Alisa U Zemlji Chuda

Janaina Medeiros

Aqua Utopia|海の底で記憶を紡ぐ

blake kathryn
let's talk about Bridgerton tea, my ask is open

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Kaledo Art
2025 on Tumblr: Trends That Defined the Year
taylor price

Product Placement

Kiana Khansmith
i don't do bad sauce passes
Show & Tell
Jules of Nature
"I'm Dorothy Gale from Kansas"
Sade Olutola

JBB: An Artblog!
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❣ Chile in a Photography ❣

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@belleofthebalrog

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i changed my mind about my adrian design actually i think they should be like one of those glass frogs so grace gets to experience what every eridian does whenever he’s around
i ❤️ faceless character designs like yesss keep the mask on… Obscurity is so hot
well if its for fucked up and horny reasons, then i guess its okay...
i want to abuse my government expense account to buy grace candy

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Phm from Adrian's perspective is just what if you were Penelope and Odysseus came home but he also brought a jellyfish and keeps begging you to build a fish tank for the jellyfish and make jellyfish food for the jellyfish and youre an ancient Greek whos never seen a jellyfish and you cant even comprehend how your going to do it but youre going to because if you dont Odysseus may kill himself. And also the jellyfish can do like. Witchcraft.
funi in my head, stupid in execution. Anyway, happy pride.
The Mirror of Galadriel
🎨 by Dashiell M. Silva
I need to talk about something that the film Project Hail Mary does really well: Grace is so alone on Earth. The only people we see him having fun with are the kids who are no longer present past the first scene with them, and Carl, who once Grace becomes actively involved in the project, stops being shown. Stratt pushes him away gently, never really letting him in. He is always alone in a lab, alone at the bar.
the bar scene was insane to me in terms of framing. We see Grace, alone in the corner, looking at all the other people having fun together. He locks eyes with some of the astronauts, and all three of them look awkward. Stratt looks at him, but never moves towards him, never makes contact. He is always alone. He is lonely.
Rocky makes his world light up. He has energy, he uses his teacher voice, he bounces a ball off of the xenonite walls while chatting with Rocky. He climbs a tree, he surfs, he makes puppet shows “reluctantly”. Rocky means that Grace is loved. Grace feels loved. People have already pointed out that Rocky and Stratt both play the Trolley Problem with Grace, Stratt choosing the rational option, and Rocky choosing the emotional one. Here’s my imput:
Grace plays the Trolley Problem with himself. On earth he hasn’t got it in him to sacrifice himself for the entire planet, he has nothing to die for, no motivation. He chooses to sacrifice the earth, even if that choice was overturned.
Grace chooses to sacrifice himself for Rocky. He pulls the lever and puts his life on the line, for the one person he knows will do the same, the person who has already done the same. Rocky is the person he will die for, because with Rocky, he actually lived.
Rocky means Grace is not alone. Rocky means Grace isn’t lonely
And also that it goes the other way. Rocky was happy on Erid, sure. He wasn’t lonely. Then he went to space, on a mission to save everyone and everything he loves, with a crew of fellow Eridians. But then everyone else died, and Rocky was alone in the vacuum of space, basically waiting to die. Knowing he would die alone. He is so desperately lonely.
Then, miraculously, Grace appears. Like a Hail Mary for Rocky. Here is a friend. They learn to understand each other, their languages and the shape of each other and how they tick, together. Someone who he can watch sleep and then wake up. Someone to protect him as Rocky sleeps. Someone to learn things from, to tease and laugh and just be with. Someone who saved him from death and isolation and replaced it with life and joy. Someone who is helping him save Erid.
Rocky could never have chose the rational option, because at this point Grace, who saved him physically and emotionally, is all he has out in space. Grace is his world. He would do anything, for Grace.
Grace means Rocky is not alone. Grace means Rocky isn’t lonely
while i know he doesn't really gaf about boundaries or have a human sense of shame like that i do think that rocky realising that he's come to find grace perversely, sincerely desirable and developed an entirely reasonable but still uncomfortably intense degree of starvation for physical touch during their extended confinement together works better if he's not immediately fine and okay with it. i mean, he literally lives in a glass house, and the only time he could reasonably get away with processing his uncharted new feelings (up to you if that's a euphemism or not) is while watching over the already precariously easy to disturb sleep cycles of a fellow PTSD survivor who does have certain hangups and may not even share his attraction. let's all hope and pray that eridians don't ovulate or he's in for a hideously miserable four years on the return trip to erid.

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goofies
Posting this gif twice because I finally figured out how to make GIFs properly and it makes me laugh
so there's this fic by @startingatmidnight...
WIP of the pebbles visiting their Uncle Grace
Love that Ryland Grace is the opposite of so many male protagonist "heroes" in media and yet he's still so incredibly brave, resilient, and strong. That flimsy little science teacher saves the day.
But he also,
Throws fits when things don't go his way. Not a "I'm a bad bitch" destroying everything-type fit, but tossing a trash can, breaking a screen-type fit.
Cries. A lot.
Pleads. He begs.
Doesn't answer the call to action.
Shows weakness. Being a coward and being fearful are two things he defines himself with.
Doesn't end up with the girl. In fact, that girl isn't even interested and he isn't, either.
Cherishes friendship over a romantic plot or something stereotypically brave like, "I'm going to save Rocky so I can save his world." No, he wants to save his friend, first and foremost.
Squeaks. He squeals. He screams, loudly and very high pitched. He whines. He complains. He physically struggles to open a jar. He's clumsy as hell. He makes some of the least graceful noises one can make.
Is not afraid to be the primitive species lowkey.
I love him and everything he stands for as a male protagonist. Men need to know that they can be just like Ryland Grace and still be just as much of a hero and a man.

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OSCAR ISAAC by Nicole Wilson (2026)
in the face of an apocalypse, you do what you have to do.