife out.âÂ
Ten centimetres, thatâs all it would take to turn this into something else. Ten centimetres forward and theyâre kissing. we could do it, the unhelpful part of Zoroâs brain whispers again, feral and hopeful. we could shut him up by showing him, just once. just show him youâre not waiting to cut.
His heartâs beating so hard it hurts. His palm itches with the need to come up, to slide into the hair at the nape of Sanjiâs neck, to pull him in until thereâs no room left for doubt but when his fingers curl Sanjiâs shoulders twitch, his weight shifting to the balls of his feet. Itâs small, but Zoroâs spent enough time reading him in fights to catch it: heâs not bracing for a kiss, heâs bracing for a blow, every muscle in him going visibly tight in that specific, awful way that says i knew it, i knew it, here it comes, just get it over with.
It feels like slamming his own brakes on in the middle of a charge and his instincts scream with the whiplash of it.
âI donât want to swing at you, Curls,â he says because thatâs the only thing that feels true enough to wedge into the moment. âBut I donât know how to convince you.â
Sanjiâs mouth opens, then closes. The anger that had been bristling along his shoulders drains out in a slow, ugly collapse, leaving something thinner behind. He looks⌠younger, for a second, like thereâs less distance between now and a childhood that trained him to read every kindness as a countdown. He beelines back to the cutting board and resumes what he was doing, furious and clearly done with this conversation. âJust. Cut it out. Itâs really fucking ââÂ
âI really fucking like you.â His fingers curl and uncurl at his sides. His palms feel slick. He wants a sword in his hand, god, he wants anything but this bare, stupid skin. âI like you so, so much.â
The effect is physical: the knife stops mid-fall, suspended over a half-minced pile of herbs. Little green flecks cling stubbornly to steel and knuckle, bright against the pale of Sanjiâs fingers. The air changes. Thins. The heat from the stove suddenly feels heavier, pressing against the back of Zoroâs neck. For one long, stretched-out heartbeat, nobody breathes. Then Sanji asks, very quietly: âWhatâd you just say?â
Zoro can hear his own pulse in his ears. Itâs everywhere: throat, temples, fingertips. His ribs feel too tight for it. The words heâs been carrying around for days, weeks, months feel huge and stupid in his mouth. Wrong-sized. Like trying to push a boulder through his teeth.
Robinâs voice ghosts up from somewhere: when the regret of not saying it starts to feel heavier than the fear of losing it.
âIâm serious about you,â he forces out. âAbout⌠wanting this. Itâs not a joke for me.â
The knife comes down, carefully, deliberately. Sanji sets it on the board with a precision that looks like violence turned inward until the blade rings once against the wood, a tiny, clear note. Sanjiâs hand stays braced on the handle a moment too long. His knuckles are white. âRight. Of course.â
âI mean it,â Zoro says but the words feel pathetic, clumsy, small. Like offering a single brick when the houseâs already on fire.
âSure you do,â Sanji bites out, leaning his hips back against the bench like he needs a solid wall at his spine, arms crossing. The heat of the stove has flushed his throat and sweat beads in the hollow at the base of his neck, catching the light. He looks awful. He looks beautiful. It makes something in Zoroâs chest twist hard enough he wants to punch himself. âI told you, if youâre lonely go find some other soul.â
Zoroâs temper, wired close to the surface at the best of times, rears its head. âWhat do you want, Sanji? You want a speech? You want a poem? Iâm telling you I want you, isnât that what you ââ
âNo,â Sanji spits and that stops him. The word is so sharp it might as well have teeth. Thereâs something underneath it too, something naked and furious and terrified, that yanks the rest of his retort sideways. âWhat I want is for you to stop acting like this is some extension of training. Like you can just decide to be âinâ the way you decide to switch to a different stance.â
The galley holds its breath around them.
Zoro stands there, hands empty, wanting his swords with an almost physical ache. To have weight he understands. All this talking feels like fighting in the dark with no guard up, every strike landing. Heâs never felt more stupid, or more exposed, or more fucking young but he takes a step closer anyway, the galley floor complaining under his foot with a long, splintered creak that sounds like a warning. Heat from the stove rolls over his shins in slow waves, like thereâs just not enough room in here for all the air and all the words.Â
âIâm not ââ he starts but Sanjiâs eye contact hits like a blow, so bright in the light, glassy at the edges like someoneâs been squeezing them from the inside. His jawâs locked so viciously Zoro can see the knot of muscle jumping, tic-tic-tic in the hinge.Â
He says, low: âYouâre gonna get tired. You push and push and push and when it stops being interesting, you move on. You pick a new weight to lift. A new enemy. A new mountain to scream at.â His laugh is a small sound but it might as well be a bottle smashed against Zoroâs ribs. Mean and self-directed in a way that makes Zoroâs stomach twist.
âWhat are you on about, I havenât moved on from my goal in years,â Zoro growls, harsher than he meant. âI donât just get fucking bored and wander off ââ
âOh, spare me,â Sanji snaps, peeling himself off the bench to close the last of the distance between them in two sharp steps.His hand comes up and jabs two fingers into Zoroâs chest, right between ribs, small but precise, thudding straight through muscle into bone. âYou can obsess over your stupid swords and still get bored of people, you know. Theyâre messier. Less useful. And you â you like useful. You like clear. You like things you can win against and thatâs not me.â His voice drops on that last word, aimed low and soft and right under the guard Zoro didnât realise heâd dropped.Â
It finds home like a badly-blocked blow, wrong angle, too close, no time to brace and Zoro rocks back half a step, foot sole skidding on old grease heâd never have slipped on in any other fight. It feels like Sanjiâs angry hand just shoved him off the line heâd planted so carefully. âYouâre not â â he starts, late, scrambling for something â anything â to grab onto.
âWhat?â Sanji steamrolls.Thereâs colour high in his cheeks now, ugly and beautiful. âNot messy? Not unclear? What am I, then? A fun new challenge? You gonna notch me on your belt and go oh yeah, tried the cook too, he screamed real pretty?â The mockery in his voice makes Zoroâs guts cramp. âIs that the plan?â
Zoroâs chest goes cold, like seawater poured straight under the breastbone. His heart feels like itâs trying to curl away from the words but has nowhere to fucking go. His voice comes out so low it barely clears his teeth. âScrew you, thatâs not ââ
âYou donât know,â Sanji snarls. âThatâs the whole issue, isnât it? You donât fucking know. You came in here to try it on and see how it feels and when it doesnât fit, when it gets hard, when I get⌠hard to handle, youâll just shrug and call it quits.â
His hands are shaking; Zoro sees it everywhere now that heâs close, in the way the tendons stand out along the backs of his fingers, in the minute tremor that runs through his wrists, in the twitch at the corner of his mouth, like it wants to curl down and heâs forcing it sideways instead.
âNewsflash, swordsman,â Sanji says. The word swordsman breaks in the middle like a bone, crack running straight through Zoro. âI am not your practice run.â
Itâs worse than any kick Zoroâs ever taken from him, worse than broken ribs and airless lungs and blood in his teeth. All his usual responses try to surge up â throw the insult back, bark something ugly, show his teeth and turn this into a fight he knows how to lose or win â but they slam straight into the look in Sanjiâs eyes and die there. Because thereâs anger, yeah. Rage, sharp and bright, the kind they both know how to ride but layered under it is something older, tired in the way scars are tired. The look of someone who has already run this scene in his head, alone, in the dark: the confession, the recoil, the shrug, the empty doorway. Someone rehearsing disaster so it wonât surprise him as much when it comes. Heâs not just braced for a hit, heâs completely leaning into it.
Zoro feels the wind go out of him like a sword driven too deep into a training post. âI know what I feel. Iâm not⌠experimenting on you.â
Sanjiâs mouth twists. âSure.â His gaze flicks away for a second, down and to the side, like he canât hold the eye contact with that much skin exposed. When he drags it back up, thereâs something in place again, crooked and ill-fitting, but there. The familiar armour, thrown on over fresh bruises. âAnd when you wake up and realise Iâm too fucked up and we got too carried away, are you gonna take it back? Tell me it was just a mood? Just the adrenaline? Just the sea messing with your head?â
Zoro wants to say: no, itâs you, itâs been you, i havenât had a clean breath in months because of you, but the words jam somewhere between his tongue and his teeth. The anger in Sanjiâs face gives him no angle, no place to put them that wonât sound like begging.
âGet out,â Sanji says.
âWhat?â
âYou heard me.â The wild heat is gone, replaced by something something colder, like the dregs in the bottom of a burnt pan. âGet out of my galley. We dock tomorrow and I canât afford to waste my prep time on whatever thisâs supposed to be.â
âThatâs it?â Zoro demands, the anger finding teeth again. It lurches up in a hot, hopeless wave, desperately looking for somewhere to land that isnât his own ribs. âI tell you Iâm serious and you just call me a liar and kick me out?â
Sanjiâs chin comes up, light shivering on the wet thread gathering at the corner of his eyes, threatening and not quite falling. âYeah, thatâs it.â
The worst part is that Zoro can see the crack straight down the middle of him, the way one half is all sharp edges, braced and vicious and throwing knives because that script is safe. He knows how to survive being the bastard. If he gets the first cut in, he gets to say see? told you when it all bleeds out. The other half is⌠wrecked. Quietly. Deep under the surface, existing in the slight wobble when he pulls his hand back and the way his fingers want to curl toward his own stomach, protective, before he forces them flat again. In the flicker of something like guilt that passes over his face so fast Zoro almost thinks he imagined it.
He doesnât know how to talk to both halves at once. His bodyâs still in fight mode, muscles coiled with bolts of adrenaline waiting for somewhere to go. Every instinct heâs honed since childhood screams move, swing, break something, donât just stand there and take it.
But thereâs nothing in this room he can cut that wonât just turn more of Sanjiâs fears into truth.
