Jupiter!
Claire Keane
Cosmic Funnies

ellievsbear
tumblr dot com
Sade Olutola
Xuebing Du
i don't do bad sauce passes
Sweet Seals For You, Always
styofa doing anything
let's talk about Bridgerton tea, my ask is open
wallacepolsom
Mike Driver
Aqua Utopia|海の底で記憶を紡ぐ
PUT YOUR BEARD IN MY MOUTH

roma★

titsay

oozey mess
NASA
Misplaced Lens Cap
Jules of Nature

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@blazingjackdaw
Jupiter!

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Hellebore in Strange Horticulture (2022) / Jupiter in Strange Antiquities (2025) dev. Bad Viking
Let me tell you something, Balto. A dog cannot make this journey alone... but maybe, a wolf can.
50 ANIMATED MOVIES THAT FOREVER HOLD MY HEART ↪ 3# Balto (1995) .✦. simon wells .✦.
me: 🧍🏽♂️
my nervous system: we are going to get in so much trouble seriously

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BEAUTY AND THE BEAST (1991)
I ask for so little. Just let me rule you, and you can have everything that you want.
Labyrinth (1986) dir. Jim Henson
The most basic, intractable fact about mental illnesses is that you simply cannot willpower your way out of them. The only exceptions to this rule are the ones I have, which continue to disable me due to lack of determination and other grave personal flaws
Everyone Is Cheating Their Way Through College
For anyone unfamiliar with Paulo Freire's Pedagogy of the Oppressed, the entire thesis is that traditional educational models promote oppression by removing students' agency in their own learning. Freire argues that currently education functions as a "banking model" - teachers are the holders of knowledge, and students are empty vessels, waiting to have that knowledge put into their heads like a piggy bank. This reinforces a passive attitude towards information, not seeking and understanding it on your own terms, but waiting for a "banker" to deposit it into your head.
Instead, Freire proposes that teachers and students act as co-creators of knowledge, where students become active participants in their own learning through questions and dialogue. Teachers are also open to changing their understanding of topics in the process of critical dialogue - the goal is not "student learns Fact A and memorizes it as presented," but instead the goal is the knowledge itself, discovered collaboratively by teacher and student, who are acting with empathy and respect towards each other. This also starts the process of the oppressed being able and empowered to question structures of power, take agency, and actively participate in the transformation of society.
So, the irony of writing an AI essay on critical pedagogy is actually insane; because it's essentially the extrapolated endpoint of Freire's arguments that our current educational system creates passive receptacles who not only can't think critically in an educational context, but also become the perfect citizens for a world that doesn't want us questioning structures of power, to view those in power as we viewed our teachers - deliverers of indisputable facts that must be memorized and regurgitated because they command it, and not co-creators of true understanding.

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+
JENNIFER CONNELLY as Sarah
Labyrinth (1986) dir. Jim Henson
> turns on my computer
> disables a new AI feature that was turned on by default
> opens my email
> disables a new AI feature that was turned on by default
> launches a software
> disables a new AI fea
Ready or Not (2019)
BUFFY THE VAMPIRE SLAYER REWATCH -> The I in Team (4.13)
Every time an author reassures readers that the smut is skippable I sigh a disappointed sigh. This is not a reassurance. Why would anybody who likes smut want to read smut that was only included as an afterthought and has no impact on the narrative? Insulting. Just don't write it at all if you're not going to make it matter.
#on the one hand I understand that some people don’t want to read smut
Like 85% of tumblr users hate and loathe embarrassment based comedy with every fiber of their beings, but never in my life have I ever seen an author reassure their audience that the embarrassing scenes are skippable.
Lots of people dislike tragedy but never in my life have I ever seen an author reassure the audience that the death and grieving scenes are skippable.
Stop trying to pass off self-censorship as “accommodation.” Stop trying to pass off pandering as “inclusivity.”
Your audience can smell your fear, and it smells rancid.

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Labyrinth (1986) dir. Jim Henson
my most old person take is that i think the prose of most contemporary fiction is unreadable. every sentence. is so short. and punchy. and you can never. get pulled into. the flow of the story. because it feels like. you're being pelted. with tiny pebbles of sentences. and i hate it.