The Sky's No Limit

Mini Comic #6 - Photo Op

Part 1 here.

As some of you might already have guessed, I’m a fan of Japanese girl idols. One of the many, many idol groups in existence today in Japan is NMB48, a Osaka-based spin-off group of the (in)famous AKB48. NMB has a weekly show that’s surprisingly entertaining as well as educational called NMB to Manabu-kun, in which the members of NMB and a few comedians listen to guest lectures by experts in various fields.

Back on May 15th, the theme of the episode was pataphysics/the science of sci-fi. One of the topics of the lecture held by university professor Yanagita Rikao was the age-old question of “WHY ARE MAGICAL GIRLS NEVER ATTACKED WHILE TRANSFORMING???”

This was his answer, based on the magical girl series Futari wa Pretty Cure.

Question: The transformation scenes in Pretty Cure are very long, so why don’t the bad guys attack the girls in the meantime?

“Even when I was little, I was thinking ‘Hey! Attack them now!’”

“I found this odd as well, so I watched the transformation scene many times. And what I noticed is, when the Pretty Cures yell ‘Dual Aurora Wave!’ and transform, a rainbow-colored column of light shoots up from the ground, going BOOM!”

“And then the Pretty Cures levitate, and go up into the air. Based on this, I believe the protagonists of Pretty Cure are being held up in the air by the power of light.”

“When we think of light, we usually think it heats up things or lights up things. But in reality, light has the power to hold up things as well.”

“When the sun is beating down on us in the summer, the human body is being pressed downwards by the sun beams with a force of 2/100,000g.”

“But this is only about a one-hundred of the weight of a mosquito, so no matter how hot it is, we don’t feel that sunlight is heavy.”

“So that means the light holding them up must be extremely strong. If we assume that the two Pretty Cures each weigh about 45kg and do some calculations…”

“It means the light during the transformation must have the energy of 2,100,000,000kW per 1m2.”

"While the entirety of power that Japan is capable of generating is only 100,000,000kW.”

"So they’re using 21 TIMES the amount of energy the whole of Japan can generate.”

"So what would happen if a bad guy jumped in to try to sabotage their transformation?”

“He would EVAPORATE INSTANTLY.”

“DEATH AWAITS ANYONE WHO DARES TO DISRUPT A PRETTY CURE TRANSFORMATION.”

"So this means the best thing to do would be to transform close to any bad guys.”

“Yes. They are the strongest while they transform, and are practically invincible.”

Soft Touches

DO YOU KNOW WHAT REAL STEPPE NOMADS FUCKING WORE???

HERE'S THE FUCKING REFERENCES I CREATED FOR A XIONGNU-INSPIRED DND CHARACTER COMMISSION. AND THAT WAS SOMEHOW MORE RESEARCH THAN GRR MARTIN AND HBO COULD BE PISSED DOING.

vs

LOOK AT THE FUCKING ARTESTY. THE CRAFTSMANSHIP. THE EMBROIDERY.

One thing I don't see discussed enough about game of thrones is the blatant orientialism. hey quick question, why are the real cultures you were "inspired by" portrayed as basically human-orcs? 1) why are nomadic societies automatically portrayed as being incapable of valuing or producing sophisticated clothes, and why is that costuming directly linked to their "bloodthirsty" and "warlike" natures? did you know their IRL counterparts the xiongnu/jurchens/mongols/hu people LOVED the fancy silks produced by the han chinese. not only was this a key part of diplomacy between the two nations. (surprise! they were not constantly at war, because steppe nomads were not bloodthristy monsters who loved death, but real people engaged in resource competition and territory control). it was also part of the internal politics of steppe culture, e.g., who was favoured by the leader and how valuable gifts were distributed among the nobility. but noooo that would mean thinking of them as real people motivated by complicated things like politics, status and culture within their tribes! and who would watch a show about people doing that? -_- 2) why do their societies revolve around killing and conquest, and have no love for intellectual or artistic pursuits? historically, genghis khan, kublai khan, ect, valued scholars and did everything they could to patronise/kidnap/poach huge numbers of them, and this was key to their tactical success! han chinese engineers were captured, and used to build siege engines to take down the great wall! that portrait of kublai khan you see up there was drawn by the nepalese artist araniko, a child prodigy who was part of the khan's court. does khal drogo have a flock of artists following him around, propagandising his greatness to the world, so everyone knows that he is a man of culture and his rule has legitimacy? no, he burns down villages for fun? cool. cool cool.

3) why are the dothraki portrayed as lawless brigands who are incapable of governing their captured territory, when the mongol-led yuan dynasty managed to conquer and rule over china, and genghis khan was responsible for expanding the silk road, and enforcing such effective law and order over it that it resulted in the pax mongolica, and increased trade between the east and west? is it because they "don't wanna?"' why? are they a monolith? why would they throw away the advantages of all that trade control? are they just "intrinsically incapable of it?" would you care to expand on that?

picture references:

clothing of a Xiongnu chief, 2nd century BCE-1st century CE. Reconstruction by archaeologist A.N. Podushkin, in the Central State Museum of Kazakhstan.[77][78]

Noin-Ula carpet, animal style. 1st century CE.[236]

Xiongnu Leather Robe, Han period, Henan Provincial Museum, Zhengzhou

Belt buckle with animal combat scene, 2nd-1st century BCE, made in North China for the Xiongnu.[267][157]