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Sophie Thatcher Campanion (2025) dir. Drew Hancock

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SCREAM (2022) dir. Tyler Gillett & Matt Bettinelli-Olpin COMPANION (2025) dir. Drew Hancock
let's find out who you really are!!
Lady Elizabeth Harlander + her sheer green nightgown FRANKENSTEIN (2025) dir. Guillermo del Toro
i got raptured #lol #goodbye!!!
i can post my real life underwear that i've farted in on here and people will still say its some kind of make believe character instead

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Calvin Laituri (American, b. 1997, based Brattleboro, VT, USA) - Down Cellar, 2021, Ink and Etching on Clayboard
i know i shouldnt be suprised but sinners being out for less than a week and already tumblr is fandomifying and 'poor wet pathetic cat'-ifying the main white man villain of the movie is so... disapointing??? like did the fucking point of the movie really go over your heads that badly or are you just willingly ignorant and stupid?
AND BEFORE ANYONE STARTS; im not saying you cant like remmick, he's a very interesting character, a great villain, and jack o'connell gave a great performance playing him, nor do i care if you think hes sexy, I think hes sexy
but i think to come out of a movie where vampires serve as a metaphor for how black american communities have the life sucked out of them by white people via cultural appropriation (remmick wanting to use sammie's gift to summon his own ancestors) and forced assimilation (all the turned vampires singing and dancing along with remmick's irish folk song and dance juxtaposed with the blend of cultures during sammie's song in the juke joint) and for your main take away to be 'aww the main villain is just a misunderstood sadboy' or 'idc abt the atrocities he looked sexy doing them (when the atrocities in question were racism)' then youre just being so disengenuous and antithetical to the whole point of the film?
and dont come at me with the 'let people enjoy things' bullshit, sinners is a movie FUNDAMENTALLY about racism and racial dynamics in the united states, and i do think focusing on your little y/n x [whiteboy of the month] fics and 'hes so babygirl' posts do actually stunt your own critical engagement with the message this movie was trying to convey to its audience
i think its also a disservice to remmick's character; the moral nuance that comes to light when you consider his position as an irish immigrant to the US, a victim of the colonialist british empire just like the black main cast (although in a very different way) and how, whilst his desire to reclaim his ancestry and heritage is understandable and even relatable, his pursuit of sammie and willingness to kill literally everyone else at the juke joint is allegorical for how, regardless of their own marginalisation, white people will prey upon and steal from black culture(s) and destroy/disenfranchise black communities to serve their own interests, and the movie is NOT subtle about this either, delta slim literally lays it out for us "white folks like the blues just fine, they just don't like the people who make them"
idk im yelling into the void here, the ppl im complaining about are never going to give a shit about racism or even just critically engaging with art when theres a new cute whiteboy to write fluff and angst about, but its just soooo annoying to see, yet again, how fandom spaces, which SHOULD be about uplifing and celebrating art in all its diversity and complexity, once again is nothing more than people ignoring anything that actually makes them have to confront reality and filing off the serial numbers to slot characters into pre-determined fanon molds so they can pump out incorrect quotes and coffee shop AUs en masse until the media iliterate heat death of the universe
im thinking abt sinners and The Scene: how Sammie played so beautifully that the house caught fire and showed the people inside, but he wasn't the center of it - there was so much movement in that scene!!! so much to SEE - no two people danced the same way - you're focusing on the spirits of the old and the new and how Together everyone looked even without four walls around them.
And then you have Remmick and his song. There's uniformity in the dancing!!! in the singing!!!! in the movements!!!!!!! Those same people who were dancing so freely and expressively!!!!! Now following remmick step after step!!!!!
Whiteness as vampirism!!! Leeching away individuality!!!! culture!!! freedom!!! ughhgghh this movie !!!!!¡!!! so good !!!!!¡!!!!!!!
SINNERS (2025) dir. Ryan Coogler