Sanjiâs fingers twitch again in the direction of the door. His mouthâs a hard, thin line, like heâs holding the rest of what he could say behind his teeth and itâs costing him. âI said get out,â he grinds, lower now, like heâs running out of voice.
For one long, deranged second, Zoro thinks he might disobey, might step forward instead of back. Put his hand over Sanjiâs where itâs curled into a fist and something stupid like hit me if you have to but iâm not walking away from this.
He doesnât, though. He doesnât know if itâs cowardice or self-preservation or just â the need to not push him further into whatever edge heâs standing on. They all stack in the same direction anyway. He puts his hand on the frame to steady himself, the wood rough under his palm, worn smooth in places by years of other hands that didnât fuck it up like this. Behind him, he hears Sanji drag in a breath that sounds like it hurts.
He doesnât look back and when the door latch clicks it sounds, in his ears, exactly like a blade being sheathed just a fraction too late.
x
They make port the next morning like nothingâs wrong. The skyâs offensively blue, the harbour all bright paint and shouting vendors and gulls already circling for fries that havenât been dropped yet. The town already smells like too many people smashed up against too little waterfront and everyoneâs buzzing.Â
Luffyâs halfway over the rail before the anchorâs settled, yelling about arcades and asking if they have that game where he hits the hammer and it goes DING! Usoppâs giving him a frantic lecture about not getting scammed whereas Namiâs doing a mental conversion to local currency and humming in a way that means this islandâs economy is about to be gently looted.
Chopper keeps running back and forth between his little bag and the gangplank, chanting, âMoney, stethoscope, hat, money, snacks!â Brookâs tuning his guitar, already composing a ballad about love on the high seas that Zoro really doesnât want to think too hard about right now.
Sanji moves through the whirlwind like nothing happened last night. His hairâs tied back neat, fresh shirt, tie still loose like he hasnât fully committed to the costume yet. Heâs got a cigarette at the corner of his mouth and a pen behind his ear while he juggles three conversations at once: arguing with Nami about budget, telling Luffy heâs not allowed to eat rock-candy from strangers, threatening Usoppâs life if he buys more fireworks.
He doesnât look at Zoro once. Everytime Zoroâs orbit takes him near the galley, his body does this stupid little feeling, like it wants to turn of its own accord, muscle stronger than sense. Heâs more frustrated than usual because he canât even distract himself with anything useful. He canât do shit with his arm in a sling, canât shoulder a crate or tie off a line. Canât sharpen Wado, even though he desperately needs something to do with his hands.
Practice run.
Not for the first time he wishes people were more like swords and then immediately hates himself for thinking it, because thatâs exactly the kind of thing Sanji accused him of.
âZoro.â Robinâs voiceâs soft at his elbow. âNami would like you to come and pretend to be intimidating when we meet the mayor.â
He snorts despite himself. âIâm very good at that.â
âSo Iâve been told.â She studies him for a heartbeat. âPerhaps you could consider what you hope to do before youâre standing in front of him.â
To anyone else itâd sound like sheâs talking about the mayor but he knows better, and he hates how useful her advice is, so much so that he doesnât even get any words out around it. Just grunts ineloquently at her until she leaves him to it.Â
What he hopes to do. Well, he has no fucking idea about that but he knows what he wants. He wants Sanji alone, somewhere that isnât the galley or the bar or anywhere on this ship. Somewhere with a door they can shut that doesnât come with a pile of knives and a lifetime of kitchen ghosts. He wants to say all the things he mangled last night, but better, cleaner, without his temper driving.
He wants â to his own horror â a plan which is insane within itself because Zoroâs never planned a conversation in his life. Heâs always been the guy who walks into a fight, measures it once and lets the body do what itâs trained to do. Feelings have never needed strategies. Theyâve been background noise at best and, at worst, something he shaved off like splinters to keep the blade true.
Now the noise has a face and a voice and hands that smell like citrus and smoke and itâs fucking up everything.
He tells himself thatâs why he finds himself back in the cabin, sitting on his bunk with a scrap of paper on his knee, stolen from Namiâs spare chart stack, creased and smudged with someone elseâs route half-visible under his own chicken scratches. Thereâs a stub of pencil in his good hand that feels so unfamiliar he keeps wanting to chuck it.Â
He stares at the blank section for a long time and tries to list reasons this isnât a joke but everytime he tries to write his mind goes white. What, exactly, is he supposed to put there? Nice legs? Good cook? Looks stupidly hot with his hair down and his shirt off sweating over the stove?Â
He presses the pencil harder until the tip threatens to snap, forces his shoulders down and tries again, writes: you make me and then has to stop because⌠what? He makes Zoro laugh? Want to punch something? Want to stay? Want to hold on? All of the above? None of that sounds like something you can put in front of Sanji without him lighting it on fire.
He scribbles over the half-formed word until itâs just a black knot on the page and tries another tack, writes: you take care of everyone.Â
That one at least feels solid, all the evidence of Sanji cooking himself bloody on days heâs wounded just so Luffy gets seconds, shoving food in Zoroâs hands after a bad fight with a grunt, patching up broken plates and broken tempers and broken routines without ever dropping the joke. He adds: you make me stop being an idiot.Â
The pencil stalls again, half from him getting stuck and half from the awkwardness of doing this one-handed. He could list skills, sure, all the ways Sanjiâs good with kids and good with knives, the way he can kick a sea kingâs head off its shoulders. He could list stupid little things like the way Sanji hums North Blue tunes when he thinks no-oneâs listening, or the way he still keeps his lighters lined up like soldiers as some old habit from a place he doesnât talk about, or the way he looks at the sea on quiet mornings like heâs trying to apologise for something.
None of it feels like enough, or maybe it feels like too much? Zoroâs fought men three times his size, monsters with teeth longer than his forearm, warlords who could snap bones with a thought. Heâs lost blood and sleep and pieces of himself and never felt this stupidly fucking outmatched.
Heâs trying to write down why he likes someone and itâs beating his damn ass.
He thinks about before, about a younger version of himself in a nowhere dojo, all edges and anger, too focused on blades and ghosts to notice anyoneâs hands lingering on his except to correct a grip. About that one drunk, fumbling encounter behind a shitty village bar that mostly convinced him sex was noisy and boring. About how easy itâs always been to want a fight and how weirdly, shockingly hard it is to want a person.
He scratches youâre the first person i before his hand stops again. The first person he what?Â
First person he canât stop thinking about. First person who makes him want to come back. First person heâs more scared of hurting than he is of dying. First person whose mouth he wants on his, more than he wants a clean win.
The pencil hovers over the page. His throat feels tight. The bunk creaks when he shifts his weight, the sound ridiculously loud in the empty room. Outside, he can hear Luffy yelling something about giant pretzels against Chopper squealing and Namiâs exasperated smack.
Zoro presses the pencil down and the tip snaps clean off.
âFuck,â he mutters and glares at the paper and its messy, half written letters. At the ugly black blob where heâd tried to cross a feeling out and just made it larger. It looks like his own brain on a page, just half thoughts and scratched out instincts and nothing clean enough to hand to someone else.
What, exactly, was he going to do? March into the bar, slam this pathetic scrap down and go see, look, bullet points? Sanji would set it on fire and use it to light his cigarette. Despite himself, the corner of Zoroâs mouth twitches because itâs so painfully stupidly easy to imagine that exact scene that it almost feels like itâs already happened.
He folds the paper anyway until itâs a small, crumpled square and shoves it into the pocket inside his haramaki where he usually keeps important things. He tells himself itâs just so it doesnât clutter Namiâs ship with his trash.
Hope is a stupid fucking word, one thatâs always felt flimsy and untrained. Heâs never liked it. You either do the thing or you donât; hope is what people say when they donât plan to get back up. But itâs all heâs got right now, so he leans his head back against the wall and stares up at the patched wood of the ceiling, to where Usoppâs drawn little constellation dots up there in chalk. One of them looks like a sword if you squint.
âOkay,â he mutters, to the wood, to his swords, to himself. âWe do this.â
Step one: show up. Not hover in alleys like some kind of weird, one-handed, swordy ghost. Actually be there. Sit at the bar where Sanji can see him. Step two: donât get into a fight, no matter what happens or what Sanji says. Step three: when â if â Sanji gives him even a sliver of quiet, say something that isnât youâre mine or iâm serious dropped like a bomb.Â
It feels like lining up for a fight where the opponent is half him and half every bastard who ever taught Sanji that affection is a trap and he hates it but he also canât not do it. His hand goes unconsciously to his chest, fingers pressing against the spot where Sanji jabbed him last night, to where the ghost of the touch is still there if he looks for it. The words are, too.
He pushes himself off the bunk, floor solid under his feet, the Sunnyâs sway slower than normal, like sheâs trying to steady him, too. Outside, Nami yells his name and Luffyâs already hollering about the first bar theyâre going to hit. Thereâs the clatter of Frankyâs tools, the soft, sliding step of Robinâs sandals on wood.
Zoro grabs his swords and steps out into the light, into the noise, into whatever the hell tonight is going to be with no poem, no speech, just a list of half-finished reasons in his pocket and the ugly, terrifying certainty that for the first time in his life, he cares way more about one manâs face in a crowd than any opponent heâs ever drawn a blade on.
It feels like shit but itâs the only stance heâs got.
x
The town hits them like a slap. Heat, first. Heavy and sticky, crawling under Zoroâs shirt and then, worse, under the thick material of the sling. The late afternoon sun has baked the stone streets till they radiate and the air over the harbour shimmers. It smells like frying oil and spilled beer, grilled fish and exhaust, salt and too many bodies.
Luffy loves it immediately.
