bathroamer

I have never. Seen this specific typesetting mistake before. I've seen editing mistakes I've seen writing mistakes I've seen typos aplenty I have never seen someone accidentally paste the file version details into the text while typesetting.

that's the first page of the book as well like. I'm assuming this got missed because it obviously happened after the copy was finalised. that's an InDesign file (and not the first InDesign file of the project (clock the 'V2')) so idk much about the publishing process but this is presumably final final steps before committing to print.

The more often you look at something, the more used to seeing it you get and your eyes simply skip over stuff even if you don’t intend for that to happen. It’s subconscious. You can’t control it. This is one of the reasons it’s recommended to edit or proofread in a different font and size - the text physically changes which means your eyes aren’t just scanning the same old for the nth time but are forced to process it anew.

(This is the explanation for why fanfic writers catch typos more often after they hit post on ao3. The text literally looks different on ao3 than it did in their text editor so their eyes are now seeing things they missed.)

When it comes to cover proofs it’s SO common to have typos or word repeats because the covers get looked at SO much that everyone just goes “yep looks fine” because this is the 7th cover meeting or whatever and the persons who worked on it obviously have seen it 5 million times in the past two months. For proofing covers it’s recommended to work backwards and use physical barriers, like a piece of paper covering the cover printout you’re looking at and then you look at the last line on the back of the cover and start backwards. You catch so many more errors that way. That includes misspelled titles, word repeats, punctuation errors, whatnot.

I have never. Seen this specific typesetting mistake before. I've seen editing mistakes I've seen writing mistakes I've seen typos aplenty I have never seen someone accidentally paste the file version details into the text while typesetting.

that's the first page of the book as well like. I'm assuming this got missed because it obviously happened after the copy was finalised. that's an InDesign file (and not the first InDesign file of the project (clock the 'V2')) so idk much about the publishing process but this is presumably final final steps before committing to print.

i have a file or folder on my pc that i want to share with other people. let's call it gayshit.mp3

unfortunately gayshit.mp3 is 750mb and im not paying for discord nitro so i need another way to send it

i put it into qbittorrent and it makes a torrent file. this is essentially a very small file that points to gayshit.mp3 so other computers can find it. kinda like a treasure map

i send this tiny file to my friend, who loads it into qbittorrent. their computer takes a moment to find mine over the vast expanse of cyberspace and then (as long as my pc is running and the file is still where it should be), it gets copied from my hard drive to theirs

this is the cool part: if somebody else loads that tiny file, they can download it from both of us. if i'm offline but my friend is on, the third person can still get it. this also means that if two people have separate halves of the file, they can download the other half from each other. as long as some combination of people have the pieces between them, they can all have the whole thing.

crucially this does not require a server!!! you can just upload the file to a few people and as long as they keep it, it's still accessible. as long as somebody, somewhere is still connected, it's available forever. the only way it goes away is if everybody disconnects from it.

The brick on the building is an old sandmold standard-size flashed burgundy brick and a plain buff mortar in a flush joint. If I were to match these, I would use Belden Brick's Belcrest 740 bricks. Those aren't available in standard size, but the modular size they're made in will work because it's the same height. (Matching size exactly doesn't really matter for columns or other projects where the brick isn't going to be laid directly into the existing brick wythes (in fact, the bricks on the columns are a bit longer and a bit less tall than the bricks on the house)). I'd match the mortar with Heidelberg's Old Colonial, the go-to for matching older structures, from their Flamingo colored mortar series. Heidelberg's premixed Old Colonial could also work.

The brick on the columns is just over 8 inches long and just under 2 1/4 inches tall, so it's a weird size. They may have been "seconds", meaning the factory screwed up and had to sell them at a discount. That would explain the mismatch -- mighta been a 1970s Landlord Special. Nonetheless, they're beautiful bricks. A rusty brown color with ironspot texture ("ironspot" is somewhat literal: the clay and/or shale is mixed with actual flecks of metal, usually manganese these days I think, that melts in the kiln and makes a sort of glaze of freckles on the surface of the brick!), laid with an almost-matching red mortar.

Howdy, howdy, folks.