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it really frustrates me to think about how people are inevitably going to take Remmick’s one (1) singular statement about how much he resents the way the Irish were colonized and forcibly converted to Christianity and use it as fuel for “actually he had a point” and “he was right actually” and “he’s not really the villain here” posts, when the whole point is that Remmick is, through the vampiric hive mind he’s creating, forcibly assimilating people into yet another manipulative and parasitical system. he doesn't value the cultures of the people he assimilates—notice how all the vampires he turns dance to his culture's music using his culture's dances, and how he only uses the languages or knowledge other vampires have to offer when he needs to manipulate someone. Remmick is extremely transparent about the way he sees the people he turns as resources to exploit.
he’s perpetuating a cycle that he claims to hate and resent, and I think the movie is pretty damn clear about the fact that he doesn’t see anybody as valuable or useful to him except as prey and as pawns—otherwise he would just, you know, focus solely on people who actually consent to being turned. but he looked sad in that one scene and he’s an apparently attractive white cis man so people are gonna bend over backwards justifying all the harm he did.
remmick and the vampires present a false dichotomy
Hogwood (the man who sold the twins the mill) and the KKK are very obviously bad, they are outright malicious bigotry, they use the n-word and plan to lynch the moore's and their community, they are so blatantly racist and hateful it's unavoidably obvious
remmick and the vampires however say that they believe in equality, say that they want to create a community, and yet remmick's goal throught the movie is to both metaphorically and literally steal sammie's ability for his own goal of reconnecting with his irish ancestors, a white man wants to harm a young and upcoming black man and use talents for his own goals without giving any regard to said black man's autonomy or agency
when sammie sings 'I lied to you' in the juke joint and calls forth the spirits from the past and future, it's a blend of cultures; west african, east asian, native american, and african american song and dance blend together across time and space to tell the stories of blues; where it takes its inspiration from, the music genres it then inspired, the complex history of black american culture and its intersections with other peoples of colour in the USA
when remmick and the vampires kill and turn the people in the juke joint, and then perform rocky road to dublin, only remmick's irish culture is on display, there is no influence from the black and asian people he has forcibly assimilated into his song, it's juxtaposition with the earlier scene is blatant, remmick is more than happy to assimilate people of colour into his 'community' of 'equals', and yet its only whiteness that is celebrated, that is normative
remmick claims that he's doing people a favour by turning them immortal, conviently ignoring that he literally has to suck the life out of them to do so, trapping their spirits on earth, he claims that he's the good guy, that the KKK were gonna come and lynch everyone at the joint in the morning anyways, conviently ignoring that he's doing the exact same thing; a white man leading a mob to kill a bunch of black people
in the final confrontation with sammie remmick repeatedly dunks him into the river, a forceful baptism. both the celtic irish and enslaved west africans had their religions suppressed and destroyed by colonialsm, had christianity forced upon them by the british empire, and in that scene we see remmick repeating that cycle, using christianity to inflict harm, and sammie reclaiming christianity, despite all the complex emotions he has arround it, as many colonised peoples have and still do, when he recites the lord's prayer
remmick and the vampires are no less racist than hogwood and the KKK, are no less predatory or evil, they're just less blantant about their bigotry, they represent the system, the normalised white supremacy that is seeped into the very foundation of culture in america, the point isnt that remmick would call any of the black characters in the movie the n-word, i dont think he would, the point is that his exploitation and desacration and inserting-himself-into-when-he-wasn't-invited of the juke joint is a microcosm of what white people have done to black american arts and culture since ever since there have been black and white people in america, and even before that
theres a reason vultures are shown early on in this movie
You keep dancing with the devil… one day he's gonna follow you home. SINNERS (2025) dir. Ryan Coogler
The Long Walk, Stephen King

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“the real long walk is-“ its the army. it’s recruiters targeting poor kids to sign up for war without knowing the full weight of the decision they’re making that’s the bookkkk
You can't be a casual fan of movies and prestige TV about women bc it's not possible to find any commentary or fanart of value without these fuckass girlblogger coquette thinspo female manipulator proana lana posts spamming the tags like a rat infestation in a grocery store