fat bodies, fat anatomy, and how body fat tends to work should be taught as standardly as skinny anatomy and how muscles work in art courses. fat bodies are not an outlier. fat bodies are not a minority and theyre not abnormal or wrong. fat bodies are normal and they belong in art teaching spaces as commonly as other anatomy, because fat bodies ARE normal anatomy. people have diverse bodies and there will never be a single body type that encompasses the "normal body type"
tldr; fat anatomy should be taught as a staple in art courses just like any other anatomy. this is fact <3
ive gathered various links to refs so that people who see this can actually access helpful info on how to draw fat people. first and foremost though, using references will always be the biggest help :)
Scans of Morpho: Fat and Folds by Michel Lauricella
Links for obtaining Morpho: Fat and Folds yourself
How to draw fat bodies by @strawberrylind
Tips on drawing big people by @gubbins-turtledove
Fat bodies tutorial by @wxrmandfxzzies (deactivated)
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I am so serious when I say if you want to learn about light, you NEED to at least look at modesevenās tutorials. even if youāre not pursuing a painterly style, this is all essential theory that can be easily adapted to different coloring styles. notice how none of these ever say ālight with these colors and shade with these colorsā? notice how this is teaching how light works on a mechanical level, and reminding the audience to adjust the actual colors they choose by context? THAT is good advice.
(if youāre thinking āwow I want to study more of this persons art!ā I encourage you to do so, but proceed with the knowledge that modeseven draws pretty much exclusively weird as hell kink art. sometimes wisdom comes from horny places)
i actually wanted to elaborate on this and say that i think itās a really bad habit of a lot of artists, influenced by current media casting practices, to unconsciously or consciously make every single character they create super pretty, like everyone is just hot in that very boring, homogenous way, and this also comes as a result of people using actors and celebrities as character references or faceclaims and AI facial generation programs like Artbreeder being trained on people who are generally very pretty-looking. it results in alienating, uncanny worlds and drawings completely devoid of people who just look like regular people. it results worlds populated by mannequins fresh off the CW. I feel like whether a character is attractive or not should actually matter, be part of their character, because that kind of thing absolutely affects the way you move through the world and the way the world treats you.
so i wanted to throw in some suggestions that, whenever Iām trying to find a character reference or otherwise draw very interesting-looking yet regular-looking people, which i usually have to do for bit characters in @ikroahā or something, I tend to look for references in the following places. these are far from the only reliable way to get inspiration, this is just a non-exhaustive list of places iāve looked before for visual inspiration when needing to create a character, whether starring characters or background ones:
pre-2000s television (The Sopranos and Twin Peaks especially having incredible character design)
extras in comedy sketch shows
esports players
real photos (not staged stock photos) of line cooks
70s baseball players
athletes from more obscure olympic sports like the javelin toss or greco-roman wrestling, especially if youāre looking for a specific body type
ska, jazz, and blues musicians
firefighters
improv troupes
for teenagers, searching āhigh school english class projectā on youtube and sorting by Upload Date
state senators, small-town mayors, and generally obscure local government positions like comptroller or treasurer (yes i know politicians can be bad sometimes but smaller elections especially donāt really depend on looks)
people who walk by your window (if you live in a city like I do)
and again these are just, in my opinion, deep and easy wells to dive in if you want to get a good idea of what regular people look like. these suggestions arenāt the limits on where you can possibly find inspiration for character design
Do you have any advice on poses? The ones in your art are always very fun and expressive and Im wondering if you have a process for it.
Thank you so much!! I never really thought my poses were anything special but here's a lil insight into my thought process <3 (full thing in the readmore!)
NOTE: this doesnt go into internalising proportions and stuff! generally i dont care much about getting them done accurately- but i do a lot of life drawing in art classes so i get plenty of practice on making bodies look natural.
Little trick I learnt a while back but only just remembered: When drawing plants start with some quick gesture and rhythm lines to control the vegetation :D that way something chaotic becomes pretty to look at
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When searching drawing references from movies and series
One of the things that I struggle the most when drawing is trying to find the right references to practice. When I want to draw a character from a movie or a serie, I want to draw them in different angles and actions, but finding those references are a pain in the ass.
