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Niall’s message to fans & acknowledgements on ‘Dinner Party’
Hello lovers,
Before anything else, I just want to say thank you. The love you've shown me over the years has been incredible - I find the older I've become, the more I'm taking it all in, even more than I already was.
Being a part of ‘The Show’ album and tour really blew my mind. What you did for me on that run of shows was honestly something I wasn't expecting because when you are an artist, you don't EXPECT to be playing arenas and full amphitheaters every night. Hearing you sing the songs back to me, feeling that energy every night, I really don't have the words to explain my gratitude, and I hope we can do this all over again. You gave me the space, the confidence, and the belief to go away and create again. From the bottom of my heart, thank you for sticking with me. I genuinely can't believe this is my fourth solo album and that I still get to wake up and call this my life. I'm so excited for you to hear it, and I hope you love it as much as I do.
Making this record felt different in the best way. After the last chapter and everything that came with it, I was more driven than ever to get back into a creative space and see where it would take me. I had a head full of ideas and songs that had been building up, and once we finally got into the studio, it all started to click. There's a real honesty in these songs, and I think you'll hear that. This album feels like a true reflection of who I am at this point in my life, with all the sounds and influences that have made me the artist I've become.
There are so many people who helped bring this to life. John Ryan and Julian Bunetta are the first to thank. You guys have known me since I was 18 and the time we spent writing and producing together was something I'll always value. Amy Allen, Jamie Scott, Andrew Haas, lan Franzino, Steph Jones, Rocky Block, Joel Little and all the writers, engineers and teams that worked to get this album sounding like I wanted it ... thank you.
Beyond the studio, I'm lucky to have an incredible team around me. My management at Modest! - Richard, Harry, Justin, Marco, Sarah, Natalie and everyone there.
To my Capitol family — from the very beginning of this solo journey, you've backed me and my vision completely. Sam, Tom, Lillia, Stephen, Greg, Ambrosia, Kieran, KK, Becky, Jen, Orla, Melissa, Kim, Arshum, Joe, Aria, Lily, and every department that works tirelessly behind the scenes — thank you for caring about this music as much as I do. And thank you to all the UMG teams around the globe that help me push my music and vision to the fans in every market - your work is massively appreciated.
My teams at CAA — Brian, Will, Alli, Mike and of course Rob - thank you for bringing these songs to stages around the world and for believing in every tour we've dreamed up. To all the promoters who have believed in me since day 1 as a solo act (and in some cases much longer) - thank you. Live Nation & SJM you have been amazing and I thank you Warda and Simon for going the extra mile always.
To my lawyers, Lawrence and Richard. To Alan, Barry and Liam at LBM. Thank you for keeping everything steady so I can focus on the music.
Ben Chappell, I said it before and will say it again... you've transformed the way I see myself creatively. From visuals to artwork to the bigger picture, you've pushed me to think differently and I'm so grateful for that. I love all you put your hands and vision on. And thank you to Nick S for making all the vinyl and album packaging look so good time and time again.
I also get to share this dream with my road family - my tour manager Paul, my tour director Ant Carr, my MD Jake, my entire band and crew, new and old, and every single person who works tirelessly behind the curtain to make the shows what they are. The world saw during lockdown just how much these people do, and I'll never take that for granted.
My best half. Thank you for always being there for me. When I need someone to talk to, you are always there to lean on and you give great advice, I'm forever grateful. Can't wait to make more great memories with you.
And finally, to you — the fans all over the world. Thank you for your patience, your loyalty, and your love. 15 years in and you're still here, still showing up, still singing every word. That is the greatest gift I could ever ask for. I hope this album becomes yours in the way music is meant to - something you live with, grow with, and make memories to. I can't wait to get back out there, travel the world, and see your faces again.
To everyone else who poured time, care and energy into this project — I see you and l appreciate you more than you know.
Why haven't we opened the dialogue about childhood frenemies hollanov?? We're constantly bickering. You're always at my house. I hate my childhood nickname. You're the only one who still uses it. You stole my first girlfriend. We kissed in my bedroom once, just to practice. You took me to my first real party. You drove me home when I got drunk. Okay fine we kissed more than once. I hate you. You give me butterflies. You're always touching me ugh god stop touching me you're so annoying. Touch me again. You make fun of my clothes and my posters and my bedsheets. You took my virginity. I don't even like you, really. Unless you say it first.
