Animorphs (1998)

gracie abrams

blake kathryn
Fai_Ryy
TVSTRANGERTHINGS
NASA
The Bowery Presents
untitled
Xuebing Du
Game of Thrones Daily
Show & Tell

ellievsbear
Monterey Bay Aquarium
sheepfilms

tannertan36
official daine visual archive
ojovivo
"I'm Dorothy Gale from Kansas"
PUT YOUR BEARD IN MY MOUTH

seen from United States
seen from Mexico

seen from Brazil
seen from Germany
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States

seen from United States

seen from Colombia
seen from United States

seen from United States
seen from United States
seen from T1

seen from United Kingdom

seen from TĂĽrkiye
@axjake
Animorphs (1998)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
wow sorry, did i say andalites were important? i meant hork-bajir
hork-bajir are important
Animorphs art scene seems kinda dead on Bluesky, despite it being a running joke thing for a month during closed beta lmao Anyways, here's my take on a Hork-Bajir. I really hope the upcoming adaptation makes them actually frightening. Also if any of you draw Animorphs art, leave a comment with your Bsky so I can follow you over there (or here, if you prefer)
Happy 30th birthday Animorphs! If you were a person I would buy you a beer. This was my first literary love and I suspect will be my last. A bunch of very cool and talented artists and writers got together to make a massive zine in celebration and everyone should go check it out (and maybe pick up the books if you're interested in a sprawling tale of body horrors, war casualties, moral dilemmas, hard choices, and loss of innocence - they're available online!). And please show the artists and writers some love! Thank you @pyrochord for undertaking this huge effort to organize and support :)
My contributions are the cover art (top) and this paired piece of many major secondary cast (bottom)
From left to right, top to bottom: Prince Elfangor, Loren, Dak & Aldrea Hamee, anonymous Taxxon & Hork-Bajirs (or are they?), Visser One, Toby Hamee, Eva, Visser Three, the Drode, anonymous Yeerk (or are they?), Erek King, Aftran (whale form), Taylor, David, Aux Animorphs (Erica, Timmy, James, Craig, Collette), Illim & Mr. Tidwell, Tom Berenson, Hedrick Chapman, Karen & butterfly (or is it?). And in the background: the Ellimist and Crayak.
thank you for contributing!!!! these pieces turned out so great :D
#Animorphs fans, I'm very happy to share that the first three books in the series are being rereleased next May with brand new covers. 🧊🦎 Y
WE’RE GETTING ANIMORPHS RE-RELEASE WITH BEAUTIFUL NEW COVERS!!!!
This is SO cool!!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
my pieces I did for @animorphs-30!! ax and rachel my loves <3
morphing sequences for the Animorphs30 Zine uwu
Squid Ink
My piece for the @animorphs-30 zine! Kid-me would have rioted if they heard I was drawing animorphs fanart and didn't use that opportunity to draw a giant squid, so I had to find a good scene from the end of book 27-
thinking about marco cassie parallels and the scene where marco digs an ant out of his flesh because he was fighting it as an ant and it almost killed him and the scene where cassie flosses pieces of dead hork-bajir out of her teeth because she brutally murdered an innocent.
"Just tell them we're Animorphs." "Tell them we're what?" "Idiot teenagers with a death wish."
THE ANIMORPHS30 ZINE IS HERE!!!
(And thanks to @gros-chat-fait for this beautiful cover art!!)
To celebrate the 30th anniversary of the series, creators of the fanbase have come together to bring you a zine of nearly 200+ pages (at which point I'm not even sure we can call it a zine anymore! The correct term at this point would be anthology!), filled with art and writing.
You can download it as a PDF here, or if you just want to view it without downloading, it's available on Canva here.
Currently I'm still working on options for getting a printed release, but self-printing is still an option! Stay tuned—there should be a self-print mirror available shortly (I'll just need to change some links to QR codes, among other things).
Okay, I think that's all I have to say for now! Here's to thirty years!!!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Bandits
~
30 years of Animorphs! One of my contributions for the fanzine, available on the official @animorphs-30 blog. Please go check it out! Thank you so much to @pyrochord for the massive undertaking and the beautiful result!
this is a wonderful piece! thank you for your contribution to the zine!
But, my father kept insisting, the Yeerks on their home world have been peaceful, these years since the attack that destroyed his honor. I didn't point out that the Yeerks on the home world had no choice: An Andalite fleet was parked in orbit above them, ready to shred anything that tried to come or go in the system. p. 34-35
How much does the Yeerk Homeworld know and support the space-faring Yeerks? How much of a split is there on the homeworld? We don't really know. Because their is an Andalite Fleet parked at their homeworld ready to blast everything.
So that also means that Yeerks like Esplin 9466 Prime that were born on the Yeerk spacecraft don't really have the option of just going home if they decide that they don't want to conquer other species. We know that some of the other Yeerks in his training program didn't like it but they really can't just leave.