For many years (ten now, about which, more soon) McMansion Hell has featured many prominent and diverse atrocities from all over these great United States and sometimes beyond them. However, most of these posts have consisted of houses built during the McMansion Era proper -- from the 80s up through around the early 2010s.

This is for a number of reasons. First of all: I like these houses because they are insane. Second of all, they are indeed quite different from one another -- they represent the owner's idiosyncratic if poorly rendered desires and fantasies. They are heavily psychologically loaded buildings. One family dreams endlessly of Tuscany, another wants to recreate the mall. All interiorize previously exterior forms of consumption.

These houses were also very expensive to build compared to their contemporary iterations: all real, solid wood cabinetry and trim, wrought iron railings, marble floors, elaborate murals - none of this is cheap. This is not to say that I'm nostalgic for the classical McMansion (though many are) only that it, like, most other facets of architectural and everyday life, have become progressively cheaper and more bland.

The McMansion never truly goes away. It merely changes shape over time. One of the shapes it currently takes is a particularly loathsome imitation of contemporary high architecture (specifically the kind of houses architects love to build for celebrities in California) executed in the most wretchedly parsimonious manner possible. It feels cheap to use the word 'slop' but their indiscriminate nature - the way they have no regard for why or how the things they imitate even work - allows it. Of all the building forms that could be generated with AI, this is the most likely. At any rate, behold:

Yes this is a real house. Yes you can buy it for $6 million in, yet again, Barrington, IL. It has 5 bedrooms and 5.5 bathrooms totaling 11,600 square feet. But most importantly, it looks like dogshit. Ten layers of Photoshop have been used to gussy it up which makes it appear entirely ersatz. Were it not for the interiors, I myself would have trouble trusting my own eyes. Part of the reason it looks so unreal is because the design itself is absurd, as though someone created four equally ugly vessels and threw them up one by one.

In 2017, in a now-deleted essay for Curbed (RIP - they destroyed the archive) I called these types of houses McModerns, simply because they were McMansions dressed up in modernist garb, which they wore no differently than they would Neo-Tudor or Mediterranean (broadly construed.) These houses don't warrant a new neologism, but they do feel like a degraded or perhaps even gonzo version of even that old concept. Slop works fine too, especially because half of what's in these images isn't real.

Much fascinates me about these houses, however one of the most unique elements vis a vis the last 30 years of building is how overtly and almost hostilely masculine they are. Anything that can be construed as feminized - color, softness, ornament - has been ruthlessly purged. They also rip off tech industry minimalism which only ads to their bro-ey nature. While previous iterations of McModernism (think new builds in Colorado with fake wood exteriors) scream dads with IPAs, these houses scream Reddit to me. They are Elon Musk-adjacent in sentiment.

By the way, this is what that room looks like without the fake furniture. It's basically a sunroom.

Whole Foods would like to call in a robbery.

Because these houses are designed by men, for men, no one involved has learned how a kitchen works. Many are calling this setup the "grindset tiktok video kitchen." This is the kitchen you see in those day in the life of an AI startup founder videos your algorithm forces you to watch against your will.

Virtual staging is actual literal slop. In fact, one can say that they were one of the first iterations of the ontological crisis we now face, one of the first instances where one is forced against one's will to question reality, what one sees with one's own eyes. Beyond that, I think virtual staging is literally a form of lying. You can use it to make a space look bigger or smaller than it is. In this it also has a lot in common with AI. This dining room has nothing to do with the world I'm living in. These chairs are not my problem.

It's actually AMAZING how much of what's in this house, beyond the furniture, is fake. Every single material is fake. The stone is aluminum paneling. The plants are plastic. The concrete is printed on some kind of surface (as evidenced through its repetitive pattern), though it's hard to say from just pictures. I don't even trust the floors!!

Ok if you haven't read Kelly Pendegrast's amazing essay "Merchandizing the Void" about how houses are all like stores now, HERE IS THE LINK. Some ideas never die, they just evolve, king. Like you.

Please, I'm very cold.

Unfortunately there are no pictures of the rear exterior of this house, so this is where we will have to conclude for today. That being said, these houses and their antecedents are developing a design language all their own that will, in time, be as culturally rich to us as the houses of yore. The problem is they are less visually interesting. They are houses made to scroll in and scroll right by. Expect to see more of them here, but only if they have something, anything to say.

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