âThere!â he yells, pointing at three different food stalls at once. âAnd look, giant pretzels!â
âPick one!â Nami snaps, catching him by the back of the vest. âWe are doing this in stages, not feeding your stomach in parallel universes.â
Usopp is already narrating the expedition like some kind of travel guide, waving his hands around and saying: âAnd to the left we have the famous boardwalk, known for its terrifying seagulls and overpriced cocktails!â
Chopperâs trotting in little circles at Zoroâs heel, hooves click-clacking on stone. âDo you think they have ice cream? O-or churros? Or ice cream on churros? Is that a thing? It should be a thing.âÂ
Robin walks beside him, hands loosely linked behind her back, absorbing everything with that quiet, lethal interest she has. Sanjiâs at the front with Nami, of course, cigarette trailing smoke, and hands deep in his pockets, moving like the town only exists to give him somewhere to walk.
Zoro watches the way his shoulders move, unable to help it. He catalogues everything: no limp, so the bruise he took last island isnât bothering him, tension in the right shoulder, probably from lugging barrels, hair tied back but already fraying in the humidity, jaw tight, mouth sucked in around the filter.
He hasnât looked at Zoro since they came down the gangplank.
Zoro opens his mouth, then shuts it. Robinâs voice nudges the back of his skull: know what you hope to do. Heâd hoped, vaguely, to get Sanji alone, somewhere neutralish, away from knives. Maybe offer to carry groceries like some idiot in a romance novel and then⌠talk.
So far his plan consists of: follow, sweat, try not to stare.
âHey, Moss.â Zoroâs head snaps up before he can stop it, stupidly hopeful, before he realises the cookâs talking over his shoulder without turning. âWeâre hitting a bar first so the captain doesnât eat the town. Try not to get lost in a straight line.â
âFunny,â Zoro mutters. âYou practising your stand-up routine for when you get fired as cook?â
Sanji snorts smoke. âTheyâd sooner toss the swordsman, especially when heâs only got one working arm.â
Itâs the usual rhythm, the usual swing but normally, thereâs a beat after where Sanji glances back, makes sure Zoroâs heard him properly, his eyes lit with that special brand of go on, take a swing he reserves for Zoro alone.
Today he doesnât look back, not once, until they reach the bar that Nami eventually bullies everyone into. Itâs all low ceilings and heavy beams, the air thick with smoke and fried food. Thereâs a long wooden bar scuffed by a hundred years of elbows and spilled drinks, lanterns hanging at uneven intervals. A jukebox in the corner is, frankly, strangling some East Blue jig.
Sanjiâs eyes do a quick sweep as they walk in, clocking the lighting, the exits, the quality of glassware, the quality of clientele. Zoro can practically see the judgement meter tick before he decrees: âIâve seen worse. Sit.â
Luffy doesnât need telling twice. He launches himself into a booth like a human cannonball, nearly taking Usopp out at the knees. Nami slides in opposite and Chopper scrambles up between them, eyes going comically wide at the menu.
âWell,â Usopp slaps Zoroâs back and grins. âIâll hold Luff as long as I can but once Sanji starts feeding him itâs every pirate for themselves.â
Sanjiâs already off, talking to the bartender, what heâs always been good at. Smile just this side of polite, eyes engaged, hands expressive but never threatening. In a blink heâs charmed the harried woman behind the bar into handing over a battered notepad and the privilege of helping with orders if you want the kitchen.
âCanât stay out of the galley for five minutes,â Zoro mutters, drifting closer.
âSomeone has to make sure they donât poison you,â Sanji says, without looking at him. âWhatâre you doing here?â
Zoro watches his own hand move, almost like it belongs to someone else, reaching out to nudge the spare notepad. âFigured I could help carry plates. Scare off anyone who looks like theyâre about to dine and dash.â
Itâs nothing. A dumb, offhand offer yet his heartâs pounding like heâs just picked yet another fight with Mihawk.
For one infinitesimal moment Sanji goes still before that lazy, razor smile slides across his face, the one that means Zoroâs just stepped somewhere he doesnât know the shape of. âAw, you trying to impress me? Gonna be my little waiter bodyguard?â
The words are mocking but the tone⌠isnât, quite. Thereâs teeth in there, yeah, but thereâs something else, too. An edge Zoro is starting to recognise as panic dressed up as play. He holds his ground. âIâm good at carrying things, might as well.â
Sanjiâs gaze flicks up, finally meeting his and itâs all there in that split-second, lit up ugly in the barâs cheap yellow light: the bone-deep exhaustion, the tight, coiled wariness, the wild nothing-good-survives look he gets right before a fight he thinks heâs going to lose. âYeah, thing is, love, youâre a terrible waiter. You glare at people when youâre sober, you threaten them when youâre drunk, and youâd eat half the food before it hits the table. Besides, you better rest that arm.â
Love lands like broken glass in Zoroâs ribs, casual and automatic, the same word heâs heard thrown at a thousand strangers. Itâs never, ever cut like this before. âI donât ââ
Sanji spins away on the ball of one foot, all brisk and back to business. âSit down, drink. Try not to start any fights before dessert.â
Heâs gone before the sentence finishes, pivoting toward the fryers, snapping at the bartender about oil temperature and god, do you actually serve frozen chips in this establishment? The overhead lights halo him in greasy gold, smoke curling around his head like a crown. Zoroâs left standing at the end of the bar with his hand empty and his chest full of shrapnel, feeling like someone slammed a door on him without ever touching the handle.
He hears, faintly, Robinâs voice: what do you think youâre doing?
Right now? Right now he has no fucking clue. He goes to the table because thereâs nowhere else to go that isnât making a scene and the crew tries, at first, to pretend nothingâs wrong. To keep the energy bobbing on the surface.
Usopp launches into a story with both hands. âAnd then I said oi! and the guyâs face â you shouldâve seen it, he looked like his soul left through his nostrils!â
Nami drinks and watches everything with hurricane eyes, the way she does when sheâs already calculated ten possible disasters and is waiting to see which one hits. Zoro laughs where heâs supposed to, the short, punched-out version, throwing in a barked comment when someone looks at him expectantly. He sips his drink. His ears stay tuned to the bar like theyâve grown a mind of their own, to where Sanjiâs in his element and not, all at once. He moves like a man playing himself half a dozen drinks ahead on fast-forward, banter coming bright and polished, edges too sharp, tossed like knives to an audience that doesnât know theyâre ducking. He twirls the notepad between his fingers and leans over the bar to read a label, shirt pulling tight over his back. He tucks a stray strand of hair behind his ear with hands that have plated two hundred meals under fire.
A girl in a red dress laughs too loud at something he says and he flashes her a grin that could strip paint, teeth bright in the dim. Zoroâs hand tightens around his glass until the condensation squeaks under his fingers, counting backward from ten like someone once told him was good for bloodlust. Forces his fingers to loosen.Â
Sanji swings by with their first round of snacks, setting a mountain of some unidentifiable fried glory down in front of Luffy and a small, meticulously balanced plate of actually edible things appears in front of Chopper. Nami gets a drink that looks like it crawled directly out of an expensive cocktail menu, complete with garnish and a little curl of citrus and that somehow looks exactly like her.
âOi,â Zoro says, because apparently he enjoys getting kicked in the teeth. âThought you said I couldnât carry plates. Youâre triple stacking.â
Sanji gives him a glance as fast and sharp as a flicked blade. He uses the kind of tone that makes strangers feel special and makes Zoro feel like heâs standing in a blast freezer. âUnlike some people I know my limits.â
Heâs gone again before Zoro can prise his tongue off the roof of his mouth and Usopp leans in the moment Sanjiâs out of earshot, whisper-hissing like a leaking kettle. âOkay, what is going on? Whyâs Sanji acting like you murdered his favourite apron?â
Zoroâs jaw works as he feels every muscle in his face trying to seize up at once. He could shrug. He could grunt nothing and let them label this another weird Sanji mood and go back to their drinks. Instead, he hears himself say: âI told him something. He didnât like it.â
Namiâs gaze snaps to him, sharp but he ignores her and takes another drink, feeling it hit his stomach and fizz on top of something already burning there.
He tries again: the next time Sanji swings past, tray balanced on one palm, pen between his teeth, Zoro half-rises before he can stop himself. âWant a hand? I could ââ
âIâve got it,â Sanji cuts in, not missing a beat. To anyone else itâd sound smooth and efficient, professional, even, but to Zoro it sounds like a slammed gate. His eyes flash a warning, quick and cold: drop it or iâll make a scene you canât back away from.
Zoro sits back down like someoneâs cut his strings, face too hot. The bar noise tilts around him, goes weird and echoing, the clink of glass sharp as steel on steel and the jukebox too thin and far away. Every burst of laughter from Sanjiâs end of the room lands like a hit he canât parry.
The girl in the red dress blushes as dark as her clothes when Sanji tilts her chin with two fingers to hear her better over the noise. Zoro watches the way her hand lands on Sanjiâs forearm, his own fingers curling in on themselves until his knuckles ache.Â
âThere he goes,â Usopp mutters, trying for joking and missing by a good fucking mile. âOur boy in his natural habitat.â
Chopperâs nose wrinkles. âBut he was just yelling earlierâŚâ
âDonât worry about it, Chopper,â Nami says, voice tight enough to cut. âAdult disaster. Finish your juice.â
Zoro honks out something like agreement, throat too narrow for actual words. His brain keeps trying to shove this into the old box: Sanji flirts, thatâs what he does. White noise. Background habit. Heâs spent years letting it bounce right off him like foam off a hull. But the difference isnât in the what, itâs in the how. Itâs in the way Sanji glances at him, so quick itâd never register to anyone who doesnât know how fast he can check a battle map and go back to smiling. Like checking a mirror to see how bad the bruise is.
oh, Zoro thinks, something in his chest going tight, realising that this isnât just an everyday act, this is an act aimed at him. Every laugh he pulls out of the girl is a probe, every compliment and gush of flattery thrown across the bar is a feeler: are you going to flinch? are you going to storm over? are you going to prove i was right about you?
