noir, extreme

Mae Clarke in Frankenstein (1931)

Woman lying on a couch and listening to a record player. Turin, Italy, 1964

Hulton Archive. Mid-morning smog, as seen from the embankment at Blackfriars, London, 1952.

Henri Cartier-Bresson (1908–2004) - Portfolio for 'Three Poems from Les Fleurs du Mal', 1997

Lupe Vélez by George Hurrell, 1931

Couro de Gato (“Cat Skin”) 1962, direção por Joaquim Pedro de Andrade

O Padre e a Moça

David Lynch on the set of Eraserhead.

ALL ABOUT EVE 1950 | Joseph L. Mankiewicz

Paul Almàsy, Couple dans un bar parisien, 1961

Cold War (2018) dir. Paweł Pawlikowski

The black-and-white imagery sharpens their tragedy, capturing the contrasts of love and despair, longing and futility. Their story is not one of triumph but of survival—a haunting reflection of human desire and the pain it carries.

Pencil on paper, 12”x15”, 2025. Prints are available

Inge Morath. Paris, 1955.

Gary Oldman as Dracula, shot by Herb Ritts.