Stannis: Tell me what your flames see, Melisandre. Reveal to me what my brother Renly schemes.
Melisandre: Heās coiffing his hair into a pompadour.
Stannis: *wordlessly screams and smashes another goblet*
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć

Kiana Khansmith

#extradirty
Cosmic Funnies
d e v o n
I'd rather be in outer space šø
h
macklin celebrini has autism
AnasAbdin
Not today Justin
Alisa U Zemlji Chuda
art blog(derogatory)
KIROKAZE
Xuebing Du
"I'm Dorothy Gale from Kansas"
One Nice Bug Per Day
dirt enthusiast
todays bird
taylor price

seen from United States

seen from United States
seen from Germany
seen from United States
seen from Germany

seen from Malaysia
seen from United States
seen from Peru

seen from Malaysia

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
@queenlorea
Stannis: Tell me what your flames see, Melisandre. Reveal to me what my brother Renly schemes.
Melisandre: Heās coiffing his hair into a pompadour.
Stannis: *wordlessly screams and smashes another goblet*

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Sansa, Lady, Dany and her triplets
Sketch of Sansa Stark
(I wanna sleep so baaaad)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Drawing my favourite queensāØ
Took inspiration from the official akotsk art of the Myriah, she looks so elegant and stately!
There is no Love on that island
Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.
So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.
DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binaryāI use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.
so bf of taigen to recover from life threatening wounds, just so he can hike all the way to kohama village from master eijiās forge, buy the best food you can possibly find there, hike all the way back, and then proceed to promptly plop said food right in front of mizu and watch her eat all of it. dosenāt even blink. those dumplings are a childhood nostalgia food for him and he did not eat a single one. literally recovered from his injuries just enough to leave on his own, solely so he could go get food for mizu, and only for mizu. he didnāt get dumplings for anyone else, not even himself. he hates kohama, but heāll go walk straight into the village centre that smells like the fish on his dadās fists, just to purchase the only good thing from his childhood in that place, proceed to enjoy none of it, and offer it all to mizu with absolutely no expectations.
I've heard so much discourse about whether or not Mizu was pushing things too far in her spar with Mikio and there's definitely an argument to make for it but here's the thing: Mizu is at most 18 years old. She's socially awkward and has never (to our knowledge) had a friend at that point in her life. If you watch her during that scene, she's not trying to be threatening, it's a game to her. For once in her life, she's actually having fun.
I've known plenty of teenagers (and adults if we're being honest) who have run around hitting each other with sticks and fake swords, having the time of their life. Is Mizu immature? Yes. Does she know any better? Not really, her social skills are limited due to spending her whole life hiding from people. At this point Mikio is a) probably twice her age and a full adult, b) knows her background, and c) has an idea who Mizu is as a person. He wanted a strong young wife to help with horses and is upset about her being both strong and young. He either actively betrays her or leaves her for dead and along with shattering her ability to trust, she doesn't really let herself have fun again for a really long time, if ever.
Actually, I disagree that Mizu was being immature. Honestly I would go as far as to say that Mizu was only matching Mikioās energy. If you go back and carefully watch the scene, by the time Mizu is in the tree Mikio is brutally hacking at her feet with a bare blade. Heās missing of course, but he is very obviously on the offensive for the majority of the scene (repeatedly hitting the wood of the tree every time he misses Mizuās ankles). During the beginning of the fight Mizu is mostly dodging, evading, and redirecting. The fight only ends because Mizu diffuses it. Mikio was being overtly violent, itās just hard to see because Mizu is so obviously above his level. So even though heās being violent, to Mizu it may as well be a game. And that scares him. Not that Mizu fought, but that she fought so fucking well. Mikio couldnāt even make himself a threat to Mizu, even when he was actively trying to and thatās what he hates. To him, a husband should be able to physically overpower his wife. Thatās the gift that patriarchy gives him, and now he knows for certain he does not have it. The terror we see on his face comes from how fast he realizes it (one short fight). To Mikio, itās a complete 180 change to his and Mizuās dynamic. Just because he canāt keep up doesnāt mean he wasnāt trying to.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