He presses his good palm flat, feeling the sticky ring where someoneâs drink sweated out and wasnât wiped up. âThe girlâs gonna sprain something flipping her hair like that,â he says when Sanji drifts close enough to deliver Luffyâs thirds. âYou gonna give her a massage too?â
Sanjiâs smile clicks into place like a blade sliding home. âIf she asks nicely. Iâm very good with my hands.â
âGood for her,â Zoro mutters, because what the fuck else can he say? What else can he do?
Sanjiâs eyes flash and for half a heartbeat something ugly-and-hurt-and-weirdly-impressed cuts through his expression. He steps up his game, starts working the room and itâs brutal, how good he is. Clinically impressive, if Zoro pulls back far enough in his head. Sanji makes time for everyone: the girl in red, the bartender, a guy at the far end with half a sleeve of ink and a grin like broken glass, a middle-aged woman in a sun hat, a trio of backpackers with sand still on their shoes. Compliments tossed like grenades. Kisses blown. Fingers brushing wrists, shoulders, the small of a back. He laughs, leans, flirts like heâs trying to wear his own tongue out. In ten minutes, heâs turned the whole bar into a mirror maze and all of itâs angled one single way.
By the fourth lap even Luffyâs gone quiet, chewing around a mouthful of meat, eyebrows squished together in a puzzled frown. Usopp leans in, whispering: âOkay, Iâm not crazy, right? This is⌠more than usual.â
Namiâs mouth is a white-knuckled line, never one to pull punches. âHeâs being an asshole.â
Zoro can feel them all orbiting the fault line, pretending not to stare, giving space while being acutely aware of every inch of it and it makes him feel exposed, stupid⌠and weirdly anchored, like thereâs a railing at his back he can lean on if he has to. He doesn't want to lean back, though. He wants to fucking swing. Every part of him is built for it: heâs hurt, he hits back. He feels cornered, he bites, breaks ribs, smashes jaws. This pressure in his chest, this sick, burning fizz under his sternum⌠thatâs usually when he puts his hand on a hilt and everything makes sense again but thereâs no goddamn blade for this.
The wooden chair creaks under his thigh every time his weight shifts, drink sweating in his hand until the condensation slicks his fingers, the glass sliding just enough that he has to adjust his grip again and again. The bar gets louder, meaner, rowdier. Lanterns come up as daylight bleeds out and the air goes thicker still. Someone starts a card game that someone else loses, their chair scraping loud enough to make Zoroâs shoulders jump before laughter washes over it.
Sanji ends up behind the bar at some point, fully adopted by the staff now, shaking cocktails like heâs auditioning for some trashy show. Bottles flip, ice rattles, metal shakers flash in arcs under the dim lights. His tieâs gone now and the top few buttons of his shirt are undone, skin at his throat flushed from the effort and heat, wild and gorgeous and completely out of reach.
A woman at the bar with her hair up in a messy knot, calls loud enough for Zoro to hear: âYou should come home with me, sugar.â
Sanji laughs but he doesnât say no and Zoro feels something in his chest seize, like someoneâs poured ice water into him and then lit it from underneath. His vision tunnels slightly. The edges of the room go blurred but the centre â Sanji, the woman, the bar â stays sharp as knives.
He looks down into his glass, at where the amber liquid shivers, tiny ripples betraying the shake in his fingers and knows he could get up. He could march over there, drag Sanji away by the wrist or the shirt or the throat and snarl something possessive and ugly. He could make a scene that every asshole in this bar would remember. He could watch Sanji bare his teeth and there it is at him, satisfied. Or he can sit here and let Sanji walk out on his arm with someone else just to prove a point to himself, let that image burn into his brain until heâs old and broken, knowing he stayed still for it. Knowing he let it happen because he canât bear to cage him.
He hates that those are the only two options his panic can see.Â
The woman laughs again, high and delighted as Sanji leans in to say something Zoro canât catch over the swell of music and voices. She swats his arm, pressing closer, his hand finding the small of her back, easy and practised, fingers splayed and Zoroâs lungs feel like theyâre pulling air through glass.
Usoppâs hand lands on his arm, warm and tight. âYou⌠you okay, man?â
He tries to say fine but what comes out is: âHeâs doing this on purpose,â and itâs not a question.
Usoppâs face twists. âIâm the sniper, not a therapist, but⌠yeah, kinda looks like it. You donât have to sit through it, you know.â
Heâs never felt this helpless. Heâs stood under a giant shadow and offered his life up as payment, heâs watched blood fill his boots, heâs walked into fights he knew he couldnât win because the alternative was so much worse and none of that felt like this. None of that felt like sitting still while someone he wants more than oxygen kicks his heart around a room to see if heâll scream. He watches Sanji throw his head back and laugh at something the woman whispers in his ear and thinks: if i get through this, if i keep sitting here, if i walk out at the end of the night and iâm still in⌠that has to mean something, right? that has to be proof. for him. for me.
âI canât win,â he mutters, mostly to the wet ring his glass has left on the table. âIf I drag him out then I prove him right and if I sit here he gets to say I donât care what he does.â
Namiâs voice cuts in, sharp and immediate, like sheâs been dying to say something. âOr â and hear me out â you could tell him that.â Her eyes are blazing, all storm and snapped patience, but the anger isnât pointed at him. Itâs all aimed at the idiot behind the bar. âYou donât have to sit here and bleed quietly to prove a point.â
Zoro forces a ragged almost-laugh that feels like it snags on his ribs on the way out. âRight.â
âIâm serious, you donât have to just wait around for him to â you donât need to be here.â
At the bar, the woman in red leans in, mouth near Sanjiâs ear. He throws his head back and laughs, throat a clean white line in the warm light, her hand on his bicep and fingers stroking the rolled-up sleeve like she owns that strip of skin.
Zoroâs pushes his chair back, legs scraping the sticky floor, a small, raw sound that only their table seems to hear. âIâm gonna ââ he tries but his brain blanks. Go over there and what? Tell half a bar that Sanjiâs hurting him? Drag him into an alley and let rage do the talking? Walk back to the ship and put an ocean between them before he does something he canât take back?
The doors at the front bang as more people push in, letting in a puff of cooler air that dies instantly against the heat. Behind the bar, Sanji wipes his hands on a towel and says something to the bartender that makes the guy laugh and clap him on the back. Sanji reaches behind him, unknotting the borrowed apron in one clean pull. When he steps out from behind the bar the woman in red slides off her seat to fall into step beside him like sheâd been waiting for that cue all night and Sanjiâs eyes hit Zoro standing there half-risen, hand empty, jaw tight. His fingers flex on the womanâs shoulder when he says it and the message under it is so loud Zoro almost hears it as words: are you still stupid enough to want this? are you finished playing? still serious?
Something inside Zoro gives, like a fault line finally deciding, under all that pressure, to shift. A crack running through rock, too deep to see, suddenly widening. His vision sharpens and blurs at the same time, one part of his brain cataloguing details with battle clarity: the exact red of the womanâs dress, the pattern of footprints across the floor, the way Sanjiâs shoulders have gone too straight, like heâs holding himself up by habit alone. The rest of him feels like heâs been hit by a wave he didnât see coming. His heart flails, stupid and heavy with thereâs that awful, humiliating prickling heat on his face and he wants â more than heâs ever wanted a sword or a win or a bottle â to not do this in front of his crew.Â
âIâm getting some air,â he hears himself say. No-one stops him, and the heat slams into him again outside like a wall, all thick tropical night, wet air, fish and petrol from the harbour. His feet find the Sunny by instinct, the way they always do when his headâs a mess. The sky aboveâs a dark velvet strip, stars drowned out by city glow. He breathes shallow at first, then deeper as the seaâs rhythm forces his lungs to match it until, little by little, the white-hot urge to go back and tear the bar apart by the foundations settles into something heavier. Not calmer. Just⌠denser, like a weight heâs braced under instead of a blow heâs trying to dodge.
The Sunnyâs a dark shape against the water by the time he gets there, the lantern at the end of the pier flickering like itâs thinking about giving up. Frankyâs tinkering away at the rail, sparks violent against the dark night and the light plays over his forearms, over the familiar lines of tattoos and scars.
âYouâre back early,â he grins, killing the grinder before Zoro can hope to escape unseen. His voiceâs casual, but it lands too neatly to be an accident. âThought you were going to drown yourself in cheap beer and worse decisions.â
Zoro snorts, but it comes out thin. He drops down to sit with his back against the rail, one knee up, one leg stretched out. His armâs throbbing a little but heâs almost grateful for it: it gives him something concrete to focus on. The reflection of the port lights fractures on the swell, yellow and white broken into a thousand pieces. âNeeded to get out of there.â
Franky wipes his hands on a rag, considering him. âHot date go bad?â he asks, too light to be anything but a probe.
Zoroâs mouth twists. âSomething like that.â
âSanji,â Franky hums, not a question.
Zoroâs jaw clenches so hard his teeth click. âThe whole crew get all psychic now or what?â
Franky snorts. âYou two are about as subtle as a cannon in a teacup, bro. Talk.âÂ
Zoro bristles. âNot a kid.â
âNo,â Franky says. âYouâre a grown man sitting on the deck in the dark avoiding everyone. Bet your crush spent the evening trying to see how many knives he could throw at your heart without technically breaking crew rules, so. If you wanna talk...â
Zoro flinches, the wording hitting a little too close for comfort. âHow dâyou even ââ
Franky taps his temple. âIâve got eyes, bro, and a mirror. You think Robin and I got together by not recognising self-destructive idiots when we see them?â He shoves his tools aside to drop down beside Zoro, a heavy thunk of metal and muscle, back against the rail, legs stretched out. For a minute, they just sit there. Breathing. Listening to the sea.
