The land of myth and a time of magic

There is a quality of books (or movies or shows) that I can best describe as “stickiness,” which is separate from being good or even enjoyable: a sticky book is one I just keep thinking about. Sometimes it’s because a book is very good (e.g. The Locked Tomb), and sometimes it’s because a book is very bad (e.g. ACOTAR), but there are also very good and very bad books that are slippery, such that when I’m done reading them they slip from my thoughts like water from a hydrophobic surface.

My Name is 8 PM. and I am always arriving when you atrent Looking

I am so tired of short-attention-span, trim-the-fat culture. All writing advice these days is for how to write like Chuck Palahniuk. "Cut 'think', cut 'feel', cut 'wonder' - only action, only pushing forward, show and move and move and move." What if I could emulate this style, and still don't want to? What if I want to write like Henry James, with three paragraphs of introspective musings between each dialogue line? The music advice is, "make it shortform, make it Tik-Tok compatible, make it punchy, hit the refrain as soon as possible." What if I want that 10-minute prog rock piece? What if I want that symphony? What if I want it slow and luxurious and lazy? Movies. Series. Poetry. Bodies. Everything is "trimmed trimmed trimmed trimmed, stripped bare, you have three seconds to win me over, make it airport chic." I don't want to win you over, then, I guess. I want the fat left it. I want the pleasure and the indolence and the indulgence. Fuck this art-advice that's always "your art needs Ozempic."

i love having the hubris to go 'sure i'll try that, how hard can it be' about every creative skill under the sun. jack of all trades master of shit fuck but who says you have to be a master??? maybe i want to sew a mediocre plushie and code a janky mod and write a bland song. im having fun. im in my lane. im learning and im thriving.

This is the COOLEST thing I’ve seen in AGES. You both completely made my entire week.

Also on age verification: I have been on this website since 2011. Unless you think I started blogging at age 2, you KNOW I'm an adult.

it's always "you gnawed off your own leg to escape like an animal caught in a trap" and never "why didn't anyone try to help you out of the trap" or "why weren't you provided with any other resources to escape the trap with except for your own teeth"

I need to do this. (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't d

As a general rule of fantasy and sci-fi naming, the closer to the back half of the alphabet the average letter in their name is, the eviller they are. A name that doesn't contain any consonants north of R is poison frog colouration. If it uses Y as a vowel in a non-terminal position you're basically fucked.

That single "e" is doing a lot for you, Mr. Prokopetz.

Well, yes; a lot of Western fantasy and sci-fi media's propensity to villain-code the back half of the alphabet boils down to Western authors being Weird™ about Slavic cultures, and I'll give you three guesses where my surname comes from.

One of your parents

*points a giant laser at your house*

More broadly, I’ve also seen this happen to words and phrases like “chopped,” “clocked it,” “the tea,” “no cap,” and “it’s giving.” All of these are slang terms that originate from African American Vernacular English—“clocked it,” “the tea” and “it’s giving” come from black queer culture in specific—but have now been categorized as “gen Z slang.” I have heard some people start to refer to the habitual be, as in “it really do be like that,” as a “meme” and it makes me want to tear my fucking hair out. We been saying that! That one’s ours!