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The Bowery Presents
we're not kids anymore.

#extradirty
almost home
Show & Tell
wallacepolsom
art blog(derogatory)
NASA
"I'm Dorothy Gale from Kansas"
YOU ARE THE REASON
Fai_Ryy
The Stonewall Inn

PUT YOUR BEARD IN MY MOUTH

Product Placement

romaâ
Keni

Discoholic đŞŠ
RMH

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@benevolent-mushroom
blinkspace jump

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the escalation trajectory of silt verses antagonists is one of my favourite things about the podcast because at no point can you predict where it's going to go next. like:
season 1: nuanced and reluctant cop at the beginning of his disco elysium arc only instead of alcoholism his vice of choice is LARPing (& it has just as destructive an effect on his life and interpersonal relationships)
season 2: joe many liberals does it take to fund a private genocide campaign led by developmentally arrested child mercenaries đđđ
season 3: What If Humbert Humbert Ran For President?
oh this phrase is not going to leave my mind for a solid week at least. obsessed with this collection of words
le doohickie in question btw:
again.
redrew a piece from 2021
So fucking metal holy shit
18 Naked Cowboys in the showers at Ram Ranch is a valid Kill six billion demons angel name

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no deeper madness than your own making
Me (traumatized): you donât know the dangers of computing matrix inverses
Harrison Armory is like genuinely crazy. Imagine if Lockheed Martin was a nation-state and was run by the clone of Robert E. Lee
Well, I needn't gossip.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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One of the classes in my upcoming OSR game A Most Bloody Devotion. She's a literal corpse. Not undead. Just an actual dead body that people get obsessed with when they touch it.
I think itâs really cool that in Project Hail Mary the astrophage, which are literally killing all life by eating stars, arenât really treated as the villain or evil? From the very start Ryland is treating it with curiosity and fascination, wanting to understand more than destroy.
One of the most memorable scenes in the movie is when heâs IN the Petrova Line, and heâs having a moment. Because itâs beautiful. Itâs destroying galaxies, uncountable lives, but itâs still beautiful.
The astrophage is a problem, yes, but itâs treated as any other organism. Itâs just doing what it does, because itâs also alive and happens to eat stars. Ryland is just happy to have the chance to study it because itâs from space.
The moral of Death Note is that cops raise evil children
I wish I was better about paying attention to channel names because I did watch a video a while back and this was basically the whole video summed up. Like, everyone knows Light was an arrogant fool who sewed the seeds of his own destruction but his solution to the societal problems he lamented about in the first chapter was literally something only the juvenile son of a cop could have come up with.
To Light, Crime was the source of society's "Rot." And his philosophy on what constituted "crime" was basically about normal-ass people who were willing to break the law. you know, the laws Cops enforce.
It also explains why he's indiscriminate rather than surgical. Because of his own biases, he never stops to consider the flaws in the methods of who gets arrested, or how that never actually seems to have an impact on Crime Rates tm. Cops (like Light) simply see this as evidence that they're not arresting enough people! That they're not going far enough! And these are the values our protagonist was raised with. A surgical strike would let Real Criminals off the hook, while targeting people who, yes, may be more evil by orders of magnitude, but they do it in a LEGAL way!
I don't think the story ever consciously addresses this. The Watsonian explanation for that would be that we don't really get to see exactly WHAT values Light's dad instills in his children - he's a major character, but Light spends far more time putting him on a pedestal than actually engaging with him. A couple Doylist explanations might be either that Ohba didn't condone Light's actions, and considered an outside exploration of his motivations to be either uninteresting to explore, or perhaps too much of a challenge to pull off in a story that so heavily revolves around the protagonist's inner monologue. I think it's far more likely, though, that this wasn't intentional - Light's dad was a cop so that he could be on the Kira taskforce and we could get the drama of Light being hunted by his own father, and the blind spots that created for both characters. Knowing the story, and how these characters are used, I find it hard to believe there were intentional ramifications beyond that. But that doesn't change the fact that they're there, and more than anything it serves as an explanation for why Light was the way he was.
Manticore in a tarot card commission
The Death tarot card is interesting because a number of frames fits it pretty well. The commissioner's choice of the manticore is cool because of the frame's flavor text about how its presence broadcasts recitations of the book of the dead.
The Silt Verses does such interesting things with its criticism and commentary on amatonormativity. Itâs no coincidence that the main character is an aromantic woman out of step with the expectations of her society in more ways than oneâor that we learn about her aromanticism in the same episode as we see a woman honeypot her boyfriend into being sacrificed. Love as a weapon; later, we see the weaponization of love-saintsâlove isnât special, love can destroy you just like anything else. Love as a threat: Shrue maybe having a spouse and family made up as a tool to hold over their head.
The parallels between Carpenter and the Promised Bride. The Promised Bride story as a reflection on choice and control and becoming, and the Promised Bride story later getting twisted into an amatonormtive story of romance to make for better government propaganda. Paige rebranding herself the Widow of Wounds in a similar way, inventing a story of a dead lover, to spread the Many Belowâs message in a way thatâs easier to swallow than a principled political stance (sparked by the death of a friend). Amatonormativity as comforting and familiar and following expected narratives that make for easier propaganda.
Amatonormativity in Roemontâs comment that they should give Faulkner a dramatic deathbed love declaration to sell the story when they get rid of him. The whole motel episode raising the question of why weâre primed to feel that romantic love makes someone more âdeservingâ of a happy ending. Thereâs a LOT going on in The Silt Verses and amatonormativity is just one of the things but oh boy is TSV interested in it in a way I so rarely see!

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âWas Shrueâs family realâ is obviously never going to be answered because the point is we donât know and neither do they⌠but I interpreted Shrueâs choice as a conscious decision to believe that they arenât. They want to be good, and brave, and do the right thing, but The Silt Verses is about how thatâs hard, and that comes with costs every time you try. And Shrue canât commit, canât bring themself to throw away their comfortable life and their safety, unless they convince themself that their family was never real anyway, that they donât actually have a spouse and children to lose. In this way, they cut themself free to go all-in with the Wound Tree people. Itâs a cowardly move! But also necessary for them to follow their convictions, because the shadow of family-as-coercion over them is so, so strong.
Paige stuck to her guns and lost her family. Carpenter stuck to her guns and lost her family over and over. Shrue canât commit to risking that so they convince themself they donât have a family to lose.
Delilah vs Romeo, who's the best teacher?