âHe flirted with someone,â Zoro says finally, staring at his good hand. âHell, everyone. Hard. On purpose. Just to⌠piss me off.â He doesnât say hurt me because thatâs a little too close, right now..
Franky moves to sprawl on a coil of rope like itâs a beanbag, the smell of salt and oil and cola familiar and weirdly comforting. âAnd?â
âAnd⌠nothing,â Zoro snaps, the word grating. âIâm not going to tell him who he can flirt with, Iâm not his owner.â
Franky snorts, a sharp, metallic sound. âRelax, bro, nobodyâs asking you to slap a collar on him.â
âHeâs free to do whatever he wants,â Zoro pushes, louder, angrier. If he keeps talking maybe he wonât think. âThatâs the whole point. If I start telling him donât talk to her, donât touch him, Iâm just ââ
The night seems to lean in on the pause, the harbour glow wrapping the chrome of Frankyâs arm in a sickly halo to throw a smear of light over Zoroâs knuckles where they move to clamp his swords. The blue in Frankyâs goggles catches a reflection of Zoroâs face: jaw locked, eyes too bright.
âOkay,â he says at last. âSure. You donât get to dictate his targets. But thatâs not what youâre pissed about and you know it.â
Zoroâs fingers curl harder over Wado until his palm aches, until the lacquer bites into callous. âWhat Iâm pissed about is irrelevant,â he grinds out. Every fucking word feels like heâs chewing glass. âHe wants me to tell him to piss off and Iâm not giving him that out.â
âBro,â Franky sighs and it manages to hit like a thrown wrench, no softness, just blunt steel. âWhat you feel is the only relevant thing in this whole mess.â
Zoro glares at the harbour like he can cut it in half with his eye, the lights smearing when his vision stings; he blinks hard, furious at himself for the wet. âHeâs trying to make me prove him right. That Iâll tell him to cut it out or that Iâll walk, that itâs a game, that Iâm â not serious. Thatâs all this is. He wants me to throw the punch first so he doesnât have to.â
âAnd you? You wanna hit him? Right now?â
Zoro pictures it before he can stop himself: Sanjiâs shirt knotted in his fist, back slamming into brick, both of them snarling, finally giving this pressure somewhere to go. His stomach lurches and he shoves the image away like it burns.
âYeah,â he says and the honesty hurts more than any bruise. âBut not like that.â
Franky hums, low and considering. âHereâs the thing, youâre right, you donât own him. You donât get to tell him not to flirt if youâre not solid yet.â He shakes his head, metal plates whispering and clicking. âBut if youâre saying he was flirting that hard⌠man, thatâs using your face as a target and another person as a weapon.â
Zoroâs shoulders twitch like the words physically impact him. Something inside his chest gives an ugly, warning creak. âI can take it.â
âYeah, congrats, you can tank emotional damage, super macho. Thatâs not the flex you think it is.â
Zoro bristles harder, teeth baring. âWhat, you want me to cry about it? Tell him to stop? Heâll hear that as not to look at anyone else and weâre not â weâre not together, he doesnât owe me shit. Then Iâm just ââ
Franky cuts across him, sharp as a snapped cable. âYouâre not listening.â He leans in and thumps a big hand into Zoroâs chest, right over the raised knot of scars â Thriller Bark, Mihawk, god-knows-what-else â a palm landing on everything Zoro has already survived. âThereâs a difference between âyou canât do thisâ and âyou donât get to do it like thatâ, you know?â
Zoro stares at him, breath snagging. âItâs the same ââ
âNo. It. Isnât.â His thumb digs harder into Zoroâs sternum, right where that old Mihawk scar splits him. âIf you tell him heâs not allowed to talk to anyone, sure, thatâs fucked but if you tell him that youâre not signing up to be fuckinâ stabbed every night âtil he gets his shit together then thatâs not a cage, man. Thatâs info. Thatâs you drawing a line in the sand so he knows where it starts hurting.â
The image makes something ugly twist in Zoroâs gut because heâs good with lines. Heâs spent his whole life on them â edges of blades, boundaries of fights, the one thin cut between victory and death. Heâs just never thought to draw one on himself and to hand it to someone else. His throat works around a dry swallow. âHeâll still hear it wrong, thatâs what he does. Twists everything into the worst version. Heâll decide Iâm controlling him and bolt.â
Franky scoffs, unimpressed. âYeah, probs, at least the first few times. Heâs trained for that. But if you never say it then all he sees is you sitting there and he fills the silence with every shit story heâs already lived.â
Zoro shuts his eye because itâs too easy to imagine Sanji somewhere inside his own head, stacking nights like this into proof. Tight certainty that of course this is how it goes, of course no-one stays, of course wanting is just a prelude to loss. He clenches his jaw. âSo, what, Iâm supposed to walk in there and go hey, cook, that was shit, donât use other people to prove to yourself youâre unlovable and then throw the damn shards at me?â It sounds pathetic in his own ears, too big and too raw, like heâs turned his ribs inside out and written HELP in blood on them.
Franky barks a laugh, sharp and bright in the dark. âWell, maybe not with those exact words, youâre no poet.â He shifts, plates creaking, then settles again with his forearms hooked over the rail, gaze going out where the harbour lights smear themselves flat on the black water. âWhen Robin and me started this, she made two things very clear. One: if I tried to cage her sheâd break my fingers and two: if I pretended her shit didnât affect me sheâd break the other fingers.â
Despite everything, Zoro snorts. âSounds like her.â
âYeah.â Frankyâs mouth crooks. âSuper romantic, right? Point is, she didnât want a jailer. She wanted a partner whoâd tell her when she was punching low while she was busy trying not to flinch high. You want him, right?âÂ
The answerâs so obvious it makes Zoroâs teeth ache but saying it out loud still feels like dragging a blade sideways through his chest. âYeah. I do.â
âThen you donât get to stand there like a scarecrow and let him hurl knives at you forever. Youâre not being noble, youâre just letting him reenact all his worst shit with you in the villain role.â The words hit like a kick, right under the ribs. Zoroâs breath stutters and for a second heâs back at the bar: Sanjiâs arm wrapped around someone elseâs shoulders, that grin like a snarl turned inside out, eyes checking â always checking â to see if Zoroâs flinching the way he expects him to. The way other people have.
His stomach twists. âItâs the only thing I know how to do. Stand there and take it. Swing back or leave. Thatâs it, thatâs the whole list.â
Fight. Endure. Walk away. Swordsman solutions, all of them and none of them built for this.
Frankyâs mouth twists. He taps Zoroâs chest again, lighter this time, knuckles ringing softly on old scar tissue. âThen add something, bro. Youâre good at commitment, youâll crawl through hell for a promise. Use that. But stop confusing staying with being a punching bag. You can be here and tell him to stop aiming for your heart.â
Zoro stares out over the rail as the ship settles around them with a gentle hum, a living thing. The ropes fidget in their pulleys and a seagull shrieks somewhere in the dark, thin and obnoxious. He says, slowly: âI tell him that and he still decides Iâm too much or that heâs right about me, or that Iâll get bored and walk ââ
âThen he does,â Franky interrupts, blunt as a brick to the face. âAnd itâll suck. Itâll suck worse than any sword in the gut but at least you wonât spend the rest of your life wondering if you lost him because you never showed him where it hurt.â
The line lands with the weight of a good stance. Ugly, but solid. Heavy in the right places and Zoro inhales, forcing it slow. Heâs taken blades that missed his heart by a breath. Heâs stood in blood and fire and war and torture andthought, this is fine, this is what iâm for. He has never willingly stepped closer to something that could break him this quietly.
âI donât know how to⌠talk like that,â he admits and the confession feels worse than saying heâs scared. âI open my mouth and it turns into a fight or a joke or nothing.â
Franky shrugs, big shoulders rolling. âSo say it the way you fight. Youâre a swordsman, bro. You know what happens when you split your stance. Make it an easy combo even you can remember.â
Zoro rolls his eye. âYouâre a terrible motivational speaker.â
âLucky for you Iâm a great shipwright and I know rot when I smell it. You let this fester, itâs gonna eat through the hull.â He pushes himself up with a grin, plates clanking, then looks down at Zoro, all ridiculous pompadour and naked sincerity.Â
Zoroâs hand flexes on the hilt of Wado without thinking, fingers tightening around familiar leather. The sword shouldnât be any help: it has nothing to say about this kind of wound. Itâs a comfort all the same, warm and familiar and constant.Â
Franky jerks his chin at him. âPick your fight, bro. You wanna fight him? Fight his fear, not with punches but with facts. Youâre still here, you keep being here. And you stop pretending it doesnât hurt when he kicks.â He turns, clanking toward the hatch, humming some off-key tune that doesnât match the weight of what he just dropped.
Zoro stays where he is, the harbour lights shimmering on the black surface of the sea, breaking and reforming with every ripple. The Sunny breathes under him, old wood and strong lines, steady and patient, always trusting them to get their shit together eventually. He thinks of Sanji in that doorway, arm flung around someone elseâs waist, eyes cutting to him like a dare and a plea all at once: prove me right, prove me wrong, just donât leave me in the maybe.
He thinks of his own fingers shaking around a glass. Of walking out instead of walking toward and the terror doesnât go anywhere, not exactly. It just settles lower, a cold knot at the base of his spine, new in a way nothing else has ever been. Thereâs no enemy to cut down, no clear win condition, no training regime that guarantees a result. Just his own stupid heart throwing itself at someone who might decide not to catch it. Someone who already tried to drop it once just to see if heâd flinch.
He knows itâll be worth it if he can just convince Sanji. He can see flashes of it already: the way Sanji looks at him in the aquarium bar light sometimes, soft, or laughing on the deck after a fight, or the soft, unguarded moments half-asleep after a long watch. He can imagine, just barely, a version of his life where that warmth isnât something he has to pretend he doesnât want.