The Yeerks that went willingly into space are one thing but the Yeerks born in space? They are born probably just to be more soldiers. Get the ones that don't want to fight to become parents because that process kills three Yeerks but get hundreds of new potential soldiers out of the deal. Sounds like a win-win for Yeerk high command. Pressure decenters out (tell them that they need to mate if they aren't going to fight) while getting more troops that you just have to feed the right propaganda to while young.
OK, but given how little yeerks know about anything beyond their world before the andalites came, and how low-tech they and the gedds are, how many yeerks even though that they are? And of those who do how many even know why?
There's a really interesting question about thrownness and settler-colonialism in there. Like, suppose you're a guy with French parents and French culture... and you were born in Algeria in 1904. And you've never seen France. And now it's 1943 and France is occupied by Germany, and they're also invading Algeria.
Like, what do you even do in that position? You could do your best to be nice to your Algerian neighbors, but that won't stop them killing you first chance they get because you're on their parents' land. You could try joining that rumored Anti-Colonial League, but that wouldn't necessarily help Algeria and might even accelerate the rate at which Germany takes over the entire planet. You can't go back to France — it's occupied, you've never been there — but staying in Algeria makes you part of the problem. You could join the military, because at least then you're protecting your own, and you're helping prevent Germany wiping out Algeria entirely... but likely as not you'll get sent to "quell unrest" in Algeria instead.
I dunno. I feel like a lot of the ordinary yeerks are caught in a system too big to do anything about, and probably do their best not to think about it while also telling themselves that at least they're nicer to their hosts than the people on the aquatic hork-bajir project.
And that's assuming that the Andalites didn't just set the planet on fire and refuse to admit it. That does seem to be their usual MO.
My theory on what's going on with the Yeerk homeworld is this:
Pre-contact Yeerks weren't as primitive as the limited description we get (from the notoriously biased Andalites) paints them. We know they used clubs to attack the Andalites, but that doesn't mean much - WE use clubs and we also have atomic bombs, and Andalites describe both weapons as primitive without making any distinction between them. The Yeerks already had their Council of Thirteen, their Vissers, and apparently an understanding of the idea of conquest. They're also very, very good at mixing technologies they acquire from others - see the Dracons, which are a mix of Shredder and Ongachic particle beam technology. See the fact the Yeerks start building their first Blade Ships within two Earth years of leaving their homeworld. The Yeerks were already very capable, they just didn't have any ability to travel the galaxy.
So I imagine the Homeworld is kinda built up. Their philosophies, even early on in their empire building, point to a civilization that is organized around centralized rule and the absolute power of individuals who lead and races having specific destinies. I don't think Seerow taught them that, I think they already had it. They had also already "tamed" their environment, mostly by killing predators and causing ecological collapse. That takes time. Their mindsets also most closely mindsets humans developed in the 18th, 19th, and 20th centuries, e.g. absolute domination of the environment, jingoism, fascism, the right to build empires through strength and conquest, etc. I hate to say those ideas MUST accompany the technology from those time periods, but I really do like the idea of the Yeerks being a spaceborne British Empire, and the Homeworld basically being a wetter version of London. Kandrona is their tea.
Anyways, take all of this with a grain of salt, I am sleep deprived.
Edit: I want to add another thought I had while getting soup. We know the Andalites are a critique of the United States and neocolonialism. I think the Yeerks are a critique of the age of imperialism/original colonialism. That probably influences my thinking somewhat.
Happy fun!!!!!
absolutely incredible rachel/marco spread i commissioned from my good friend @beehunterkisser‼️huge shoutout to them for their contributions to spreading my rachelmarco agenda
Very indulgent ask: you’ve talked here and there before about animorphs and unreliable narration, and I always love your insights. Do you have any passages or quotes from the books that you feel showcase biases in narration particularly well? Any favorites?
Oh man, how could I ever begin to answer? This is the best part of the series, and in some ways it's in every book! But I'll do my best.
David Trilogy:
In #22, Rachel characterizes Jake asking Ax to "get" her as Jake knowing what a violent monster she is, and using that monstrousness against a kid their own age. She obsesses over the idea that she's a terrible person who is barely worthy of being on this team, and the idea that Jake is basically puppeting her into atrocities.
