Val Kilmer as Doc Holliday TOMBSTONE 1993 | dir. George P. Cosmatos
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Val Kilmer as Doc Holliday TOMBSTONE 1993 | dir. George P. Cosmatos

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Wyatt Earp (Kurt Russell) tries to defuse the mounting tension by explaining that Doc is drunk. Holliday slurs into his whiskey: “in vino veritas” (in wine [there is] truth). When Ringo responds with “age quod agis” (do what you do [best]), Doc is taken aback. Ringo’s free adaptation of a Latin proverb is a marker of a formal classical education and therefore also of his elevated class position. Their ensuing exchange of pre-formulated Latin sentences is as much a contest of social-status and cultural one-upmanship as it is a conversation. (x)
Tombstone 1993 · dir. George P. Cosmatos & Kevin Jarre
2025 film journal — Tombstone (1993)
Let's finish it. Indeed, sir. The last charge of Wyatt Earp and his immortals.

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Kurt Russell as Wyatt Earp TOMBSTONE (1993)
Tombstone(1993) dir. George Cosmatos
"That's just my game."
Val Kilmer as Doc Holliday in TOMBSTONE
Cannot stand the trend of censoring any and all words that describe concepts that might make you go :( especially when the censoring is done in that quarter-assed way that's just 'did a lil scribble over a vowel so you know that I know this word describes a no-no."
I'm not even going to be vague about what sparked this. Do not fucking censor the word 'stole.' I'm at my fucking limit.
Who does this benefit. Who is made safer by this. Whose life is made better by this. Who is out there going "Wow I sure am glad I didn't have to see that word without it scribbled on a little. That really reduced the emotional impact of reading that word." Can I kill them?
He so small…only need one popcorn……

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RULES FOR DATING MY DAUGHTER:
my daughter cannot, through action or inaction, harm a human or allow a human to come to harm
a daughter at rest or in constant motion remains at rest or in constant motion unless acted upon by another force
daughters are never created or destroyed, only transformed
always treat every daughter as loaded, even if you know she isn't
you do not talk about my daughter
🌸cherry buddy
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commission / kofi
I just want to make a quick note about this before people get too silly about the situation. It's very important to remember that Robbie is Native American, and is putting a lot of work into making sure that Kattigan has indigenous cultural touchstones as part of his characterization. And that is the appropriate lens through which we should view his missing and murdered wife and daughter, I think.
I would be reluctant to use fridging in this exact context, because this isn't some imaginary scenario to generate manpain for a white hero, this is a much more common experience of Native American and First Nation people, having their wives and daughters and sisters (in particular, but not exclusively) go missing. And never getting answers, never learning what happened, and not being believed that there's a problem in the first place.
This is like how being rescued from a tower by a prince is not particularly empowering or affirming to cis physically able straight thin perisex white women and girls, but can be for basically anybody else. Particularly black girls and women, who do not get a lot of cultural messages that treat them as people who are so valuable and precious, who may not have the strength to save themselves, or may wish that they didn't fucking have to save themselves (and everyone else) all the time.
White men have this story so often happen that we have a trope name specific to one specific and particularly egregious version of this, but you don't often see men who look like Robbie dealing with this type of story in fictional settings, even though it happens for men like Robbie in real life with horrifying frequency.
Sometimes stories that are old can be new again in different hands, from different point of views, so just... mind how you step here.

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