bit

Ilya does love seeing old photos of Shane. Fat Baby Shane™ in all his forms, toddler Shane in his little hockey gear, Shane in elementary school with a big missing-teeth smile, Shane blowing out the candles on his 10th birthday, Shane holding up his brand new driver's license at 16. The list goes on.

One day Yuna finds an old disposable camera. The expiration date on it says 2009. She tells Shane about it; it might have some old photos from his graduation on it or something. She'd gotten a digital camera around that time so she can't remember what she used this one for. Shane is pretty indifferent about it.

Yuna sends the camera off to some company that still develops old camera film. It's about 15 years old at this point, though, so whatever is on it might not even develop correctly.

A few weeks later Shane and Ilya are over for dinner. Yuna tells them she got the photos back and they actually turned out ok. She hands over the stack of 10 photos. Shane rolls his eyes, but Ilya grabs the photos and starts flipping through them. The first two look like they are from some school event; there's Shane surrounded by similarly aged kids in an auditorium. There's one of the three of them on Thanksgiving that year and another of the three of them with Yuna's parents at the same dinner. Two of David asleep on the couch with the family dog clearly taken on different days. One of a Christmas tree in the Hollander's living room. The next two are Shane on the ice in a rink that Ilya recognizes as the one in Regina. The one from their first World Juniors Tournament.

And Ilya freezes. The last photo in the stack is a close-up of Shane. He's in a white hoodie with a black coat over it. He has on a dark green beanie and he's standing next to the door to the rink. He's smiling for the camera and his freckles are crinkled near his eyes. It's the Shane that so awkwardly and so confidently introduced himself to Ilya the first time they met. The Shane that had tried so hard to talk to Ilya then. The Shane that Ilya could admit to himself now that he'd had a bit of a crush on already. His Shane.

it's well made, well shot, well directed, the music is interesting, the costumes are both thoughtful and subtly period accurate, the sex scenes are intentional and, again, accurate to what hooking up when you're like 18 actually feels like...the actors are of course attractive but they look like real people. the characters are varied and well fleshed out, the acting is really, really strong

so many shows and films shoot and then slot in whatever music kind of fits or could be licenced in the budget after time, but you can tell that the scenes in hr were shot with that specific music in mind. and the same intentional approach runs through the whole thing

“Haas, where are you right now?”

“The club by the hotel.”

“And he’s not in the bathroom?”

“No.”

“Not on the roof?”

“No.”

“Not trying to access any of the dancers poles?”

“What? Why would- Oh, Troy says no.”

“Is he hanging out with drunk girls in the women’s bathroom?”

“Umm, one sec. Harris, can you ask her if Ilya is in there? … Harris says no.”

“Ok. What were you talking about before he disappeared?”

“We were trying to figure out where to eat.”

“Did anyone bring up sushi?”

“He didn’t say he wanted-“

“Just answer the question.”

“Uh yeah, someone suggested it, but he said he wanted-“

“He’s at the pier.”

“What?”

“He got bored, sushi put fish on his brain, which made him think about water, and he likes going to piers, and the hotel is walking distance from a boardwalk by the water. He’s there, most likely trying to look at fish going under the dock.”

“… How do you know that?”

"somewhere in the future ilya wakes up one day and randomly decides to get a buzzcut and then their kids can't stop touching his head cause it feels soft"

"meanwhile shane going through the 5 stages of grief over his curls"