Ohhhhh my god yes!!! This au is absolutely required.
Like Yuna Hollander being absolutely protective of Ilya because Gregory is PoS. Or Shane punching Andrei in the face that one time Ilya came to school with a blck eye. Mind you they are in middle school and Andrei is attending High school. Ilya spending weeks at the Hollander house after Irina passess away, until Gregory thretens to call authorities m Shane hates Gregory more than anyone. Ilya knowing all signs of Shane's anxiety. He has a list of all of Shane's stressors. He is the only one who can talk Shane out of a panic attack.
On more fun side, Shane hates Ilya smoking. Also there is so much jealousy in this au. Shane hating all of Ilya's girlfriend. Ilya hating all the people who flirting with Shane which Shane does not even clock. And Ilya is always interrupting these flirt attempts. Them knowing each other's evrything. Every scar and fear and embarassing stories. Evrything.
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“Because the truth is, tech doesn’t have an image problem. It doesn’t have a message problem. It has an intention problem. What’s wrong with the axe murderer who broke into my house is not that he hasn’t successfully persuaded me to buy into his narrative. What’s wrong is that he’s trying to kill me with an axe. Similarly, when you launch a product that’s designed to put millions of people out of work, block access to sources of verifiable truth, replace human creativity with slop, and lower the barriers to every sort of atrocity, the problem isn’t that you haven’t told the public a good story about those things. The problem is that you are trying to do them.”
One of my bosses took a pdf index of documents with academic and legal citations and ran it through Copilot, for the purposes of getting it into a spreadsheet without having to manually type it all out. Not a terrible thought I guess since it seems like a simple enough task but obviously proper citations are super important especially in the legal system so she asked me to take a glance to make sure there were no errors.
There was an error in literally. Literally. Almost every. Single. Citation. (And there were hundreds of them) Here’s a non exhaustive list of things the AI did instead of just transcribing the exact text:
- Rewording or shortening the titles of articles and legal cases
- removing authors’ middle initials
- Removing the specific dates from newspaper articles (like making it just 1966 instead of January 8 1966)
- In cases where there were multiple citations per entry, only transcribing the first one and then adding the words “And others” like? Did you get tired?? You’re a robot
- (By far the worst one) instead of populating all the specified page numbers it just wrote “Various pages”. Imagine if we went to court and when asked to cite page numbers we were just like “oh it’s somewhere in there trust us your honor”
TLDR do not fucking use AI for shit that actually matters (I mean imo don’t use it at all for anything ever but especially not for serious stuff) because we would’ve gotten in a ton of shit if I hadn’t checked this. And it took me forever to correct all of these errors which in the end definitely took longer than just typing it up myself in the first place.
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hudson and connor both studied the meisner technique (very very scene partner-focused; receiving and listening and reacting (instead of "acting") to what your scene partner is giving you specifically) and i NEED them to talk about it like i wanna hear them chat about the techniques and what they did to break down the HR scripts (especially shooting so many years out of order and so quickly) and just how many times they ran into instances where the script may have had lines or actions with a direction for tone or objective and hudson or connor were "living truthfully in the moment" (meisner quote) and that truth didn't align with the script (whether fully or partially) so they just moved together as scene partners
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☆ tags: ambiguous relationships, feelings realisation, angst + yearning + a dash of miscommunication, minor connor x omc for the plot
☆ M, 48k, 5/5 chapters completed
But it felt like he did know Hudson. Like the craziness in him, the hunger, had found an echo, tracing it back towards the same gnarled roots, something old and inseparable.
It was the same feeling he had during that chemistry read, the one he had done and forced himself to forget, because ruminating over it would only drive him out of his mind. A single spark, a flame held on the edge of a roaring precipice, ready to be picked up by the wind and launched into a burning inferno.
Moments in time capturing Connor's love for Hudson - until he realises he's in love with Hudson and it all goes downhill from there
baratheonpilled
titsay