Considering one canāt screenshot in film platforms such as Netflix and Disney+, not everyone has dvdās to put on their computer, and finding some movies and series on internet is hard or the image is too low quality to use, artists settle for what they can find.
So hereās a solution for my fellow artist.
Screencaps.com is a website where you can find screen captures of movies and series. The captures are taken in sequences at every two to three seconds of the whole movie/serie.
You can find screen captures of live action movies and series (Example: The Mandalorian)
As well as animation movies and series (Example: Tangled)
I donāt know how many movies and series are used, but youāll find the majority of Disney and Dreamworksā movies and series among other titles.
No more scrolling down to find the right pic of a certain character or scene. Screencaps covers the whole film.
For live action movies, go to
Hundreds of thousands of high quality screencaps of movies, perfect for fanart, role playing, fan sites, and more. Don't see a movie you're
For animation movies, go to
Disney Screencaps.com: Bringing you the very best quality screencaps of all your favorite animated movies: Disney, Pixar, & so many more!
how do you come up and poses and colour schemes?? ive been struggling a lot with both of those lately and your art is always so beautiful n has really good posing :0
thanks! i already have some explanations under ā#my tutorialsā, but I havenāt covered posing yet. iām not the best at it, but hopefully youāll learn something from my process. :-)
1. Choosing an idea
For me, the hardest part of a picture is knowing what to draw in the first place. When sketching this picture, I knew I wanted to draw the Saburovs, but had no idea what theyād be doing until I found those āLeave room for Jesusā images and was struck with inspiration.
Some people use skeletons or 3D modelling for drawing poses, but I find them too restrictive for my own style. Instead, I often use reference images (in this case, a picture of slow-dancing from Google). I do a very rough sketch with a large brush, so I can focus on the shape and flow instead of the details.
Even if Iām drawing something from my imagination, itās usually based on something Iāve already seen ā maybe a magical girl transformation, or an archerās iconic pose, or a classical painting. Half of all art is building off of images that already exist, and I try to wear my inspirations on my sleeve.
Always look at your picture as a whole: for example, where do you want the focus to be? I wanted two focuses, one on the Saburovās faces, and the other on the Rat Prophetās. Thus, the Saburovs lean towards each other, and their arms frame the Rat Prophet in between them. I exaggerated some of the shapes, like the line of their backs, to create more visual interest.
If you want better advice on designing poses, I think GRIZandNORMās tutorials are fantastic.
2. Creating a base
Technically, you can start a picture here if you want to focus on the overall silhouette. In this case, I took my first sketch, filled it in with teal, and used it as an underpainting. In hindsight, teal was a poor choice, since it made the colouring later on pretty tedious. Next time Iād rather use colours that work better with my palette, or draw the clean sketch on a separate layer.
3. Drawing the sketch
This is where I sort out the details of a picture. This isnāt a shining example of linework, but I think itās worth mentioning that varying the softness and sharpness of your lines can make a picture more interesting. I also thicken certain lines to make the image more readable: for example, the arms crossing over the Rat Prophet need to be darker to show the depth of space.
4. Colouring and painting
I always have trouble explaining this step, because I tend to pick my colours by trial and error. Again, think of your picture as a whole, and determine which colours will be the most common while others will draw a viewerās attention. In this case, the palette is very tame: dark browns, greens, and blues for the clothes, while the Rat Prophetās pale blue eyes stand out. To emphasize the Rat Prophetās face, I added a blue highlight to the edge of Saburovās arm.
I had the most trouble with the skin tones, which had to be skewed towards olive green in order to not clash with the clothes. Of course, I could have done it the other way around; choosing the skin colour first, and making the clothes more warm-toned and bright to match. Whatās best for the piece will depend on the intended atmosphere.
Colour Supply is a great website for palette ideas. Just select a colour on the colour wheel, and it will show you a dozen different palettes that will work with it, including different shades and tones. If you struggle with colour theory, itās a great place to start.