He tips his head back, lets his eye fall closed and lets the Sunny rock him. The knot in his chest doesnât vanish, it canât â but slowly, slowly, it shifts, learning the shape of this new weight itâs chosen to carry.
x
He doesnât remember falling asleep. Last thing he remembers was being on his back, eye fixed on a strip of stars he can see between mast and sail and telling them in his head like an idiot: iâm in, iâm not going anywhere, iâm in. At some point the stars had smeared into one long, silver blur, and now thereâs light pressing at his eyelids like someoneâs put the sun on dim and set it right on his face.Â
His spine feels like itâs been used to test the quality of every plank on the deck, old wounds lighting up one by one, shoulder scars whining, the line across his stomach a dull, angry throb. His arm is fucking aching. Something jabs him hard in the ribs.
âOi. Mosshead.â The voice knifes through the cotton in his skull. He grunts and tries to roll away from it, cheek scraping against rough wood. His body feels heavy and dry, like he napped under a kiln. Unfortunately, the voice moves with him. âUp.â
Fingers hook in the front of his shirt and yank and Zoroâs eye snaps open on reflex, pupil shrinking against a wash of sky. Thereâs the mast, ropes, the curve of sail, a seagull circling and, right in front of him, way too close, is Sanji. âWhat the ââ
âNot here,â Sanji grinds out and then heâs hauling Zoro upright, dragging him off the deck in a series of graceless lurches. His grip is all knuckles and tendon, bunched fabric cutting into Zoroâs sternum.
Zoroâs brain claws for purchase. âSâLuffy okay?â he rasps, because itâs the first question it can grab.Â
Sanji doesnât answer. Doesnât even look at him properly. âOn your feet.â The words are sharp, but beneath them thereâs an edge he canât place, like Sanjiâs already had three arguments before breakfast and now heâs coming for the fourth. Zoroâs body obeys before his thoughts catch up, muscle memory moving until his boots find the planks properly, every joint complaining on the way. His head swims, slow and queasy, before settling.
Sanji doesnât let go of his shirt. He takes off across the deck with Zoro in tow, long strides eating the distances and Zoro stumbles after him, his good hand coming up to clamp around Sanjiâs wrist more for balance than to break free.Â
The Sunnyâs still in that early hour hush where everything feels thinner. The airâs cool, the heat of the day not bitten in yet. Somewhere forward, Luffy laughs, bright and big, familiar and then the sound cuts off mid-peal like someone dropped a curtain over it.
They pass the mast and in the span of a heartbeat, Zoro catches the whole tableau in a series of sharp, humiliating snapshots: Luffy and Usopp on the lawn, half-way through some ridiculous stretching routine. Luffyâs arms are up over his head, mouth open on what was probably going to be a shout. Usoppâs bent double, fingertips brushing his toes and both of them are frozen, staring, eyes huge.
Brookâs at the far rail, bony shoulders hunched like heâs inspecting his bow and his whole posture screams i am not looking, this is none of my business. The second Zoroâs gaze hits them, every single one of them looks away in the exact same too-fast way. Heat crawls up the back of his neck as the memory of last night â Sanjiâs back at the bar, the fingernails tracing his arm, the way Zoroâs own drink tasted like ash in his mouth â flickers. The fact that he ended that night face-down on the deck, too tired to even find his hammock, suddenly feels⌠obvious.
He opens his mouth, probably to throw some half-baked line but doesnât get very far because Sanji plants one foot on the rail and then the world drops out from under them. The first step of Skywalk always feels wrong to Zoro. Heâs a swordsman: his body understands solid things like deck and dirt and stone and does not understand Sanjiâs trick of kicking nothing and having it hold. His stomach lurches as the Sunny falls away, shrinking beneath them, wind slamming into them from the side and grabbing at his open shirt, tearing the last tatters of sleep from his head.
His hand shoots out on survival instinct alone, fingers locking around Sanjiâs sleeve even as the other manâs leg drives down into air that somehow doesnât give. The Sunny shrinks on every beat: lawn a smudge of green, deck a strip of pale, masts like matchsticks. Seagulls wheel and scream, somewhere on their eye-level now instead of above. They jolt past the top of the main mast, past the crowâs nest where he usually naps and for one surreal second, heâs looking down at his own favourite sleeping spot before Sanji angles them down.
âBrace,â he grunts and Zoro barely has time to bend his knees before boots slam onto the mastâs sail, the narrow beam of wood. From below itâs just a thin line of wood against the sky, part of the rigging geometry his brain files under ship things. Up here, itâs barely the width of his foot and the mast rises at his side like a vertical wall and heâs got one fucking good arm for balance, so.Â
Sanji steps back just enough to plant his boots like heâs setting himself for a fight, one hand hooking around a line overhead, effortless, body owning the precarious balance like he was born in mid-air.
i live up here, his stance says. this is mine.Â
Zoro swallows, throat dry as he risks a glance down. The deckâs a long drop away, dotted with their tiny crew, all pretending very badly that they arenât craning their necks. The wind up here tugs at his shirt, fingers the sweat at the back of his neck, makes his eye sting. His skin feels flayed and too thin as he drags his gaze back to Sanji.
Sanji looks like shit and itâs not battlefield-shit or the familiar pattern of burns and cuts and that exhausted, wired grin that means we almost died again, what a laugh. This is smaller and nastier. Itâs in the way the skin under his eyes is shadowed and swollen, the way his mouth is pulled tight, colour leeched from his lips. In the restless twitch of his fingers, the bare, empty space where a cigarette should be. He looks like a man whose nerves have been stripped out and left to hum in the wind, all the insulation burned away.
The absence of smoke hits Zoro hardest and he realises, stupidly, that heâs been using the exact brand of Sanjiâs bad habit as a barometer his whole time on the ship. No cigarette: busy. Two in a row: stressed. Three, lit off the same filter: danger.
Right now, nothing. Just the faint, raw mark at his throat where heâs been rubbing, and eyes so sharp and red-rimmed they look like they could cut. His voice comes out rough and hoarse, like he argued with the night until it broke and then kept going with the sunrise. âSay whatever youâre going to say.â
The spar creaks under them. The mast hums. His palm is slick against the wood with sweat and his instincts are all crossed wires: one part of him wants to snap back and another wants to shut up and listen because Sanjiâs hair is coming half out of its tie and he only looks like this when heâs about to do something truly, irreversibly stupid.
He reaches for the only safe thing in armâs length. âYou kidnapped me off my own ship.â
âYou slept on the deck like a kicked dog, you forfeited your right to complain.â
The comparison lands harder than Zoro expects and something low and humiliating twists in his gut â the memory of cold planks under his spine, of staring up at the sky thinking stay put, stay here, donât chase him, prove you mean it until exhaustion won. He turns his face away, out toward the split horizon of sea and sky, letting the sting burn through him because if he looks at Sanji right now heâs not sure what will come out first: the anger, or the part that wants to point out the other manâs the one who did the kicking.Â
Frankyâs voice is in his skull like a hand on his shoulder: youâre allowed to say it hurt. He sets his jaw and says, straight as he can: âYou were cruel last night.â
Sanji flinches and then, because heâs Sanji, he slams straight into attack, every consonant sharpened to a point. âSo do it, then. This is the part you tell me youâre done, tell me Iâm a fucking nightmare, that youâre not signing up for this. Tell me to piss off and save yourself all the â all the trouble.â
âNo. Thatâs the fucking problem.â Heâs desperate to pace, to move, but thereâs nowhere to go that isnât straight down. âYou hurt me. You looked right at me, like you were daring to say something and I wanted to drag you out by your stupid shirt and start a fight in the middle of the bar. It was cruel and it was â I hated every fucking second of it, but Iâm still here. That part isnât changing, Curls, no matter how shitty you get.â
Sanji stares at him like the words have come in a language heâs only ever seen written down and never heard out loud. His eyes are wide, pupils blown in the hard morning light. For a second the wind actually seems to miss its cue and everything almost holds, like the Sunny herself is waiting to hear if Zoro takes it back. âWhat?âÂ
âIâm still in,â Zoro says and the wind tears straight back in through the sentence, ripping it off his tongue to shred it, but he keeps going, forcing each word out like it weighs as much as a sword. âI still want you. Iâm not gonna pretend last night was nothing just to make it easier on you or say I didnât hate every second of watching you do that.â
He can hear the way his voice goes to shit, then â rough, frayed, wrong for anything except yelling orders or cursing an enemy. Every confession heâs ever made before this has been about pain you can point at, at a broken bone or a deep cut. This isnât like that: thereâs no clean slice. Itâs everywhere at once, under his ribs, under his tongue, running down his spine like someone replaced it with bare wire. âBut if it takes fifty more rounds of you trying to scare me off before your stupid brain believes I mean itâŚâ He shrugs, a jagged, helpless movement that feels like it might shake his heart loose. His arm throbs in time with it. âThen I guess Iâm fighting fifty rounds.â
Sanjiâs mouth opens and shuts. He looks half-feral, cornered animal and crashing wave all at once. Each syllable has to fight its way past his teeth. âYou canât just say that. You canât say youâll stay after ââ
âIâm not promising Iâll sit there quiet while you knife me on purpose,â Zoro cuts in and that, at least, comes easier. Anger gives the words a shape that fits his mouth better. His voice sharpens and steadies. âIf you pull that shit again, Iâm not walking out nicely next time. Next time Iâll cut that bullshit down â Iâm not going to be your practice run for self-destruction.â He makes himself stop there, makes himself hold the line instead of rolling straight into a fight. The mastâs solid at his back, rough and scuffed and he presses his palm flatter against it until the splinters bite his skin.Â
Thereâs a small, precise twist at the corner of Sanjiâs mouth, a jump of muscle in his jaw, his eyes shuttering for half a heartbeat like the words found old damage and pushed. âI know. I know youâre not.â
Zoro goes on, because if he stops now heâs going to either choke or laugh or swing and none of those are the truth. âYou donât want me? Fine, say it. Say the words. Then Iâll deal, Iâll get out of your way and you can flirt with every idiot with a pulse from here to the end of the world and it wonât be my business.â His voice drops on the last bit, rough as rope burn. âBut as long as thatâs not true you donât get to shove me away and then act surprised when I come back.â
Sanjiâs throat works; Zoro can see the way his skin pulls tight over the tendon like heâs trying to swallow something that wonât go down as he looks away, over Zoroâs shoulder toward the thin scrap of horizon. The world feels stupidly wide and stupidly exposed and up here thereâs nowhere to look that isnât straight through the middle of this. He says, voice weak: âI brought you up here so I wouldnât have to watch everyone else watch you leave. Figured if you told me to fuck off up here, at least I wouldnât have to see Namiâs pity face. Or Luffyâs.â
Zoroâs chest tightens. âYou sound pretty sure that Iâd be done.â
âOf course I was! I picked a fight with you on purpose in a room full of your favourite idiots, then shoved it in your face when you didnât bite. Who stays after that? Thatâs not⌠thatâs not what people do.â He worries his lip between his teeth hard enough that a bright, angry mark blooms, fingers twitching at his sides, clearly restless for their usual props: knife, lighter, cigarette, excuse.Â
Zoro thinks of stories Sanjiâs never told properly, of what Robin hinted at, what Nami never says. The way Sanjiâs shoulders still flinch when someone slams a door too hard. His hand clenches against the mast. âYeah, well. I keep saying Iâm not them.â
Sanji lets out a shaky breath that wants to be a scoff and doesnât quite make it. âYeah, say it another hundred times and I might finally believe you.â He lets go of the rope to step closer, the mast at Zoroâs back immovable. The air between them gets hotter, narrower, filled with smoke and the faint sting of cheap soap and too much coffee sweating out of skin that hasnât seen proper sleep. Heâs so close Zoro can see the way his collarbone jumps under his skin when he swallows.
