ok so aoas is obviously about more than love triangles (squares? pentagons? graphs?), but wow neil shusterman really created some batshit crazy dynamics.
like. ok. imagine you are captain jerico soberanis. you rescue a beautiful woman from the depths of the sea. wow, you think. wouldn't it be crazy if i fell in love with her? but you don't, which is probably for the best because she clearly has something going on with the mass murderer you found her with. but also she feels like your problem now (and you have good banter even if you're not in love) so you stick around.
despite her insistance that he isn't a mass murderer, you do all you can to keep news about him away from her. she has better things to think about. she has the chance here to save the world, you think. that's what people keep saying, anyway. you die for her on a rooftop and come back and when she offers you a year of certain life (again) you say no (again). all her friends - that you're not sure were actually her friends, or just using her to save the world - are dead. you quit your job.
she leads you to a load of caves housing a bunch of crazy cultists who actually don't seem that crazy anymore. also there is their religious leader, a random guy who is younger than you (?) and the only one who doesn't even believe in the religion. (except for his socially sanctioned killer, who keeps making wide eyes at your socially sanctioned killer. but he seems harmless.) you have a conversation with said random guy, except it's not really a conversation with you because he's also relaying everything back to his familial-figure-of-some-description ai, who keeps offering opinions on your life choices. somebody is third wheeling. you're not sure who. you say hello to him and he looks like you just shot him in the chest - you later discover this is because you sound like the ai (who raised him) (who has been helping cultivate a mythos around him, as though he's worth worshipping) (who you've been telling to shut up all your life). he asks you how you identify and you genuinely don't know, but the next day he seems to have worked it out. probably the ai told him, like it tells him everything else. it's a miracle he can think for himself, but somehow he can. if anybody had to be what he is, you're glad that it's him.
you end up on a ship that you're not allowed to captain because the ai is doing it, which means you're not needed, but you're here anyway because 1) sea woman and 2) not-religious guy. (the order of priority feels hazy.) (you keep spending more time with him than her.) (are those dead people in your cargo???) greyson (his name is greyson) asks if you're in love with sea woman and you're not. neither is he. you're both a bit in awe of her though. feels like she's more of a religious figure than he is.
one day you wake up in greyson's arms with a weird dream and also the feeling that you might have just contributed to something greater than yourself. you don't want to contribute to something greater than yourself, not like that. there's leftover joy running through your veins but it's not your joy, and greyson's holding you because you fell over but it wasn't really you who fell over, was it? who is he holding? you don't know. you don't know if he knows. the ai keeps steering the ship and you wish you could forget what it felt like to be a part of everything.
you reach your destination. you'd been forced to trust the ai to know where it was taking you and just like always, it followed through. tomorrow you have to make the biggest decision of your life, and greyson wants to be alone. except he's not alone because, as your child (?) (you kind of have a child now) (with greyson) (and the ai) (it's a duplicate of the ai) (you didn't ask for this) tells you, he wants to talk to the ai. you understand.
the child ai apologises on its parent's behalf for what it did to you, but it doesn't mean anything because you know it now better than anyone (including greyson) and you know it doesn't regret it. you aren't sure if it should. you don't want to think about the greater good as much as you are doing now.
(sea woman and her mass murderer are back together again.) (you're happy for her.) (you think.)
(sea woman also seems to have regained a parental figure.) (all her problems are solved.) (she doesn't need you anymore.)
things happen. everyone almost dies. you have no idea whether you saved that beautiful woman from the depths all those months ago only for her to perish again on an island in the middle of nowhere, probably in the mass murderer's arms again. you assume greyson is leaving. greyson assumes you're leaving.
neither of you are leaving.
he's not wearing his earpiece. the ai is silent here. the rockets would drown it out anyway.
the two of you find a speedboat and watch humanity survive.


