ill be real im starting to dislike so many reads of the ending of jaimeās last chapter in feast. not going back to essentially die with/for cersei is due to an amalgamation of factors. he is not doing it just out of spite and bitterness over the cheating, that is nearly as reductive as claiming it is this triumphant and redemptive act where he is out of the clutches of the āevil temptressā. no, it is the climax of a previous delusion that his life essentially revolved around being deconstructed entirely. the infidelity revelation onsets reflection, and while it still plays a major emotional role, it is far from being the only thing going on. it is a key disruption that makes the jc narrative fall apart fundamentally (heās the knight/warrior, sheās the maiden. they are destined to be together. it is unconditional love that can be placed above all else because it is almost divine. she will need him. they will die together. he ācannot die while cersei lives.ā āwhy would she need the warrior she has me.ā āshe will have need of him.ā) jaimeās conversation with lancel, the confession to ilyn, the joanna dream right before the letter is burned, the inability to compromise with each other in asos, the clear distinct priorities, the reflection regarding what is gained and what is lost, the differences in sacrifice and devotion, the questioning of love, the visible deterioration and the cracks of the relationship becoming open wounds, and so on, are all emphasized in the text for a reason. he is not obligated to die for/with her. he doesnāt believe in this relationship anymore. just because it is not some triumphant redemptive act does not change all this and doesnāt mean that his decision should be misconstrued into him doing it simply out of spite. it marks a significant development. he is not her knight or sword anymore. the idealized knight/maiden destined lovers dynamic he used for self-affirmation collapses, gets confronted as something rooted in falsehoods, and is rejected. he is no longer her extension. it is just a milestone in jaimeās individuation.
this is a rejection of more than just āsaving herā
the lack of that hand tends to be an emphasized symbol in all of this too. anyways, there is a reason the joanna dream is what precedes the burning of the letter
I'm glad Mikio had betrayed Mizu - actually, he's done her a favor!
We tend to think that Mikioās betryal was the worst thing that ever happened to Mizu. But what if it actually was⦠the BEST thing?
Iāve only noticed this recently, but Mizuās backstory is such a great metaphor for psychological reasons behind women being abused around the world.
Think about it: you have this girl who is an outsider in every sense of the word. She grows up without love, without friends, and her only family member shows her little affection. Then she loses that family member and ā however bad their relationship might have been ā itās a huge loss. Little girl blames not the world but herself ā because sheās been told, from the very beginning, constantly, every day, that sheās the REASON of her own misfortunes.
She starts fantasizing about killing the man who brought her into this world. This goal might be destructive, but at least it gives her PURPOSE. Strength.
Now, there is this misconception that only weak women allow themselves to be abused, but it is sooo very far from the truth. Strong women can become victims as easily as everyone else. The reason behind this is one tricky feeling.
Longing.
Mizu is crazy strong. Independent. Perfectly capable of taking care of herself. More importantly ā she has a potential to be likable, but she doesnāt know it yet. How could she, when the only person who accepted her was a blind man?
So, she might be angry, obsessed with revenge, but she is also love-starved to the point of latching herself the first person whoād shown her even a little bit of kindness.
Think about how easily she falls into mamaās arms when they reunite. How she cannot force herself to get angry at mama for stealing her money. How she doesnāt ask herself: is it truly reasonable to trust someone who chose to fake their own death, practically abandoning her as a child?
Compliment level Mikio.
Then, comes Mikio. Heās not exactly friendly at first, but at least he doesnāt try to rape Mizu during their wedding night. I mean⦠well, respecting consent (or, in this case: lack of it) might not be such a spectacular character treat (rather the most basic requirement one would expect from a partner), but remember: as a child Mizu was used to being targeted almost every day by almost everyone. For someone like her the mere lack of violence would be interpreted as kindness.
E-VE-RY good thing directed at her would be interpreted not as the MOUNTAIN of acceptance. Love, even. Except thatā¦
Calling something āloveā doesnāt make it love. Kindness is just kindness ā and it can be withdrawn as effortlessly as it was given.
