Okay Iām petitioning help from the community because my research skills have reached its limits. Or well more like I got impatient and figured Iād ask for help instead of smacking myself a few times in the head with my copy of The Iliad.
Does anyone have any historical information on Aphroditeās epithets Epitumbidia (she upon the graves) and Tumborukhos (gravedigger)??
I found them mention in The Gods of Greece by C. Kerenyi, but thereās no sources listed to indicate where the author got that information.
And whenever I search I either get epithet lists or more articles that donāt list their sources.
I just want some archeological or literary proof of where/how these epithets were used.
Thank you!!! š„°
In literary sources, the epithet Epitumbia is found in Plutarchās Lives, Numa, 12.1Ā
The Pontifices also explain and direct the ancestral rites of burial for those who desire it, and they were taught by Numa not to regard any such offices as a pollution, but to honour the gods below also with the customary rites, since they receive into their keeping the most sovereign part of us, and particularly the goddess called Libitina, who presides over the solemn services for the dead, whether she is Proserpina, or, as the most learned Romans maintain, Venus; thereby not inaptly connecting manās birth and death with the power of one and the same goddess.
Īæį¼± Γὲ ΠονĻĪÆĻĪ¹ĪŗĪµĻ ĪŗĪ±į½¶ Ļį½° ĻεĻį½¶ Ļį½°Ļ ĻαĻį½°Ļ ĻάĻĻια ĻĪæįæĻ ĻĻįæĪ¶ĪæĻ Ļιν į¼ĻηγοῦνĻαι, Īομᾶ ΓιΓάξανĻĪæĻ Ī¼Ī·Ī“į½²Ī½ ἔγεįæĻθαι μίαĻμα Ļῶν ĻοιοĻĻĻν, į¼Ī»Ī»į½° καὶ ĻĪæį½ŗĻ į¼ĪŗĪµįæ ĪøĪµĪæį½ŗĻ ĻĪβεĻθαι ĻĪæįæĻ νενομιĻμĪνοιĻ, į½”Ļ Ļį½° ĪŗĻ ĻιĻĻαĻα Ļῶν ἔμεĻĪĻĻν į½ĻοΓεĻομĪĪ½ĪæĻ Ļ į¼Ī¾Ī±Ī¹ĻĪĻĻĻ Ī“į½² Ļὓν ĻĻĪæĻαγοĻĪµĻ ĪæĪ¼Īνην ĪιβίĻιναν, į¼ĻĪÆĻĪŗĪæĻον Ļῶν ĻεĻį½¶ ĻĪæį½ŗĻ ĪøĪ½Ī®ĻκονĻĪ±Ļ į½ĻĪÆĻν θεὸν Īæį½Ļαν, εἓĻε ΠεĻĻεĻĻνην εἓĻε μᾶλλον, į½”Ļ Īæį¼± λογιĻĻαĻοι ῬĻμαίĻν į½ĻĪæĪ»Ī±Ī¼Ī²Ī¬Ī½ĪæĻ Ļιν, į¼ĻĻοΓίĻην, Īæį½ ĪŗĪ±Īŗįæ¶Ļ Īµį¼°Ļ Ī¼Ī¹į¾¶Ļ Ī“Ļναμιν θεοῦ Ļį½° ĻεĻį½¶ Ļį½°Ļ Ī³ĪµĪ½ĪĻĪµĪ¹Ļ ĪŗĪ±į½¶ Ļį½°Ļ ĻĪµĪ»ĪµĻ Ļį½°Ļ į¼Ī½Ī¬ĻĻονĻεĻ.Ā
But what interests us is the ibidem linked to it:Ā
First, Vinciane Pirenne-Delforge in LāAphrodite Grecque comments on this epithet. I wonāt be quoting a 3 page long extract so hereās a quick summaryĀ (pages 299-301 if you want to read the whole thing). First, there is a case of syncretism between the roman goddess Libitina and Venus/Aphrodite. Libitina is a funerary goddess and it is thought that the syncretism happened through Etruscan influence. That being said, if we trust Plutarch, we have the information that the Delphi Aphrodite was already linked to the afterlife as her statue in Delphi served as aĀ āmeeting pointā between the inhabitants of Delphi and their deads. Pirenne-Delforge goes on to say that Epitumbia as an epithet raises Aphrodite as a protector of the graves, in which case it would be possible to imagine that the statue was placed close to a cemetary which would explain the mention of libations to honor the dead, most likely in the aim of creating some kind of contact between the two worlds and/or have Aphrodite as an appeasing figure between the two worlds.Ā
This idea is also touched on by Gabriella Pironti in Entre Ciel et Terre:Ā Figures dāAphrodite en GrĆØce ancienne (2007, p. 83).