âI know I was cruel,â he says and this time the word lands with weight â not a weapon but a sentence. âIn the galley. At the bar. I watched you sit there andâŚâ He trails off, eyes cutting away, pained. âYou looked like someone had nailed your feet to the floor and started throwing rocks and I just kept â it was easier to act like you were playing.â
His eyes flick up, collide with Zoroâs then skid away again like they touched something too bright. âBecause if youâre not playing, if you really â if you mean all of this then any step I take is real and I⌠and I always fuck it up, Zoro. So yeah, I tried to get you to prove me right. I wanted you to drag me out and scream so I could â so itâd be easier.âÂ
âI mean it,â Zoro says because he needs the truth like he needs his feet under him. âIâm not going to stop wanting you because youâre a mess, but wanting you doesnât mean Iâm going to stand there forever and let you kick my ribs until they give.â His throatâs thick again. He pushes through it anyway, words dragging over the raw places. âYou want to flirt, fine, whatever, go flirt. You want to tell me this is too much and you donât want me like that, say it, and Iâll deal. Iâll hate it, but Iâll deal. But donât use other people to prove Iâm lying and donât use me to prove youâre doomed.â
Sanji swallows so hard the sound is audible over the wind, a tiny, ugly click. The gulls, the harbour, the slow, steady breath of the Sunny: all of it blurs to static at the edges of Zoroâs hearing. His heartâs too loud in his ears. His pulse feels like itâs beating in his tongue.
âYouâre asking me,â Sanji says slowly, âTo believe that someone can want me and not break me. Or get bored. Or â or to realise Iâm too much and⌠and leave. To trust that itâs not some passing â â
The inhale hurts. The exhale is worse; it burns with how slowly Zoroâs controlling it. âIâm asking you to watch what I do, not what your headâs screaming I will do. Yeah, I donât know what comes next or how to do this right, but I know that wanting you feels bigger than anything I've ever survived, so big it scares me sometimes. I know itâs going to be hard as hell but I want you everywhere, all the damn time, as long as weâre still breathing. Until Luffy gets his crown and we fuck off into whatever comes next. I used to think Iâd die young and happy because Iâd â Iâd get the title, right? But when I think about what happens after all that⌠all I see now is you. And I donât know how to want anything else anymore.âÂ
The confession feels like taking his own ribs in both hands and prying them open. Thereâs no going back once itâs out there; he canât unsay it, canât sheath it. It sits in the air between them like a drawn blade, bright and terrifying and real. His eye burns and thereâs nothing to blame it on this time, not smoke or sea spray, just him.
Sanjiâs expression crumples. Not in the dramatic, theatrical way he plays for strangers or the battle-grimace Zoroâs seen a hundred times. Itâs smaller and worse: the way his eyebrows pinch, the way his mouth goes soft and unguarded, the way his eyes go wide and hurt. His hand moves between them, ridiculous and hovering, fingers spread and knuckles rough, scars across the back like little white islands. His voice cracks. He swallows, tries again. âYouâre crying?â
âDonât make a big deal out of it,â Zoro growls but it comes out weaker than heâd like. He swipes the tear away with the heel of his hand so hard he probably drags the skin red. âItâs a one-time thing.â
Sanjiâs eyes are locked on Zoroâs face, on the damp track at the edge of his cheekbone. The wind keeps trying to steal the evidence, drying skin too fast, but Sanji looks like heâs already branded it onto the inside of his skull. He looks like someone took all the careful seams he keeps himself stitched together with and ripped them out one-by-one. âAfter that. After me. After all that shit in the bar. You still want⌠you still want this?â
Zoro snorts. It comes out more like a broken exhale. âYou think thatâs the worst thing thatâs ever happened to me?â
Sanji flinches like heâs been called an idiot in front of a crowd.
âItâs up there,â Zoro adds quickly, because he canât quite stop himself. âDonât get too cocky.â
A startled, wet laugh hiccups out of Sanji, like his body didnât check in with his brain first. It scrapes his throat on the way. Then, very carefully, like heâs approaching a wild animal or an open flame, he closes the distance properly, fingers curling into the front of Zoroâs shirt at the edge of his sling, right over his heart. The gripâs too tight, like heâs only half-convinced Zoro wonât disappear if he lets go. The other hand comes up slower and trembles only once before the backs of his fingers make contact with Zoroâs jaw, barely a brush. A question mark instead of a touch.
âI donât know how to not freak out,â he admits, voice thin and shredded. Zoro leans in to catch every word. âI donât know how to do this without wanting to kick everything in reach, including you. Especially you.â
Zoroâs own voice isnât much better. âNo shit.â
Sanjiâs mouth twists. âIâm scared Iâll wanna bolt when it gets hard. Iâm scared Iâm going to want to pick a fight just to see if youâll walk. Just to⌠prove I was right about you before you prove I was wrong about us.â There it is, naked in the space between them: the core rot, the old script, the part of him that thinks itâs safer to set the house on fire than wait to see if it burns down on its own.
Zoro meets his gaze, holding it steady. âYeah? Iâm scared weâll waste years not doing this. If you pick a fight Iâm going to tell you itâs shitty and weâll figure it out. And if you want out then youâre going to have to say it straight, Curls. None of this half-shoving bullshit.â
Sanjiâs grip on Zoroâs shirt tightens again, hauling the fabric closer to his ribs. His teeth close on the next words like heâs genuinely afraid it might kill him if he lets it escape. His eyes dart away for half a heartbeat, down to Zoroâs mouth, to his own knuckles, anywhere but the open air heâs supposed to fill.
Zoro could say it for him â the urge is there, to reach in and drag it out, to make this easier but he doesnât, knows he canât. Sanji drags in a shaky breath, shoulders hunching like heâs bracing for impact, then wrenches the word up out of his chest with both hands. âI want you, too,â he gets out. It sounds like a confession held under water too long. His mouth twists, helpless. âIâve wanted you for so long it makes me sick.â
Something in Zoro unknots so fast it leaves him dizzy, air rushing out of him like heâs been punched.
âThen fucking say that next time,â he manages, because if he doesnât layer something stupid over the moment heâs going to start crying again. âPreferably before you start making out with the whole bar.â
For a second, neither of them moves and then Sanji just â yanks. Thereâs nothing graceful about it: he hauls Zoro in like heâs been dying to do it for his entire life and only just gotten permission, boots skidding on the narrow spar. Zoroâs hand slams back against the mast to keep them both from tipping into the sky as Sanjiâs mouth meets his before it finds the back of Sanjiâs neck and settles there, palm broad, fingers threading into wind-tangled hair. He feels the jump of Sanjiâs pulse under his thumb, the way his spine arches a fraction, pressing closer instead of flinching away and it feels like stepping off the mast altogether, like stepping off the edge of the world. Bright and golden and so fucking real his eye burns all over again.
Sanjiâs hand fists tighter in his shirt, knuckles grinding into bone as the kiss breaks on a ragged drag of air, Sanji only just letting their mouths part far enough to bump his forehead against Zoroâs.Â
âI donât know how to do this either,â he goes on, like he has to say all the worst parts before they can trick him later. âRunningâs the only pattern Iâve got.â
Zoro pulls back just enough to see his eyes and thereâs terror in them, yeah, but thereâs something else too. Something like awe, jagged and reluctant. Like heâs afraid to look at the thing he wanted in case it turns out to be a mirage.
âLucky Iâm good at staying, then. The only reason Iâd leave is if you donât want me anymore. Not that you donât trust it or that youâre scared. That you donât want me, those exact words.â
Sanji flinches like that phraseâs dug its fingers under old scar tissue. âIâm not gonna say that,â he mutters, sounding almost offended. The fearâs still there, but now itâs threaded through with stubbornness, with something like horror at the idea.