Letās take a closer look at flashbacks from episode 5 (Ronin and The Bride). Some people in the fandom believe what we saw there was Mizu and Mikio gradually falling in love. And it⦠might be true for Mizu. But Mikio? Honestly, I donāt believe he ever loved Mizu ā he was just kind.
You may say: look at all the things he did for her! How he cut peaches for her, taught her how to tend to horses, laughed with her, had sex with her. But then again: look at all the things he DIDNāT do.
He didnāt call her beautiful. Not once. He never reassured her: donāt worry, Iām on your side, your battles are my battles (*cough* *cough* Taigen). In bed, when they talked after sex, she called herself a āmonsterā a he NEVER corrected her. And thenā¦
Yeah, we all know what happened next, because it was the most traumatic moment in the whole series, and when the soldiers arrived the whole fandom was like: oh no, poor Mizu, itās so horrible she was betrayed like that. But you know what would be even worse? If she WASNāT betrayed. I sincerely believe Mikio did Mizu a favor by selling her out to those soldiers. You wonder, why?
Because⦠well, try imagining an alternative universe where he DOESNāT betray her.
The fight under the peach tree still happens, Mikio gets humiliated, calls Mizu a monster, sheās lectured by her mama and prepares to apologize. Imagine her waiting in that make up, all humble and submissive. Except this time there are no soldiers arriving to kill her. Mikio comes back instead, and Mizu is determined to do ANYTHING to make him forgive her. And heās determined to repair his wounded masculinity. So⦠various things may happen from here.
Perhaps he initiates the sex and perhaps Mizu allows it, because she feels her precious husband deserves an apology. Perhaps he acts politely afterwards and Mizu sighs in relief, thinking she has repaired their marriage. Routine returns, but NOTHING is as it was, because Mizu will always remember how she almost destroyed the relationship with the first person who was attracted to her, and Mikio will always be aware of the fact that his wife proved to be stronger than him. So⦠incidents start to happen.
Mikio initiates sex again. And again, and again. And Mizu consents, again and again. Until she doesnāt. Because at this point she understands that sex wonāt heal their relationship. But this is not their wedding night and Mikio doesnāt care about her lack of enthusiasm anymore. He needs to āprove himselfā, so he rapes her. Now, she could defend herself, like a strong woman she is, but⦠she chooses not to. Ā
Her story becomes similar to the stories of many other women in broken marriages. You can easily guess what happens next.
Violence enters the routine. First insignificant. Then regular. Maybe even life-threatening. At some point children are born and it makes the whole situation more complicated. Mizu wants whatās best for them. But she knows what kind of reality awaits them outside the farm and the protection of their Japanese father. She might take them and leave ā but where would she go? To her oldest friend, Master Eiji? But coming to him after so many years, with extra āluggageā would be so humiliating.
Thatās the true dilemma of women who are abused. Itās not just a matter of leaving and slamming the door firmly behind you. In many cases there is literally nowhere to go. The house is your husbandās and so is the money. And besides, there is something else stopping you ā that wicked voice in your head, saying youāre not enough, and itās better to belong somewhere than nowhere. Because your husband might be abusive, but at least heās kind to you⦠occasionally.
So, having all of this in mind, Iām kind of glad that Mikio betrayed Mizu. Honestly, Iād rather see her wounded than staying with that scum, convinced heās the best she can hope for.
Of course, the scenario Iāve described is just one of many and Mizu might have acted differently. Perhaps she would have left Mikio after a while. Or perhaps he wouldnāt dare to be violent towards her, fearing she might kill him. We donāt know what would have happened if he chose not to betray her, but contemplating it is very interesting, because it forces us to examine the more vulnerable side of Mizu ā not the badass fighter, cold to his friends and enemies ā but someone craving love and acceptance above everything else.
Now, the question is: how sheās supposed to let herself want these things again, when wanting them in the past almost killed her?
Remember what she said to Shindo, while Taigen listened?
āI donāt want to be happy. Only satisfied.ā
That being said, I do believe future seasons will allow Mizu to admit that she wants ā after all ā to be happy. Itās something every person who is/was abused needs to learn ā that you deserve the full happiness, not just the imitation of it. Ā Ā
necks
silly little sketches I made weeks ago, but didn't finish and wasn't going to post, but here they are anyway
theyāre burning me at the stake tomorrow. If anyone wants to come

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
cersei
shireen baratheon