āLe fait qu'Aphrodite soit liĆ©e plus que toute autre divinitĆ© Ć la puissance gĆ©nĆ©ratrice et Ć la force vitale ne l'Ć©loigne pas de la mort, ni des puissance divines prĆ©posĆ©es Ć la destruction de la vie ou Ć la destinĆ©e mortelle des hommes: la genenis et phthora font partie d'un mĆŖme processus. Ainsi rien ne s'oppose Ć ce que cette dĆ©esse reƧoice une place dans un contexte funĆ©raire: Ć Delphes, selon Plutarque, Aphrodite portait l'Ć©piclĆØse d'Epitumbia (āsur le tombeauā) et son image cultuelle recevait les libations destinĆ©es aux defunts. S'agissait-il, Ć l'aide de la puissance d'Aphrodite en matiĆØre de rĆ©gĆ©nĆ©ration de la vie, de revigorer les Ć¢mes des dĆ©funts, le temps d'un rituel, afin de communiquer avec eux? Peut-ĆŖtre, mais il n'est pas Ć exclure non plus que, dans ce contexte, on ait faire appel Ć la puissance d'apaisement d'Aphrodite pour Ć©viter le courroux des dĆ©funts, ou que, par ces honneurs, on se soit rendu propice une puissante dĆ©esse trĆØs proche, par son cĆ“tĆ© malveillant, des Ćrinyes. ClĆ©ment d'Alexandrie noircit davantage ce tableau, en attribuant Ć l'Aphrodite argienne la troublante Ć©piclĆØse de Tumboruchos ācelle qui creuse la tombeā. Il est difficile d'en conclure qu'il s'agirait d'une dĆ©esse aux prĆ©rogatives funĆ©raires. En effet, cette sombre appellation pourrait aussi bien ne faire alluse qu'Ć l'Ć©puisement et Ć la destruction des forces vitales si souvent rattachĆ©s Ć l'Ć©ros et aux aphrodisia.ā
Feel free to google translate for a complete translation, but I will paraphrase here quickly: Pironti starts by saying that the strong theme of life that Aphrodite represents doesnāt take her away from the realm of death, as both notions are linked. She then wonders if the extract from Plutarch which introduces us to the idea of Aphrodite Epitumbia in Delphi as a funerary goddess has something to do with the idea of asking the goddess through ritual to strenghten the souls of the dead/revigorate life. However, it is also possible that Aphroditeās role was one of appeasing the dead and avoid their wrath in the physical realm or, as a way to get closer to the dangerous Erinyes.Ā
The rest of the extract is about the other epithet you asked about, Tumborukhos. First, she tells us this epithet is attested from Clement of Alexandriaās work (important detail bc late Antiquity + Christian source) concerning Argos. Pironti says itās difficult to draw the conclusion from this alone that Aphrodite had a funerary role because it might just be about the weakening of life and destruction of life force that are attached to the idea of eros and to the aphrodisias.Ā
I got carried away. Hope this helps.Ā
Hereās the translation : āThe fact Aphrodite is related, more than any other divinity, to the generative power and the vital force doesnāt keep her away from the themes of death, divine powers preposed to the destruction of life or to the mortal destiny of men : the genenisĀ and phtoraĀ are part of a same process. Nothing, therefore, prevents that goddess from being mentionned in a funerary context : in Delphi, according to Plutarque, Aphrodite wore the epiclesisĀ Epitumbia (āupon the graveā)and her cult image received the libations that were destined to the dead. Was the aim to reinvigorate the souls of the dead,Ā the length of a ritual, with the aid of Aphroditeās power when it comes to regenerate life, in order to communicate with them? Maybe. But it canāt be excluded that, in that precise context, Aphrodite was invoked to avoid the wrath of the deceased, or that, by those honors, she was made propicious; for she was a powerful goddess similar, in what regards her darker side, to the Erinyes. Clement of Alexandria depicts her in a yet more negative way when he attributes to the Argian Aphrodite the troubling epiclesisĀ ofĀ āTumboruchosā,Ā āshe that digs the graveā. It is hard to come to the conclusion that this would indicate any funerary prerogatives of the goddess. Indeed, that sinister name could as well allude to the withering of and destruction of vital forces often linked to the eros and to the aphrodisia.āĀ

