Man, Iām kind of bummed out that the best resources for deer anatomy and body language are all on hunting sites. I mean, it makes sense, but itās still kind of disorienting to be reading along and then have a description end with like,Ā āā¦so if you see the buckās ears do that, stay still and keep your gear from making noiseā. Iām not crouching in the grass with a compound bow, Iām just an artist! I just want to draw a bunch of fake fictional deer and deer-adjacent creatures, not put on some forest camo and hunt me a Big Antler Boy or w/e in real life!!Ā
Yeesh, I bet Iām going to get targeted ads about hunting equipment now. Just another way that the Research Struggle can be really real sometimes.
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I love the darker lines around the edges of ur shadows... how you do that..
umm if youāre talking about what I think youāre talking about, itās a setting on sai called fringe! you could probably get the same effect by manually coloring a darker line around the edges though
Hello! I was wondering if you could please make a tutorial for colours? I absolutely adore your colouring/ effects and Iāve been struggling with it for years;;v;; so if it isnāt too much trouble that would be amazing! Of course if you canāt thatās fine too, I completely understand! Thank you sm for giving us amazing artššš
waah thank u so much thats so nice...š„°š!!
i love to help when i feel like im able to give Real advice and not justĀ āyeah idk this is just how i do thingsā. these are some basics ive learned from painting and drawing classes that i try to keep in mind while coloring (even though i dont always do it haha but it IS at the back of my mind)
i made these diagrams quick just to get some points across as easily as i can i hope its not too hard to understand (also i hope you can read my handwriting..)
its easiest to practice these ideas on white objects because theres no real local color to worry about. just the colors from your light source and your shadows. warm light creates cool shadows and cool light creates warm shadows. but shadows are also made up of the reflected (bounced, ambient, diffuse (theres lots of names for it)) colors of nearby objects. light bounces and so does the color it bounces off of. these reflected colors will be less extreme (more neutral (grey)) and mix with the color of the light source a bit.
from top to bottom: the highlight is where the light hits your object most directly. this can be a really hard light like in the pic or really soft depending on the source and the object itself. base toneĀ is just the color of the object affected by the color of your light source (warm/cool). it may also have a saturated edge.Ā halftoneĀ is where the light meets the core shadow. this area is usually less saturated as its further from the light source. the coreĀ is the darkest part of the shadow and occurs right where shadow meets the halftone. think of it like an edge. even round objects have this though itāll be harder to see. then the real shadowĀ which is...a shadow haha but aside from being a cooler version of your objects true color itāll also be comprised of the colors from light bouncing off nearby objects. thats the reflected light.
now with color!
ive seen someĀ āhow to colorā posts on here that say to avoid greys, and thats not true! neutrals are very important, especially when it comes to complimentary colors. sometimes its hard to tell that a color youre looking at is actually pretty grey, and that has to do with the colors its surrounded by. can you see the reflected light on the red ball? looks a little blue (or green depending on which youre looking at) right? but its actually just a neutral red! the blue affected color is cooler and the green affected color is warmer, but theyre both still neutral (grey) reds. even some of the red has reflected onto the green surface, making that a warmer neutral tone as well. neutrals are everywhere! its kind of hard to find (naturally occurring) highly saturated colors.
moving from yellow to green might not take many neutral tones because of their proximity to each other. but the farther your colors get from each other, the more neutrals youāll need to transition between them. all colors have one thing that connects them, and thats grey haha. dont be afraid of neutral tones! but still dont shade with black!!
on top of going neutral i also always try to shift the hue as well. sometimes this is really subtle or extreme depending on the situation and what i feel looks best. subtlety can also go for neutrals. in the end, youre just looking for whats most visually pleasing. and thats subjective! and can tie into your style. i dont Always shade with neutrals. like with skin, sometimes it can be better to have more saturation (sometimes i just go straight down too only barely changing saturation, or not changing it at all). but for the most part i move towards the grey side of the box and not the saturated side.
this is pretty long and im not an expert or anything but i hope its helpful!! here are a couple videos on the subject as well that i feel do a pretty good job explaining these ideas, and go into some more depth than i do here. one about ambient light, and one about shadows and colors. it can also be nice practice to just color pick from photographs so you can learn to recognize colors better as well :)
Resources For Writing Deaf, Mute, or Blind Characters
Despite the fact that I am not deaf, mute, or blind myself, one of the most common questions I receive is how to portray characters with these disabilities in fiction.