But in #21, Jake asks Ax to get Rachel because he's scared. And because he wants the biggest baddest person he knows to protect him, if he's about to go into a battle he doesn't think he can win. Jake sees Rachel as his protector — in #11 he says that he never gets really scared until he sees Rachel get scared, and in #26 he trusts her to draw lines he can't. (Between this dynamic and how much Rachel dismisses Jake as a leader at first, I do headcanon Rachel being a few months older than him.)
In some ways Jake is right that she's his badass big sister — Rachel does see him as someone who needs protecting, maybe more than anyone else on the team does. (See: her sheltering him in #2, her pity for him at the end of #37.) In some ways Rachel is right that she's his red right hand — Jake asks Rachel to do the hard jobs, the dirty jobs, and he buys into her posturing about always being eager for battle, far more than Tobias or Cassie do. (See: him asking her to do all the hard parts of dealing with David #20-#22, his willingness to use her in #32.)
Megamorphs 1: The Andalite's Gift
One of my favorite-ever uses of rotating narration in the series involves that moment when the veleek corners Cassie and Rachel midway through Jake and Marco's attempted game of keep-away, while Ax is forced to watch the whole thing on livestream. Specifically, the gap between Cassie and Marco.
What actually happens: the veleek is hovering over three Animorphs, hesitating. Cassie and Marco are both mid-morph; Rachel is fully elephant. Marco continues morphing, Cassie stops morphing, so the veleek goes for the "movement" and takes Marco.
The way Cassie tells it, she makes this unforgivable decision out of cowardice, deliberately choosing to sacrifice a friend to the tornado beast because she's too much of a self-centered wimp to make the hard call. Her narration says that she might have even had better odds of survival than Marco, since she's the better morpher and she was mostly in a very small morph (squirrel) sitting on the neck of a morph (elephant) they knew the veleek couldn't lift. And Marco apparently dies as a result.
It is, literally, her worst nightmare come true. In #4 and again in #9, Cassie expresses a visceral horror at being asked to choose who lives and who dies, and Marco even taunts her for it in #4 because he sees her as naive. That moment goes on to haunt Cassie, in some ways, for the rest of the series. The following day she explains to Jake that she has to be the one to nearly get killed baiting the veleek, because she can't live with herself if she doesn't. In #19 she cites it as a reason she can't be an Animorph anymore. When she dumps Jake in #53, she cites his willingness to trade lives without guilt as the reason.
...and from Marco's point of view, that scene is a total non-entity, and he never once characterizes it as Cassie choosing herself over him. The way he tells it is just "whoa, Rachel! Whoa, veleek! Okay, keep the veleek away from injured Rachel by morphing — oh crap, it caught me... Oh hey, Ax! My buddy! Glad to see you're okay. Step one, we blow this popsicle stand, step two, we have got to use this to prank Jake!" If he thinks about Cassie's decision not to save him at all, it's strictly in the sense of respecting Cassie's willingness to make a hard call — even though he's the one who pays the price. So Marco's near-death from Cassie's hesitation is the worst moment of Cassie's year, and just another Tuesday for Marco himself.
The Endgame:
Obviously Jake has imposter syndrome throughout the series, but the last two books are some of the most interesting examples of the gap between his perspective and everyone else's. Jake characterizes his own lack of caring as he flushes the Pool ship as a sign of his moral bankruptcy, and he tells Cassie outright in #54 that he's less bothered by his own decision to kill 17,000 noncombatants than he is by his own lack of caring in that moment. Jake takes this emotional numbing as proof that he has lost all ability to care about other people, and become only a war machine.
And then we get Cassie and Marco talking in the Swedish cafe about how obviously Jake has clinical depression; just look how emotionally numb he is. Their attempt to help is a bit ham-fisted, but they approach the lack of caring through the perspective that Jake needs some kind of mood-altering something because he's only going to get worse if they don't try to pull him out of this spiral. Whereas Jake is certain that the compassion fatigue is a sign he never had much compassion to begin with and burned it all out until he became a fratricidal, genocidal maniac forever doomed to treat the people around him as pieces on a chessboard.
Mid-Series Ax:
For a lighter example, I love all the comedy around Ax confidently assuring the reader in his own books that he can flawlessly pass as human... interspersed with all the others going "look, if you just follow Ax around every millisecond he spends in human morph, and you have a friend on standby to create a diversion, then the odds of someone calling a 5150 drop way down." Part of what makes all those sequences so funny is Ax's condescending attitude toward the human species — he is so certain that his superior intelligence is the source of all misunderstandings, and meanwhile the other kids are like "you couldn't watch someone else discard a coffee cup first, then decide whether to throw it across the room when you're done?"
