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So let's start with Edwin's crime. He uses something the cat desires (a sardine) to lure the cat to him and then uses an enchanted string to trap the cat with magic. He demands the answer to a question in exchange for its release. Edwin knows it is dangerous to use magic on a cat, that it violates Rules but he does it anyway.

Binding a creature and agreeing to set them free under a certain condition is very Classic Fairytale. its also a favourite trope of Neil Gaiman's (he did not write this show but his influence is there). In both the Sandman and his novel Stardust (and the film adaptation) trapping a creature with magic and demanding a task/favour in exchange for their freedom is an extremely important plot point. Edwin binding a cat and demanding an answer in exchange is exactly in line with this Fairytale trope

And so is the Cat Kings response. The Cat King is a trickster. What he does to Edwin is exactly what Edwin did to one of his subjects. He entices Edwin, he binds him with magic and when Edwin demands to be free he turns his own words against him "why all the fuss for one little spell?" Edwin did something wrong. He imposed his will/magic on another creature and the Cat King is punishing him for it in a way that is poetic. Its fairytale. its trickster. its classic.

I've also seen people complain that the task Edwin was given 'count all the cats' is 'impossible'...except its fucking not. Edwin does it. He does it so well he actually BEATS the Cat King ("you didn't count yourself" Are.You.Kidding.Me. Classic!Fairytale!Vibes!)

The Cat Kings choice to bind Edwin to Port Townsend is good on so many levels. From a storytelling perspective it forces characters who can travel anywhere in the world to stay in one place, and increases the stakes for these characters who are supposed to be on the run. From a genre perspective...its an excellent use of fairytale tropes using both Rules of magic, a protagonist who is unkind to a seemingly weak creature who is punished by a more powerful law, a binding, a task to complete, etc

Which just leaves the character perspective which it ALSO does really fucking well and introduces the final aspect to the Cat Kings character. He's seductive. He is responsible for Edwin, 100 years old ghost boy, finally unpacking his internalized homophpbia. he is the catalyst (cat pun not intended)

He pushes Edwin, challenges him, at times literally forces the truth out of Edwin, but he really never does violate his consent. Significantly Edwin is attracted to him, like its an important part of his character that he is. He may not like the Cat King but he is attracted to him!

The Cat King is such a great example of a trickster, a morally grey character who imposes a sense of justice on Edwin after he crosses a line, but also has his own selfish interests and meddles. Hes so important to the plot of the show, to Edwin's character arc, to the genre.

And he's just fun. Unapologetically queer, powerful, complicated. Silly little outfits. Petty cat behavior. Deep heart.

“Using magic on a cat is a total car crash on your part”

how it represents a safe passage forward from Death, and more broadly it symbolises the idea of a personal, individual to each person Heaven;

how the person usually isn't as directly lit as Edwin here, but from a side?

and how, when Charles looks at Edwin with the slightest smile and utter conviction in his eyes, Edwin is completely bathed in blue?

Especially if like they set Edwin's bones nicely with Charles' or like they're holding hands or some shit and these archaeologist r just like oh fun people who died together BUT NO. Bc Edwin died 70 years before Charles so wtf is going on here.

We don't know how these teenaged skeletons came to be like fuckin intertwined with each other but its cool ig?

he's bathed in warmth and light and charles asks him if he's an angel

edwin's all oh no. far from it and charles says I think you are. you look like one

it takes at least a couple weeks into their ghost adventures before charles can be convinced otherwise