As such, Iāve compiled the resources Iāve accumulated (from real life deaf, mute, or blind people) into a handy masterlist.
Deaf Characters:
Deaf characters masterpost
Deaf dialogue thread
Dialogue with signing charactersĀ (also applies to mute characters.)
A deaf authorās advice on deaf characters
Dialogue between deaf characters
Mute Characters
Life as a Mute
My Silent Summer: Ā Life as a Mute
What Itās Like Being Mute
21 People Reveal What Itās Really Like To Be Mute
I am a 20 year old Mute, ask me anything at all!
Blind Characters:
The 33 Worst Mistakes Writers Make About Blind Characters.
@referenceforwriters masterpost of resources for writing/playing blind characters.
The youtube channel of the wonderful Tommy Edison, a man blind from birth with great insight into the depiction of blind people and their lives.
An Absolute Write thread on the depiction of blind characters, with lots of different viewpoints and some great tips.
And finally, this short, handy masterpost of resources for writing blind characters.
Characters Who Are Blind in One Eye
4 Ways Life Looks Shockingly Different With One Eye
Learning to Live With One Eye
Adapting to the Loss of an Eye
Adapting to Eye Loss and Monocular Vision
Monocular Depth Perception
Deaf-Blind Characters
What Is It Like To Be Deafblind?
Going Deaf and Blind in a City of Noise and Lights
Deaf and Blind by 30
Sarita is Blind, Deaf, and Employed (video)
Born Deaf and Blind, This Eritrean American Graduated Harvard Law School (video)
A Day of a Deaf Blind Person
Lesser Known Things About Being Deafblind
How the Deaf-Blind Communicate
Early Interactions With Children Who Are Deaf-Blind
Raising a DeafBlind Baby
If you have any more resources to add, let me know!Ā Iāll be adding to this post as I find more resources.
Mixed rep in the media as a whole is kinda a fucking disaster so I'm definitely encouraging people to write more diverse mixed race characters!!! That being said give this handy dandy little guide a read to make sure you have a basic idea of what you're doing. And also. Y'know. Maybe dont make your mixed characters nonhuman. Just a thought
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Iāve been asked so many times how i draw without lines so i thought i would finally do a tutorial!
I didnāt wanna do a video because theyāre so hard to watch on tumblr and insta and so time consuming to make but pictures just donāt really cut it⦠so i ended up spending wayyyy more time making this big ass gif set š pray this monstrosity will actually upload..