Loads of aspects of #8 follow the same pattern. Ax is certain that the other Animorphs recognize his superior intellect and treat him as an authority, and that he has a duty to serve that role faithfully. Meanwhile Tobias and Jake and Cassie are all like "that poor kid? Not only is he exactly as lost as the rest of us, he's also stranded on an alien planet without his mom and dad just after losing his brother." When Ax finally decides to break the rules and let the others in, he's expecting a bunch of questions about how to use andalite weapons technology to win the war, and what he actually gets is "how do you eat?" In #8 Ax thinks of himself as an ambassador between species — and the humans all think of him as their weird friend who they want to help feel less out-of-place while he's stuck here.
But yeah, the only one putting pressure on Ax to be a perfect paragon of andalite aristh duty is... Ax. Jake would like him to be quicker to admit when he doesn't know something, Tobias would like him to be more open about his emotions, and Marco would like him to teach them how to homebrew yeerk tech. But Jake doesn't actually think he's a genius, Tobias doesn't think he's Elfangor, and Marco doesn't think he's a perfect logic machine. That's all in Ax's head, and so of course he'll never live up to the version of himself that he thinks must exist in the others' eyes.
Jake's "Perfect" Family (As Told by Tobias):
Last big one that comes to mind for me is the gap in how Tobias sees Jake's family, vs. how Jake sees Jake's family. From Tobias's point of view, Jake's living in a 1950s sitcom: he has two parents, one sibling, one dog, and they all get along! They live in a McMansion, off two white-collar salaries — one a doctor's salary! — and they go on vacations together every year. They eat fresh salmon, and spinach, and homemade tiramisu (#16), as they sit around their kitchen table every night and talk about their feelings.
Which is all literally true. But the other thing that's literally true: Jake is the only Animorph with no safe place to retreat to in between battles, because he's the only one cohabiting with a known controller. Part of the reason Tobias can be under the impression that Jake's home life is picture-perfect is that the Animorphs spend the least time at Jake's house: most meetings are at Cassie's, Tobias and Ax's scoop is their go-to backup location, and occasionally they spill into Marco's or Rachel's bedrooms. Because Jake's home is fundamentally unsafe in a way none of the others' are. When Rachel has a nightmare, she gets Jordan's incompetent but well-meaning comfort (#2); when Marco or Cassie does, their dads come to offer hugs (#10, #19); Tobias and Ax are alone, but at least it's private (#33). Jake describes jamming his face into his pillow so he can cry himself to sleep as silently as possible in #1, #6, #26; he also has raging insomnia by #26 that is still an issue as of #47.
And Jake's family being so enmeshed makes the controller thing so much worse, because he can't get away from it. In #31 Tom's yeerk almost has to resort to murdering their dad to get out of attending a family event to support their mom. In #21 the ongoing emergency forces Tom and Jake to spend more time around each other. In #37 Jake can't get out of traveling with his family for over a week (I assume for the High Holy Days?) because Tom's yeerk has refused outright and so Jake is completely unable to refuse as well. Meanwhile, Tobias's perspective on all this is semi-amused bafflement that "Tom" (or Jake) can't just go "screw this!" and walk out of the house, expecting their parents to take that as a valid answer.
In many ways, both Jake and Tobias assume that Jake has no problems and Tobias has all the problems. The other four Animorphs are way more balanced in their perspective. Marco especially feels for Jake because he knows how hard it is having yeerks corrupt your family. Ax understands Jake's complicated grief over losing Tom (years before Tom actually dies), and Ax understands that Tobias is the way he is partially by choice. Cassie and Rachel both see how Jake is being worn down to nothing by sheer exhaustion, and are also both copacetic about how eating roadkill isn't the worst lifestyle choice.
So like, the version that Tobias tells in #49, of Jake having this perfect family that disappears completely in an instant, isn't true. The version Jake tells in #53, of Tobias having no family at all and then suddenly having a great home life with a mom and a dog, isn't true either. But they're both fooled by the American Dream idea of happiness being a matter of how much stuff you have and how nuclear your family looks.
The unreliable narration combined with multiple narrators is such a key part of what makes Animorphs so good, imo.
I can't think of another series that does it so well.
This, this, this. People who want it to be a contemporary YA series with ~6 giant books, I get where you're coming from, but we'd lose SO MUCH of what makes the series so good if that was the case.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
happy 30th anniversary to animorphs <3
lightning wield her, use and yield her.
shuffle meme