Zoro smirks. âSaves us both time, then.â
Sanji exhales, long and uneven, like heâs been holding his breath since the bar and only just remembered how. Then he leans in and presses a quick, almost startled kiss to the corner of Zoroâs mouth. Itâs nothing, barely there. Just a brush of chapped lips but it still feels like a test of gravity all the same, like heâs checking if the world will end if he does something gentle.
âDonât fall,â he murmurs against Zoroâs skin.
âYou first,â Zoro says.
âAlready did,â Sanji mumbles through another kiss and Zoroâs heart lurches up into his throat. The words immediately start rearranging furniture in his chest, knocking old defenses off the shelves, shoving stubborn fears into corners, pinning something bright right in the middle of the room. His hand tightens at the back of Sanjiâs neck, thumb pressing once, firm, grounding, like heâs pinning the words in place so they canât wriggle out of existence later and pretend they were never said.
âGood,â he says, a little rough. âNow we climb back down.â
Sanji lets out a laugh thatâs a little wrecked and a lot real. It shivers through the space between them, warm and disbelieving. âHope you know Iâm not carrying your heavy ass if you slip.â
âYeah you are,â Zoro grins.
Sanji glares at him, but itâs soft at the edges now, frayed with something almost shy. âCocky bastard.â He shifts his grip, finally loosening his hold on Zoroâs shirt just enough to get a hand on the rope above them again. His fingers brush Zoroâs collarbone on the way and it sends a little electric shock along Zoroâs nerves, stupid and immediate.
The descent is a series of small, stupid faiths: foot on wood, hand on rope, wind grabbing at their clothes, Sanji keeping careful hold of Zoro, who navigates the rigging one-handed, slow and careful and mindful of his bad arm. Halfway down, Zoro feels it: not fear, exactly and not the dizzy, hollow panic from the bar or the sharp-edge dread from last night in the galley. Something quieter, heavier, like the moment during a fight when everything drops into place and for a few perfect seconds he knows exactly where his feet belong, where his blade should be, what heâs willing to take.
They swing down the last stretch in a blur of practiced motion and sheer stubborn luck, landing on the deck in a jolt of knees and boots and rope slapping wood. Sanjiâs still got a fist in Zoroâs shirt when they straighten before his hand slides down to hook into his haramaki instead.
âDonât tell the others I dragged you up there to confess like a twelve-year-old on a roof,â he mutters.
âToo late,â Zoro smirks and tips his chin toward the rest of the deck, to where they are absolutely caught.
Luffyâs staring with round, shining eyes and Usoppâs frozen mid-gesture. Franky is doing a truly terrible job of pretending he was just checking a bolt. Robin has her book open upside down. For a beat, no-one moves. Then Luffy punches the air so hard he almost falls over. âYOU DID IT! YOUâRE KISSING NOW!â
âWe are not kissing,â Sanji snaps automatically, ears going scarlet.
âYet,â Usopp mutters.
Nami just lifts her drink in their direction, eyes glinting. âAbout time. Now stop traumatising Chopper and go sulk somewhere else like normal people.â
Chopper wails: âI wasnât traumatised! Iâm so happy!â and promptly bursts into noisy, delighted tears.Â
Sanji groans, scrubbing his other hand over his face. âI hate it here.âÂ
Zoro looks at him, at the way Sanjiâs growing smile is too bright, too careful, like hope he doesnât quite trust yet. He shifts just enough that their shoulders touch, solid and unassuming, like itâs the most natural thing in the world. âI like you here.â
Sanji stills and for a moment he looks like he might laugh it off or pull away, and then he doesnât. Instead, he eases back, slow and deliberate, until their weight settles together. a tiny adjustment that says iâm here, iâm not running, iâm not ready, i am i am i am.
âI like you here, too,â he murmurs, softer now. And this time, he doesnât move away.
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honestly i never thought the phrase âi want that twink obliteratedâ was like a sexual thing. like when i read the phrase i imagine âa meteor like the one that killed the dinosaurs is summoned from the heavens and hits the twink in questionâ type situation
iris by goo goo dolls really is insane though. I'd give up forever to touch you? you're the closest to heaven I'll ever be? all I can breathe is your life? and I don't want the world to see me cause I don't think they'd understand? when everything's meant to be broken I just want you to know who I am? does anyone hear me.
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One of my favorite thing Iâve learned about animals studies is that you should avoid using colorful leg bands when youâre banding birds because you can accidentally completely skew the data because female birds prefer males with colorful bands
Apparently if you put a red band on a male red wing blackbird his harem size can double
So like you can completely frick up the natural reproduction of a group of birds by giving a guy a bracelet so stylish that females CANNOT resist him
I remember reading a study where researchers realized that female birds of a certain species preferred males with a darker breast. So they created what they literally called a âSuper-Sexy Maleâ by catching a male and coloring his chest with a marker. They then ran dna tests on the eggs in the area.
Previously when the researchers had run these tests, they found a certain amount of infidelity was common for these birds. Somewhere around 10% of eggs were fathered by males who were not the primary mates of females.
After the advent of the Super Sexy Male, however, stuff got crazy in bird world. Infidelity skyrocketed, with upwards of 25% of ALL EGGS in the area being fathered by this specific male. Furthermore, his mateâs eggs were 100% his.
This is just insane to me. Just imagine youâre living your bird life when suddenly somebody scribbles on Daveâs chest and the ladies canât stop throwing themselves at them. Itâs stupid that we theoretically can wreck this kind of havoc on an ecosystem.
Good news, he was not next! In fact, she accepted him as her mate, he learned the crane mating dance and now every year, he artificially inseminates her with crane semen to expand the very endangered crane population. True story.
Sorry, he WHAT? Imagine being this man's boss and having to sit him down like. Listen. Brian. We need you to fuck the bird. You have to act like you're excited about it.
(WalWaPo makes you jump through like three separate hoops before you can read the article, so I will share some of the highlights:
Walnut was born in a species-recovery breeding program in the 1980â˛s. The program had crane chicks hand-raised by human volunteers, and at that time they did not fully understand the measures necessary make sure that the chicks do not imprint on humans and retain their identity as cranes. Â
As a result, her keepers believe, Walnut does not recognize other cranes as members of her own species. Â
It has not been proven that Walnut killed her previous suitors; however, there is a persistent rumor in the white-naped-crane-conservation community that she did. Â
Because this species is highly endangered, and the gene pool of the captive population is small, itâs pretty important for the survival of her species that Walnut A) mate, and B) not kill a bunch of other cranes. Â
The actual name of the keeper is Chris Crowe.
They both arrived at the Smithsonian Conservation Biology Institute in 2004. Â
Walnut immediately began paying special attention to Chris--and ignoring the eligible male crane in a nearby enclosure. Â
Walnut initiated their courtship, performing the opening moves of a mating dance. Â
Chris realized that if he reciprocated the mating dance, it might be possible to artificially inseminate Walnut with her participation and consent. (The process normally involves restraining the bird.) Â
It worked! Â
Chris and Walnut have had five children, who were raised by other crane couples at the facility--sometimes the biological dad and his mate--both because itâs unclear whether Walnut would accept the chicks as her own, and because Chris is not equipped to be a Crane Dad. Â
However, the Institute provides her with artificial eggs to sit on, and Chris takes his turn looking after them. (This would not work with real eggs because he canât sit on them properly, but Walnut seems to feel that he is on the job if he just stands over them.)
Chris accepts that he is pretty much married to this bird. White-naped cranes live to be about 60, and they mate for life, so he knows he canât retire while Walnut is alive. (At the time of the article, Walnut was 36, and Chris 42.) Â
she has not been PROVEN to have killed her exes, but there is a PERSISTENT RUMOR (really officers she's simply DEVASTATED, she sobs, wearing a new feather boa unfortunately resembling her most recent deceased husband)
His name is Chris CROWE. (Mrs. Walnut Crane-Crowe?)
the mental images of a whole human man learning and performing the crane mating dance, and "sitting" on artificial eggs so she thinks he's performing his duties as a husband and father (and apparently OBJECTS if he does not?)
"chris, buddy, you gotta marry the possibly-murderous crane lady for the GOOD OF THE SPECIES." (alternately: "chris, my man! good news! we found you a very interested lady! She's 36, she's very spirited and independent, she holds a very important and rare status in her society! ...Is there a downside? WELL...")
chris sits any potential human partners down, like "my love, you must understand before we wed,,, i am already... Attached" (camera drifts wistfully to the above photo) "Lady Walnut and I have an,, Understanding... the relationship is open, but very committed"
Not only is he 'married' to walnut, this has apparently happened SEVERAL times, so he has MULTIPLE crane wives, none of which know about any of his other crane wives. This man is, for some unknown reason, irresistible to cranes
the âthis content has been removed for violating Tumblrâs Community Guidelinesâ notice really adds a lot of flavor to this post and somehow makes it MORE obscene than whatever that actually was
I regret being the bearer of bad news, but I thought it should be shared that Walnut passed away in January of this year (2024). There's a lot of mixed info about the lifespan of cranes (due to people misunderstanding what a median is...) but the average for most species I know of is 20-30 years (in the wild if nothing eats them/they don't die young), and 30-45 in captivity, with the oldest known white-naped crane having loved to be 46. Given that she was 42, this old gal did good, and I'm certain she will be missed by folks here.
i donât need a âday offâ or a âweekendâ i need to respawn in a clean apartment with all my responsibilities reset and the complete certainty that nobody hates me
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I'm sorry but this photo got me emotional - this moment could have been from any time in the last 500 or more years and not a thing about the composition would have changed. Certainly, for hundreds of years, monks have worked in these gardens and stopped to pet animals in need of scritches. A monk 300 years ago dressed in this same style in these same gardens probably stopped to pet the ancestor of that cat. The only difference between now and then is that this time there was a camera. If you went to any monastery or temple in the world you could find similar scenes playing out.