more on writing muslim charactersĀ from a hijabi muslim girl
- hijabis get really excited over pretty scarves
- they also like to collect pins and brooches
- we get asked a lot of questions and it can be annoying or it can be amusing, just depends on our mood and personality and how the question is phrased
- common questions include:
- ānot even water?ā (referring to fasting)
- hijabis hear a lot of ādo you sleep in that?ā (we donāt) and āwhere is your hair?ā (in a bun or a braid, usually)
- āis it mooze-slim or mozzlem?ā (the answer is neither, itās muslim, with a soft s and accent on the first syllable)
- āee-slam or iz-lamb?ā (itās iss-laam, accent on the first syllable)
- āhee-job?ā (heh-jahb, accent on the second syllable)
- ākor-an?ā (no. quran. say it like koor-annn, accent on the second syllable)
- people tend to mess up our names really badly and you just get a sigh and a resigned nod or an awkward smile, maybe a nickname instead
- long hair is easy to hide, short hair is harder to wrap up
- hijab isnāt just covering hair, itās also showing as little skin as possible with the exception of face, hands, and feet, and not wearing tight/sheer clothing
- that applies to men too, people just donāt like to mention it ( i wonder why)
- henna/mehendi isnāt just for special occasions, youāll see people wearing it for fun
- henna/mehendi isnāt just for muslims, either, itās not a religious thing
- henna/mehendi is not just for women, men also wear it, especially on their weddings
- there are big mehendi parties in the couple of nights before eid where people (usually just women and kids) gather and do each otherās mehendi, usually just hands and feet
- five daily prayers
- most muslim kids can stutter through a couple verses of quran in the original arabic text by the age of seven or eight, it does not matter where they live or where theyāre from or what language they speak natively
- muslim families tend to have multiple copies of the quran
- there are no āversionsā of the quran, there has only ever been one. all muslims follow the exact same book
- muslims have no concept of taking Godās name in vain, we call on God at every little inconvenience
- donāt use islamic phrases if you donāt know what they mean or how to use them. we use them often, inside and outside of religious settings. in islam, it is encouraged to mention God often and we say these things very casually, but we take them very seriously
- Allahu Akbar means āGod is Greatestā (often said when something shocks or surprises us, or if weāre scared or daunted, or when something amazing happens, whether it be good or bad; itās like saying āoh my godā)
- Subhan Allah means āGlory be to Godā (i say subhan Allah at the sky, at babies, at trees, whatever strikes me as pleasant, especially if itās in nature)
- Bismillah means āin the name of Godā and itās just something you say before you start something like eating or doing your homework
- In Shaa Allah means āif God willsā (example: youāll be famous, in shaa Allah) (itās a reminder that the future is in Godās hands, so be humble and be hopeful)
- Astaghfirullah means āi seek forgiveness from Allahā and itās like āgod forgive meā
- Alhamdulillah means āall thanks and praise belong to Godā and itās just a little bit more serious than saying āthank godā (example: i passed my exams, alhamdulillah; i made it home okay, alhamdulillah)
- when i say we use them casually, i really mean it
- teacher forgot to assign homework? Alhamdulillah
- our version of āamenā is āameenā
- muslims greet each other with āassalamu alaikumā which just means āpeace be on youā and itās like saying hi
- the proper response is āwalaikum assalamā which means āand on you be peaceā and itās like saying āyou tooā
As a Muslim this post is so very important and it makes me so happy that it gives the small facts and details that one might be unaware of or confused about.
Iāve reblogged it before but honestly this fucking post touches me so much. To see how intrinsic Allah is to followers of Islam and how ingrained He is in their daily lives is so beautiful.
Also, can we just talk about the fact that there arenāt like 100 different versions of the Quran? Because I didnāt know that and that legit AMAZES me.
Muslim here! Just wanted to add a couple of things:
- If you want to write mostly irreligious young adult Muslims, it would be humorous to make them literally follow nothing about the religion except making them very averse to eating pork cuz itās haraam. You have no idea how many Muslims I know whoāll party, get drunk, smoke weed, and engage in, ahem, certain activities, but the one thing theyāll refuse is to eat pork.
- While itās true that we are very loose with the way we mention God at nearly every occasion, we never make fun of the Prophets, God, or generally the religion. We take the sanctity of the religion and its figures very seriously because itās blasphemy to insult them. Iāve found itās very different from the attitude that most Christians and christianized atheists have on their religion / the religion they were raised around (easily making fun of Jesus, the concept of God, making jokes likeĀ āsnow is godās c*mā)
- People get surprised when a non-hijabi girl tells them sheās very devout and practices often, Muslim and non-Muslim alike.
- Aunties are nosy and gossip way too much, even though thatās a sin.
- Most Muslims believe in djinn because itās part of our religion, but this belief oftentimes seems or looks to border on superstition, and a common activity amongst Muslim kids, especially cousins, is to tell djinn stories like ghost stories.
- Also, there is noĀ āMuslim foodā, we are 1.8 billion people that come from different cultural backgrounds with different food and culinary culture, and we all eat things that are more or less similar, so the dietary habits of the character(s) youāre writing will depend on their cultural heritage(s) instead of their religion.