King Lear performed in the fire-damaged ruins of Teatro Municipal de Lima (c. 1999), conceived by architect Luis de Longhi
Aqua Utopia|海の底で記憶を紡ぐ
occasionally subtle
taylor price
Xuebing Du
ojovivo
Sweet Seals For You, Always
cherry valley forever
★
almost home
Misplaced Lens Cap
Sade Olutola
PUT YOUR BEARD IN MY MOUTH



tannertan36
untitled

titsay
Claire Keane
Game of Thrones Daily
The Bowery Presents

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@asteria-charti
King Lear performed in the fire-damaged ruins of Teatro Municipal de Lima (c. 1999), conceived by architect Luis de Longhi

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“This is the key to Jareth the Goblin King’s character. He is Sarah’s inner fantasy, a figure made up of her daydreams and nightmares. I strove to reflect this in Jareth’s costume. He is seen, through her eyes, as part dangerous goblin, part glamorous rock star. I designed him a riding-crop sceptre, a visual echo of a microphone. Look closely and you will see references to the romantic figure of Heathcliff from Wuthering Heights and a brooding Rochester from Jane Eyre. He is also a transfiguring Scarlet Pimpernel. Jareth is the proud lord of the manor, lord of his goblin domain, with his hounds at his feet, ready to go hunting for human souls. His leather jacket indicates that he is a rebel, an outsider, and dangerous. He is Brando in The Wild Ones. He is a knight from Grimm’s fairy tales, with the worms of death eating through his armour. In short, Jareth needed to be a mercurial figure who would continually throw Sarah off balance emotionally. When I first met David Bowie, it was in his dressing room. The workshop had made him a little flute out of bone. His immediate response was delight, and he leaped up onto the dressing table, crouched down, and played some notes. It was an astonishing transformation. Before me hunkered an evocation of Pan.”
— from Goblins of Labyrinth, by Brian Froud (via theumbrellaseller)
Vintage wind-up toy bear (USSR, 1920s-30s)
Practical Magic by Alice Hoffman
t’es woke toi 😦🫵 toi t’es un woke left😔🙄 tu supporte les trans pis les pronoms toi 🤨🏳️⚧️ veux-tu savoir mes pronoms? 🥱🔥 mes pronoms? 😳😤 que/bec. fran/çais. bar/be/que. go/habs/go.🍁🏒 bleu pis rose 💙🌹 toi c’est quoi tes pronoms? vas-y. dis moj tes pronoms?🧐😪 joe/bi/den? ru/paul? 🤭😒 j’vas prier pour toi 🫤🙏

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explained to an 8 year old that once a fruit is ripe you only have so much time until it rots so you have to eat it soon and she said so i'll never be able to keep it perfect like this forever? no and there are about a million pieces of art for you unrelatedly
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megan williams
Saguaro National Park, Tucson, Arizona
thejoshuatreehouse
Bloody Mary au but Rocky is Tofu the snake
Borzoi White Mohair with zipper (box for pajamas), glass eyes
It’s so weird that pyjama cases were a thing. They went so abruptly out of fashion, too. The idea was (I think) that it was vaguely indecent to leave your pajamas around, and it definitely spoils the look of your nicely made bed, so lots of people put them under the pillow; but a cuter thing to do was to have a specially made empty stuffed animal or cute purse or pillow thing, with a zipper, and you’d stuff it with your pajamas in the morning and place it cutely on your nicely made bed. Then in the evening, you would unzip and disembowel the soft plump object, and reclaim the pajamas. It wasn’t just a thing for kids; adults did it too. In the kind of pre-1950s novels I like to pick up, authors describe a character’s pyjama case to reveal a bit about the character; but of course they never say why you’d have a pyjama case. “Everyone knows what a horse is.”
I suppose it’s been culturally decided that it’s an unnecessary step in the bedtime process. We’re busy bastards, aren’t we? Who makes their bed every morning, I mean, really?
Perhaps, also, our clothing is no longer of the material and methodology where you have to spend extra time/attention/tools on them. Pyjama cases may have had some benefit - extending the life of the pyjamas, or something. Perhaps it was more common in those days for mice to climb into your silk pyjamas, or they kept them from being attacked by dogs, or something. It’s possible that there are unspoken benefits to keeping your pyjamas in a stuffed toy, which previous generations knew instinctively and we have forgotten. Some people are like that, they maintain rituals and practices that don’t get written down, and so become arcana. My father-in-law owns special clothing maintenance tools such as shoe trees (which you place in your shoes every night at night) and trouser presses (in which you leave your worn-but-not-dirty trousers overnight so they are crisp in the morning). He irons his pocket handkerchiefs - why? so that they fold into a precise pocket shape, with the same fold pattern as plastic-wrapped disposable tissues: the optimised shape for pockets. You are not going to read in the literature about there being a reason for ironing pocket handkerchiefs. It is a habit that is not captured by history. You have to speak to a practitioner to even consider that there is a specific value in pocket handkerchief folding. Maybe we operate at a remove from the people who could have told us why they bothered with the idea and then stopped.
You can buy a selection of pyjama cases online, but with no explanation of why you’d want to, it’s hard to see how this helps. The only real thing i can see is that it’s cute and tidies the pyjamas up, but we’ve all decided that untidy pyjamas are a problem that doesn’t need solving.
Pyjama cases have no Wikipedia article; search engines have nothing to offer. Old books only self-reference them being a normal thing. Someone who knows about pyjama cases or textile history could heroically fill this in. Please do. Otherwise, this tumblr post is going to suddenly become the leading analysis of pyjama cases, and that would be sad.

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Trace amounts of Monica in my life
A statistically insignificant level of Monica in my life
My life manufactured in a facility that also processes Monica
(nods sagely) (nods basily) (nods rosemarily) (nods saltly) (nods star anisely)
the people yearn for nonplastic fabrics
[Video description: Gritty is turning the crank on a flagpole to raise the Progress Pride Flag. He gesticulates angrily that the flag is not blowing in the wind, then gestures offscreen. The flag begins blowing. As Gritty begins raising the flag more, the camera pans out to show a man in a suit and sunglasses, looking like a stern Secret Service agent, is holding a leafblower that points at the flag. End description.]

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"antique store, portland" (2006), lovely librarians